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King Lear

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3.88 of 5 stars 3.88  ·  rating details  ·  121,539 ratings  ·  2,208 reviews
King Lear divides his kingdom between his three daughters, basing the portions, so he believes, on the depth of their love for him. This profoundly moving, nihilistic drama is one of Shakespeare's mightiest achievements and one of the greatest tragedies in world literature. Performed by Trevor Peacock, Julia Ford, and the Arkangel Cast.
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Published September 8th 2005 by BBC Audiobooks (first published 1604)
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Dolors
Mar 08, 2015 Dolors rated it 5 of 5 stars  ·  review of another edition
Recommends it for: Everybody with no exception
Recommended to Dolors by: Núria Espert
My first encounter with Shakespeare has totally swept me off my feet. As much as I had heard of the indisputable grandeur of the most famous playwright of all times I never expected to be so immersed in the swirling undercurrents of the incongruities of human nature that are so vividly portrayed in this tragedy. Even though my inexpensive Wordsworth edition wasn’t generous with annotations or academic essays, the universality of Shakespeare’s art, wrought in versed polyptotons, playful aphorisms ...more
Riku Sayuj

A Fairy Tale I Give Thee, A ‘True Chronicle History’


[Dramatis Personæ:

The Bard, as Himself

World, as Itself

You, as Fool, in the Bard’s service

Kings, Daughters, Sons, Knights, Fools, Gentlemen, Soldiers, Attendants, Messengers, Servants.]


Act 1.1


Sennet. Enter [The Bard, You]


Bard:

Hark, A Fairy Tale I Give Thee, Fit for Today’s Times!


I have in my time, written many plays - tragedies, comedies, all - but reader beware: this might be my darkest vision yet.

I will exalt you; and in death’s throngs.

Ha
...more
Bill  Kerwin

I've read Lear many times, and, although I didn't learn anything new about the play this reading, I did learn a little about how I have changed. I have always loved the play, but in the past I found its injustice and evil nigh overpowering, its victims pathetically guiltless, its perspective verging on the nihilistic. Now, though, I see goodness and grace everywhere: in Cordelia's plain-spoken honesty and love for Lear, in Kent and Gloster's loyalty, in Edgar's bizarre attempt to heal his father
...more
Huda Yahya
با لعذابك يا لير
ويا لقسوة الدهر على شيخوختك

Blow, winds, and crack your cheeks! Rage! Blow!
You cataracts and hurricanoes, spout
Till you have drenched our teeples, drowned the cocks!
You sulphurour and thought-executing fires,
Vaunt-couriers to oak-cleaving thunderbolts,
Singe my white head! And thou, all-shaking thunder,
Strike flat the thick rotundity o' the world!
Crack nature's molds, all germens spill at once
That make ingrateful man!...


لا أظن ان هناك من استطاع تصوير الانحدار نحو الجنون كما
...more
David
This is where Shakespeare takes off the gloves. He brings us right to the edge of the abyss, then kicks us over that edge. King Lear is the most devastating by far of the Shakespeare tragedies -- this is a play which leaves the reader shattered as the curtain falls.

The play has a kind of primal power, which I find hard to explain. The plot is fairly typically Shakespeare, perhaps a little more complicated than usual, mixing elements taken from legend and from the historical record. At the outse
...more
Bram
In a world where every king must give up his crown, where tragedies end in death and all comes to dust, this is a hopeful tale. This hope won’t appear in a plot summary or in the morbid sum of deaths by play’s end, and yet there are key moments of reconciliation for both of the aged, long-suffering characters. After experiencing little but anguish for much of the play, Lear and Gloucester are granted a reprieve from the darkest of fates. Granted, these 11th hour reprieves are short-lived, but in ...more
Kat Stark


Let's take a jog through memory lane...to my high school years...when I fell in love with Shakespeare's work...(With some added dialogue and gifs of course, IOW = In Other Words)

We see in King Lear, that Shakespeare shows a contrast between the role a man plays in society and the role man plays for himself. Lear is, as known, a King and is supposed to be a man in control. A King of high status is loved by many and is in charge of everything that goes on in the Kingdom; overlooks others. Lear is
...more
Manny
I was lucky enough to be living in Stockholm when Ingmar Bergman staged Lear at the Swedish National Theatre in the late 80s, and I saw it twice. Bergman's take on the play was very interesting and unusual; he interpreted it as fundamentally optimistic.

Obviously, you're wondering why, and in the hands of a lesser director it would probably just have been a piece of unnecessary perversity. Bergman's reasoning was, in fact, not bizarre. He saw the key scene of the play as the reconciliation betwee
...more
Kelly
As the bright red firament of stars above might give away, I really responded to this play. I may have done so in both negative and positive ways, but this story made a really lasting impression on me. It did for me what Macbeth could not- gave me genuinely tragic characters who earned the tears and compassion that I gave for them by the end of the journey.

Thinking about it in retrospect, a useful guide for King Lear is provided by another of Shakespeare's characters, Jacques, and his Ages of Ma
...more
Nathan "N.R." Gaddis
2109 fellow Goodreaders [can’t be wrong] gave it 1 star. Many call it boring. Some even say it is predictable and has no moral lesson. That these people have the right to vote and to procreate is frightening to me.


I am NOT ranking the play itself here, only the Norton Critical Edition version (2007). Shakespeare’s Lear is, duh, one of western culture’s great achievements and personally I think it has become my favorite Shakespeare play.

I won't lie... I didn't even finish this one. All of the fa
...more
Lyn
This is one of my favorite Shakespeare plays.

In college honors English at U. Tennessee Knoxville, I stumbled into a dissertation about a comparison of epic and tragic, using as templates Lear and Milton's Paradise Lost. In all of English class papers, there may never have been a more seasoned example of pure bull**** and left field logic. I think I got a B-, just because my instructor may have been worried about whether or not my meds had kicked in.

Still, in composing the literary testimony of
...more
Aubrey
FOOL

He that has and a little tiny wit—
With heigh-ho, the wind and the rain—
Must make content with his fortunes fit,
For the rain it raineth every day.
A longer, less menacing variation on this song was sung by the Fool at the end of Twelfth Night, as the curtain set on its "happy ending" and I was left to ponder how easily those swiftly married and more swiftly avenging characters could turn on their comedy in an instant. The quoted occurs near the middle of King Lear within a hovel in the midst
...more
Jonathan
His greatest work, in my opinion, which makes it one of the greatest works of art our species has produced. Its greatness lies not just in its language or in its analysis of power, but in the extraordinary structure of it, and its complete refusal to follow the usual dramatic arcs. How shocking must it have been for a Jacobean audience to see a god-chosen king reduced to scrabbling around in a hovel?

The heartbreaking irreversibility of mortality. Age and loss. The stripping away of self. Love.
...more
Trevor
I went to see Lear again last week. It must be the fifth time I have seen it performed and I’ve read it three or four times. It is a play that I can never become ‘familiar’ with. It is like no other play I know.

This time was the second time I have seen it performed by the Bell Shakespeare Company. This one was much better than the last – and I think I can say that because this time the performance brought out lots of the humour of the play. This is a play that is as dark as it is possible to mak
...more
Amir Lewiz


بضدها تتميز الأشياء


هنا الشر و الخير في صراع قوي و عنيف


هنا الخيانة و العقوق و الأنانية و محبة المال و السلطة و الخداع و التملق

و هنا أيضا الوفاء و الحب الحقيقي و التضحية وانكار الذات


هنا تكريم الكاذب الخادع
و احتقار و نفي الصادق المخلص


و بناءً عليه فإن الأحداث كما يطلق علي هذه المرحلة من أدب شكسبير :

مــأســــاااااة

و كالعادة جمال الأسلوب و متعة الحوار بين الشخصيات ..بلا حشو أو ملل



حينما نري أسيادنا
يقاسون ما نقاسي
لا نشعر بمصائبنا
و من تألم وحده كان ألمه أشد علي النفس
حيت يولّي ظهره لمظاهر السعا
...more
Alex
Here is Shakespeare's biggest bummer in a long career of bummers. In fact, in all of literature maybe only Jude the Obscure matches it for general depressivosity. Remember that catch phrase kids thought was clever in like 7th grade as they were discovering the joys of nihilism: "Life sucks, then you die"? That's the actual and entire message of King Lear. "Nothing will come of nothing," rages the doddering King, and there is nothing, and nothing comes of it.

And along the way, don't forget, we ge
...more
Ellen
On the Fool

The Fool’s presence in King Lear lasts for little more than two acts. While the fool provides some needed comic relief, more importantly, he serves as Lear’s moral guide, illuminating Lear’s faults and provoking Lear to action. The first references to the Fool serve to let us know that he’s not in Goneril’s camp, and he is sympathetic to Cordelia.

When the Fool does at last appear, Lear’s regard is apparent. The Fool, in conversation with Kent, refers to Lear obliquely as “this fellow”
...more
Jennifer (aka EM)
I love this play. It is my favourite of all of 'em.

Upon re-reading, I'm struck by the observation that the King of France is the smartest man here. The only one whose actions show any kind of foresight. "She is herself a dowry...". Although he got sloppy seconds and his calculated risk didn't pay off, he saw the writing on the wall from Act 1, Scene 1. He knew them skanky beyotches, G & R, would do themselves in and that Lear would lose his shit when he realized what he'd done. And he'd have
...more
Liza Miller
“Who is it that can tell me who I am?” asks the titular King Lear in one of Shakespeare’s most devastating tragedy. He asks in part because of an encroaching senility, but the other, darker reason he asks is that in his old age, he doesn’t recognize himself anymore. He’s achieved greatness, power and wealth, only to spend the end of his life cast out by his (admittedly awful) daughters, wandering the heath trying to make sense of a life that no longer feels like the one he’s built for himself.

L
...more
Gideon Burton
I named one of my children "Lear" due to my love of Shakespeare and of this play in particular. The older I a get (I am now 50), the better I understand and sympathize with Lear, who is at first reading an irrational old coot that is hard to feel empathy for. Life beats you down, kids aren't always grateful, people you thought were true blue turn out to be snakes in the grass, and there is unexpected grace and good-hearted people to counterpoise the villains. Filial love is a powerful thing. The ...more
midnightfaerie
Click here for William Shakespeare Disclaimer

King Lear, a play by William Shakespeare, was a depiction of traitors within families. Something akin to a soap opera at times, and something that most people with a family can attest to. Lear is a king with three daughters, the youngest, Cordelia, being the only one who loves him. When Lear decides he wants to retire and divide up the kingdom, he summons his daughters to him and asks them how much they love him. He uses their answer to decide how mu
...more
Riku Sayuj
Reading 5 different versions along with a modern language rendition simultaneously - to reconcile the Q and F controversy for myself.
Katy Kennedy

Me gustó éste libro, trata sobre la ingratitud filial y el desprecio a la vejez. Cómo todo cae ante la búsqueda del poder dañando a otros, y cómo abusan de las personas ancianas. Qué temas tan duros.



Will Shakespeare te aplaudo donde quieras que estés por representar tan bien éstos defectos de la sociedad, que aún hoy en día se ven. Tus obras perduraron en el tiempo, por muchos siglos, y eso es algo que hay que admirar.


**SPOILERS A CONTINUACIÓN**


Los personajes están bien diferenciados, quiénes

...more
Gisoo
خط اصلی ماجرای این نمایشنامه بارها گفته و شنیده شده و تفاوت ها فقط در موارد فرعی و پایان داستان بودن.
همون ماجرای قدیمی بی وفایی فرزندان و پادشاهی که فریب حرف های محبت آمیز رو خورد و چاپلوسی رو به محبت واقعی ترجیح داد.
....
وقتی نصف کتاب رو خوندم تازه یادم افتاد حیفه که نسخه ی انگلیسیش رو نمی خونم:/
☯Emily
A play of unremitting horror. If you want a great representation of how evil women can be, then this is the play for you. I have never seen this performed and am quite sure I don't want to see it since it has eye gouging, murder and war. None of those gory things I find interesting.
Io?
L'amore, l'amore come trait d'union di microscopici rapporti.
Amore filiale, amore del potere, amore carnale, amore.
E la parola. Parola sibillina, parola urlata, parola scritta, parola non detta.
Quando questi due elementi prendono strade diverse dirompente si staglia la tragedia dell'uomo. Solo così comprendo il monito disperato e inascoltato di Shakespeare quando, per bocca di Edgard afferma che noi dobbiamo "dire ciò che sentiamo e non quello che conviene dire”.
Melissa Rudder
I think this was my second time reading Shakespeare's King Lear. When I started it, I couldn't decide if I had read it one time already, or three, which seems like a pretty weird mix-up. I think it was one. Though I saw it in Stratford, performed by the Royal Shakespeare Company, which was an inspiring and amazing production.

I think the oft-repeated maxim that Shakespeare's plays are best seen and not read is most true for his sex jokes and for King Lear. Because, in seeing King Lear, I felt fo
...more
Bruce
From the beginning, and indeed even by reputation, Lear is rash, impulsive, desiring of flattery and used to being flattered and obeyed, so his actions and temperament are not out of character. It is surprising that he receives the love and loyalty he does from Cordelia and Kent. Even in his retirement, a retirement envisioned by him as free from care and responsibility, he is demanding and imperious, unattractive and unsympathetic. He is ever rash, choleric, and given to emotional extremes and ...more
Hayat الياقوت
لم يسعفني الوقت لقراءة المسرحية الأصلية، فجاء -كامل الكيلاني- رحمه الله بملخص بديع لها.
الجميل أنه صاغ بعض الفقرات على شكل أبيات شعرية ممتازة وتوصل المعنى.

جميل جدا للصغار، وأجمل للكبار الذين لا يملكون الوقت.
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William Shakespeare (baptised 26 April 1564) was an English poet and playwright, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of Avon" (or simply "The Bard"). His surviving works consist of 38 plays, 154 sonnets, two long narrative poems, and several other poems. His plays have been tr ...more
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Romeo and Juliet Hamlet Macbeth A Midsummer Night's Dream Othello

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“When we are born, we cry that we are come to this great stage of fools.” 260 likes
“Nothing will come of nothing: speak again.” 253 likes
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