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3.85  ·  Rating Details  ·  8,097 Ratings  ·  382 Reviews
"Срам" е третият роман на нобеловия лауреат Салман Рушди, публикуван през 1983 г. след най-възхвалявания му роман "Среднощни деца" и тъй спорните "Сатанински строфи", заради които аятоласите в Иран го осъждат на смърт. На повърхността романът разказва за Пакистан и за хората, които са го управлявали, за живота на Зулфикар Али Буто и генерал Мохамед Зия-ул-Хак, за отношения ...more
Paperback, 312 pages
Published 2009 by Колибри (first published 1983)
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Jul 01, 2015 Ahmed rated it really liked it  ·  review of another edition

القراءة لسلمان رشدي تهمة جزافية , فكل من يرى كتبه عندي يربط لاإراديًا بين الاسم وجريمته المزعومة آيات شيطانية (والتي لم أقرأها بعد) , بداية من الأصدقاء حتى أبي , الملتزم دينيًا الذي ما إن رأى أعمال لرشدي ضمن مكتبتي حتى استفسر قائلًا : أليس هذا صاحب آيات شيطانية ؟ فقلت له : نعم ولكني لم أقتنيها . فاكتفى بنظرة امتعاض و رفض .

المهم : أنا بحب أسلوب سلمان رشدي , الأسلوب المعقد البسيط في آن واحد , الخلط المبهر بين الواقع والخيال , بين الحلم والحقيقة , ذلك المزيج المبهر الذي يضمن لك متعة أدبية رائعة , م
Oct 29, 2007 Lizzie rated it it was amazing  ·  review of another edition
Recommends it for: Everyone
I reread SHAME this weekend and was once again reminded why Rushdie is one of the greatest authors of our time. In Shame he addresses may levels but this last reading I focused on how he has intertwined the relationship of Shame throughout the levels of our human experience. He draws his characters so that there many layered motivations and convoluted histories speak to more than simply internal shame but also how actions on level produce effects that reach as broad as national politics and hist ...more
Paakhi Srivastava
Dear Sir Rushdie

Shame is an excellent satire written in your plainspoken magic realism prose, which has left me awestruck. It is astounding how perfectly you lamented the political state of affairs in Pakistan with that of unrest of hypothetical country Q. The chronicle of the shift in political powers and musings on deeper realms of human mind weaved together by an exotic language yet a quality prose is much appreciated.

Authors would like to write a gripping story for masses, you write for your
Apr 29, 2008 John rated it it was amazing  ·  review of another edition
Shelves: india
Although I always list Rushdie as one of my favorite authors of all time, it had been almost ten years since I picked up one of his books. So when I came across Shame in 12th Street books, I decided to dive back in.

I loved the way that the story kept leaping ahead of itself, rushing ahead like an impatient child to tell you things that wouldn’t happen until much later, and when they did happen how different they were from the expectations that had been seeded. The narrator of Shame, like many of
Kirsten *Dogs Welcome - People Tolerated"
A wonderful book! I can see why so many people like Salman Rushdie. (I can also see why religious types may become offended.)

Mr. Rushdie has a wonderful style. He really makes you feel like you are in Pakistan. That women and men there are really like this. His descriptions of the machinations of government and the women behind the men is absorbing.

In many ways, he reminds me of the magical realism of Gabriel Garcia Marquez.

Can't wait to read my next Rushdie novel!
Feb 07, 2016 Praj rated it liked it  ·  review of another edition
Shame is an undesired sperm that impregnates human psychic with acute guilt and discomfort to procreate a shameless fiend amid continual cerebral labor pains. Molded on a fictionalized caricature of Pakistan’s opinionated and influential communal strata it incubates the embryonic mesh of brutality resulting in social and personal turmoil.

Rushdie along with his emotive quandary constantly appears to be a lost child meandering on the South Asian political-cultural perimeter. With Satanic Verses an
شادي  عبد العزيز
كما توقعت لما تخذلني الرواية، وتظهر سمات مشتركة بينها وبين الرواية السابقة (أطفال منتصف الليل)

استخدام التاريخ كمادة حكائية، ولكن التاريخ عند سلمان رشدي ليس هو كل الحكاية، فقط هو أداة، جزء من بناء الحدوتة، والحدوتة ليست دقيقة تاريخيا بالضرورة، كما أنها ليست مشغولة كثيرا بسؤال الحقيقة، سلمان رشدي قادر على تقديم حدوتة جميلة، وإجبارك على تصديقهاـ كما أن التناقض بين معرفة القارئ بحدث تاريخي معين وما يضفيه عليه رشدي من خيالات مثير للضحك أحيانا، ومثير للخيال في أكثر الأحيان.

لكل شخصية في روايتي سلمان رش
Ravi Gangwani
Feb 06, 2016 Ravi Gangwani rated it it was amazing  ·  review of another edition
"It was once explained to me by one of the world's Greatest Living Poets we mere prose scribblers must turn to poets for wisdom, which is why this book is littered with them."

"The epicure against the puritan is, the book tells us, the true dialectic of history. Forget left-right,capitalism-socialism,black-white. Virtue versus vice, ascetic versus bawd, in the Fifteenth Century ?God against the Devil: that's the game."

I Loved Loved Loved it till infinity. Soon I'll give a re-reading to it again.
Hosam Diab
May 04, 2014 Hosam Diab rated it really liked it  ·  review of another edition
الرواية الثانية التي أقرأها للمؤلف بعد رائعته أطفال منتصف الليل. ينحو المؤلف إلى الرمزية، وبدل أن يتستر وراء الشخوص والأحداث، فإنه عبر الراوي (المؤلف) يسخر من هذه الرمزية، ويعزز ارتباطها بباكستان: بلاد الله. لا يخفي الراوي/ المؤلف كراهيته للنسق الاجتماعي المحدد للشرق، حيث العار يحيق بك من كل شيء: ينز من المياه، من الأرض، من الجبال، ومن الماضي. حيث - في القصة الخيالية- تتحول (صفية زنوبيا) الفتاة المتخلفة عقلياً إلى وحش يجز الرؤوس بسبب العار، بينما يسرد الراوي/ المؤلف خبراً عن الأب الباكستاني الذي ...more
Apr 21, 2007 علی rated it liked it  ·  review of another edition
Shelves: novels
From Midnight Children on, seems that Roshdie’s preference moves tward the language rather than the narration itself. Comparing ”The ground beneath of her feet” and ”Midnight children” one comes to a more beautiful language but less interesting events.
در اثار رشدی زبان از زیبایی خارق العاده ای برخوردار است. واژه هایی که رشدی در زبان انگلیسی ابداع می کند و عمدتن مخلوطی از انگلیسی هندی- بریتانیایی ست، گاه به توجیه صحنه، عمل یا شخصیت در روایت کمک شایانی می کند. بسیاری از واژه های ابداعی رشدی در انک
The controversy surrounding the reign and relationship of late Prime Minister of Pakistan Zulfikar Ali Bhutto and his Commander-In-Chief at the time, Zia-Ul Haq has captured the imagination of the world for a long long time. I had heard vague stories about this conflict as a boy but had never really understood what had ensued before and after the successful coup that Zia undertook, overthrowing Bhutto and becoming the President of Pakistan himself. This was one of the primary points of attractio ...more
Sep 06, 2010 Laura rated it it was amazing  ·  review of another edition
Probably one of the best things I've ever been lucky enough to stumble across. The country that's 'Pakistan but not Pakistan' is an amalgamation of countries throughout history, - and events in Pakistan are still clearly the focus. It's an imaginative reworking of history in the style of magic realism, a polemic against theocracy and tyranny, with his main characters based on Zulfikar Ali Bhutto & Muhammad Zia-ul-Haq; and my God, it's brilliant. I'd do it a serious injustice if I attempted t ...more
Mar 12, 2013 Jordon rated it really liked it  ·  review of another edition
Rushdie has a very unique style to his storytelling; he narrates as a character outside of his tale, yet is wholly invested in it. His tone is casual, imitating the convolutions of an orally told story with not all the bits told in order. In this way, he plays with temporal and spatial linearity very freely, giving hints of the future in tantalising teasers- but still manages to surprise the reader. Shame is about politics, but it is also about families, and failures, and the fractures that can ...more
I absolutely hated the first half of the novel. It seemed to drag on and on, introducing characters that I didn't find interesting in the slightest. However, it is interesting to note that as the book progresses, as the characters become more deranged (and consequently, more fascinating), I began to devour the book instead of checking how close I was to the end of a chapter every few pages.

Rushdie's style is sometimes a bit verbose, especially if you're not paying very close attention. However,
Jun 23, 2014 Lisa rated it did not like it  ·  review of another edition
yuck. perhaps I'm just not as intelligent as I thought, but, I hated this book. There I said it. And, I'm just going to leave it at that.
Shame - the masterpiece of a master storyteller. I have read some Rushdie in past and every book has been an eye opener. Though his form of writing is technically called - Magical Realism. For me it’s pure and simple magical mythical storytelling. The way he writes is how ancient history is called as mythology. He picks up historical situations whether India's partition in 'Midnight's children, Kashmir extremism in 'Shalimar - the Clown, or Pakistan's politics in 'Shame' and the characters turn ...more
Кремена Михайлова
Една от моите шест звезди.

Забележителна фабула, следвана до края с голямо майсторство и убедителност; водеща към размисли за индивидуални човешки прояви, в които се коренят други много по-глобални проблеми (например фанатизъм, авторитаризъм, власт и пари на всяка цена). Книга за тънката граница между срам и безсрамие (внушаването на срам чрез религия, традиции, затворени общества неусетно прераства в безсрамие и безнравственост, особено при самозабравянето във властта).

Всички стряскащи
This was my first encounter with the obscure genre of magical realism and Rushdie himself. The book is set in a fictional town of Pakistan or ‘Peccavistan’, although Rushdie elucidates that it can be any country because no one is immune to shame, even the ‘shameless’. It is an uncomfortable part of human existence which insidiously haunts our lives.

The book’s central plot deals with the relationship between Iskander Harappa and Raza Hyder, which are allegorically based on two of most influential
يزن الحاج
رواية سلمان رشدي الثالثة.
أجمل من سابقتها "أطفال منتصف الليل" بل وأفضل تقنيًا. ولكن يبقى للرواية السابقة أهمية أكبر.
بالرغم من أن إيقاع الرواية بهت قليلًا في المنتصف، إلا أنّ سحر رشدي وهو يلعب بالحدود الفاصلة بين الواقع والخيال، ويكسر الفوارق بين الراوي والكاتب، جعل الرواية تحتفظ بألق مدهش.
لا يُخفي الراوي العليم أنّه هو الكاتب الذي يقصّ عليك رواية، ومع ذلك تبقى مشدودًا إليها على امتداد الصفحات. وكعادة رشدي، ثمة قصة أو اثنتان مركزيّتان ينسج حولهما عشرات القصص الفرعية بحيث تتوالد كلٌّ منها من الأخرى
Alexander Barley
This book was stolen before I could finish it. I was using a picture of myself holding a puppy as my bookmark. Someone was shameless enough to steal a copy of a book titled Shame, which held a photo of its rightful owner and a puppy. Sharam. Sharam. Sharam.
Feb 22, 2015 Myriam rated it really liked it  ·  review of another edition
If I have one advice for those who plan to read Shame it will be: take notes on who is who, write down names of characters and how they relate to each other, or you will be lost like I did! It reminded me a lot of A Hundred Years of Solitude, where I had the Buendia's family tree with me all the time when I was reading the book, so I could keep track. With Shame, there is the same confusion, the characters' stories intermingle, some are similar and the constant flashforwards and flashbacks won't ...more
"E' tra la vergogna e la spudoratezza l'asse su cui noi ruotiamo; su entrambi questi poli le condizioni meteorologiche sono le più estreme, le più feroci. Spudoratezza e vergogna: le radici della violenza."

Dopo il successo del suo primo vero grande romanzo, Rushdie tenta di bissare l'operazione, narrando questa volta del Pakistan, di nuovo ricorrendo a elementi del realismo magico. Con risultati decisamente deludenti. Se in I figli della mezzanotte Rushdie è stato capace di costruire un romanzo
What do you say about a writer who is brilliant at his work, but uses it to highlight and exaggerate the negative aspects of life? I say its a shame. Its a shame that someone with Salman Rushdie's exceptional writing skills can't employ them in constructive writing. Instead, he chooses to write about the problems in the societies he used to inhabit. This most depressing aspect of his writing is most evident in this book, titled quite aptly, Shame.

The book is an encyclopedia of everything that co
Carl R.
May 06, 2012 Carl R. rated it it was amazing  ·  review of another edition
Shame is fantastic--not in the pop sense of high quality, but in the literal sense of worlds beyond reality. The book is filled with strange beasts and diseases. It travels through vast realms of soul, spirit, government, psychology, medicine, history, politics, religion, philosophy. It takes place in a country that is “not quite Pakistan,” and in a time that ranges from prehistory to the present. I am quite sure that those versed in Indian/Afghan/Iranian history find reams of allegory in the re ...more
Nicholas Hodler
The book is not bad and covers a very interesting topic in a fantasy Pakistan. However the fantasy world is pushed a bit too far and many analogies are a bit too self consciously explicit. By allowing himself to detach the story so far from "reality" it makes the thematic aspect of the book come out stronger, but at the expense of the narrative.
Chris Raiin
Oct 09, 2015 Chris Raiin rated it it was amazing  ·  review of another edition
So much to say about this novel... It was my first introduction to Salman Rushdie, and as such, it was hard to get into at first. Rushdie is definitely a unique writer. Once I got used to the style and the wholly unfamiliar characters, setting, and culture ("an unnamed country that is 'not quite Pakistan'"), I began to luxuriate in the narrative and the writing style itself. *Shame* is funny, disturbing, and poignant. About midway through the book, the main conflict became clear and I had come t ...more
Shame is close to 4 stars, but I found myself not liking any of the characters. This is definitely a book about politics in Pakistan, but it is not presented in that way at all.

Suffice to say, my knowledge of Pakistan is very small, so I wasn't able to pick up on the parallels to real political figures.

Shame details the lives of a few characters. All of them have intriguing lives that border on magical realism and fairytale. Interspersed is a narrator that may be Rushdie directly or another fic
Lora Grigorova
Mar 12, 2014 Lora Grigorova rated it really liked it  ·  review of another edition

In a typical Salman Rushdie fashion, Shame shocks from the mere start. Omar Khayyam Shakil has been born and raised in the fictional town of Q. (actually Quetta, Pakistan) by his three mothers – sisters who shared the symptoms of pregnancy as well as the birth itself, making it impossible to determine which one gave birth to him exactly. Confined in his home for more than 20 years, Omar develops into a strange and introvert fat boy, filled with hatr
Feb 24, 2015 Rob rated it really liked it  ·  review of another edition
The third book by Salman Rushdie I have read after Midnight's Children and The Moor's Last Sigh and the third absolute stunner.

The book is a paper thin satire on the post-independence history of Pakistan, a country that is oftentimes ignored by novelists when you consider the plethora of books that have appeared on its easterly neighbour. Rushdie playfully pretends that the book is fictional but even the most dunderheaded of censors from the 1980s military regime will have noticed the parall
Omar Ali
Jun 11, 2016 Omar Ali rated it it was amazing  ·  review of another edition
This may be Rushdie's best book and it certainly one of the best books ever written about Pakistan. I have to re-read it to see how it has aged, but I loved it in when I read it in the 80s.
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Sir Ahmed Salman Rushdie is a novelist and essayist. Much of his early fiction is set at least partly on the Indian subcontinent. His style is often classified as magical realism, while a dominant theme of his work is the story of the many connections, disruptions and migrations between the Eastern and Western world.

His fourth novel, The Satanic Verses, led to protests from Muslims in several coun
More about Salman Rushdie...

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“Realism can break a writer's heart.” 139 likes
“Between shame and shamelessness lies the axis upon which we turn; meteorological conditions at both these poles are of the most extreme, ferocious type. Shamelessness, shame: the roots of violence.” 23 likes
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