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<book id="75867">
  <title><![CDATA[The Theater and Its Double]]></title>
  <isbn><![CDATA[0802150306]]></isbn>
  <isbn13><![CDATA[9780802150301]]></isbn13>
    <image_url>http://photo.goodreads.com/books/1170883962m/75867.jpg</image_url>
    <work>
  <best_book_id type="integer">75867</best_book_id>
  <books_count type="integer">8</books_count>
  <default_description>Since its first publication in 1938, &lt;I&gt;The Theater and Its Double&lt;/I&gt; by the French artist and philosopher Antonin Artaud has continued to provoke, inspire, enrage, enliven, challenge, and goad any number of theatrical debates in its call for a &quot;Theater of Cruelty.&quot; A trio of theatrical manifestos, the book is an aggressive attack on many of the most treasured beliefs of both theater and Western culture. According to Artaud, the theater's &quot;double&quot; is similar to its Jungian &quot;shadow,&quot; the unacknowledged, unconscious element that completes it but is in many ways its opposite. As &quot;culture&quot; inexorably draws the artistic impulse into safe channels, the repressed irrational urges of theater, based on dreams, religion, and emotion, are increasingly necessary to &quot;purge&quot; the sickness of society. Artaud identifies language itself as one of the major cultural culprits, and his attacks on it occasionally makes his text rough going. But his challenge to restore relevance to the heart of the theatrical experience remains fundamental to the vitality of theater, and his insistence on the sensory experience of drama as opposed to the literary (and such innovative ideas as the use of unconventional &quot;found spaces&quot;) continues to be the clarion call of the theatrical avant-garde. &lt;I&gt;--John Longenbaugh&lt;/I&gt; </default_description>
  <id type="integer">73392</id>
  <media_type nil="true"></media_type>
  <original_language_id type="integer" nil="true"></original_language_id>
  <original_publication_day type="integer" nil="true"></original_publication_day>
  <original_publication_month type="integer" nil="true"></original_publication_month>
  <original_publication_year type="integer">1970</original_publication_year>
  <original_title>The Theater and Its Double</original_title>
  <rating_dist>total:370|5:188|4:117|3:53|2:8|1:4|</rating_dist>
  <ratings_count type="integer">370</ratings_count>
  <ratings_sum type="integer">1587</ratings_sum>
  <reviews_count type="integer">529</reviews_count>
  <text_reviews_count type="integer">31</text_reviews_count>
</work>

  <average_rating><![CDATA[4.29]]></average_rating>
  <ratings_count><![CDATA[343]]></ratings_count>
  <text_reviews_count><![CDATA[29]]></text_reviews_count>
  <url><![CDATA[http://www.goodreads.com/book/show/75867.The_Theater_and_Its_Double]]></url>
  <authors>
        <author id="23378">
      <name><![CDATA[Antonin Artaud]]></name>
      <role><![CDATA[]]></role>
      <url><![CDATA[http://www.goodreads.com/author/show/23378.Antonin_Artaud]]></url>
      <average_rating><![CDATA[4.27]]></average_rating>
      <ratings_count><![CDATA[927]]></ratings_count>
      <text_reviews_count><![CDATA[87]]></text_reviews_count>
    </author>
      </authors>
    <reviews start="1" end="20" total="529">
    <review id="2698878">
    <user id="148785">
    <name><![CDATA[Colie!]]></name>
    <location><![CDATA[Los Angeles, CA]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/148785-colie]]></url>
  </user>
      <rating>5</rating>
  <votes>1</votes>
  <sell_flag>false</sell_flag>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
        <shelf name="theatre" />
      </shelves>
  <recommended_for><![CDATA[theatre nerds, avant guard kiddies.]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Fri Oct 01 00:00:00 -0700 2004</read_at>
  <date_added>Wed Jul 04 01:47:56 -0700 2007</date_added>
  <date_updated>Wed Jul 04 01:49:47 -0700 2007</date_updated>
  <read_count></read_count>
    <body><![CDATA[Hard to beat Artaud... helps keep my crazy idealism alive in the face of pragmatism.  Any time I start to forget what I'm all about, I'll pick up a freaky little essay and say, that's what's up.]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/2698878]]></url>
</review>
    <review id="17866833">
    <user id="761542">
    <name><![CDATA[Bruce]]></name>
    <location><![CDATA[Oceanside, CA]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/761542-bruce]]></url>
  </user>
      <rating>5</rating>
  <votes>0</votes>
  <sell_flag>false</sell_flag>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
      </shelves>
  <recommended_for><![CDATA[those who think, create, challenge, change, &amp; act meaningfully in this world or any other]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Sun Jan 01 00:00:00 -0800 1984</read_at>
  <date_added>Sun Mar 16 11:32:37 -0700 2008</date_added>
  <date_updated>Sun Mar 16 17:23:59 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[The very thought of reviewing any book written by Antonin Artaud causes me considerable trepidation, uneasiness, anxiety-- not resulting from uncertainty or doubt or in any way a discomfort within &amp; belonging to his thought-- I feel quite at home there-- but for a number of other reasons which I fin...<a href="http://www.goodreads.com/review/show/17866833">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/17866833]]></url>
</review>
    <review id="6923009">
    <user id="420400">
    <name><![CDATA[Baiocco]]></name>
    <location><![CDATA[The United States]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/420400-baiocco]]></url>
  </user>
      <rating>5</rating>
  <votes>0</votes>
  <sell_flag>false</sell_flag>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
        <shelf name="manifestos" />
      </shelves>
  <recommended_for><![CDATA[People Who Want To Destroy Something Beautiful]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at></read_at>
  <date_added>Thu Sep 27 20:13:13 -0700 2007</date_added>
  <date_updated>Thu Sep 27 20:30:54 -0700 2007</date_updated>
  <read_count></read_count>
    <body><![CDATA[&quot;And if there is still one hellish, truly accursed thing <a href="http://www.goodreads.com/book/show/280111.Holy_Bible" title="Holy Bible by Various">in our time</a>, it is our artistic dallying with forms, instead of being like victims burnt at the stake, signaling through the flames.&quot;--Antonin Artaud<br/><br/><br/>Actor, director, playwrite, critic and overall rennaisance madman,...<a href="http://www.goodreads.com/review/show/6923009">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/6923009]]></url>
</review>
    <review id="2289384">
    <user id="129833">
    <name><![CDATA[ryan]]></name>
    <location><![CDATA[Warren, RI]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/129833-ryan]]></url>
  </user>
      <rating>5</rating>
  <votes>0</votes>
  <sell_flag>false</sell_flag>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
      </shelves>
  <recommended_for><![CDATA[disaffected college students]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Wed Jan 01 00:00:00 -0800 1997</read_at>
  <date_added>Fri Jun 22 23:02:29 -0700 2007</date_added>
  <date_updated>Fri Jun 22 23:15:37 -0700 2007</date_updated>
  <read_count></read_count>
    <body><![CDATA[this book should be read, closely read, re-read, and taken seriously by anyone who ever takes theatre seriously as an artform, a means of communication, a way of life, or the only thing we've ever done besides procreating, defecating, and dying.<br/><br/>it's written by a total lunatic who's thoug...<a href="http://www.goodreads.com/review/show/2289384">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/2289384]]></url>
</review>
    <review id="33687710">
    <user id="1559896">
    <name><![CDATA[Heather]]></name>
    <location><![CDATA[The United States]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/1559896-heather-finley]]></url>
  </user>
      <rating>5</rating>
  <votes>0</votes>
  <sell_flag>false</sell_flag>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
      </shelves>
  <recommended_for><![CDATA[People who like english thoery ]]></recommended_for>
  <recommended_by><![CDATA[a professor that I took many classes from]]></recommended_by>
  <read_at>Fri Aug 01 00:00:00 -0700 2008</read_at>
  <date_added>Wed Sep 24 01:21:37 -0700 2008</date_added>
  <date_updated>Wed Sep 24 01:44:24 -0700 2008</date_updated>
  <read_count>at least 5</read_count>
    <body><![CDATA[I just re-read a little of this.  After finishing Strip City I wanted something to read while hanging around the house one day but couldn't decide what to start next so I went with a little out of Theatre.  It is one of my all time favorite peices of writing.<br/><br/>I've picked this book apart s...<a href="http://www.goodreads.com/review/show/33687710">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/33687710]]></url>
</review>
    <review id="76738564">
    <user id="1082616">
    <name><![CDATA[Marcelo]]></name>
    <location><![CDATA[Florianópolis, Brazil]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/1082616-marcelo-andreguetti]]></url>
  </user>
      <rating>5</rating>
  <votes>0</votes>
  <sell_flag>false</sell_flag>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
      </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at></read_at>
  <date_added>Wed Nov 04 15:27:22 -0800 2009</date_added>
  <date_updated>Wed Nov 04 15:28:06 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Artaud era de fato um louco reacionário, mas o seu estilo de escrita e argumentação são ótimos. Muitas de suas ideias continuam válidas, mesmo com o radicalismo que incutiam.]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/76738564]]></url>
</review>
    <review id="64156191">
    <user id="2236721">
    <name><![CDATA[Seth]]></name>
    <location><![CDATA[Barnardsville, NC]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/2236721-seth-grube]]></url>
  </user>
      <rating>5</rating>
  <votes>0</votes>
  <sell_flag>false</sell_flag>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
        <shelf name="letters--notebooks--memoirs" />
      </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at></read_at>
  <date_added>Sun Jul 19 18:52:27 -0700 2009</date_added>
  <date_updated>Sun Jul 19 18:57:27 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[A bracing, robust and herculean vision of the way theatre might be...not for the weak of heart.  I wish more actors embraced Artaud's insights.]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/64156191]]></url>
</review>
    <review id="2362772">
    <user id="34236">
    <name><![CDATA[Jamie]]></name>
    <location><![CDATA[Glendale, CA]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/34236-jamie]]></url>
  </user>
      <rating>1</rating>
  <votes>0</votes>
  <sell_flag>true</sell_flag>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
        <shelf name="theatre" />
      </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Thu Apr 09 22:06:43 -0700 2009</read_at>
  <date_added>Mon Jun 25 10:49:19 -0700 2007</date_added>
  <date_updated>Thu Apr 09 22:06:43 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Pretentious, angry, abstract, terse, impractical, and irrelevant, <em>The Theater and Its Double</em> is a miserable chore through which to hack.  I can't help but think that Artaud would be the person at the party who picks fights with each guest for no reason, and that his few friends are those who see thr...<a href="http://www.goodreads.com/review/show/2362772">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/2362772]]></url>
</review>
    <review id="1199932">
    <user id="79268">
    <name><![CDATA[Brendan]]></name>
    <location><![CDATA[The United States]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/79268-brendan-shea]]></url>
  </user>
      <rating>5</rating>
  <votes>0</votes>
  <sell_flag>false</sell_flag>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
      </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at></read_at>
  <date_added>Mon May 14 07:06:38 -0700 2007</date_added>
  <date_updated>Mon May 14 07:13:27 -0700 2007</date_updated>
  <read_count></read_count>
    <body><![CDATA[Artaud is clearly a madman, and this book (if anything) is good for a chuckle at his unbelievably caustic ravings. However, I think that there's something important about outsider art; there's something to learn by listening closely to what the world has turned its head away from in shame. Not to sa...<a href="http://www.goodreads.com/review/show/1199932">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/1199932]]></url>
</review>
    <review id="43389566">
    <user id="1905157">
    <name><![CDATA[Carlos]]></name>
    <location><![CDATA[Águeda, 17, Portugal]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/1905157-carlos]]></url>
  </user>
      <rating>5</rating>
  <votes>0</votes>
  <sell_flag>false</sell_flag>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
      </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at></read_at>
  <date_added>Sat Jan 17 14:54:51 -0800 2009</date_added>
  <date_updated>Sat Jan 17 16:19:43 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Read Portuguese translation. One of Theater's fundamental texts.]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/43389566]]></url>
</review>
    <review id="17160127">
    <user id="929972">
    <name><![CDATA[Dan]]></name>
    <location><![CDATA[Canada]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/929972-dan]]></url>
  </user>
      <rating>3</rating>
  <votes>0</votes>
  <sell_flag>false</sell_flag>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
        <shelf name="theatre--plays" />
      </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Sat Dec 31 00:00:00 -0800 1983</read_at>
  <date_added>Thu Mar 06 09:25:31 -0800 2008</date_added>
  <date_updated>Thu Mar 19 07:03:06 -0700 2009</date_updated>
  <read_count>2</read_count>
    <body><![CDATA[Artaud felt that the theatre of his time was too dependent on texts, and on dramas of “psychology”; as a response to the “masterpieces” of the popular stage, he conceived of a “theatre of cruelty” that would exploit the athleticism of the actors and the flexibility of the mise en scene i...<a href="http://www.goodreads.com/review/show/17160127">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/17160127]]></url>
</review>
    <review id="75979667">
    <user id="2885757">
    <name><![CDATA[Joseph]]></name>
    <location><![CDATA[Canyon Country, CA]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/2885757-joseph-rahming]]></url>
  </user>
      <rating>4</rating>
  <votes>0</votes>
  <sell_flag>false</sell_flag>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
      </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at></read_at>
  <date_added>Wed Oct 28 00:37:09 -0700 2009</date_added>
  <date_updated>Wed Oct 28 00:37:43 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Good book although its very hard to follow ]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/75979667]]></url>
</review>
    <review id="71846732">
    <user id="2756546">
    <name><![CDATA[Patrick]]></name>
    <location><![CDATA[Brooklyn, NY]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/2756546-patrick]]></url>
  </user>
      <rating>5</rating>
  <votes>0</votes>
  <sell_flag>false</sell_flag>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
      </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at></read_at>
  <date_added>Sat Sep 19 23:05:07 -0700 2009</date_added>
  <date_updated>Sat Sep 19 23:05:38 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[As rewarding as literature as as theory.]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/71846732]]></url>
</review>
    <review id="66113246">
    <user id="58524">
    <name><![CDATA[Radoslaw]]></name>
    <location><![CDATA[Lisboa, Portugal]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/58524-radoslaw]]></url>
  </user>
      <rating>5</rating>
  <votes>0</votes>
  <sell_flag>false</sell_flag>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
      </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Wed Apr 01 00:00:00 -0700 2009</read_at>
  <date_added>Tue Aug 04 02:22:30 -0700 2009</date_added>
  <date_updated>Tue Aug 04 02:23:36 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Perfect for a day at the beach]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/66113246]]></url>
</review>
    <review id="49470577">
    <user id="1040852">
    <name><![CDATA[Michael]]></name>
    <location><![CDATA[Brooklyn, NY]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/1040852-michael]]></url>
  </user>
      <rating>3</rating>
  <votes>0</votes>
  <sell_flag>false</sell_flag>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
      </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at></read_at>
  <date_added>Mon Mar 16 12:56:15 -0700 2009</date_added>
  <date_updated>Thu Apr 16 07:07:57 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Artaud's call to movement to non-occidental theatre.  Down with literature! Bring on  the theatre of cruelty. Artaud's theatre of cruelty is not exactly what you would think but I wont go into details here. You'll have to read it yourself.  This is not a simple task, however.  A great book for theat...<a href="http://www.goodreads.com/review/show/49470577">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/49470577]]></url>
</review>
    <review id="8057233">
    <user id="133661">
    <name><![CDATA[Tosh]]></name>
    <location><![CDATA[Los Angeles, CA]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/133661-tosh]]></url>
  </user>
      <rating>5</rating>
  <votes>0</votes>
  <sell_flag>false</sell_flag>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
      </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at></read_at>
  <date_added>Sun Oct 21 23:20:59 -0700 2007</date_added>
  <date_updated>Sun Mar 16 08:25:34 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[The classic text or manifesto regarding Artaud's radical thoughts on the theater - which is basically a way of life.  If you go to my website blog:<br/><br/>  <a rel="nofollow" target="_blank" href="http://tamtambooks-tosh.blogspot.com/">http://tamtambooks-tosh.blogspot.com/</a><br/><br/>I have a documentary on Artaud that is fascinating.  But surely he was on to something wit...<a href="http://www.goodreads.com/review/show/8057233">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/8057233]]></url>
</review>
    <review id="40031162">
    <user id="959955">
    <name><![CDATA[Robert]]></name>
    <location><![CDATA[San Diego, CA]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/959955-robert]]></url>
  </user>
      <rating>5</rating>
  <votes>0</votes>
  <sell_flag>false</sell_flag>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
      </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at></read_at>
  <date_added>Sat Dec 13 14:17:42 -0800 2008</date_added>
  <date_updated>Wed Dec 24 20:01:12 -0800 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[Artaud is insane, articulate, and passionate about his art.  I really like this book. ]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/40031162]]></url>
</review>
    <review id="25321427">
    <user id="442654">
    <name><![CDATA[Andrew]]></name>
    <location><![CDATA[Seattle, WA]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/442654-andrew]]></url>
  </user>
      <rating>0</rating>
  <votes>0</votes>
  <sell_flag>false</sell_flag>
  <spoiler_flag>false</spoiler_flag>
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  <read_at>Sun Jun 01 00:00:00 -0700 2008</read_at>
  <date_added>Tue Jun 24 11:10:46 -0700 2008</date_added>
  <date_updated>Wed Jun 25 22:49:35 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[This is my first book-length foray into theatrical theory, and it was really refreshing.  While I strongly disagree with Artaud's atavistic notion of a double-world of universal signs underlying all societies, I do agree with him that a double-world can be touched by dipping into the chthonic qualit...<a href="http://www.goodreads.com/review/show/25321427">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/25321427]]></url>
</review>
    <review id="17957850">
    <user id="999085">
    <name><![CDATA[Nibelheim]]></name>
    <location><![CDATA[Cambrai, France]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/999085-nibelheim]]></url>
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      <rating>4</rating>
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  <recommended_by><![CDATA[Un cours d'option]]></recommended_by>
  <read_at>Sun Sep 21 00:00:00 -0700 2008</read_at>
  <date_added>Mon Mar 17 13:43:44 -0700 2008</date_added>
  <date_updated>Tue Sep 23 11:28:11 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[Lu (et travaillé) une grande partie des articles. Tout à fait intéressant, malgré cette contradiction entre des intuitions en faveur d'un langage en liberté et d'une création continue et le dogmatisme, la rigidité d'un manifeste. Curieux, parfois dérangeant, très polémique ... Quelque chos...<a href="http://www.goodreads.com/review/show/17957850">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/17957850]]></url>
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    <review id="28799801">
    <user id="1378699">
    <name><![CDATA[JoAnn]]></name>
    <location><![CDATA[Philadelphia, PA]]></location>        
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  <date_added>Wed Jul 30 16:08:57 -0700 2008</date_added>
  <date_updated>Wed Jul 30 16:08:57 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[Confession: I first heard of Antonin Artaud because of the song on Bauhaus' 1983 &quot;Burning from the Inside.&quot; Yes it's a dorky art-fart introduction, but I'm ever grateful to Peter Murphy &amp; Co. nonetheless. Artaud is a philosopher, poet, nihilist, actor, surrealist, and breathtakingly beauti...<a href="http://www.goodreads.com/review/show/28799801">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/28799801]]></url>
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