One Hundred Frogs: From Renga to Haiku to English
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One Hundred Frogs: From Renga to Haiku to English

3.88 of 5 stars 3.88  ·  rating details  ·  8 ratings  ·  2 reviews
No other Asian poetic form has so intrigued and beguiled the English-speaking world as the Japanese haiku. Even before World War I such imagist poets as Ezra Pound, Amy Lowell, and John Gould Fletcher were experimenting with the form. At that time, Pound well described the haiku as "an intellectual and emotional complex in an instant of time." Indeed, it is the haiku's sen...more
Paperback, 262 pages
Published May 2nd 1995 by Weatherhill
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W. F.
This book is superb and another I reread often. I especially like the
chapter giving a discussion of the structure of haiku in terms of
lineation. He gives a logic for why haiku began as one-line poems.
Keith
some really fascinating stuff in here, perhaps i'll return to her some day, but it got far too technico-historical and i had to say goodbye. i'll miss you cute frog.
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Hiroaki Sato (佐藤 紘彰) born 1942, is a Japanese poet and prolific translator who writes frequently for The Japan Times. He has been called (by Gary Snyder) "perhaps the finest translator of contemporary Japanese poetry into American English."
More about Hiroaki Sato...
Legends of the Samurai From the Country of Eight Islands: An Anthology of Japanese Poetry The Sword and the Mind, The Classic Japanese Treatise on Swordsmanship and Tactics Erotic Haiku One Hundred Frogs: From Matsuo Basho to Allen Ginsberg (Inklings)

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