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Mallarmé (Signos #2)

4.3  ·  Rating Details ·  60 Ratings  ·  3 Reviews
Nesta antologia bilíngüe apresenta-se parte substancial da obra poética de Mallarmé. Alguns dos principais sonetos e peças curtas; o Fauno; o poema-constelar Um Lance de Dados, matriz de toda poesia de vanguarda. Traduções criativas, instigantes ensaios críticos, e uma separata com o texto francês do poema Um Coup de Dês tornam esta edição de Mallarmé - o Dante da Idade In ...more
Paperback, Bilingüe, 232 pages
Published 2002 by Perspectiva (first published February 19th 2001)
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Sam
Nov 04, 2007 Sam rated it it was amazing  ·  review of another edition
Recommends it for: Chicago.
Such was the reputation, distinguished by genius.
Adriana Scarpin
Feb 26, 2012 Adriana Scarpin rated it it was amazing
Recommends it for: Todo mundo interessado em literatura moderna
Edição soberba em que além dos originais poemas de Mallarmé com traduções de Pignatari e dos irmãos Campos, temos alguns textos imperdíveis do Haroldo de Campos comparando Mallarmé a Shoenberg e a teoria Gestalt e considerandoa influência que teve em gente como Pound, Joyce e cummings.
K.
Jul 13, 2011 K. rated it liked it  ·  review of another edition
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Stéphane Mallarmé (French: [stefan malaʁme]; 18 March 1842 – 9 September 1898), whose real name was Étienne Mallarmé, was a French poet and critic. He was a major French symbolist poet, and his work anticipated and inspired several revolutionary artistic schools of the early 20th century, such as Dadaism, Surrealism, and Futurism.
More about Stéphane Mallarmé...

Other Books in the Series

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  • Crisantempo: No Espaco Curvo Nasce Um
  • Poesia Russa Moderna
  • Coisas E Anjos De Rilke
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“I should point out, creating one's own style, as much as is required to illustrate one of the aspects, the golden seam of language, involves beginning again at once, in a different manner, adopting the guise of a pupil when one risked becoming pedantic - thus by a shrugging of one's shoulders, disconcerting some with their genuflecting stance, and immortalizing oneself in multiple, impersonal, or even anonymous forms in response to the gesture of arms raised in stupefaction.” 6 likes
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