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Uncommon Arrangements Uncommon Arrangements Uncommon Arrangements

3.48 of 5 stars 3.48  ·  rating details  ·  495 ratings  ·  117 reviews
Katie Roiphe's stimulating work has made her one of the most talked about cultural critics of her generation. Now this bracing young writer delves deeply into one of the most layered of subjects: marriage. Drawn in part from the private memoirs, personal correspondence, and long-forgotten journals of the British literary community from 1910 to the Second World War, here ar ...more
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Published June 26th 2007 by Dial Press (first published January 1st 2007)
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I can't rate this book, in good conscience, because I couldn't finish it. Terrible drivel. The problem isn't that Roiphe relies almost exclusively on already published material, nor that her prose is lumpy and dull. The problem is that she hasn't an idea in her head. She wants to say something about how these early twentieth-century literary relationships (be they marriages or affairs, or something less easily definable) show the very idea of sexual and affective relationship being cast into dou ...more
Jun 30, 2008 Cari rated it 5 of 5 stars  ·  review of another edition
Recommends it for: Everyone.
Recommended to Cari by:
Uncommon Arrangements seems a simplistic title at first, until the reader begins to realize how very complicated and uncommon the subjects are. Though the era she focuses on overlaps with WWI, some of the unions author Katie Roiphe details may seem shocking or odd, even to modern readers. There is a general feeling today, what with skyrocketing divorce rates, people living together but not married, and the question over gay marriage, that marriage and relationships in general are more complex, h ...more
I admit that I read this book in a rather uncongenial setting -- sitting in a doctor's waiting room while my husband got stitches after a bike accident.

But even after making allowances for that, I'm still disappointed in this book. As the title explains, it examines seven different marriages from a specific time & social mileu, looking at how the couples met, the ways in which they lived together or apart, took lovers or remained faithful, had children or avoided them. It's a fascinating sub
A fascinating look at the marriages of prominent artists and writers in the years between the wars. Featured are H.G. Wells (who was crazy about the ladies), Radclyffe Hall (famous lesbian author who is sadly is only remembered for "The Well of Loneliness"), Virginia Bell and all her gentlemen and her gentlemen's gentlemen, and Vera Brittain.

The work opens with a fascinating introduction that touches upon the author's method and the nature of marriages today. Roiphe seems intent on learning som
Zen Cho
Celebrity gossip with a patina of literary scholarship. I enjoyed reading it and found the writing fluid and reasonably intelligent. But it was from a staunchly heteronormative, conventional viewpoint; you kind of know from the outset that Roiphe's not going to say anything challenging or useful about marriage or gender roles, when she describes marriage as something "most of us" experience in the preface. Slightly boggled by her offhand dismissal of the discrimination faced by lesbians in early ...more
*punches Katie Roiphe in the face*

Though I like Roiphe's writing style and adore her subjects, I can't get past my feeling that this is tabloid literature. You can almost see the wicked gleam in her eye as she reduces her idols to comic figures in a narrative of her own.

I give this two stars: one for being a book and a second for its vibrant cast. Catty Roiphe gets no stars from me!
Mixed feelings on this one. Excellently researched and written. Marriage is an almost impossible state to examine, I mean an individual marriage. Relationships that are mystifying from the outside often make perfect sense to the persons within it (or not, as the case may be). I can't say that I am less mystified by these relationships after reading this book, but I don't know that that was the point anyway. I certainly don't like some of the people involved - Katharine Mansfield really breaks my ...more
I enjoyed immensely this examination of several literary couples in the early part of the twentieth century trying to break the traditional mold of marriage (i.e., two people committed solely to one another for life). The book is an interesting examination of what happens when people--smart, intellectual, passionate people--try to redefine the most traditional of relationships. The various couples in the book are more or less successful and more or less happy with the results. Given what we know ...more
It's probably more like 4.5 stars, but I so enjoyed and was fascinated by this book that I can't leave it at that.

The glimpses into the seven marriages between pre-World War II literary figures (including H.G. Wells, Katherine Mansfield, and Vera Brittain) seem, at times, too intimate (in the sense that I sometimes felt like I was prying into a life whose inner workings I shouldn't be privy to). Katie Roiphe, though, handles the relationships with care; she's not judgmental but, rather, in awe
I just read a review of this book that articulates exactly my thoughts by a user named Dorian:

"I can't rate this book, in good conscience, because I couldn't finish it. Terrible drivel. The problem isn't that Roiphe relies almost exclusively on already published material, nor that her prose is lumpy and dull. The problem is that she hasn't an idea in her head. She wants to say something about how these early twentieth-century literary relationships (be they marriages or affairs, or something les
I picked up this title because the NYT Review made it sound a bit like two other works I had read and loved. The first being Francine Prose's Lives of the Muses and the second Claudia Roth Pierpont's Passionate Minds . In comparrison to those books this one seems unambitious, unimportant, and uninspired. Possibly because Pierpont and Prose focussed more on the professional lives of their subjects they were able to make their books feel more important and more analytical. This one never made me ...more
2.5 stars.

I picked up this book mostly because I am interested in a number of the people she wrote about -- Vera Brittain, Elizabeth von Arnim (because I liked the move based on her book, Enchanted April), and Vanessa Bell. The author sets out to examine seven marriages in the period between WWI and WWII in Great Britain (mostly), whose participants were trying to figure out how to live in a modern marriage -- which appears to be equated to involving other people, physically, emotionally, or bot
An extremely interesting and unique read, recommended/lent to me by my sister. I feel like I can safely say that I've never read a book like this before, and because the topic is so original, I might never again. Although to be honest, I can only praise its uniqueness and originality for so long before making my most important point in that it didn't thrill me. Firstly, I found it extremely hard to get into. I consider myself to be a pretty fast reader, and yet a fairly short and seemingly simpl ...more
Faith McLellan
More than slightly mind-boggling. The intricate connections among the people/marriages profiled here! A work of enormous scholarship, but lightly worn. Thoroughly enjoyed this.
Jan 09, 2009 Kelly marked it as to-read  ·  review of another edition
Yes, please.
Kathy Spada
After reading the different chapters on these post Victorian era relationships it made me wonder if this would work in the 21st century. Clearly, artists such as H.G. Wells who was married and took Rebecca West(who later became a famous novelist in her own right) as a mistress, got her pregnant and continued on with others was interesting. His wife wrote West a congratulatory letter after the baby was born. It made me realize that many artists and creative people just desire and need "another" a ...more
When I became engaged, a friend called to congratulate me. During the course of that conversation he said something in passing that I remember vividly to this day: While discussing how easily people often jump to judgement about the suitability--or sometimes unsuitability--of friends' choices for their significant others and the balance and trajectory of their friends' married or coupled lives, this friend smartly said, 'anyone outside can never understand what goes on inside a couple.' (HT Char ...more
Andrea Dowd
This book is a small, snapshot biography of seven complex writers in early 20th century Britain. I didn't read the whole thing, I just read the author's who interested me: Elizabeth Von Arnim, Katherine Mansfield, H.G. Wells, and Radclyff Hall.

The whole premise of each of these relationships is Modernity. It was the turn of the century and most of these men and women were larger than life literary masters. They felt as though they were on the cutting edge of a new way of living and loving. And
Kasey Jueds
Loved this. Partly because of the time period, one of my favorites in British history; partly because the book includes favorite people, too (Vanessa Bell, Vera Brittain, Virginia Woolf--who doesn't have her own chapter but makes lots of appearances). Very readable--smart but also down-to-earth, accessible, sometimes funny, even. Most of all, actually, I loved the introduction, in which Roiphe writes not only about the time period but touches on her own interest in the subject. (There's a sectio ...more
I wanted to read this because I didn't know much about the writers it discusses and I often hear people talking about how they're obsessed with Bloomsbury and etc., so I thought this might be a good juicy overview/introduction. But really I just found it incredibly boring. It seemed like it would be really interesting to learn about how people in the 1910s/20s/etc dealt with having relationships that were outside the accepted norms, and about how society reacted to them for doing so, but this bo ...more
What could have been such a fascinating subject (omg! the sordid love lives of london literati) is just ... ugh. I was unable to finish it (maybe someone else will have better luck.) A shame, really. I had such high hopes for the London Literary Circle, c. 1910-1939 - and then I find that beneath all the sex & HG Wells' enormous ... douchbaggery, there just - isn't that much plot.
Or maybe it's Roiphe. (Astute readers will notice I am always willing to blame the author.) Roiphe mentions once
A multiple biography, looking at seven literary “marriages” in the Bloomsbury set (London literati of 1910-1939). At least one of each couple had other relationships with the knowledge and usually consent of the other. It includes HG Wells, Katherine Mansfield, Vanessa Bell, Ottoline Morrell and Radcliffe Hall. The book tries to dissect these relationships individually and in the context of their time. Things are further complicated by the fact that they all knew at least one of the other couple ...more
This book would make a good movie, just to see how unorthodox all these relationships are and how they all are pretty much in the same social circle. It spans world war I and II in Britain among writers.

7 “marriages à la mode”—each rising to the challenge of intimate relations in more or less creative ways. Jane Wells, the wife of H.G., remained his rock, despite his decade-long relationship with Rebecca West (among others). Katherine Mansfield had an irresponsible, childlike romance with her hu
This book took me almost a month to read, which is really unusual. I kept stopping after the stories of each "arrangement" and wondering if it was appropriate to be reading so much about a real person's marriage. I managed to get past that, mostly. These people all documented their inner lives with such diligence that surely they must have anticipated that someone would read it, and perhaps even hoped that people would want to.
And while I'm not sure I have any more insight into my own life after
I found this book a really interesting read, particularly in conjunction with Elizabeth Gilbert's recent book, Committed. Uncommon Arrangments is a series of essays about married British writers from 1910-1939. Each of the relationships is a study in the idea of marriage and committment, and questioning the traditional notions of monogamy and domestic/professional spheres. I am sure throughout history there have been couples who have consciously made an effort to redefine the idea of marriage -t ...more
The people and the place--upper class bohemia, Europe between the wars--are inevitably fascinating, but sometimes the crisp characterizations are undercut by Roiphe's tendency to add fictional flourishes, dramatizing her subject's thoughts and emotions instead of just letting them speak for themselves (and it seems they have plenty to say). But almost more fascinating than the individual vignettes themselves is how Roiphe reconstructs how these people--eloquent, artistic, witty, intellectual--sp ...more

Have you ever seen those mind-map-like charts that begin with one celebrity and radiate / branch out to show who has had (ahem) relationships with whom? That's this book.

In no particular order, these are some of the linked literati: H.G. Wells, Rebecca West, Elizabeth Von Arnim, Katherine Mansfield, Lady Ottoline Morrell, Bertrand Russell, Clive Bell, Virginia Woolf, Vera Brittain, D.H. Lawrence, Vanessa Bell, Radclyff Hall, E. M Forster, Rebecca West - (no, wait, I already listed her - she
Katie Roiphe's research must be recognized for its depth. An interesting topic. Also enjoyed 'Parallel Lives' by Phyllis Rose on a similar theme. Just one observation: sometimes Roiphe inserts sentences without any context such as mentioning Katherine Mansfield's bequests or the costume someone chose for a masquerade ball. This leaves the reader wondering, which is never a comfortable experience as it distracts from the flow.
I found it very interesting and engaging to read about people who I learned about in college. I also found reading about these relationships very sad. Most of these people were so alone in their art, that reading about them made me feel sympathy for their search for love and connection. Not much has seemed to have changed with people and society in 100 years.

I feel like there was something missing though in the interpretation of these people's actions and relationships. There is a lot of pettine
Bookmarks Magazine

What is it that makes intimate portraits of failed relationships so fascinating? Katie Roiphe doesn't romanticize or make excuses for her complex subjects and their entanglements but treats them with wit, warmth, and respect. Despite a few historical inaccuracies and questionable assumptions, critics considered Roiphe's perceptive exploration of unconventional marriages in the early 20th century a success. It can be difficult to empathize with the selfish and arrogant people who populate this bo

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  • Parallel Lives: Five Victorian Marriages
  • Among the Bohemians: Experiments in Living 1900-1939
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  • House of Wits: An Intimate Portrait of the James Family
  • Katherine Mansfield: A Secret Life
  • Vita: The Life of Vita Sackville-West
  • A Little Learning
  • Bobbed Hair and Bathtub Gin: Writers Running Wild in the Twenties
  • Between Women: Friendship, Desire, and Marriage in Victorian England
  • Mad World: Evelyn Waugh and the Secrets of Brideshead
  • The Perfect Summer: England 1911, Just Before the Storm
  • A Jury of Her Peers: American Women Writers from Anne Bradstreet to Annie Proulx
  • The Vertigo Years: Europe 1900-1914
  • A Royal Affair: George III and His Scandalous Siblings
  • Illumination and Night Glare: The Unfinished Autobiography of Carson McCullers
Katie Roiphe is the author of the non-fiction works The Morning After: Fear, Sex and Feminism (1994) and Last Night in Paradise: Sex and Morals at the Century's End (1997). Her novel Still She Haunts Me is an empathetic imagining of the relationship between Charles Dodgson (known as Lewis Carroll) and Alice Liddell, the real-life model for Dodgson's Alice’s Adventures in Wonderland. She holds a Ph ...more
More about Katie Roiphe...
In Praise of Messy Lives: Essays Still She Haunts Me The Morning After: Sex, Fear, and Feminism Last Night in Paradise: Sex and Morals at the Century's End Disappearing Mothers

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“She once complained that her stories were like ‘birds bred in cages,’ but that concentrated atmosphere, that claustrophobic hothouse of emotion, was her talent. Her stories were little masterpieces of compression: she succinctly contained whole lifetimes in a few pages, every moment loaded with as much as it could bear.” 0 likes
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