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  <title><![CDATA[Lost Man's River:]]></title>
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  <description><![CDATA[Peter Matthiessen is one of the few American writers ever nominated for the National Book Award for both fiction and nonfiction. <br/><br/>When his novel <strong>Killing Mister Watson</strong> was published in 1990, the reviews were extraordinary. It was heralded as &quot;a marvel of invention . . . a virtuoso performance&quot; (<strong>The New York Times Book Review</strong>) and a &quot;novel [that] stands with the best that our nation has produced as literature&quot; (<strong>Los Angeles Times Book Review</strong>). Now Peter Matthiessen brings us the second novel in his Watson trilogy, a project that has been nearly twenty years in the writing. A story of epic scope and ambition, <strong>Lost Man's River</strong> confronts the primal relationship between a dangerous father and his desperate sons and the ways in which his death has shaped their lives. <br/><br/>Lucius Watson is obsessed with learning the truth about his father. Who was E. J. Watson? Was he a devoted family man, an inspired farmer, a man of progress and vision? Or was he a cold-blooded murderer and amoral opportunist? Were his neighbors driven to kill him out of fear? Or was it envy? And if Watson was a killer, should the neighbors fear the obsessed Lucius when he returns to live among them and ask questions? <br/><br/>The characters in this tale are men and women molded by the harsh elements of the Florida Everglades--an isolated breed, descendants of renegades and pioneers, who have only their grit, instinct, and tradition to wield against the obliterating forces of twentieth-century progress: Speck Daniels, moonshiner and alligator poacher turned gunrunner; Sally Brown, who struggles to escape the racism and shame of her local family; R. B. Collins, known as Chicken, crippled by drink and rage, who is the custodian of Watson secrets; Watson Dyer, the unacknowledged namesake with designs on the remote Watson homestead hidden in the wild rivers; and Henry Short, a black man and unwilling member of the group of armed island men who awaited E. J. Watson in the silent twilight. Only a storyteller of Peter Matthiessen's dazzling artistry could capture the beauty and strangeness of life on this lawless frontier while probing deeply into its underlying tragedy: the brutal destruction of the land in the name of progress, and the racism that infects the heart of New World history.]]></description>
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    <![CDATA[Lost Man's River:]]>
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    <![CDATA[Peter Matthiessen is one of the few American writers ever nominated for the National Book Award for both fiction and nonfiction. <br/><br/>When his novel <strong>Killing Mister Watson</strong> was published in 1990, the reviews were extraordinary. It was heralded as &quot;a marvel of invention . . . a virtuoso performance&quot; (<strong>The New York Times Book Review</strong>) and a &quot;novel [that] stands with the best that our nation has produced as literature&quot; (<strong>Los Angeles Times Book Review</strong>). Now Peter Matthiessen brings us the second novel in his Watson trilogy, a project that has been nearly twenty years in the writing. A story of epic scope and ambition, <strong>Lost Man's River</strong> confronts the primal relationship between a dangerous father and his desperate sons and the ways in which his death has shaped their lives. <br/><br/>Lucius Watson is obsessed with learning the truth about his father. Who was E. J. Watson? Was he a devoted family man, an inspired farmer, a man of progress and vision? Or was he a cold-blooded murderer and amoral opportunist? Were his neighbors driven to kill him out of fear? Or was it envy? And if Watson was a killer, should the neighbors fear the obsessed Lucius when he returns to live among them and ask questions? <br/><br/>The characters in this tale are men and women molded by the harsh elements of the Florida Everglades--an isolated breed, descendants of renegades and pioneers, who have only their grit, instinct, and tradition to wield against the obliterating forces of twentieth-century progress: Speck Daniels, moonshiner and alligator poacher turned gunrunner; Sally Brown, who struggles to escape the racism and shame of her local family; R. B. Collins, known as Chicken, crippled by drink and rage, who is the custodian of Watson secrets; Watson Dyer, the unacknowledged namesake with designs on the remote Watson homestead hidden in the wild rivers; and Henry Short, a black man and unwilling member of the group of armed island men who awaited E. J. Watson in the silent twilight. Only a storyteller of Peter Matthiessen's dazzling artistry could capture the beauty and strangeness of life on this lawless frontier while probing deeply into its underlying tragedy: the brutal destruction of the land in the name of progress, and the racism that infects the heart of New World history.]]>
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    <body><![CDATA[“Lost Man’s River” is the second novel in Matthiessen’s Watson Trilogy. But in this 1997 work, he approaches the story from a different direction. <br/><br/>Lucius Watson has heard the rumors about his father: Edgar J. Watson. Could they possibly be true? Was he a pillar of the community, ...<a href="http://www.goodreads.com/review/show/54458395">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/54458395]]></url>
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      <review>
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    <![CDATA[Lost Man's River:]]>
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    <![CDATA[Peter Matthiessen is one of the few American writers ever nominated for the National Book Award for both fiction and nonfiction. <br/><br/>When his novel <strong>Killing Mister Watson</strong> was published in 1990, the reviews were extraordinary. It was heralded as &quot;a marvel of invention . . . a virtuoso performance&quot; (<strong>The New York Times Book Review</strong>) and a &quot;novel [that] stands with the best that our nation has produced as literature&quot; (<strong>Los Angeles Times Book Review</strong>). Now Peter Matthiessen brings us the second novel in his Watson trilogy, a project that has been nearly twenty years in the writing. A story of epic scope and ambition, <strong>Lost Man's River</strong> confronts the primal relationship between a dangerous father and his desperate sons and the ways in which his death has shaped their lives. <br/><br/>Lucius Watson is obsessed with learning the truth about his father. Who was E. J. Watson? Was he a devoted family man, an inspired farmer, a man of progress and vision? Or was he a cold-blooded murderer and amoral opportunist? Were his neighbors driven to kill him out of fear? Or was it envy? And if Watson was a killer, should the neighbors fear the obsessed Lucius when he returns to live among them and ask questions? <br/><br/>The characters in this tale are men and women molded by the harsh elements of the Florida Everglades--an isolated breed, descendants of renegades and pioneers, who have only their grit, instinct, and tradition to wield against the obliterating forces of twentieth-century progress: Speck Daniels, moonshiner and alligator poacher turned gunrunner; Sally Brown, who struggles to escape the racism and shame of her local family; R. B. Collins, known as Chicken, crippled by drink and rage, who is the custodian of Watson secrets; Watson Dyer, the unacknowledged namesake with designs on the remote Watson homestead hidden in the wild rivers; and Henry Short, a black man and unwilling member of the group of armed island men who awaited E. J. Watson in the silent twilight. Only a storyteller of Peter Matthiessen's dazzling artistry could capture the beauty and strangeness of life on this lawless frontier while probing deeply into its underlying tragedy: the brutal destruction of the land in the name of progress, and the racism that infects the heart of New World history.]]>
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  <read_at>Sat Jul 18 00:00:00 -0700 2009</read_at>
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    <body><![CDATA[Sawgrass, shell hammock, tree line, sun, water, sky, wall of clouds on the horizon, mangrove.  As reader I stood in the middle of this, lost, peering in every direction for rescue.  That's not to say I didn't like it--I did.  Matthiessen's a wonderful writer, able to describe landscapes, the movemen...<a href="http://www.goodreads.com/review/show/60155342">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/60155342]]></url>
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      <review>
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    <name><![CDATA[Greg]]></name>
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    <![CDATA[Lost Man's River:]]>
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  <average_rating>3.89</average_rating>
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  <description>
    <![CDATA[Peter Matthiessen is one of the few American writers ever nominated for the National Book Award for both fiction and nonfiction. <br/><br/>When his novel <strong>Killing Mister Watson</strong> was published in 1990, the reviews were extraordinary. It was heralded as &quot;a marvel of invention . . . a virtuoso performance&quot; (<strong>The New York Times Book Review</strong>) and a &quot;novel [that] stands with the best that our nation has produced as literature&quot; (<strong>Los Angeles Times Book Review</strong>). Now Peter Matthiessen brings us the second novel in his Watson trilogy, a project that has been nearly twenty years in the writing. A story of epic scope and ambition, <strong>Lost Man's River</strong> confronts the primal relationship between a dangerous father and his desperate sons and the ways in which his death has shaped their lives. <br/><br/>Lucius Watson is obsessed with learning the truth about his father. Who was E. J. Watson? Was he a devoted family man, an inspired farmer, a man of progress and vision? Or was he a cold-blooded murderer and amoral opportunist? Were his neighbors driven to kill him out of fear? Or was it envy? And if Watson was a killer, should the neighbors fear the obsessed Lucius when he returns to live among them and ask questions? <br/><br/>The characters in this tale are men and women molded by the harsh elements of the Florida Everglades--an isolated breed, descendants of renegades and pioneers, who have only their grit, instinct, and tradition to wield against the obliterating forces of twentieth-century progress: Speck Daniels, moonshiner and alligator poacher turned gunrunner; Sally Brown, who struggles to escape the racism and shame of her local family; R. B. Collins, known as Chicken, crippled by drink and rage, who is the custodian of Watson secrets; Watson Dyer, the unacknowledged namesake with designs on the remote Watson homestead hidden in the wild rivers; and Henry Short, a black man and unwilling member of the group of armed island men who awaited E. J. Watson in the silent twilight. Only a storyteller of Peter Matthiessen's dazzling artistry could capture the beauty and strangeness of life on this lawless frontier while probing deeply into its underlying tragedy: the brutal destruction of the land in the name of progress, and the racism that infects the heart of New World history.]]>
  </description>
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    <rating>3</rating>
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  <read_at>Wed Sep 30 00:00:00 -0700 2009</read_at>
  <date_added>Fri Sep 04 22:28:56 -0700 2009</date_added>
  <date_updated>Wed Sep 30 19:30:39 -0700 2009</date_updated>
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    <body><![CDATA[When I travel I see some people in the subway or on a street and I think to myself that I would like to know more about them...where they live...what they like and dislike...and who they mingle with. <br/>This book is a fictional account of such meetings, except these are long lost family members f...<a href="http://www.goodreads.com/review/show/70121275">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/70121275]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/70121275]]></link>
</review>
      <review>
  <id>47500128</id>
    <user>
    <id>1336573</id>
    <name><![CDATA[Charles]]></name>
    <location><![CDATA[Abita Springs, LA]]></location>
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  <title>
    <![CDATA[Lost Man's River:]]>
  </title>
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  <average_rating>3.89</average_rating>
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  <description>
    <![CDATA[Peter Matthiessen is one of the few American writers ever nominated for the National Book Award for both fiction and nonfiction. <br/><br/>When his novel <strong>Killing Mister Watson</strong> was published in 1990, the reviews were extraordinary. It was heralded as &quot;a marvel of invention . . . a virtuoso performance&quot; (<strong>The New York Times Book Review</strong>) and a &quot;novel [that] stands with the best that our nation has produced as literature&quot; (<strong>Los Angeles Times Book Review</strong>). Now Peter Matthiessen brings us the second novel in his Watson trilogy, a project that has been nearly twenty years in the writing. A story of epic scope and ambition, <strong>Lost Man's River</strong> confronts the primal relationship between a dangerous father and his desperate sons and the ways in which his death has shaped their lives. <br/><br/>Lucius Watson is obsessed with learning the truth about his father. Who was E. J. Watson? Was he a devoted family man, an inspired farmer, a man of progress and vision? Or was he a cold-blooded murderer and amoral opportunist? Were his neighbors driven to kill him out of fear? Or was it envy? And if Watson was a killer, should the neighbors fear the obsessed Lucius when he returns to live among them and ask questions? <br/><br/>The characters in this tale are men and women molded by the harsh elements of the Florida Everglades--an isolated breed, descendants of renegades and pioneers, who have only their grit, instinct, and tradition to wield against the obliterating forces of twentieth-century progress: Speck Daniels, moonshiner and alligator poacher turned gunrunner; Sally Brown, who struggles to escape the racism and shame of her local family; R. B. Collins, known as Chicken, crippled by drink and rage, who is the custodian of Watson secrets; Watson Dyer, the unacknowledged namesake with designs on the remote Watson homestead hidden in the wild rivers; and Henry Short, a black man and unwilling member of the group of armed island men who awaited E. J. Watson in the silent twilight. Only a storyteller of Peter Matthiessen's dazzling artistry could capture the beauty and strangeness of life on this lawless frontier while probing deeply into its underlying tragedy: the brutal destruction of the land in the name of progress, and the racism that infects the heart of New World history.]]>
  </description>
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    <rating>3</rating>
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    <body><![CDATA[I don't typically find Matthiessen's fiction as compelling as his nonfiction.  It's still an interesting story, though.]]></body>
    
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    <![CDATA[Lost Man's River:]]>
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    <![CDATA[Peter Matthiessen is one of the few American writers ever nominated for the National Book Award for both fiction and nonfiction. <br/><br/>When his novel <strong>Killing Mister Watson</strong> was published in 1990, the reviews were extraordinary. It was heralded as &quot;a marvel of invention . . . a virtuoso performance&quot; (<strong>The New York Times Book Review</strong>) and a &quot;novel [that] stands with the best that our nation has produced as literature&quot; (<strong>Los Angeles Times Book Review</strong>). Now Peter Matthiessen brings us the second novel in his Watson trilogy, a project that has been nearly twenty years in the writing. A story of epic scope and ambition, <strong>Lost Man's River</strong> confronts the primal relationship between a dangerous father and his desperate sons and the ways in which his death has shaped their lives. <br/><br/>Lucius Watson is obsessed with learning the truth about his father. Who was E. J. Watson? Was he a devoted family man, an inspired farmer, a man of progress and vision? Or was he a cold-blooded murderer and amoral opportunist? Were his neighbors driven to kill him out of fear? Or was it envy? And if Watson was a killer, should the neighbors fear the obsessed Lucius when he returns to live among them and ask questions? <br/><br/>The characters in this tale are men and women molded by the harsh elements of the Florida Everglades--an isolated breed, descendants of renegades and pioneers, who have only their grit, instinct, and tradition to wield against the obliterating forces of twentieth-century progress: Speck Daniels, moonshiner and alligator poacher turned gunrunner; Sally Brown, who struggles to escape the racism and shame of her local family; R. B. Collins, known as Chicken, crippled by drink and rage, who is the custodian of Watson secrets; Watson Dyer, the unacknowledged namesake with designs on the remote Watson homestead hidden in the wild rivers; and Henry Short, a black man and unwilling member of the group of armed island men who awaited E. J. Watson in the silent twilight. Only a storyteller of Peter Matthiessen's dazzling artistry could capture the beauty and strangeness of life on this lawless frontier while probing deeply into its underlying tragedy: the brutal destruction of the land in the name of progress, and the racism that infects the heart of New World history.]]>
  </description>
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    <rating>4</rating>
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  <read_at>Sat Jan 17 07:56:57 -0800 2009</read_at>
  <date_added>Fri Dec 19 08:38:23 -0800 2008</date_added>
  <date_updated>Sat Jan 17 07:56:57 -0800 2009</date_updated>
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    <body><![CDATA[2nd volume in the Watson trilogy. Exquisite writing. Great chunk of history...]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/40456513]]></url>
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    <![CDATA[Lost Man's River:]]>
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    <body><![CDATA[Read my review on Amazon. It's tasty, if I do say so myself. ]]></body>
    
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    <![CDATA[Peter Matthiessen is one of the few American writers ever nominated for the National Book Award for both fiction and nonfiction. <br/><br/>When his novel <strong>Killing Mister Watson</strong> was published in 1990, the reviews were extraordinary. It was heralded as &quot;a marvel of invention . . . a virtuoso performance&quot; (<strong>The New York Times Book Review</strong>) and a &quot;novel [that] stands with the best that our nation has produced as literature&quot; (<strong>Los Angeles Times Book Review</strong>). Now Peter Matthiessen brings us the second novel in his Watson trilogy, a project that has been nearly twenty years in the writing. A story of epic scope and ambition, <strong>Lost Man's River</strong> confronts the primal relationship between a dangerous father and his desperate sons and the ways in which his death has shaped their lives. <br/><br/>Lucius Watson is obsessed with learning the truth about his father. Who was E. J. Watson? Was he a devoted family man, an inspired farmer, a man of progress and vision? Or was he a cold-blooded murderer and amoral opportunist? Were his neighbors driven to kill him out of fear? Or was it envy? And if Watson was a killer, should the neighbors fear the obsessed Lucius when he returns to live among them and ask questions? <br/><br/>The characters in this tale are men and women molded by the harsh elements of the Florida Everglades--an isolated breed, descendants of renegades and pioneers, who have only their grit, instinct, and tradition to wield against the obliterating forces of twentieth-century progress: Speck Daniels, moonshiner and alligator poacher turned gunrunner; Sally Brown, who struggles to escape the racism and shame of her local family; R. B. Collins, known as Chicken, crippled by drink and rage, who is the custodian of Watson secrets; Watson Dyer, the unacknowledged namesake with designs on the remote Watson homestead hidden in the wild rivers; and Henry Short, a black man and unwilling member of the group of armed island men who awaited E. J. Watson in the silent twilight. Only a storyteller of Peter Matthiessen's dazzling artistry could capture the beauty and strangeness of life on this lawless frontier while probing deeply into its underlying tragedy: the brutal destruction of the land in the name of progress, and the racism that infects the heart of New World history.]]>
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    <![CDATA[Lost Man's River]]>
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    <![CDATA[Lost Man's River:]]>
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    <![CDATA[Lost Man's River:]]>
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    <![CDATA[Peter Matthiessen is one of the few American writers ever nominated for the National Book Award for both fiction and nonfiction. <br/><br/>When his novel <strong>Killing Mister Watson</strong> was published in 1990, the reviews were extraordinary. It was heralded as &quot;a marvel of invention . . . a virtuoso performance&quot; (<strong>The New York Times Book Review</strong>) and a &quot;novel [that] stands with the best that our nation has produced as literature&quot; (<strong>Los Angeles Times Book Review</strong>). Now Peter Matthiessen brings us the second novel in his Watson trilogy, a project that has been nearly twenty years in the writing. A story of epic scope and ambition, <strong>Lost Man's River</strong> confronts the primal relationship between a dangerous father and his desperate sons and the ways in which his death has shaped their lives. <br/><br/>Lucius Watson is obsessed with learning the truth about his father. Who was E. J. Watson? Was he a devoted family man, an inspired farmer, a man of progress and vision? Or was he a cold-blooded murderer and amoral opportunist? Were his neighbors driven to kill him out of fear? Or was it envy? And if Watson was a killer, should the neighbors fear the obsessed Lucius when he returns to live among them and ask questions? <br/><br/>The characters in this tale are men and women molded by the harsh elements of the Florida Everglades--an isolated breed, descendants of renegades and pioneers, who have only their grit, instinct, and tradition to wield against the obliterating forces of twentieth-century progress: Speck Daniels, moonshiner and alligator poacher turned gunrunner; Sally Brown, who struggles to escape the racism and shame of her local family; R. B. Collins, known as Chicken, crippled by drink and rage, who is the custodian of Watson secrets; Watson Dyer, the unacknowledged namesake with designs on the remote Watson homestead hidden in the wild rivers; and Henry Short, a black man and unwilling member of the group of armed island men who awaited E. J. Watson in the silent twilight. Only a storyteller of Peter Matthiessen's dazzling artistry could capture the beauty and strangeness of life on this lawless frontier while probing deeply into its underlying tragedy: the brutal destruction of the land in the name of progress, and the racism that infects the heart of New World history.]]>
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    <![CDATA[Lost Man's River:]]>
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    <![CDATA[Peter Matthiessen is one of the few American writers ever nominated for the National Book Award for both fiction and nonfiction. <br/><br/>When his novel <strong>Killing Mister Watson</strong> was published in 1990, the reviews were extraordinary. It was heralded as &quot;a marvel of invention . . . a virtuoso performance&quot; (<strong>The New York Times Book Review</strong>) and a &quot;novel [that] stands with the best that our nation has produced as literature&quot; (<strong>Los Angeles Times Book Review</strong>). Now Peter Matthiessen brings us the second novel in his Watson trilogy, a project that has been nearly twenty years in the writing. A story of epic scope and ambition, <strong>Lost Man's River</strong> confronts the primal relationship between a dangerous father and his desperate sons and the ways in which his death has shaped their lives. <br/><br/>Lucius Watson is obsessed with learning the truth about his father. Who was E. J. Watson? Was he a devoted family man, an inspired farmer, a man of progress and vision? Or was he a cold-blooded murderer and amoral opportunist? Were his neighbors driven to kill him out of fear? Or was it envy? And if Watson was a killer, should the neighbors fear the obsessed Lucius when he returns to live among them and ask questions? <br/><br/>The characters in this tale are men and women molded by the harsh elements of the Florida Everglades--an isolated breed, descendants of renegades and pioneers, who have only their grit, instinct, and tradition to wield against the obliterating forces of twentieth-century progress: Speck Daniels, moonshiner and alligator poacher turned gunrunner; Sally Brown, who struggles to escape the racism and shame of her local family; R. B. Collins, known as Chicken, crippled by drink and rage, who is the custodian of Watson secrets; Watson Dyer, the unacknowledged namesake with designs on the remote Watson homestead hidden in the wild rivers; and Henry Short, a black man and unwilling member of the group of armed island men who awaited E. J. Watson in the silent twilight. Only a storyteller of Peter Matthiessen's dazzling artistry could capture the beauty and strangeness of life on this lawless frontier while probing deeply into its underlying tragedy: the brutal destruction of the land in the name of progress, and the racism that infects the heart of New World history.]]>
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