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  <id>732482</id>
  <title><![CDATA[Swami and Friends (Phoenix Fiction Series)]]></title>
  <isbn><![CDATA[0226568318]]></isbn>
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  <description><![CDATA[&lt;div&gt;&quot;There are writers--Tolstoy and Henry James to name two--whom we hold in awe, writers--Turgenev and Chekhov--for whom we feel a personal affection, other writers whom we respect--Conrad for example--but who hold us at a long arm's length with their 'courtly foreign grace.' Narayan (whom I don't hesitate to name in such a context) more than any of them wakes in me a spring of gratitude, for he has offered me a second home. Without him I could never have known what it is like to be Indian.&quot;--Graham Greene<br/><br/>Offering rare insight into the complexities of Indian middle-class society, R. K. Narayan traces life in the fictional town of Malgudi. <em>The Dark Room</em> is a searching look at a difficult marriage and a woman who eventually rebels against the demands of being a good and obedient wife. In <em>Mr. Sampath,</em> a newspaper man tries to keep his paper afloat in the face of social and economic changes sweeping India. Narayan writes of youth and young adulthood in the semiautobiographical <em>Swami and Friends</em> and <em>The Bachelor of Arts.</em> Although the ordinary tensions of maturing are heightened by the particular circumstances of pre-partition India, Narayan provides a universal vision of childhood, early love and grief.<br/><br/>&quot;The experience of reading one of his novels is . . . comparable to one's first reaction to the great Russian novels: the fresh realization of the common humanity of all peoples, underlain by a simultaneous sense of strangeness--like one's own reflection seen in a green twilight.&quot;--Margaret Parton, <em>New York Herald Tribune</em><br/><br/>&quot;The novels of R.K. Narayan are the best I have read in any language for a long time. . . . His work gives the conviction that it is possible to capture in English, a language not born of India, the distinctive characteristics of Indian family life.&quot;--Amit Roy, <em>Daily Telegraph</em><br/><br/>&lt;/div&gt;]]></description>
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    <name><![CDATA[Micah]]></name>
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  <title>
    <![CDATA[Swami and Friends (Phoenix Fiction Series)]]>
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  <average_rating>4.19</average_rating>
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  <description>
    <![CDATA[&lt;div&gt;&quot;There are writers--Tolstoy and Henry James to name two--whom we hold in awe, writers--Turgenev and Chekhov--for whom we feel a personal affection, other writers whom we respect--Conrad for example--but who hold us at a long arm's length with their 'courtly foreign grace.' Narayan (whom I don't hesitate to name in such a context) more than any of them wakes in me a spring of gratitude, for he has offered me a second home. Without him I could never have known what it is like to be Indian.&quot;--Graham Greene<br/><br/>Offering rare insight into the complexities of Indian middle-class society, R. K. Narayan traces life in the fictional town of Malgudi. <em>The Dark Room</em> is a searching look at a difficult marriage and a woman who eventually rebels against the demands of being a good and obedient wife. In <em>Mr. Sampath,</em> a newspaper man tries to keep his paper afloat in the face of social and economic changes sweeping India. Narayan writes of youth and young adulthood in the semiautobiographical <em>Swami and Friends</em> and <em>The Bachelor of Arts.</em> Although the ordinary tensions of maturing are heightened by the particular circumstances of pre-partition India, Narayan provides a universal vision of childhood, early love and grief.<br/><br/>&quot;The experience of reading one of his novels is . . . comparable to one's first reaction to the great Russian novels: the fresh realization of the common humanity of all peoples, underlain by a simultaneous sense of strangeness--like one's own reflection seen in a green twilight.&quot;--Margaret Parton, <em>New York Herald Tribune</em><br/><br/>&quot;The novels of R.K. Narayan are the best I have read in any language for a long time. . . . His work gives the conviction that it is possible to capture in English, a language not born of India, the distinctive characteristics of Indian family life.&quot;--Amit Roy, <em>Daily Telegraph</em><br/><br/>&lt;/div&gt;]]>
  </description>
  <published>1978</published>
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    <rating>5</rating>
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  <read_at>Tue Jul 28 00:00:00 -0700 2009</read_at>
  <date_added>Mon Jul 27 20:59:08 -0700 2009</date_added>
  <date_updated>Tue Jul 28 16:37:41 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[The sweet naivete of a child's inner life. Crazy how well he captures a kid's imagination.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/65219516]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/65219516]]></link>
</review>
      <review>
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    <id>449338</id>
    <name><![CDATA[Howard]]></name>
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  <title>
    <![CDATA[Swami and Friends (Phoenix Fiction Series)]]>
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  <average_rating>4.18</average_rating>
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  <description>
    <![CDATA[&lt;div&gt;&quot;There are writers--Tolstoy and Henry James to name two--whom we hold in awe, writers--Turgenev and Chekhov--for whom we feel a personal affection, other writers whom we respect--Conrad for example--but who hold us at a long arm's length with their 'courtly foreign grace.' Narayan (whom I don't hesitate to name in such a context) more than any of them wakes in me a spring of gratitude, for he has offered me a second home. Without him I could never have known what it is like to be Indian.&quot;--Graham Greene<br/><br/>Offering rare insight into the complexities of Indian middle-class society, R. K. Narayan traces life in the fictional town of Malgudi. <em>The Dark Room</em> is a searching look at a difficult marriage and a woman who eventually rebels against the demands of being a good and obedient wife. In <em>Mr. Sampath,</em> a newspaper man tries to keep his paper afloat in the face of social and economic changes sweeping India. Narayan writes of youth and young adulthood in the semiautobiographical <em>Swami and Friends</em> and <em>The Bachelor of Arts.</em> Although the ordinary tensions of maturing are heightened by the particular circumstances of pre-partition India, Narayan provides a universal vision of childhood, early love and grief.<br/><br/>&quot;The experience of reading one of his novels is . . . comparable to one's first reaction to the great Russian novels: the fresh realization of the common humanity of all peoples, underlain by a simultaneous sense of strangeness--like one's own reflection seen in a green twilight.&quot;--Margaret Parton, <em>New York Herald Tribune</em><br/><br/>&quot;The novels of R.K. Narayan are the best I have read in any language for a long time. . . . His work gives the conviction that it is possible to capture in English, a language not born of India, the distinctive characteristics of Indian family life.&quot;--Amit Roy, <em>Daily Telegraph</em><br/><br/>&lt;/div&gt;]]>
  </description>
  <published>1978</published>
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    <rating>5</rating>
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  <read_at></read_at>
  <date_added>Tue Oct 02 22:00:33 -0700 2007</date_added>
  <date_updated>Sun Jan 06 20:55:20 -0800 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[<a rel="nofollow" target="_blank" href="http://myalchemydiary.blogspot.com/2005/10/swami-friends-book-review.html" title="http://myalchemydiary.blogspot.com/2005/10/swami-friends-book-review.html">http://myalchemydiary.blogspot.com/2005/...</a><br/>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/7184797]]></url>
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      <review>
  <id>2500476</id>
    <user>
    <id>160175</id>
    <name><![CDATA[Geetanjali]]></name>
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  <title>
    <![CDATA[Swami and friends]]>
  </title>
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  <average_rating>4.32</average_rating>
  <ratings_count>25</ratings_count>
  <description>
    <![CDATA[&lt;div&gt;&quot;There are writers--Tolstoy and Henry James to name two--whom we hold in awe, writers--Turgenev and Chekhov--for whom we feel a personal affection, other writers whom we respect--Conrad for example--but who hold us at a long arm's length with their 'courtly foreign grace.' Narayan (whom I don't hesitate to name in such a context) more than any of them wakes in me a spring of gratitude, for he has offered me a second home. Without him I could never have known what it is like to be Indian.&quot;--Graham Greene<br/><br/>Offering rare insight into the complexities of Indian middle-class society, R. K. Narayan traces life in the fictional town of Malgudi. <em>The Dark Room</em> is a searching look at a difficult marriage and a woman who eventually rebels against the demands of being a good and obedient wife. In <em>Mr. Sampath,</em> a newspaper man tries to keep his paper afloat in the face of social and economic changes sweeping India. Narayan writes of youth and young adulthood in the semiautobiographical <em>Swami and Friends</em> and <em>The Bachelor of Arts.</em> Although the ordinary tensions of maturing are heightened by the particular circumstances of pre-partition India, Narayan provides a universal vision of childhood, early love and grief.<br/><br/>&quot;The experience of reading one of his novels is . . . comparable to one's first reaction to the great Russian novels: the fresh realization of the common humanity of all peoples, underlain by a simultaneous sense of strangeness--like one's own reflection seen in a green twilight.&quot;--Margaret Parton, <em>New York Herald Tribune</em><br/><br/>&quot;The novels of R.K. Narayan are the best I have read in any language for a long time. . . . His work gives the conviction that it is possible to capture in English, a language not born of India, the distinctive characteristics of Indian family life.&quot;--Amit Roy, <em>Daily Telegraph</em><br/><br/>&lt;/div&gt;]]>
  </description>
  <published>1978</published>
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    <rating>4</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
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  <recommended_for><![CDATA[]]></recommended_for>
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  <read_at></read_at>
  <date_added>Thu Jun 28 13:49:19 -0700 2007</date_added>
  <date_updated>Thu Jun 28 13:50:04 -0700 2007</date_updated>
  <read_count></read_count>
    <body><![CDATA[Still enjoyable at the nth read!]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/2500476]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/2500476]]></link>
</review>
      <review>
  <id>737678</id>
    <user>
    <id>52123</id>
    <name><![CDATA[Janani]]></name>
    <location><![CDATA[India]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/52123-janani]]></link>
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  <title>
    <![CDATA[Swami and friends]]>
  </title>
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  <average_rating>4.18</average_rating>
  <ratings_count>249</ratings_count>
  <description>
    <![CDATA[&lt;div&gt;&quot;There are writers--Tolstoy and Henry James to name two--whom we hold in awe, writers--Turgenev and Chekhov--for whom we feel a personal affection, other writers whom we respect--Conrad for example--but who hold us at a long arm's length with their 'courtly foreign grace.' Narayan (whom I don't hesitate to name in such a context) more than any of them wakes in me a spring of gratitude, for he has offered me a second home. Without him I could never have known what it is like to be Indian.&quot;--Graham Greene<br/><br/>Offering rare insight into the complexities of Indian middle-class society, R. K. Narayan traces life in the fictional town of Malgudi. <em>The Dark Room</em> is a searching look at a difficult marriage and a woman who eventually rebels against the demands of being a good and obedient wife. In <em>Mr. Sampath,</em> a newspaper man tries to keep his paper afloat in the face of social and economic changes sweeping India. Narayan writes of youth and young adulthood in the semiautobiographical <em>Swami and Friends</em> and <em>The Bachelor of Arts.</em> Although the ordinary tensions of maturing are heightened by the particular circumstances of pre-partition India, Narayan provides a universal vision of childhood, early love and grief.<br/><br/>&quot;The experience of reading one of his novels is . . . comparable to one's first reaction to the great Russian novels: the fresh realization of the common humanity of all peoples, underlain by a simultaneous sense of strangeness--like one's own reflection seen in a green twilight.&quot;--Margaret Parton, <em>New York Herald Tribune</em><br/><br/>&quot;The novels of R.K. Narayan are the best I have read in any language for a long time. . . . His work gives the conviction that it is possible to capture in English, a language not born of India, the distinctive characteristics of Indian family life.&quot;--Amit Roy, <em>Daily Telegraph</em><br/><br/>&lt;/div&gt;]]>
  </description>
  <published>1978</published>
</book>

    <rating>0</rating>
  <votes>0</votes>
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  <recommended_for><![CDATA[Ananya]]></recommended_for>
  <recommended_by><![CDATA[Muralidharan]]></recommended_by>
  <read_at>Tue Jan 01 00:00:00 -0800 2008</read_at>
  <date_added>Sun Apr 15 19:41:35 -0700 2007</date_added>
  <date_updated>Wed Dec 16 18:01:34 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Such a lovely book this is. I like it.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/737678]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/737678]]></link>
</review>
      <review>
  <id>4996849</id>
    <user>
    <id>303961</id>
    <name><![CDATA[Nitin]]></name>
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  <title>
    <![CDATA[Swami and Friends (Phoenix Fiction Series)]]>
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  <average_rating>4.18</average_rating>
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  <description>
    <![CDATA[&lt;div&gt;&quot;There are writers--Tolstoy and Henry James to name two--whom we hold in awe, writers--Turgenev and Chekhov--for whom we feel a personal affection, other writers whom we respect--Conrad for example--but who hold us at a long arm's length with their 'courtly foreign grace.' Narayan (whom I don't hesitate to name in such a context) more than any of them wakes in me a spring of gratitude, for he has offered me a second home. Without him I could never have known what it is like to be Indian.&quot;--Graham Greene<br/><br/>Offering rare insight into the complexities of Indian middle-class society, R. K. Narayan traces life in the fictional town of Malgudi. <em>The Dark Room</em> is a searching look at a difficult marriage and a woman who eventually rebels against the demands of being a good and obedient wife. In <em>Mr. Sampath,</em> a newspaper man tries to keep his paper afloat in the face of social and economic changes sweeping India. Narayan writes of youth and young adulthood in the semiautobiographical <em>Swami and Friends</em> and <em>The Bachelor of Arts.</em> Although the ordinary tensions of maturing are heightened by the particular circumstances of pre-partition India, Narayan provides a universal vision of childhood, early love and grief.<br/><br/>&quot;The experience of reading one of his novels is . . . comparable to one's first reaction to the great Russian novels: the fresh realization of the common humanity of all peoples, underlain by a simultaneous sense of strangeness--like one's own reflection seen in a green twilight.&quot;--Margaret Parton, <em>New York Herald Tribune</em><br/><br/>&quot;The novels of R.K. Narayan are the best I have read in any language for a long time. . . . His work gives the conviction that it is possible to capture in English, a language not born of India, the distinctive characteristics of Indian family life.&quot;--Amit Roy, <em>Daily Telegraph</em><br/><br/>&lt;/div&gt;]]>
  </description>
  <published>1978</published>
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    <rating>5</rating>
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  <recommended_for><![CDATA[everyone ]]></recommended_for>
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  <read_at>Wed Jan 01 00:00:00 -0800 1997</read_at>
  <date_added>Thu Aug 23 08:15:16 -0700 2007</date_added>
  <date_updated>Thu Dec 17 06:42:03 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[the best ever !!]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/4996849]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/4996849]]></link>
</review>
      <review>
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    <name><![CDATA[Ashish]]></name>
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    <![CDATA[Swami and Friends]]>
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  <average_rating>3.94</average_rating>
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    <![CDATA[&lt;div&gt;&quot;There are writers--Tolstoy and Henry James to name two--whom we hold in awe, writers--Turgenev and Chekhov--for whom we feel a personal affection, other writers whom we respect--Conrad for example--but who hold us at a long arm's length with their 'courtly foreign grace.' Narayan (whom I don't hesitate to name in such a context) more than any of them wakes in me a spring of gratitude, for he has offered me a second home. Without him I could never have known what it is like to be Indian.&quot;--Graham Greene<br/><br/>Offering rare insight into the complexities of Indian middle-class society, R. K. Narayan traces life in the fictional town of Malgudi. <em>The Dark Room</em> is a searching look at a difficult marriage and a woman who eventually rebels against the demands of being a good and obedient wife. In <em>Mr. Sampath,</em> a newspaper man tries to keep his paper afloat in the face of social and economic changes sweeping India. Narayan writes of youth and young adulthood in the semiautobiographical <em>Swami and Friends</em> and <em>The Bachelor of Arts.</em> Although the ordinary tensions of maturing are heightened by the particular circumstances of pre-partition India, Narayan provides a universal vision of childhood, early love and grief.<br/><br/>&quot;The experience of reading one of his novels is . . . comparable to one's first reaction to the great Russian novels: the fresh realization of the common humanity of all peoples, underlain by a simultaneous sense of strangeness--like one's own reflection seen in a green twilight.&quot;--Margaret Parton, <em>New York Herald Tribune</em><br/><br/>&quot;The novels of R.K. Narayan are the best I have read in any language for a long time. . . . His work gives the conviction that it is possible to capture in English, a language not born of India, the distinctive characteristics of Indian family life.&quot;--Amit Roy, <em>Daily Telegraph</em><br/><br/>&lt;/div&gt;]]>
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    <![CDATA[Swami and Friends (Phoenix Fiction Series)]]>
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    <![CDATA[&lt;div&gt;&quot;There are writers--Tolstoy and Henry James to name two--whom we hold in awe, writers--Turgenev and Chekhov--for whom we feel a personal affection, other writers whom we respect--Conrad for example--but who hold us at a long arm's length with their 'courtly foreign grace.' Narayan (whom I don't hesitate to name in such a context) more than any of them wakes in me a spring of gratitude, for he has offered me a second home. Without him I could never have known what it is like to be Indian.&quot;--Graham Greene<br/><br/>Offering rare insight into the complexities of Indian middle-class society, R. K. Narayan traces life in the fictional town of Malgudi. <em>The Dark Room</em> is a searching look at a difficult marriage and a woman who eventually rebels against the demands of being a good and obedient wife. In <em>Mr. Sampath,</em> a newspaper man tries to keep his paper afloat in the face of social and economic changes sweeping India. Narayan writes of youth and young adulthood in the semiautobiographical <em>Swami and Friends</em> and <em>The Bachelor of Arts.</em> Although the ordinary tensions of maturing are heightened by the particular circumstances of pre-partition India, Narayan provides a universal vision of childhood, early love and grief.<br/><br/>&quot;The experience of reading one of his novels is . . . comparable to one's first reaction to the great Russian novels: the fresh realization of the common humanity of all peoples, underlain by a simultaneous sense of strangeness--like one's own reflection seen in a green twilight.&quot;--Margaret Parton, <em>New York Herald Tribune</em><br/><br/>&quot;The novels of R.K. Narayan are the best I have read in any language for a long time. . . . His work gives the conviction that it is possible to capture in English, a language not born of India, the distinctive characteristics of Indian family life.&quot;--Amit Roy, <em>Daily Telegraph</em><br/><br/>&lt;/div&gt;]]>
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