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  <title><![CDATA[The New Comics Anthology]]></title>
  <isbn><![CDATA[0020093616]]></isbn>
  <isbn13><![CDATA[9780020093619]]></isbn13>
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  <description><![CDATA[Don't let the fact that they're sick and twisted fool  you--lurking behind the depravity of the new breed of comic  represented in this volume is wit and, dare I say, wisdom. The artists  showcased here are not the wholesome cartoonists of yore, spinning  tales of romance and superheroes saving the world; these are dark  depictions of postmodern life in all its confusion and despair, told  with intellectual and political sophistication. As editor Bob Callahan  says in his excellent introduction, &quot;The creators of the New Comics  have rejected the form's earlier assurances, and have moved out now  into the borderless badlands where a new art might actually be allowed  to begin.&quot; <p>    The anthology features works by more than 80 comic strip  writers. There are the big names--Art Spiegelman (of Maus fame),  Simpsons creator Matt Groening, <em>Weirdo</em> magazine founder Robert  Crumb--as well as works from less well known artists such as Gilbert  Hernandez, Marc Caro, and Lorenzo Mattoti. The book is divided up  loosely by genre, from strips with roots in the old screwball funnies  in &quot;Ye Old Vaudeville Days&quot; to the more obviously contemporary in &quot;The  Punk Funnies.&quot; <p>    The New Comics are brilliantly funny and clever, often dark and  surreal. Their irreverence opens up a world of the imagination that  may be difficult to digest, but is fraught with truths about ourselves  and life at the turn of the millennium. <em>--Uma Kukathas</em>  </p></p>]]></description>
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  <original_publication_year type="integer">1991</original_publication_year>
  <original_title>The New Comics Anthology</original_title>
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    <![CDATA[Don't let the fact that they're sick and twisted fool  you--lurking behind the depravity of the new breed of comic  represented in this volume is wit and, dare I say, wisdom. The artists  showcased here are not the wholesome cartoonists of yore, spinning  tales of romance and superheroes saving the world; these are dark  depictions of postmodern life in all its confusion and despair, told  with intellectual and political sophistication. As editor Bob Callahan  says in his excellent introduction, &quot;The creators of the New Comics  have rejected the form's earlier assurances, and have moved out now  into the borderless badlands where a new art might actually be allowed  to begin.&quot; <p>    The anthology features works by more than 80 comic strip  writers. There are the big names--Art Spiegelman (of Maus fame),  Simpsons creator Matt Groening, <em>Weirdo</em> magazine founder Robert  Crumb--as well as works from less well known artists such as Gilbert  Hernandez, Marc Caro, and Lorenzo Mattoti. The book is divided up  loosely by genre, from strips with roots in the old screwball funnies  in &quot;Ye Old Vaudeville Days&quot; to the more obviously contemporary in &quot;The  Punk Funnies.&quot; <p>    The New Comics are brilliantly funny and clever, often dark and  surreal. Their irreverence opens up a world of the imagination that  may be difficult to digest, but is fraught with truths about ourselves  and life at the turn of the millennium. <em>--Uma Kukathas</em>  </p></p>]]>
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    <body><![CDATA[Published in 1991 and collecting a lot of material that first saw print in the 1980s, this anthology is no longer so &quot;new.&quot; But I'm surprised at how well a lot of the stories have held up... (more soon)]]></body>
    
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    <![CDATA[The New Comics Anthology]]>
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    <![CDATA[Don't let the fact that they're sick and twisted fool  you--lurking behind the depravity of the new breed of comic  represented in this volume is wit and, dare I say, wisdom. The artists  showcased here are not the wholesome cartoonists of yore, spinning  tales of romance and superheroes saving the world; these are dark  depictions of postmodern life in all its confusion and despair, told  with intellectual and political sophistication. As editor Bob Callahan  says in his excellent introduction, &quot;The creators of the New Comics  have rejected the form's earlier assurances, and have moved out now  into the borderless badlands where a new art might actually be allowed  to begin.&quot; <p>    The anthology features works by more than 80 comic strip  writers. There are the big names--Art Spiegelman (of Maus fame),  Simpsons creator Matt Groening, <em>Weirdo</em> magazine founder Robert  Crumb--as well as works from less well known artists such as Gilbert  Hernandez, Marc Caro, and Lorenzo Mattoti. The book is divided up  loosely by genre, from strips with roots in the old screwball funnies  in &quot;Ye Old Vaudeville Days&quot; to the more obviously contemporary in &quot;The  Punk Funnies.&quot; <p>    The New Comics are brilliantly funny and clever, often dark and  surreal. Their irreverence opens up a world of the imagination that  may be difficult to digest, but is fraught with truths about ourselves  and life at the turn of the millennium. <em>--Uma Kukathas</em>  </p></p>]]>
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    <![CDATA[The New Comics Anthology]]>
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    <![CDATA[Don't let the fact that they're sick and twisted fool  you--lurking behind the depravity of the new breed of comic  represented in this volume is wit and, dare I say, wisdom. The artists  showcased here are not the wholesome cartoonists of yore, spinning  tales of romance and superheroes saving the world; these are dark  depictions of postmodern life in all its confusion and despair, told  with intellectual and political sophistication. As editor Bob Callahan  says in his excellent introduction, &quot;The creators of the New Comics  have rejected the form's earlier assurances, and have moved out now  into the borderless badlands where a new art might actually be allowed  to begin.&quot; <p>    The anthology features works by more than 80 comic strip  writers. There are the big names--Art Spiegelman (of Maus fame),  Simpsons creator Matt Groening, <em>Weirdo</em> magazine founder Robert  Crumb--as well as works from less well known artists such as Gilbert  Hernandez, Marc Caro, and Lorenzo Mattoti. The book is divided up  loosely by genre, from strips with roots in the old screwball funnies  in &quot;Ye Old Vaudeville Days&quot; to the more obviously contemporary in &quot;The  Punk Funnies.&quot; <p>    The New Comics are brilliantly funny and clever, often dark and  surreal. Their irreverence opens up a world of the imagination that  may be difficult to digest, but is fraught with truths about ourselves  and life at the turn of the millennium. <em>--Uma Kukathas</em>  </p></p>]]>
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    <![CDATA[Don't let the fact that they're sick and twisted fool  you--lurking behind the depravity of the new breed of comic  represented in this volume is wit and, dare I say, wisdom. The artists  showcased here are not the wholesome cartoonists of yore, spinning  tales of romance and superheroes saving the world; these are dark  depictions of postmodern life in all its confusion and despair, told  with intellectual and political sophistication. As editor Bob Callahan  says in his excellent introduction, &quot;The creators of the New Comics  have rejected the form's earlier assurances, and have moved out now  into the borderless badlands where a new art might actually be allowed  to begin.&quot; <p>    The anthology features works by more than 80 comic strip  writers. There are the big names--Art Spiegelman (of Maus fame),  Simpsons creator Matt Groening, <em>Weirdo</em> magazine founder Robert  Crumb--as well as works from less well known artists such as Gilbert  Hernandez, Marc Caro, and Lorenzo Mattoti. The book is divided up  loosely by genre, from strips with roots in the old screwball funnies  in &quot;Ye Old Vaudeville Days&quot; to the more obviously contemporary in &quot;The  Punk Funnies.&quot; <p>    The New Comics are brilliantly funny and clever, often dark and  surreal. Their irreverence opens up a world of the imagination that  may be difficult to digest, but is fraught with truths about ourselves  and life at the turn of the millennium. <em>--Uma Kukathas</em>  </p></p>]]>
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    <![CDATA[Don't let the fact that they're sick and twisted fool  you--lurking behind the depravity of the new breed of comic  represented in this volume is wit and, dare I say, wisdom. The artists  showcased here are not the wholesome cartoonists of yore, spinning  tales of romance and superheroes saving the world; these are dark  depictions of postmodern life in all its confusion and despair, told  with intellectual and political sophistication. As editor Bob Callahan  says in his excellent introduction, &quot;The creators of the New Comics  have rejected the form's earlier assurances, and have moved out now  into the borderless badlands where a new art might actually be allowed  to begin.&quot; <p>    The anthology features works by more than 80 comic strip  writers. There are the big names--Art Spiegelman (of Maus fame),  Simpsons creator Matt Groening, <em>Weirdo</em> magazine founder Robert  Crumb--as well as works from less well known artists such as Gilbert  Hernandez, Marc Caro, and Lorenzo Mattoti. The book is divided up  loosely by genre, from strips with roots in the old screwball funnies  in &quot;Ye Old Vaudeville Days&quot; to the more obviously contemporary in &quot;The  Punk Funnies.&quot; <p>    The New Comics are brilliantly funny and clever, often dark and  surreal. Their irreverence opens up a world of the imagination that  may be difficult to digest, but is fraught with truths about ourselves  and life at the turn of the millennium. <em>--Uma Kukathas</em>  </p></p>]]>
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    <![CDATA[Don't let the fact that they're sick and twisted fool  you--lurking behind the depravity of the new breed of comic  represented in this volume is wit and, dare I say, wisdom. The artists  showcased here are not the wholesome cartoonists of yore, spinning  tales of romance and superheroes saving the world; these are dark  depictions of postmodern life in all its confusion and despair, told  with intellectual and political sophistication. As editor Bob Callahan  says in his excellent introduction, &quot;The creators of the New Comics  have rejected the form's earlier assurances, and have moved out now  into the borderless badlands where a new art might actually be allowed  to begin.&quot; <p>    The anthology features works by more than 80 comic strip  writers. There are the big names--Art Spiegelman (of Maus fame),  Simpsons creator Matt Groening, <em>Weirdo</em> magazine founder Robert  Crumb--as well as works from less well known artists such as Gilbert  Hernandez, Marc Caro, and Lorenzo Mattoti. The book is divided up  loosely by genre, from strips with roots in the old screwball funnies  in &quot;Ye Old Vaudeville Days&quot; to the more obviously contemporary in &quot;The  Punk Funnies.&quot; <p>    The New Comics are brilliantly funny and clever, often dark and  surreal. Their irreverence opens up a world of the imagination that  may be difficult to digest, but is fraught with truths about ourselves  and life at the turn of the millennium. <em>--Uma Kukathas</em>  </p></p>]]>
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    <![CDATA[Don't let the fact that they're sick and twisted fool  you--lurking behind the depravity of the new breed of comic  represented in this volume is wit and, dare I say, wisdom. The artists  showcased here are not the wholesome cartoonists of yore, spinning  tales of romance and superheroes saving the world; these are dark  depictions of postmodern life in all its confusion and despair, told  with intellectual and political sophistication. As editor Bob Callahan  says in his excellent introduction, &quot;The creators of the New Comics  have rejected the form's earlier assurances, and have moved out now  into the borderless badlands where a new art might actually be allowed  to begin.&quot; <p>    The anthology features works by more than 80 comic strip  writers. There are the big names--Art Spiegelman (of Maus fame),  Simpsons creator Matt Groening, <em>Weirdo</em> magazine founder Robert  Crumb--as well as works from less well known artists such as Gilbert  Hernandez, Marc Caro, and Lorenzo Mattoti. The book is divided up  loosely by genre, from strips with roots in the old screwball funnies  in &quot;Ye Old Vaudeville Days&quot; to the more obviously contemporary in &quot;The  Punk Funnies.&quot; <p>    The New Comics are brilliantly funny and clever, often dark and  surreal. Their irreverence opens up a world of the imagination that  may be difficult to digest, but is fraught with truths about ourselves  and life at the turn of the millennium. <em>--Uma Kukathas</em>  </p></p>]]>
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    <![CDATA[Don't let the fact that they're sick and twisted fool  you--lurking behind the depravity of the new breed of comic  represented in this volume is wit and, dare I say, wisdom. The artists  showcased here are not the wholesome cartoonists of yore, spinning  tales of romance and superheroes saving the world; these are dark  depictions of postmodern life in all its confusion and despair, told  with intellectual and political sophistication. As editor Bob Callahan  says in his excellent introduction, &quot;The creators of the New Comics  have rejected the form's earlier assurances, and have moved out now  into the borderless badlands where a new art might actually be allowed  to begin.&quot; <p>    The anthology features works by more than 80 comic strip  writers. There are the big names--Art Spiegelman (of Maus fame),  Simpsons creator Matt Groening, <em>Weirdo</em> magazine founder Robert  Crumb--as well as works from less well known artists such as Gilbert  Hernandez, Marc Caro, and Lorenzo Mattoti. The book is divided up  loosely by genre, from strips with roots in the old screwball funnies  in &quot;Ye Old Vaudeville Days&quot; to the more obviously contemporary in &quot;The  Punk Funnies.&quot; <p>    The New Comics are brilliantly funny and clever, often dark and  surreal. Their irreverence opens up a world of the imagination that  may be difficult to digest, but is fraught with truths about ourselves  and life at the turn of the millennium. <em>--Uma Kukathas</em>  </p></p>]]>
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