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  <title><![CDATA[Pikachu's Global Adventure: The Rise and Fall of Pokémon]]></title>
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        <name><![CDATA[Joseph Tobin]]></name>
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  <title>
    <![CDATA[Pikachu's Global Adventure: The Rise and Fall of Pokémon]]>
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    <![CDATA[Initially developed in Japan by Nintendo as a computer game, Pokémon swept the globe in the late 1990s. Based on a narrative in which a group of children capture, train, and do battle with over a hundred imaginary creatures, Pokémon quickly diversified into an array of popular products including comic books, a TV show, movies, trading cards, stickers, toys, and clothing. Pokémon eventually became the top grossing children's product of all time. Yet the phenomenon fizzled as quickly as it had ignited. By 2002, the Pokémon craze was mostly over. <em>Pikachu&rsquo;s Global Adventure</em> describes the spectacular, complex, and unpredictable rise and fall of Pokémon in countries around the world.<br/><br/>In analyzing the popularity of Pokémon, this innovative volume addresses core debates about the globalization of popular culture and about children&rsquo;s consumption of mass-produced culture. Topics explored include the origins of Pokémon in Japan&rsquo;s valorization of cuteness and traditions of insect collecting and anime; the efforts of Japanese producers and American marketers to localize it for foreign markets by muting its sex, violence, moral ambiguity, and general feeling of Japaneseness; debates about children&rsquo;s vulnerability versus agency as consumers; and the contentious question of Pokémon&rsquo;s educational value and place in school. The contributors include teachers as well as scholars from the fields of anthropology, media studies, sociology, and education. Tracking the reception of Pokémon in Japan, the United States, Great Britain, France, and Israel, they emphasize its significance as the first Japanese cultural product to enjoy substantial worldwide success and challenge western dominance in the global production and circulation of cultural goods.<br/><br/><em>Contributors.</em> Anne Allison, Linda-Renée Bloch, Helen Bromley, Gilles Brougere, David Buckingham, Koichi Iwabuchi, Hirofumi Katsuno, Dafna Lemish, Jeffrey Maret, Julian Sefton-Green, Joseph Tobin, Samuel Tobin, Rebekah Willet, Christine Yano]]>
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  <read_at>Sat Dec 05 00:00:00 -0800 2009</read_at>
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  <date_updated>Sat Dec 05 18:31:18 -0800 2009</date_updated>
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    <body><![CDATA[This was an interesting take on the how Pokemon became the global phenomenon and the global cultural implications involved with its success.  It's broken down into sections where it examines it from a toy marketing standpoint, effects on children and also cultural exportation.  Really fascinating re...<a href="http://www.goodreads.com/review/show/80022133">more...</a>]]></body>
    
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    <![CDATA[Initially developed in Japan by Nintendo as a computer game, Pokémon swept the globe in the late 1990s. Based on a narrative in which a group of children capture, train, and do battle with over a hundred imaginary creatures, Pokémon quickly diversified into an array of popular products including comic books, a TV show, movies, trading cards, stickers, toys, and clothing. Pokémon eventually became the top grossing children's product of all time. Yet the phenomenon fizzled as quickly as it had ignited. By 2002, the Pokémon craze was mostly over. <em>Pikachu&rsquo;s Global Adventure</em> describes the spectacular, complex, and unpredictable rise and fall of Pokémon in countries around the world.<br/><br/>In analyzing the popularity of Pokémon, this innovative volume addresses core debates about the globalization of popular culture and about children&rsquo;s consumption of mass-produced culture. Topics explored include the origins of Pokémon in Japan&rsquo;s valorization of cuteness and traditions of insect collecting and anime; the efforts of Japanese producers and American marketers to localize it for foreign markets by muting its sex, violence, moral ambiguity, and general feeling of Japaneseness; debates about children&rsquo;s vulnerability versus agency as consumers; and the contentious question of Pokémon&rsquo;s educational value and place in school. The contributors include teachers as well as scholars from the fields of anthropology, media studies, sociology, and education. Tracking the reception of Pokémon in Japan, the United States, Great Britain, France, and Israel, they emphasize its significance as the first Japanese cultural product to enjoy substantial worldwide success and challenge western dominance in the global production and circulation of cultural goods.<br/><br/><em>Contributors.</em> Anne Allison, Linda-Renée Bloch, Helen Bromley, Gilles Brougere, David Buckingham, Koichi Iwabuchi, Hirofumi Katsuno, Dafna Lemish, Jeffrey Maret, Julian Sefton-Green, Joseph Tobin, Samuel Tobin, Rebekah Willet, Christine Yano]]>
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  <read_at>Wed Jun 10 00:00:00 -0700 2009</read_at>
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    <body><![CDATA[A fairly decent book about how Pokemon became popular, both why and how Nintendo marketed it. It ranged from extremely interesting to outright boring. I think this tends to be true with any compilation. The ones I felt that were worth reading were &quot;Cuteness as Japan's Millennial Product&quot; b...<a href="http://www.goodreads.com/review/show/49024538">more...</a>]]></body>
    
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    <![CDATA[Initially developed in Japan by Nintendo as a computer game, Pokémon swept the globe in the late 1990s. Based on a narrative in which a group of children capture, train, and do battle with over a hundred imaginary creatures, Pokémon quickly diversified into an array of popular products including comic books, a TV show, movies, trading cards, stickers, toys, and clothing. Pokémon eventually became the top grossing children's product of all time. Yet the phenomenon fizzled as quickly as it had ignited. By 2002, the Pokémon craze was mostly over. <em>Pikachu&rsquo;s Global Adventure</em> describes the spectacular, complex, and unpredictable rise and fall of Pokémon in countries around the world.<br/><br/>In analyzing the popularity of Pokémon, this innovative volume addresses core debates about the globalization of popular culture and about children&rsquo;s consumption of mass-produced culture. Topics explored include the origins of Pokémon in Japan&rsquo;s valorization of cuteness and traditions of insect collecting and anime; the efforts of Japanese producers and American marketers to localize it for foreign markets by muting its sex, violence, moral ambiguity, and general feeling of Japaneseness; debates about children&rsquo;s vulnerability versus agency as consumers; and the contentious question of Pokémon&rsquo;s educational value and place in school. The contributors include teachers as well as scholars from the fields of anthropology, media studies, sociology, and education. Tracking the reception of Pokémon in Japan, the United States, Great Britain, France, and Israel, they emphasize its significance as the first Japanese cultural product to enjoy substantial worldwide success and challenge western dominance in the global production and circulation of cultural goods.<br/><br/><em>Contributors.</em> Anne Allison, Linda-Renée Bloch, Helen Bromley, Gilles Brougere, David Buckingham, Koichi Iwabuchi, Hirofumi Katsuno, Dafna Lemish, Jeffrey Maret, Julian Sefton-Green, Joseph Tobin, Samuel Tobin, Rebekah Willet, Christine Yano]]>
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    <![CDATA[Initially developed in Japan by Nintendo as a computer game, Pokémon swept the globe in the late 1990s. Based on a narrative in which a group of children capture, train, and do battle with over a hundred imaginary creatures, Pokémon quickly diversified into an array of popular products including comic books, a TV show, movies, trading cards, stickers, toys, and clothing. Pokémon eventually became the top grossing children's product of all time. Yet the phenomenon fizzled as quickly as it had ignited. By 2002, the Pokémon craze was mostly over. <em>Pikachu&rsquo;s Global Adventure</em> describes the spectacular, complex, and unpredictable rise and fall of Pokémon in countries around the world.<br/><br/>In analyzing the popularity of Pokémon, this innovative volume addresses core debates about the globalization of popular culture and about children&rsquo;s consumption of mass-produced culture. Topics explored include the origins of Pokémon in Japan&rsquo;s valorization of cuteness and traditions of insect collecting and anime; the efforts of Japanese producers and American marketers to localize it for foreign markets by muting its sex, violence, moral ambiguity, and general feeling of Japaneseness; debates about children&rsquo;s vulnerability versus agency as consumers; and the contentious question of Pokémon&rsquo;s educational value and place in school. The contributors include teachers as well as scholars from the fields of anthropology, media studies, sociology, and education. Tracking the reception of Pokémon in Japan, the United States, Great Britain, France, and Israel, they emphasize its significance as the first Japanese cultural product to enjoy substantial worldwide success and challenge western dominance in the global production and circulation of cultural goods.<br/><br/><em>Contributors.</em> Anne Allison, Linda-Renée Bloch, Helen Bromley, Gilles Brougere, David Buckingham, Koichi Iwabuchi, Hirofumi Katsuno, Dafna Lemish, Jeffrey Maret, Julian Sefton-Green, Joseph Tobin, Samuel Tobin, Rebekah Willet, Christine Yano]]>
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