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  <id>744388</id>
  <title><![CDATA[The Crossing (Border Trilogy, Vol 2)]]></title>
  <isbn><![CDATA[0679760849]]></isbn>
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  <description><![CDATA[In <strong>The Crossing</strong>, Cormac McCarthy fulfills the promise of <strong>All the Pretty Horses</strong> and at the same time give us a work that is darker and more visionary, a novel with the unstoppable momentum of a classic western and the elegaic power of a lost American myth.<br/><br/>In the late 1930s, sixteen-year-old Billy Parham captures a she-wolf that has been marauding his family's ranch.  But instead of killing it, he decides to take it back to the mountains of Mexico.  With that crossing, he begins an arduous and often dreamlike journey into a country where men meet ghosts and violence strikes as suddenly as heat-lightning--a world where there is no order &quot;save that which death has put there.&quot;<br/><br/>An essential novel by any measure, <strong>The Crossing</strong> is luminous and appalling, a book that touches, stops, and starts the heart and mind at once.]]></description>
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        <name><![CDATA[Cormac McCarthy]]></name>
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      <review>
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    <name><![CDATA[Joe]]></name>
    <location><![CDATA[The United Kingdom]]></location>
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  <title>
    <![CDATA[The Crossing (Border Trilogy, Vol 2)]]>
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  <average_rating>4.03</average_rating>
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  <description>
    <![CDATA[The opening section of <em>The Crossing</em>, book two of the Border Trilogy, features perhaps the most perfectly realized storytelling of Cormac McCarthy's celebrated career. Like <em>All the Pretty Horses</em>, this volume opens with a teenager's decision to slip away from his family's ranch into Mexico. In this case, the boy is Billy Parham, and the catalyst for his trip is a wolf he and his father have trapped, but that Billy finds himself unwilling to shoot. His plan is to set the animal loose down south instead. <p>  This is a McCarthy novel, not <em>Old Yeller</em>, and so Billy's trek inevitably becomes more ominous than sweet. It boasts some chilling meditations on the simple ferocity McCarthy sees as necessary for all creatures who aim to continue living. But Billy is McCarthy's most loving--and therefore damageable--character, and his story has its own haunted melancholy. <p>  Billy eventually returns to his ranch. Then, finding himself and his world changed, he returns to Mexico with his younger brother, and the book begins meandering. Though full of hypnotically barren landscapes and McCarthy's trademark western-gothic imagery (like the soldier who sucks eyes from sockets), these latter stages become tedious at times, thanks partly to the female characters, who exist solely as ghosts to haunt the men. <p>  But that opening is glorious, and the whole book finally transcends its shortcomings to achieve a grim and poignant grandeur. <em>--Glen Hirshberg</em></p></p></p>]]>
  </description>
  <published>1994</published>
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    <rating>5</rating>
  <votes>5</votes>
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  <read_at></read_at>
  <date_added>Tue Jul 31 03:48:16 -0700 2007</date_added>
  <date_updated>Thu Dec 17 02:59:36 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[The Crossing is an astonishing book, more downbeat than All the Pretty Horses, yet not as bleak as the likes of Blood Meridian, it is a sprawling coming-of-age tale filled with moments of beauty and sorrow. The descriptions are as beautiful as anything Cormac McCarthy writes, the action is sparse bu...<a href="http://www.goodreads.com/review/show/3837525">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/3837525]]></url>
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</review>
      <review>
  <id>28263917</id>
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    <name><![CDATA[Ava]]></name>
    <location><![CDATA[Lumber Bridge, NC]]></location>
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  <title>
    <![CDATA[The Crossing (Border Trilogy, Vol 2)]]>
  </title>
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  <average_rating>4.03</average_rating>
  <ratings_count>3704</ratings_count>
  <description>
    <![CDATA[The opening section of <em>The Crossing</em>, book two of the Border Trilogy, features perhaps the most perfectly realized storytelling of Cormac McCarthy's celebrated career. Like <em>All the Pretty Horses</em>, this volume opens with a teenager's decision to slip away from his family's ranch into Mexico. In this case, the boy is Billy Parham, and the catalyst for his trip is a wolf he and his father have trapped, but that Billy finds himself unwilling to shoot. His plan is to set the animal loose down south instead. <p>  This is a McCarthy novel, not <em>Old Yeller</em>, and so Billy's trek inevitably becomes more ominous than sweet. It boasts some chilling meditations on the simple ferocity McCarthy sees as necessary for all creatures who aim to continue living. But Billy is McCarthy's most loving--and therefore damageable--character, and his story has its own haunted melancholy. <p>  Billy eventually returns to his ranch. Then, finding himself and his world changed, he returns to Mexico with his younger brother, and the book begins meandering. Though full of hypnotically barren landscapes and McCarthy's trademark western-gothic imagery (like the soldier who sucks eyes from sockets), these latter stages become tedious at times, thanks partly to the female characters, who exist solely as ghosts to haunt the men. <p>  But that opening is glorious, and the whole book finally transcends its shortcomings to achieve a grim and poignant grandeur. <em>--Glen Hirshberg</em></p></p></p>]]>
  </description>
  <published>1994</published>
</book>

    <rating>4</rating>
  <votes>2</votes>
  <spoiler_flag>false</spoiler_flag>
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  <recommended_for><![CDATA[people that like westerns or just like simple, uncluttered story-telling ]]></recommended_for>
  <recommended_by><![CDATA[no one - i found it on a bookshelf on deployment]]></recommended_by>
  <read_at>Tue Apr 01 00:00:00 -0700 2008</read_at>
  <date_added>Fri Jul 25 09:47:07 -0700 2008</date_added>
  <date_updated>Fri Jul 25 09:58:51 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[this book has some of my favorite qualities: written in simple prose the way people (in that time and setting) would really think and speak, the characters are multi-layered and complex - like real people (not all good or all bad - so it's an &quot;adult&quot; book - not a children's book), the situ...<a href="http://www.goodreads.com/review/show/28263917">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/28263917]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/28263917]]></link>
</review>
      <review>
  <id>20691176</id>
    <user>
    <id>230898</id>
    <name><![CDATA[Frank]]></name>
    <location><![CDATA[Saint Louis, MO]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/230898-frank]]></link>
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    <book>
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  <isbn>0394574753</isbn>
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  <text_reviews_count type="integer">311</text_reviews_count>
  <title>
    <![CDATA[The Crossing (Border Trilogy, Vol 2)]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1223665346m/365990.jpg</image_url>
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  <link>http://www.goodreads.com/book/show/365990.The_Crossing</link>
  <average_rating>4.03</average_rating>
  <ratings_count>3704</ratings_count>
  <description>
    <![CDATA[The opening section of <em>The Crossing</em>, book two of the Border Trilogy, features perhaps the most perfectly realized storytelling of Cormac McCarthy's celebrated career. Like <em>All the Pretty Horses</em>, this volume opens with a teenager's decision to slip away from his family's ranch into Mexico. In this case, the boy is Billy Parham, and the catalyst for his trip is a wolf he and his father have trapped, but that Billy finds himself unwilling to shoot. His plan is to set the animal loose down south instead. <p>  This is a McCarthy novel, not <em>Old Yeller</em>, and so Billy's trek inevitably becomes more ominous than sweet. It boasts some chilling meditations on the simple ferocity McCarthy sees as necessary for all creatures who aim to continue living. But Billy is McCarthy's most loving--and therefore damageable--character, and his story has its own haunted melancholy. <p>  Billy eventually returns to his ranch. Then, finding himself and his world changed, he returns to Mexico with his younger brother, and the book begins meandering. Though full of hypnotically barren landscapes and McCarthy's trademark western-gothic imagery (like the soldier who sucks eyes from sockets), these latter stages become tedious at times, thanks partly to the female characters, who exist solely as ghosts to haunt the men. <p>  But that opening is glorious, and the whole book finally transcends its shortcomings to achieve a grim and poignant grandeur. <em>--Glen Hirshberg</em></p></p></p>]]>
  </description>
  <published>1994</published>
</book>

    <rating>2</rating>
  <votes>2</votes>
  <spoiler_flag>false</spoiler_flag>
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  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Sun Jun 08 00:00:00 -0700 2008</read_at>
  <date_added>Mon Apr 21 19:30:36 -0700 2008</date_added>
  <date_updated>Sun Jun 08 20:08:03 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[Alice Munro said in an interview that our lives begin as straightforward stories with the typical arc of fiction, but that as we go on living they become strange, experimental narratives, convoluted and difficult to interpret. It seems to me that's what's happening in this second volume of the Borde...<a href="http://www.goodreads.com/review/show/20691176">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/20691176]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/20691176]]></link>
</review>
      <review>
  <id>13530346</id>
    <user>
    <id>630958</id>
    <name><![CDATA[Jenny]]></name>
    <location><![CDATA[The United States]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/630958-jenny]]></link>
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  <isbn>0394574753</isbn>
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  <title>
    <![CDATA[The Crossing (Border Trilogy, Vol 2)]]>
  </title>
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  <average_rating>4.03</average_rating>
  <ratings_count>3704</ratings_count>
  <description>
    <![CDATA[The opening section of <em>The Crossing</em>, book two of the Border Trilogy, features perhaps the most perfectly realized storytelling of Cormac McCarthy's celebrated career. Like <em>All the Pretty Horses</em>, this volume opens with a teenager's decision to slip away from his family's ranch into Mexico. In this case, the boy is Billy Parham, and the catalyst for his trip is a wolf he and his father have trapped, but that Billy finds himself unwilling to shoot. His plan is to set the animal loose down south instead. <p>  This is a McCarthy novel, not <em>Old Yeller</em>, and so Billy's trek inevitably becomes more ominous than sweet. It boasts some chilling meditations on the simple ferocity McCarthy sees as necessary for all creatures who aim to continue living. But Billy is McCarthy's most loving--and therefore damageable--character, and his story has its own haunted melancholy. <p>  Billy eventually returns to his ranch. Then, finding himself and his world changed, he returns to Mexico with his younger brother, and the book begins meandering. Though full of hypnotically barren landscapes and McCarthy's trademark western-gothic imagery (like the soldier who sucks eyes from sockets), these latter stages become tedious at times, thanks partly to the female characters, who exist solely as ghosts to haunt the men. <p>  But that opening is glorious, and the whole book finally transcends its shortcomings to achieve a grim and poignant grandeur. <em>--Glen Hirshberg</em></p></p></p>]]>
  </description>
  <published>1994</published>
</book>

    <rating>3</rating>
  <votes>2</votes>
  <spoiler_flag>false</spoiler_flag>
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        <shelf name="read" />
          </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[Pete and the book club!]]></recommended_by>
  <read_at>Tue Jan 01 00:00:00 -0800 2008</read_at>
  <date_added>Fri Jan 25 11:36:34 -0800 2008</date_added>
  <date_updated>Sat Feb 09 10:40:52 -0800 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[This was a fairly bleak read, the story of this boy's life as he journeys in and out of Mexico and New Mexico.  But I walked away with a pretty Zen feeling, reminded that life has ups and downs and all sorts of surprise consequences, some good and some bad.  It reminded me of my favorite quote from ...<a href="http://www.goodreads.com/review/show/13530346">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/13530346]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/13530346]]></link>
</review>
      <review>
  <id>9867842</id>
    <user>
    <id>569327</id>
    <name><![CDATA[Peter]]></name>
    <location><![CDATA[Berkeley, CA]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/569327-peter-stocker]]></link>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto-M-111x148.jpg]]></image_url>
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    <book>
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  <text_reviews_count type="integer">311</text_reviews_count>
  <title>
    <![CDATA[The Crossing (Border Trilogy, Vol 2)]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1223665346m/365990.jpg</image_url>
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  <average_rating>4.03</average_rating>
  <ratings_count>3704</ratings_count>
  <description>
    <![CDATA[The opening section of <em>The Crossing</em>, book two of the Border Trilogy, features perhaps the most perfectly realized storytelling of Cormac McCarthy's celebrated career. Like <em>All the Pretty Horses</em>, this volume opens with a teenager's decision to slip away from his family's ranch into Mexico. In this case, the boy is Billy Parham, and the catalyst for his trip is a wolf he and his father have trapped, but that Billy finds himself unwilling to shoot. His plan is to set the animal loose down south instead. <p>  This is a McCarthy novel, not <em>Old Yeller</em>, and so Billy's trek inevitably becomes more ominous than sweet. It boasts some chilling meditations on the simple ferocity McCarthy sees as necessary for all creatures who aim to continue living. But Billy is McCarthy's most loving--and therefore damageable--character, and his story has its own haunted melancholy. <p>  Billy eventually returns to his ranch. Then, finding himself and his world changed, he returns to Mexico with his younger brother, and the book begins meandering. Though full of hypnotically barren landscapes and McCarthy's trademark western-gothic imagery (like the soldier who sucks eyes from sockets), these latter stages become tedious at times, thanks partly to the female characters, who exist solely as ghosts to haunt the men. <p>  But that opening is glorious, and the whole book finally transcends its shortcomings to achieve a grim and poignant grandeur. <em>--Glen Hirshberg</em></p></p></p>]]>
  </description>
  <published>1994</published>
</book>

    <rating>5</rating>
  <votes>1</votes>
  <spoiler_flag>false</spoiler_flag>
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        <shelf name="read" />
          </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Sat Dec 01 00:00:00 -0800 2007</read_at>
  <date_added>Sun Dec 02 22:58:27 -0800 2007</date_added>
  <date_updated>Sun Dec 16 15:25:28 -0800 2007</date_updated>
  <read_count></read_count>
    <body><![CDATA[On par with Coetzee’s Dusklands and Life and Times of Michael K. And that’s about the highest compliment a book can get from me. Although he probably leaves us with as little tangible hope as Coetzee, the sense of gentle desolation McCarthy conveys gives the loss that permeates the book an intan...<a href="http://www.goodreads.com/review/show/9867842">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/9867842]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/9867842]]></link>
</review>
      <review>
  <id>6554430</id>
    <user>
    <id>398987</id>
    <name><![CDATA[MikeS]]></name>
    <location><![CDATA[The United States]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/398987-mikes]]></link>
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  <isbn>0679760849</isbn>
  <isbn13>9780679760849</isbn13>
  <text_reviews_count type="integer">32</text_reviews_count>
  <title>
    <![CDATA[The Crossing (Border Trilogy, Vol 2)]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1177950158m/744388.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1177950158s/744388.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/744388.The_Crossing</link>
  <average_rating>4.05</average_rating>
  <ratings_count>267</ratings_count>
  <description>
    <![CDATA[In <strong>The Crossing</strong>, Cormac McCarthy fulfills the promise of <strong>All the Pretty Horses</strong> and at the same time give us a work that is darker and more visionary, a novel with the unstoppable momentum of a classic western and the elegaic power of a lost American myth.<br/><br/>In the late 1930s, sixteen-year-old Billy Parham captures a she-wolf that has been marauding his family's ranch.  But instead of killing it, he decides to take it back to the mountains of Mexico.  With that crossing, he begins an arduous and often dreamlike journey into a country where men meet ghosts and violence strikes as suddenly as heat-lightning--a world where there is no order &quot;save that which death has put there.&quot;<br/><br/>An essential novel by any measure, <strong>The Crossing</strong> is luminous and appalling, a book that touches, stops, and starts the heart and mind at once.]]>
  </description>
  <published>1994</published>
</book>

    <rating>5</rating>
  <votes>3</votes>
  <spoiler_flag>false</spoiler_flag>
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          </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Sat Sep 01 00:00:00 -0700 2007</read_at>
  <date_added>Fri Sep 21 10:46:12 -0700 2007</date_added>
  <date_updated>Fri Sep 28 16:33:39 -0700 2007</date_updated>
  <read_count></read_count>
    <body><![CDATA[After finishing <em>All the Pretty Horses</em>, I felt (maybe somewhat unjustly) that the bar of expectation had been set extremely high.  I realize that some (most?) people have a particular favorite part of McCarthy’s Border Trilogy, but I’d be hard-pressed to choose one after reading <em>The Crossing</em>.  Ho...<a href="http://www.goodreads.com/review/show/6554430">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/6554430]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/6554430]]></link>
</review>
      <review>
  <id>10080471</id>
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    <id>654335</id>
    <name><![CDATA[Daryn]]></name>
    <location><![CDATA[Sparks, NV]]></location>
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  <id type="integer">365990</id>
  <isbn>0394574753</isbn>
  <isbn13>9780394574752</isbn13>
  <text_reviews_count type="integer">311</text_reviews_count>
  <title>
    <![CDATA[The Crossing (Border Trilogy, Vol 2)]]>
  </title>
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  <average_rating>4.03</average_rating>
  <ratings_count>3704</ratings_count>
  <description>
    <![CDATA[The opening section of <em>The Crossing</em>, book two of the Border Trilogy, features perhaps the most perfectly realized storytelling of Cormac McCarthy's celebrated career. Like <em>All the Pretty Horses</em>, this volume opens with a teenager's decision to slip away from his family's ranch into Mexico. In this case, the boy is Billy Parham, and the catalyst for his trip is a wolf he and his father have trapped, but that Billy finds himself unwilling to shoot. His plan is to set the animal loose down south instead. <p>  This is a McCarthy novel, not <em>Old Yeller</em>, and so Billy's trek inevitably becomes more ominous than sweet. It boasts some chilling meditations on the simple ferocity McCarthy sees as necessary for all creatures who aim to continue living. But Billy is McCarthy's most loving--and therefore damageable--character, and his story has its own haunted melancholy. <p>  Billy eventually returns to his ranch. Then, finding himself and his world changed, he returns to Mexico with his younger brother, and the book begins meandering. Though full of hypnotically barren landscapes and McCarthy's trademark western-gothic imagery (like the soldier who sucks eyes from sockets), these latter stages become tedious at times, thanks partly to the female characters, who exist solely as ghosts to haunt the men. <p>  But that opening is glorious, and the whole book finally transcends its shortcomings to achieve a grim and poignant grandeur. <em>--Glen Hirshberg</em></p></p></p>]]>
  </description>
  <published>1994</published>
</book>

    <rating>5</rating>
  <votes>1</votes>
  <spoiler_flag>false</spoiler_flag>
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        <shelf name="read" />
          </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Mon Jan 01 00:00:00 -0800 2007</read_at>
  <date_added>Fri Dec 07 06:01:47 -0800 2007</date_added>
  <date_updated>Sat Dec 15 14:05:57 -0800 2007</date_updated>
  <read_count></read_count>
    <body><![CDATA[Of the three McCarthy novels I've read so far, this is my favorite. The story is more compelling than in Blood Meridian and there are none of the purple passages that I recall from my reading of All the Pretty Horses years ago. With this book, McCarthy's fictional world becomes more complex in terms...<a href="http://www.goodreads.com/review/show/10080471">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/10080471]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/10080471]]></link>
</review>
      <review>
  <id>7648904</id>
    <user>
    <id>341677</id>
    <name><![CDATA[Katy]]></name>
    <location><![CDATA[Washington, DC]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/341677-katy]]></link>
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  <isbn>0394574753</isbn>
  <isbn13>9780394574752</isbn13>
  <text_reviews_count type="integer">311</text_reviews_count>
  <title>
    <![CDATA[The Crossing (Border Trilogy, Vol 2)]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1223665346m/365990.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1223665346s/365990.jpg</small_image_url>
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  <average_rating>4.03</average_rating>
  <ratings_count>3704</ratings_count>
  <description>
    <![CDATA[The opening section of <em>The Crossing</em>, book two of the Border Trilogy, features perhaps the most perfectly realized storytelling of Cormac McCarthy's celebrated career. Like <em>All the Pretty Horses</em>, this volume opens with a teenager's decision to slip away from his family's ranch into Mexico. In this case, the boy is Billy Parham, and the catalyst for his trip is a wolf he and his father have trapped, but that Billy finds himself unwilling to shoot. His plan is to set the animal loose down south instead. <p>  This is a McCarthy novel, not <em>Old Yeller</em>, and so Billy's trek inevitably becomes more ominous than sweet. It boasts some chilling meditations on the simple ferocity McCarthy sees as necessary for all creatures who aim to continue living. But Billy is McCarthy's most loving--and therefore damageable--character, and his story has its own haunted melancholy. <p>  Billy eventually returns to his ranch. Then, finding himself and his world changed, he returns to Mexico with his younger brother, and the book begins meandering. Though full of hypnotically barren landscapes and McCarthy's trademark western-gothic imagery (like the soldier who sucks eyes from sockets), these latter stages become tedious at times, thanks partly to the female characters, who exist solely as ghosts to haunt the men. <p>  But that opening is glorious, and the whole book finally transcends its shortcomings to achieve a grim and poignant grandeur. <em>--Glen Hirshberg</em></p></p></p>]]>
  </description>
  <published>1994</published>
</book>

    <rating>5</rating>
  <votes>1</votes>
  <spoiler_flag>false</spoiler_flag>
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            <shelf name="fiction" />
      </shelves>
  <recommended_for><![CDATA[Everyone]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Mon Oct 01 00:00:00 -0700 2007</read_at>
  <date_added>Fri Oct 12 19:21:44 -0700 2007</date_added>
  <date_updated>Fri Oct 12 20:30:30 -0700 2007</date_updated>
  <read_count></read_count>
    <body><![CDATA[ If you enjoyed ALL THE PRETTY HORSES which is the first book in Cormac McCarthy's Border Trilogy, you will be equally enchanted by THE CROSSING. <br/> The first time I tried this, 10 years ago, I couldn't get into it, but inspired by THE ROAD which I read this summer, I decided to try again and ha...<a href="http://www.goodreads.com/review/show/7648904">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/7648904]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/7648904]]></link>
</review>
      <review>
  <id>2475006</id>
    <user>
    <id>156859</id>
    <name><![CDATA[Lara]]></name>
    <location><![CDATA[Denver, CO]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/156859-lara]]></link>
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  <isbn>0394574753</isbn>
  <isbn13>9780394574752</isbn13>
  <text_reviews_count type="integer">311</text_reviews_count>
  <title>
    <![CDATA[The Crossing (Border Trilogy, Vol 2)]]>
  </title>
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  <average_rating>4.03</average_rating>
  <ratings_count>3704</ratings_count>
  <description>
    <![CDATA[The opening section of <em>The Crossing</em>, book two of the Border Trilogy, features perhaps the most perfectly realized storytelling of Cormac McCarthy's celebrated career. Like <em>All the Pretty Horses</em>, this volume opens with a teenager's decision to slip away from his family's ranch into Mexico. In this case, the boy is Billy Parham, and the catalyst for his trip is a wolf he and his father have trapped, but that Billy finds himself unwilling to shoot. His plan is to set the animal loose down south instead. <p>  This is a McCarthy novel, not <em>Old Yeller</em>, and so Billy's trek inevitably becomes more ominous than sweet. It boasts some chilling meditations on the simple ferocity McCarthy sees as necessary for all creatures who aim to continue living. But Billy is McCarthy's most loving--and therefore damageable--character, and his story has its own haunted melancholy. <p>  Billy eventually returns to his ranch. Then, finding himself and his world changed, he returns to Mexico with his younger brother, and the book begins meandering. Though full of hypnotically barren landscapes and McCarthy's trademark western-gothic imagery (like the soldier who sucks eyes from sockets), these latter stages become tedious at times, thanks partly to the female characters, who exist solely as ghosts to haunt the men. <p>  But that opening is glorious, and the whole book finally transcends its shortcomings to achieve a grim and poignant grandeur. <em>--Glen Hirshberg</em></p></p></p>]]>
  </description>
  <published>1994</published>
</book>

    <rating>4</rating>
  <votes>1</votes>
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  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Thu Nov 01 00:00:00 -0700 2007</read_at>
  <date_added>Wed Jun 27 23:23:35 -0700 2007</date_added>
  <date_updated>Wed Dec 16 22:57:48 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[My impression of this one mirrors many of the reviews I've read:<br/><br/>The first section with Billy and the wolf is stunning and surely among the best descriptions of man's relationship with the wild in literature.<br/><br/>The middle section meanders.  I felt I needed a map to keep track of ...<a href="http://www.goodreads.com/review/show/2475006">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/2475006]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/2475006]]></link>
</review>
      <review>
  <id>72313158</id>
    <user>
    <id>2632107</id>
    <name><![CDATA[Nate]]></name>
    <location><![CDATA[San Jose, CA]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/2632107-nate]]></link>
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  <title>
    <![CDATA[The Crossing (Border Trilogy, Vol 2)]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1223665346m/365990.jpg</image_url>
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  <average_rating>4.03</average_rating>
  <ratings_count>3704</ratings_count>
  <description>
    <![CDATA[The opening section of <em>The Crossing</em>, book two of the Border Trilogy, features perhaps the most perfectly realized storytelling of Cormac McCarthy's celebrated career. Like <em>All the Pretty Horses</em>, this volume opens with a teenager's decision to slip away from his family's ranch into Mexico. In this case, the boy is Billy Parham, and the catalyst for his trip is a wolf he and his father have trapped, but that Billy finds himself unwilling to shoot. His plan is to set the animal loose down south instead. <p>  This is a McCarthy novel, not <em>Old Yeller</em>, and so Billy's trek inevitably becomes more ominous than sweet. It boasts some chilling meditations on the simple ferocity McCarthy sees as necessary for all creatures who aim to continue living. But Billy is McCarthy's most loving--and therefore damageable--character, and his story has its own haunted melancholy. <p>  Billy eventually returns to his ranch. Then, finding himself and his world changed, he returns to Mexico with his younger brother, and the book begins meandering. Though full of hypnotically barren landscapes and McCarthy's trademark western-gothic imagery (like the soldier who sucks eyes from sockets), these latter stages become tedious at times, thanks partly to the female characters, who exist solely as ghosts to haunt the men. <p>  But that opening is glorious, and the whole book finally transcends its shortcomings to achieve a grim and poignant grandeur. <em>--Glen Hirshberg</em></p></p></p>]]>
  </description>
  <published>1994</published>
</book>

    <rating>5</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
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        <shelf name="read" />
          </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Sun Jan 01 00:00:00 -0800 2006</read_at>
  <date_added>Wed Sep 23 23:21:44 -0700 2009</date_added>
  <date_updated>Wed Sep 23 23:32:38 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Certainly the most philosophical, ruminating book in the Border trilogy and arguably the best.  I've read this book more than I've read any other, and each time I gain a new appreciation for how adept McCarthy is at wielding the English (and Spanish) language.  The book contains some of the finest l...<a href="http://www.goodreads.com/review/show/72313158">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/72313158]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/72313158]]></link>
</review>
      <review>
  <id>63115380</id>
    <user>
    <id>575494</id>
    <name><![CDATA[Adrian]]></name>
    <location><![CDATA[Forest Hills, NY]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/575494-adrian]]></link>
    <image_url><![CDATA[http://photo.goodreads.com/users/1248987818p3/575494.jpg]]></image_url>
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  <isbn>0394574753</isbn>
  <isbn13>9780394574752</isbn13>
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  <title>
    <![CDATA[The Crossing (Border Trilogy, Vol 2)]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1223665346m/365990.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1223665346s/365990.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/365990.The_Crossing</link>
  <average_rating>4.03</average_rating>
  <ratings_count>3704</ratings_count>
  <description>
    <![CDATA[The opening section of <em>The Crossing</em>, book two of the Border Trilogy, features perhaps the most perfectly realized storytelling of Cormac McCarthy's celebrated career. Like <em>All the Pretty Horses</em>, this volume opens with a teenager's decision to slip away from his family's ranch into Mexico. In this case, the boy is Billy Parham, and the catalyst for his trip is a wolf he and his father have trapped, but that Billy finds himself unwilling to shoot. His plan is to set the animal loose down south instead. <p>  This is a McCarthy novel, not <em>Old Yeller</em>, and so Billy's trek inevitably becomes more ominous than sweet. It boasts some chilling meditations on the simple ferocity McCarthy sees as necessary for all creatures who aim to continue living. But Billy is McCarthy's most loving--and therefore damageable--character, and his story has its own haunted melancholy. <p>  Billy eventually returns to his ranch. Then, finding himself and his world changed, he returns to Mexico with his younger brother, and the book begins meandering. Though full of hypnotically barren landscapes and McCarthy's trademark western-gothic imagery (like the soldier who sucks eyes from sockets), these latter stages become tedious at times, thanks partly to the female characters, who exist solely as ghosts to haunt the men. <p>  But that opening is glorious, and the whole book finally transcends its shortcomings to achieve a grim and poignant grandeur. <em>--Glen Hirshberg</em></p></p></p>]]>
  </description>
  <published>1994</published>
</book>

    <rating>3</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
        <shelf name="read" />
          </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Sun Jul 19 09:19:16 -0700 2009</read_at>
  <date_added>Sat Jul 11 21:47:36 -0700 2009</date_added>
  <date_updated>Sun Jul 19 09:19:16 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[I would probably give this book 3.5 stars if that were an option, but I felt like rounding down instead of up.  There are many of the same issues he always touches on present in this book: the capacity for evil in men (and I do say &quot;men&quot; because his books mostly only deal with men), the au...<a href="http://www.goodreads.com/review/show/63115380">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/63115380]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/63115380]]></link>
</review>
      <review>
  <id>72495707</id>
    <user>
    <id>1923893</id>
    <name><![CDATA[Mike]]></name>
    <location><![CDATA[Chickamauga, GA]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/1923893-mike]]></link>
    <image_url><![CDATA[http://photo.goodreads.com/users/1261879753p3/1923893.jpg]]></image_url>
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  <isbn>0394574753</isbn>
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  <text_reviews_count type="integer">311</text_reviews_count>
  <title>
    <![CDATA[The Crossing (Border Trilogy, Vol 2)]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1223665346m/365990.jpg</image_url>
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  <link>http://www.goodreads.com/book/show/365990.The_Crossing</link>
  <average_rating>4.03</average_rating>
  <ratings_count>3704</ratings_count>
  <description>
    <![CDATA[The opening section of <em>The Crossing</em>, book two of the Border Trilogy, features perhaps the most perfectly realized storytelling of Cormac McCarthy's celebrated career. Like <em>All the Pretty Horses</em>, this volume opens with a teenager's decision to slip away from his family's ranch into Mexico. In this case, the boy is Billy Parham, and the catalyst for his trip is a wolf he and his father have trapped, but that Billy finds himself unwilling to shoot. His plan is to set the animal loose down south instead. <p>  This is a McCarthy novel, not <em>Old Yeller</em>, and so Billy's trek inevitably becomes more ominous than sweet. It boasts some chilling meditations on the simple ferocity McCarthy sees as necessary for all creatures who aim to continue living. But Billy is McCarthy's most loving--and therefore damageable--character, and his story has its own haunted melancholy. <p>  Billy eventually returns to his ranch. Then, finding himself and his world changed, he returns to Mexico with his younger brother, and the book begins meandering. Though full of hypnotically barren landscapes and McCarthy's trademark western-gothic imagery (like the soldier who sucks eyes from sockets), these latter stages become tedious at times, thanks partly to the female characters, who exist solely as ghosts to haunt the men. <p>  But that opening is glorious, and the whole book finally transcends its shortcomings to achieve a grim and poignant grandeur. <em>--Glen Hirshberg</em></p></p></p>]]>
  </description>
  <published>1994</published>
</book>

    <rating>4</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
        <shelf name="read" />
          </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Sun Oct 11 00:00:00 -0700 2009</read_at>
  <date_added>Fri Sep 25 16:43:52 -0700 2009</date_added>
  <date_updated>Mon Oct 12 13:01:59 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Three words keep coming to mind: dark, stark and depressing. This book is all three in spades, so its a good thing I (periodically) am receptive to all three.<br/><br/>McCarthy's writing is as literately stark as his landscapes, and his words insidiously find their way under the reader's (or at le...<a href="http://www.goodreads.com/review/show/72495707">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/72495707]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/72495707]]></link>
</review>
      <review>
  <id>57937194</id>
    <user>
    <id>2370105</id>
    <name><![CDATA[Miss]]></name>
    <location><![CDATA[The United States]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/2370105-miss-poppy]]></link>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto-F-111x148.jpg]]></image_url>
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  <isbn>0394574753</isbn>
  <isbn13>9780394574752</isbn13>
  <text_reviews_count type="integer">311</text_reviews_count>
  <title>
    <![CDATA[The Crossing (Border Trilogy, Vol 2)]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1223665346m/365990.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1223665346s/365990.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/365990.The_Crossing</link>
  <average_rating>4.03</average_rating>
  <ratings_count>3704</ratings_count>
  <description>
    <![CDATA[The opening section of <em>The Crossing</em>, book two of the Border Trilogy, features perhaps the most perfectly realized storytelling of Cormac McCarthy's celebrated career. Like <em>All the Pretty Horses</em>, this volume opens with a teenager's decision to slip away from his family's ranch into Mexico. In this case, the boy is Billy Parham, and the catalyst for his trip is a wolf he and his father have trapped, but that Billy finds himself unwilling to shoot. His plan is to set the animal loose down south instead. <p>  This is a McCarthy novel, not <em>Old Yeller</em>, and so Billy's trek inevitably becomes more ominous than sweet. It boasts some chilling meditations on the simple ferocity McCarthy sees as necessary for all creatures who aim to continue living. But Billy is McCarthy's most loving--and therefore damageable--character, and his story has its own haunted melancholy. <p>  Billy eventually returns to his ranch. Then, finding himself and his world changed, he returns to Mexico with his younger brother, and the book begins meandering. Though full of hypnotically barren landscapes and McCarthy's trademark western-gothic imagery (like the soldier who sucks eyes from sockets), these latter stages become tedious at times, thanks partly to the female characters, who exist solely as ghosts to haunt the men. <p>  But that opening is glorious, and the whole book finally transcends its shortcomings to achieve a grim and poignant grandeur. <em>--Glen Hirshberg</em></p></p></p>]]>
  </description>
  <published>1994</published>
</book>

    <rating>3</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
            <shelf name="currently-reading" />
      </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at></read_at>
  <date_added>Sun May 31 06:27:33 -0700 2009</date_added>
  <date_updated>Tue Jun 16 11:58:49 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[I'm reading my way through Cormac McCarthy's trilogy on my way to &quot;Cities of the Plain.&quot; That's Andrew Dominik's next movie. I LOVED &quot;The Assassination of Jesse James by the Coward Robert Ford&quot; directed by Dominik, and loved Ron Hansen's book.<br/><br/>McCarthy's trilogy is a s...<a href="http://www.goodreads.com/review/show/57937194">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/57937194]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/57937194]]></link>
</review>
      <review>
  <id>40738103</id>
    <user>
    <id>1684384</id>
    <name><![CDATA[Erik]]></name>
    <location><![CDATA[Los Angeles, CA]]></location>
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  <id type="integer">365990</id>
  <isbn>0394574753</isbn>
  <isbn13>9780394574752</isbn13>
  <text_reviews_count type="integer">311</text_reviews_count>
  <title>
    <![CDATA[The Crossing (Border Trilogy, Vol 2)]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1223665346m/365990.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1223665346s/365990.jpg</small_image_url>
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  <average_rating>4.03</average_rating>
  <ratings_count>3704</ratings_count>
  <description>
    <![CDATA[The opening section of <em>The Crossing</em>, book two of the Border Trilogy, features perhaps the most perfectly realized storytelling of Cormac McCarthy's celebrated career. Like <em>All the Pretty Horses</em>, this volume opens with a teenager's decision to slip away from his family's ranch into Mexico. In this case, the boy is Billy Parham, and the catalyst for his trip is a wolf he and his father have trapped, but that Billy finds himself unwilling to shoot. His plan is to set the animal loose down south instead. <p>  This is a McCarthy novel, not <em>Old Yeller</em>, and so Billy's trek inevitably becomes more ominous than sweet. It boasts some chilling meditations on the simple ferocity McCarthy sees as necessary for all creatures who aim to continue living. But Billy is McCarthy's most loving--and therefore damageable--character, and his story has its own haunted melancholy. <p>  Billy eventually returns to his ranch. Then, finding himself and his world changed, he returns to Mexico with his younger brother, and the book begins meandering. Though full of hypnotically barren landscapes and McCarthy's trademark western-gothic imagery (like the soldier who sucks eyes from sockets), these latter stages become tedious at times, thanks partly to the female characters, who exist solely as ghosts to haunt the men. <p>  But that opening is glorious, and the whole book finally transcends its shortcomings to achieve a grim and poignant grandeur. <em>--Glen Hirshberg</em></p></p></p>]]>
  </description>
  <published>1994</published>
</book>

    <rating>4</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
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  <read_at>Fri Jan 09 00:00:00 -0800 2009</read_at>
  <date_added>Tue Dec 23 00:18:38 -0800 2008</date_added>
  <date_updated>Fri Jan 09 14:19:57 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Cormac McCarthy is the most powerful writer I have come across. His prose is stunning and seemingly effortless. He makes his literary world come alive. His power of description is awesome. I wonder how someone can get this good, how one can acquire a vocabulary such as his, can know the land so prof...<a href="http://www.goodreads.com/review/show/40738103">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/40738103]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/40738103]]></link>
</review>
      <review>
  <id>13226541</id>
    <user>
    <id>818473</id>
    <name><![CDATA[Mccracker]]></name>
    <location><![CDATA[Santa Cruz, CA]]></location>
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  <isbn>0394574753</isbn>
  <isbn13>9780394574752</isbn13>
  <text_reviews_count type="integer">311</text_reviews_count>
  <title>
    <![CDATA[The Crossing (Border Trilogy, Vol 2)]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1223665346m/365990.jpg</image_url>
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  <average_rating>4.03</average_rating>
  <ratings_count>3704</ratings_count>
  <description>
    <![CDATA[The opening section of <em>The Crossing</em>, book two of the Border Trilogy, features perhaps the most perfectly realized storytelling of Cormac McCarthy's celebrated career. Like <em>All the Pretty Horses</em>, this volume opens with a teenager's decision to slip away from his family's ranch into Mexico. In this case, the boy is Billy Parham, and the catalyst for his trip is a wolf he and his father have trapped, but that Billy finds himself unwilling to shoot. His plan is to set the animal loose down south instead. <p>  This is a McCarthy novel, not <em>Old Yeller</em>, and so Billy's trek inevitably becomes more ominous than sweet. It boasts some chilling meditations on the simple ferocity McCarthy sees as necessary for all creatures who aim to continue living. But Billy is McCarthy's most loving--and therefore damageable--character, and his story has its own haunted melancholy. <p>  Billy eventually returns to his ranch. Then, finding himself and his world changed, he returns to Mexico with his younger brother, and the book begins meandering. Though full of hypnotically barren landscapes and McCarthy's trademark western-gothic imagery (like the soldier who sucks eyes from sockets), these latter stages become tedious at times, thanks partly to the female characters, who exist solely as ghosts to haunt the men. <p>  But that opening is glorious, and the whole book finally transcends its shortcomings to achieve a grim and poignant grandeur. <em>--Glen Hirshberg</em></p></p></p>]]>
  </description>
  <published>1994</published>
</book>

    <rating>5</rating>
  <votes>1</votes>
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  <read_at>Mon Oct 01 00:00:00 -0700 2007</read_at>
  <date_added>Tue Jan 22 20:44:58 -0800 2008</date_added>
  <date_updated>Tue Jan 22 21:01:44 -0800 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[One little event sparks a journey that takes the narrative itself.  The world as a simulacrum.  Everything becomes commodofied and there is nothing in an unfallen state.  The wolf gets consumed and by the end, we are left to wonder whether there is hope for the larger narrative of human existence.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/13226541]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/13226541]]></link>
</review>
      <review>
  <id>80595376</id>
    <user>
    <id>1109199</id>
    <name><![CDATA[Shawn]]></name>
    <location><![CDATA[Mcclure, PA]]></location>
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  <isbn>0394574753</isbn>
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  <title>
    <![CDATA[The Crossing (Border Trilogy, Vol 2)]]>
  </title>
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  <average_rating>4.03</average_rating>
  <ratings_count>3704</ratings_count>
  <description>
    <![CDATA[The opening section of <em>The Crossing</em>, book two of the Border Trilogy, features perhaps the most perfectly realized storytelling of Cormac McCarthy's celebrated career. Like <em>All the Pretty Horses</em>, this volume opens with a teenager's decision to slip away from his family's ranch into Mexico. In this case, the boy is Billy Parham, and the catalyst for his trip is a wolf he and his father have trapped, but that Billy finds himself unwilling to shoot. His plan is to set the animal loose down south instead. <p>  This is a McCarthy novel, not <em>Old Yeller</em>, and so Billy's trek inevitably becomes more ominous than sweet. It boasts some chilling meditations on the simple ferocity McCarthy sees as necessary for all creatures who aim to continue living. But Billy is McCarthy's most loving--and therefore damageable--character, and his story has its own haunted melancholy. <p>  Billy eventually returns to his ranch. Then, finding himself and his world changed, he returns to Mexico with his younger brother, and the book begins meandering. Though full of hypnotically barren landscapes and McCarthy's trademark western-gothic imagery (like the soldier who sucks eyes from sockets), these latter stages become tedious at times, thanks partly to the female characters, who exist solely as ghosts to haunt the men. <p>  But that opening is glorious, and the whole book finally transcends its shortcomings to achieve a grim and poignant grandeur. <em>--Glen Hirshberg</em></p></p></p>]]>
  </description>
  <published>1994</published>
</book>

    <rating>5</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
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          </shelves>
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  <read_at>Tue Dec 01 00:00:00 -0800 2009</read_at>
  <date_added>Thu Dec 10 16:41:39 -0800 2009</date_added>
  <date_updated>Sun Dec 20 08:11:28 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Read for the second time.  I still consider this book a classic despite its overdone style (even for CM) and excessive rambling passages that perhaps could be whittled down a lot without losing effectiveness.  These elements seem necessary in the same way the very long analyses of time and history i...<a href="http://www.goodreads.com/review/show/80595376">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/80595376]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/80595376]]></link>
</review>
      <review>
  <id>73837038</id>
    <user>
    <id>2818275</id>
    <name><![CDATA[Matt]]></name>
    <location><![CDATA[Sydney, 02, Australia]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/2818275-matt]]></link>
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  <text_reviews_count type="integer">311</text_reviews_count>
  <title>
    <![CDATA[The Crossing (Border Trilogy, Vol 2)]]>
  </title>
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  <average_rating>4.03</average_rating>
  <ratings_count>3704</ratings_count>
  <description>
    <![CDATA[The opening section of <em>The Crossing</em>, book two of the Border Trilogy, features perhaps the most perfectly realized storytelling of Cormac McCarthy's celebrated career. Like <em>All the Pretty Horses</em>, this volume opens with a teenager's decision to slip away from his family's ranch into Mexico. In this case, the boy is Billy Parham, and the catalyst for his trip is a wolf he and his father have trapped, but that Billy finds himself unwilling to shoot. His plan is to set the animal loose down south instead. <p>  This is a McCarthy novel, not <em>Old Yeller</em>, and so Billy's trek inevitably becomes more ominous than sweet. It boasts some chilling meditations on the simple ferocity McCarthy sees as necessary for all creatures who aim to continue living. But Billy is McCarthy's most loving--and therefore damageable--character, and his story has its own haunted melancholy. <p>  Billy eventually returns to his ranch. Then, finding himself and his world changed, he returns to Mexico with his younger brother, and the book begins meandering. Though full of hypnotically barren landscapes and McCarthy's trademark western-gothic imagery (like the soldier who sucks eyes from sockets), these latter stages become tedious at times, thanks partly to the female characters, who exist solely as ghosts to haunt the men. <p>  But that opening is glorious, and the whole book finally transcends its shortcomings to achieve a grim and poignant grandeur. <em>--Glen Hirshberg</em></p></p></p>]]>
  </description>
  <published>1994</published>
</book>

    <rating>4</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
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        <shelf name="read" />
          </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Thu Oct 08 00:00:00 -0700 2009</read_at>
  <date_added>Thu Oct 08 04:22:12 -0700 2009</date_added>
  <date_updated>Thu Oct 08 04:22:12 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Amazing book in three parts.  At the end of the first I was wondering where the story could possibly go, and wasnt disappointed with subsequent &quot;crossings&quot;.  This book would easily be a five in all categories, but for one thing - the amount of spanish.  I understand why it was there, and i...<a href="http://www.goodreads.com/review/show/73837038">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/73837038]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/73837038]]></link>
</review>
      <review>
  <id>76882110</id>
    <user>
    <id>1711213</id>
    <name><![CDATA[Jonathan]]></name>
    <location><![CDATA[Korea, Republic of]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/1711213-jonathan]]></link>
    <image_url><![CDATA[http://photo.goodreads.com/users/1258244114p3/1711213.jpg]]></image_url>
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    <book>
  <id type="integer">365990</id>
  <isbn>0394574753</isbn>
  <isbn13>9780394574752</isbn13>
  <text_reviews_count type="integer">311</text_reviews_count>
  <title>
    <![CDATA[The Crossing (Border Trilogy, Vol 2)]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1223665346m/365990.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1223665346s/365990.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/365990.The_Crossing</link>
  <average_rating>4.03</average_rating>
  <ratings_count>3704</ratings_count>
  <description>
    <![CDATA[The opening section of <em>The Crossing</em>, book two of the Border Trilogy, features perhaps the most perfectly realized storytelling of Cormac McCarthy's celebrated career. Like <em>All the Pretty Horses</em>, this volume opens with a teenager's decision to slip away from his family's ranch into Mexico. In this case, the boy is Billy Parham, and the catalyst for his trip is a wolf he and his father have trapped, but that Billy finds himself unwilling to shoot. His plan is to set the animal loose down south instead. <p>  This is a McCarthy novel, not <em>Old Yeller</em>, and so Billy's trek inevitably becomes more ominous than sweet. It boasts some chilling meditations on the simple ferocity McCarthy sees as necessary for all creatures who aim to continue living. But Billy is McCarthy's most loving--and therefore damageable--character, and his story has its own haunted melancholy. <p>  Billy eventually returns to his ranch. Then, finding himself and his world changed, he returns to Mexico with his younger brother, and the book begins meandering. Though full of hypnotically barren landscapes and McCarthy's trademark western-gothic imagery (like the soldier who sucks eyes from sockets), these latter stages become tedious at times, thanks partly to the female characters, who exist solely as ghosts to haunt the men. <p>  But that opening is glorious, and the whole book finally transcends its shortcomings to achieve a grim and poignant grandeur. <em>--Glen Hirshberg</em></p></p></p>]]>
  </description>
  <published>1994</published>
</book>

    <rating>5</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
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  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Sat Nov 28 00:00:00 -0800 2009</read_at>
  <date_added>Thu Nov 05 20:49:24 -0800 2009</date_added>
  <date_updated>Mon Nov 30 20:35:36 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[For fans of McCarthy's earlier work, <em>All The Pretty Horses</em> is something of a shock. That novel is named after a lullaby and that's essentially what it is for most of the novel, soothing and calming compared to the black views of his previous work.  It presents a life lived in a straight line by some...<a href="http://www.goodreads.com/review/show/76882110">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/76882110]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/76882110]]></link>
</review>
      <review>
  <id>69662257</id>
    <user>
    <id>1768003</id>
    <name><![CDATA[Sam]]></name>
    <location><![CDATA[Cardiff, Cardiff, The United Kingdom]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/1768003-sam]]></link>
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    <book>
  <id type="integer">538843</id>
  <isbn>0330341219</isbn>
  <isbn13>9780330341219</isbn13>
  <text_reviews_count type="integer">2</text_reviews_count>
  <title>
    <![CDATA[The Crossing (Border Trilogy, Vol 2)]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1202759605m/538843.jpg</image_url>
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  <link>http://www.goodreads.com/book/show/538843.The_Crossing</link>
  <average_rating>4.28</average_rating>
  <ratings_count>25</ratings_count>
  <description>
    <![CDATA[The opening section of <em>The Crossing</em>, book two of the Border Trilogy, features perhaps the most perfectly realized storytelling of Cormac McCarthy's celebrated career. Like <em>All the Pretty Horses</em>, this volume opens with a teenager's decision to slip away from his family's ranch into Mexico. In this case, the boy is Billy Parham, and the catalyst for his trip is a wolf he and his father have trapped, but that Billy finds himself unwilling to shoot. His plan is to set the animal loose down south instead. <p>  This is a McCarthy novel, not <em>Old Yeller</em>, and so Billy's trek inevitably becomes more ominous than sweet. It boasts some chilling meditations on the simple ferocity McCarthy sees as necessary for all creatures who aim to continue living. But Billy is McCarthy's most loving--and therefore damageable--character, and his story has its own haunted melancholy. <p>  Billy eventually returns to his ranch. Then, finding himself and his world changed, he returns to Mexico with his younger brother, and the book begins meandering. Though full of hypnotically barren landscapes and McCarthy's trademark western-gothic imagery (like the soldier who sucks eyes from sockets), these latter stages become tedious at times, thanks partly to the female characters, who exist solely as ghosts to haunt the men. <p>  But that opening is glorious, and the whole book finally transcends its shortcomings to achieve a grim and poignant grandeur. <em>--Glen Hirshberg</em></p></p></p>]]>
  </description>
  <published>1994</published>
</book>

    <rating>3</rating>
  <votes>0</votes>
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  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Tue Sep 15 00:00:00 -0700 2009</read_at>
  <date_added>Tue Sep 01 05:36:15 -0700 2009</date_added>
  <date_updated>Fri Sep 18 02:00:04 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[I have to say I had particularly high expectations for this book as the world and its mother seems to be raging about how brilliant McCarthy is as a writer.  But I didn't feel it.  I found the story long winded and very wordy and struggled to get into the story and keep with it at times.  However as...<a href="http://www.goodreads.com/review/show/69662257">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/69662257]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/69662257]]></link>
</review>
      <review>
  <id>45112508</id>
    <user>
    <id>36120</id>
    <name><![CDATA[Brian]]></name>
    <location><![CDATA[New York, NY]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/36120-brian]]></link>
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    <book>
  <id type="integer">744388</id>
  <isbn>0679760849</isbn>
  <isbn13>9780679760849</isbn13>
  <text_reviews_count type="integer">32</text_reviews_count>
  <title>
    <![CDATA[The Crossing (Border Trilogy, Vol 2)]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1177950158m/744388.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1177950158s/744388.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/744388.The_Crossing</link>
  <average_rating>4.03</average_rating>
  <ratings_count>3704</ratings_count>
  <description>
    <![CDATA[In <strong>The Crossing</strong>, Cormac McCarthy fulfills the promise of <strong>All the Pretty Horses</strong> and at the same time give us a work that is darker and more visionary, a novel with the unstoppable momentum of a classic western and the elegaic power of a lost American myth.<br/><br/>In the late 1930s, sixteen-year-old Billy Parham captures a she-wolf that has been marauding his family's ranch.  But instead of killing it, he decides to take it back to the mountains of Mexico.  With that crossing, he begins an arduous and often dreamlike journey into a country where men meet ghosts and violence strikes as suddenly as heat-lightning--a world where there is no order &quot;save that which death has put there.&quot;<br/><br/>An essential novel by any measure, <strong>The Crossing</strong> is luminous and appalling, a book that touches, stops, and starts the heart and mind at once.]]>
  </description>
  <published>1994</published>
</book>

    <rating>5</rating>
  <votes>0</votes>
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  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Sat Feb 28 00:00:00 -0800 2009</read_at>
  <date_added>Sun Feb 01 22:16:40 -0800 2009</date_added>
  <date_updated>Sat Feb 28 21:09:14 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[He said that men believe the blood of the slain to be of no consequence but the wolf knows better. He said that the wolf is a being of great order and that it knows what men do not: that there is no order in the world save that which death has put there.<br/><br/>* * *<br/><br/>He said the world...<a href="http://www.goodreads.com/review/show/45112508">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/45112508]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/45112508]]></link>
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</book_link>
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</GoodreadsResponse>