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The Book of Ten Nights and a Night: Eleven Stories
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The Book of Ten Nights and a Night: Eleven Stories

3.36 of 5 stars 3.36  ·  rating details  ·  105 ratings  ·  8 reviews
John Barth, the postmodern master, is back with his sixteenth book and third collection of stories, which gathers for the first time in one volume stories previously published in various journals. Exploring ideas of narrative frames, stories within stories, and the uncanny power that language has in our lives, he offers the thrilling blend of playfulness and illuminating i ...more
Hardcover, 304 pages
Published April 9th 2004 by Houghton Mifflin Harcourt (first published 2004)
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David
As always, Barth's writing is fun (though requiring some decent mental effort), and almost impossible to talk about. This book of framed short stories/novel/something else entirely is immensely interesting. It's like a couple fiction books had an orgy with some craft books and a series of literary criticism dissertations (along with some other shadowed participants) and a child was born out of the genetic material of all and/or some of the progenitors. Though a short one for Barth, it does not l ...more
Christopher Sutch
A collection of eleven of Barth's uncollected stories dating from 1960 to 2001, Barth intertwines them with a frame-tale about literary inspiration and a metaphorical Muse. Some of the tales get a little repetitive (Barth has always had his long stretches of time in which he explores the same ideas in different iterations in his published works; stories are less rich than novels for this sort of writing/reading experience). The best of the stories ("The Big Shrink," "9999," "Click") are very goo ...more
Paula C
The framework was great, but the stories I found tedious at times. A number of the stories are about how little story it really takes to make a story, so we're riding the boundary between sort-of-a-story and really-not-a-story all the time. I liked 9999 because it didn't have that same self-consciousness, and I liked the resolution of Click because of the concept of the Centre of Narrative Gravity. ("In a made-up story, the author's narrative viewpoint; in real life-in-the-world, however, the se ...more
Jeff Anderson
A lot of fun to read. This is a book of short stories tied together by a narrative that is Barth being Barth as his finest. A lot of "Afore-isms" dot the landscape. In general this type of meta-fiction appeals to me greatly and I have a lot of fun reading it. Barth is a master of this stuff and I am always glad to read something of his I have not before. I would have to say that years of reading Barth makes a movie like The Words child's play to follow. The stories are a mixed bag spanning decad ...more
Bri
I bought this book because I was really in love with the story "Click." Still my favorite, although I can't recall what any of the other stories are about.
Karyn
Gave this book a chance but couldn't finish it. Pompous and incoherent writing.
Greg Wolfson
Great writing , fascinating read
Justin Paszul
just really truly bad in every way
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"John Simmons Barth (born May 27, 1930) is an American novelist and short-story writer, known for the postmodernist and metafictive quality of his work.

John Barth was born in Cambridge, Maryland, and briefly studied "Elementary Theory and Advanced Orchestration" at Juilliard before attending Johns Hopkins University, receiving a B.A. in 1951 and an M.A. in 1952 (for which he wrote a thesis novel,
...more
More about John Barth...
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