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  <title><![CDATA[Don't Cry]]></title>
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  <description><![CDATA[Following the extraordinary success of her novel <em>Veronica</em>, Mary Gaitskill returns with a luminous new collection of stories--her first in more than ten years.<br/>In &#8220;College Town l980,&#8221; young people adrift in Ann Arbor debate the meaning of personal strength at the start of the Reagan era; in the urban fairy tale &#8220;Mirrorball,&#8221; a young man steals a girl&#8217;s soul during a one-night stand; in &#8220;The Little Boy,&#8221; a woman haunted by the death of her former husband is finally able to grieve through a mysterious encounter with a needy child; and in &#8220;The Arms and Legs of the Lake,&#8221; the fallout of the Iraq war becomes disturbingly real for the disparate passengers on a train going up the Hudson--three veterans, a liberal editor, a soldier&#8217;s uncle, and honeymooners on their way to Niagara Falls. <br/>Each story delivers the powerful, original language, and the dramatic engagement of the intelligent mind with the craving body--or of the intelligent body with the craving mind--that is characteristic of Gaitskill&#8217;s fiction.  As intense as <em>Bad Behavior,</em> her first collection of stories, <em>Don&#8217;t Cry</em> reflects the profound enrichment of life experience. As the stories unfold against the backdrop of American life over the last thirty years, they describe how our social conscience has evolved while basic human truths--&#8220;the crude cinder blocks of male and female down in the basement, holding up the house,&#8221; as one character puts it--remain unchanged.]]></description>
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    <![CDATA[Don't Cry: Stories]]>
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    <![CDATA[Following the extraordinary success of her novel <em>Veronica</em>, Mary Gaitskill returns with a luminous new collection of stories--her first in more than ten years.<strong><br/><br/></strong>In “College Town l980,” young people adrift in Ann Arbor debate the meaning of personal strength at the start of the Reagan era; in the urban fairy tale “Mirrorball,” a young man steals a girl’s soul during a one-night stand; in “The Little Boy,” a woman haunted by the death of her former husband is finally able to grieve through a mysterious encounter with a needy child; and in “The Arms and Legs of the Lake,” the fallout of the Iraq war becomes disturbingly real for the disparate passengers on a train going up the Hudson--three veterans, a liberal editor, a soldier’s uncle, and honeymooners on their way to Niagara Falls. <br/><br/>Each story delivers the powerful, original language, and the dramatic engagement of the intelligent mind with the craving body--or of the intelligent body with the craving mind--that is characteristic of Gaitskill’s fiction.  As intense as <em>Bad Behavior,</em> her first collection of stories, <em>Don’t Cry</em> reflects the profound enrichment of life experience. As the stories unfold against the backdrop of American life over the last thirty years, they describe how our social conscience has evolved while basic human truths--“the crude cinder blocks of male and female down in the basement, holding up the house,” as one character puts it--remain unchanged.]]>
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  <read_at>Tue Mar 24 00:00:00 -0700 2009</read_at>
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    <body><![CDATA[<em>Don't Cry</em> was a disappointing reading experience.  At first I found the book to be kind of annoying.  The first story was quite unappealing, in both the characters and whatever it was that was going on.  Then for the next few stories the unappealing just kept happening.  None of the stories could se...<a href="http://www.goodreads.com/review/show/50367244">more...</a>]]></body>
    
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      <review>
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    <![CDATA[Don't Cry: Stories]]>
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    <![CDATA[Following the extraordinary success of her novel <em>Veronica</em>, Mary Gaitskill returns with a luminous new collection of stories--her first in more than ten years.<strong><br/><br/></strong>In “College Town l980,” young people adrift in Ann Arbor debate the meaning of personal strength at the start of the Reagan era; in the urban fairy tale “Mirrorball,” a young man steals a girl’s soul during a one-night stand; in “The Little Boy,” a woman haunted by the death of her former husband is finally able to grieve through a mysterious encounter with a needy child; and in “The Arms and Legs of the Lake,” the fallout of the Iraq war becomes disturbingly real for the disparate passengers on a train going up the Hudson--three veterans, a liberal editor, a soldier’s uncle, and honeymooners on their way to Niagara Falls. <br/><br/>Each story delivers the powerful, original language, and the dramatic engagement of the intelligent mind with the craving body--or of the intelligent body with the craving mind--that is characteristic of Gaitskill’s fiction.  As intense as <em>Bad Behavior,</em> her first collection of stories, <em>Don’t Cry</em> reflects the profound enrichment of life experience. As the stories unfold against the backdrop of American life over the last thirty years, they describe how our social conscience has evolved while basic human truths--“the crude cinder blocks of male and female down in the basement, holding up the house,” as one character puts it--remain unchanged.]]>
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    <rating>5</rating>
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  <read_at>Wed Apr 01 00:00:00 -0700 2009</read_at>
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    <body><![CDATA[Not every story in the collection is a &quot;wow&quot; but enough of them are and the book works as a whole. The story, Don't Cry, which I originally read in the New Yorker, and loved at the time, grows larger and more poignant within the context of the collection- which seems to me a hallmark of a ...<a href="http://www.goodreads.com/review/show/47069241">more...</a>]]></body>
    
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      <review>
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    <![CDATA[Don't Cry: Stories]]>
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  <description>
    <![CDATA[Following the extraordinary success of her novel <em>Veronica</em>, Mary Gaitskill returns with a luminous new collection of stories--her first in more than ten years.<strong><br/><br/></strong>In “College Town l980,” young people adrift in Ann Arbor debate the meaning of personal strength at the start of the Reagan era; in the urban fairy tale “Mirrorball,” a young man steals a girl’s soul during a one-night stand; in “The Little Boy,” a woman haunted by the death of her former husband is finally able to grieve through a mysterious encounter with a needy child; and in “The Arms and Legs of the Lake,” the fallout of the Iraq war becomes disturbingly real for the disparate passengers on a train going up the Hudson--three veterans, a liberal editor, a soldier’s uncle, and honeymooners on their way to Niagara Falls. <br/><br/>Each story delivers the powerful, original language, and the dramatic engagement of the intelligent mind with the craving body--or of the intelligent body with the craving mind--that is characteristic of Gaitskill’s fiction.  As intense as <em>Bad Behavior,</em> her first collection of stories, <em>Don’t Cry</em> reflects the profound enrichment of life experience. As the stories unfold against the backdrop of American life over the last thirty years, they describe how our social conscience has evolved while basic human truths--“the crude cinder blocks of male and female down in the basement, holding up the house,” as one character puts it--remain unchanged.]]>
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  <votes>3</votes>
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  <read_at>Sat Oct 18 00:00:00 -0700 2008</read_at>
  <date_added>Thu Oct 16 15:52:53 -0700 2008</date_added>
  <date_updated>Sat Oct 18 09:42:22 -0700 2008</date_updated>
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    <body><![CDATA[While reading: My boyfriend the Random House rep gave me a proof! I know this is attributing things to an author because of the content of their work, but I want Mary Gaitskill to beat me up, cut me  and make me cry. <br/><br/>Afterward: Yeah. An interesting thing happened in this one- I can't rem...<a href="http://www.goodreads.com/review/show/35496067">more...</a>]]></body>
    
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      <review>
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  <title>
    <![CDATA[Don't Cry: Stories]]>
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  <average_rating>3.44</average_rating>
  <ratings_count>261</ratings_count>
  <description>
    <![CDATA[Following the extraordinary success of her novel <em>Veronica</em>, Mary Gaitskill returns with a luminous new collection of stories--her first in more than ten years.<strong><br/><br/></strong>In “College Town l980,” young people adrift in Ann Arbor debate the meaning of personal strength at the start of the Reagan era; in the urban fairy tale “Mirrorball,” a young man steals a girl’s soul during a one-night stand; in “The Little Boy,” a woman haunted by the death of her former husband is finally able to grieve through a mysterious encounter with a needy child; and in “The Arms and Legs of the Lake,” the fallout of the Iraq war becomes disturbingly real for the disparate passengers on a train going up the Hudson--three veterans, a liberal editor, a soldier’s uncle, and honeymooners on their way to Niagara Falls. <br/><br/>Each story delivers the powerful, original language, and the dramatic engagement of the intelligent mind with the craving body--or of the intelligent body with the craving mind--that is characteristic of Gaitskill’s fiction.  As intense as <em>Bad Behavior,</em> her first collection of stories, <em>Don’t Cry</em> reflects the profound enrichment of life experience. As the stories unfold against the backdrop of American life over the last thirty years, they describe how our social conscience has evolved while basic human truths--“the crude cinder blocks of male and female down in the basement, holding up the house,” as one character puts it--remain unchanged.]]>
  </description>
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    <rating>4</rating>
  <votes>1</votes>
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  <read_at>Wed Apr 08 00:00:00 -0700 2009</read_at>
  <date_added>Wed Apr 08 20:34:46 -0700 2009</date_added>
  <date_updated>Wed Apr 08 20:43:26 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[I have to say I think this is a very wide spectrum book I say that because while Greg didn't so much like the beginning but liked the end. I cared far less for the end and enjoyed the beginning of the book. I think that it would work well for people who like famous fathers, it uses similar themes in...<a href="http://www.goodreads.com/review/show/52019711">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/52019711]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/52019711]]></link>
</review>
      <review>
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    <name><![CDATA[Benjamin]]></name>
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  <title>
    <![CDATA[Don't Cry: Stories]]>
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  <description>
    <![CDATA[Following the extraordinary success of her novel <em>Veronica</em>, Mary Gaitskill returns with a luminous new collection of stories--her first in more than ten years.<strong><br/><br/></strong>In “College Town l980,” young people adrift in Ann Arbor debate the meaning of personal strength at the start of the Reagan era; in the urban fairy tale “Mirrorball,” a young man steals a girl’s soul during a one-night stand; in “The Little Boy,” a woman haunted by the death of her former husband is finally able to grieve through a mysterious encounter with a needy child; and in “The Arms and Legs of the Lake,” the fallout of the Iraq war becomes disturbingly real for the disparate passengers on a train going up the Hudson--three veterans, a liberal editor, a soldier’s uncle, and honeymooners on their way to Niagara Falls. <br/><br/>Each story delivers the powerful, original language, and the dramatic engagement of the intelligent mind with the craving body--or of the intelligent body with the craving mind--that is characteristic of Gaitskill’s fiction.  As intense as <em>Bad Behavior,</em> her first collection of stories, <em>Don’t Cry</em> reflects the profound enrichment of life experience. As the stories unfold against the backdrop of American life over the last thirty years, they describe how our social conscience has evolved while basic human truths--“the crude cinder blocks of male and female down in the basement, holding up the house,” as one character puts it--remain unchanged.]]>
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    <rating>3</rating>
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  <read_at>Wed Jul 01 00:00:00 -0700 2009</read_at>
  <date_added>Thu Jul 09 15:43:09 -0700 2009</date_added>
  <date_updated>Thu Jul 09 15:50:27 -0700 2009</date_updated>
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    <body><![CDATA[Mary Gaitskill is one of my favorite writers. Her ability to realistically plumb the human soul and its motives is astonishing. She also can do some lovely writing, turning phrases and metaphors that feel fresh and exact. So, I was excited that this book was out, and after hearing her read from &quot;...<a href="http://www.goodreads.com/review/show/62826358">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/62826358]]></url>
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      <review>
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    <name><![CDATA[Stephanie]]></name>
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    <![CDATA[Following the extraordinary success of her novel <em>Veronica</em>, Mary Gaitskill returns with a luminous new collection of stories--her first in more than ten years.<strong><br/><br/></strong>In “College Town l980,” young people adrift in Ann Arbor debate the meaning of personal strength at the start of the Reagan era; in the urban fairy tale “Mirrorball,” a young man steals a girl’s soul during a one-night stand; in “The Little Boy,” a woman haunted by the death of her former husband is finally able to grieve through a mysterious encounter with a needy child; and in “The Arms and Legs of the Lake,” the fallout of the Iraq war becomes disturbingly real for the disparate passengers on a train going up the Hudson--three veterans, a liberal editor, a soldier’s uncle, and honeymooners on their way to Niagara Falls. <br/><br/>Each story delivers the powerful, original language, and the dramatic engagement of the intelligent mind with the craving body--or of the intelligent body with the craving mind--that is characteristic of Gaitskill’s fiction.  As intense as <em>Bad Behavior,</em> her first collection of stories, <em>Don’t Cry</em> reflects the profound enrichment of life experience. As the stories unfold against the backdrop of American life over the last thirty years, they describe how our social conscience has evolved while basic human truths--“the crude cinder blocks of male and female down in the basement, holding up the house,” as one character puts it--remain unchanged.]]>
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  <recommended_for><![CDATA[]]></recommended_for>
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  <read_at>Fri Nov 20 00:00:00 -0800 2009</read_at>
  <date_added>Sun Nov 29 20:37:28 -0800 2009</date_added>
  <date_updated>Mon Nov 30 22:24:34 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[I found these stories to be very moving.  There are several unique female experiences throughout this collection.  I like the way that Mary Gaitskill is able to so convincingly convey the thoughts and feelings of women in so many different situations at so many different times over the course of a w...<a href="http://www.goodreads.com/review/show/79363979">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/79363979]]></url>
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</review>
      <review>
  <id>52445960</id>
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    <name><![CDATA[Philip]]></name>
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  <text_reviews_count type="integer">84</text_reviews_count>
  <title>
    <![CDATA[Don't Cry: Stories]]>
  </title>
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  <average_rating>3.44</average_rating>
  <ratings_count>261</ratings_count>
  <description>
    <![CDATA[Following the extraordinary success of her novel <em>Veronica</em>, Mary Gaitskill returns with a luminous new collection of stories--her first in more than ten years.<strong><br/><br/></strong>In “College Town l980,” young people adrift in Ann Arbor debate the meaning of personal strength at the start of the Reagan era; in the urban fairy tale “Mirrorball,” a young man steals a girl’s soul during a one-night stand; in “The Little Boy,” a woman haunted by the death of her former husband is finally able to grieve through a mysterious encounter with a needy child; and in “The Arms and Legs of the Lake,” the fallout of the Iraq war becomes disturbingly real for the disparate passengers on a train going up the Hudson--three veterans, a liberal editor, a soldier’s uncle, and honeymooners on their way to Niagara Falls. <br/><br/>Each story delivers the powerful, original language, and the dramatic engagement of the intelligent mind with the craving body--or of the intelligent body with the craving mind--that is characteristic of Gaitskill’s fiction.  As intense as <em>Bad Behavior,</em> her first collection of stories, <em>Don’t Cry</em> reflects the profound enrichment of life experience. As the stories unfold against the backdrop of American life over the last thirty years, they describe how our social conscience has evolved while basic human truths--“the crude cinder blocks of male and female down in the basement, holding up the house,” as one character puts it--remain unchanged.]]>
  </description>
  <published>2009</published>
</book>

    <rating>4</rating>
  <votes>1</votes>
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  <read_at>Mon Apr 13 00:00:00 -0700 2009</read_at>
  <date_added>Sun Apr 12 19:15:45 -0700 2009</date_added>
  <date_updated>Wed Apr 15 10:37:51 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[I really liked this collection of short stories. I can't wait to read more of Gaitskill's work but this is certainly my favorite of what I've read by her so far. <br/><br/>I've always appreciated her ability to wake me up--in particular, her ability to defamiliarize the understandings of intimacy ...<a href="http://www.goodreads.com/review/show/52445960">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/52445960]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/52445960]]></link>
</review>
      <review>
  <id>58050784</id>
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    <name><![CDATA[Bookmarks Magazine]]></name>
    <location><![CDATA[The United States]]></location>
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  <text_reviews_count type="integer">84</text_reviews_count>
  <title>
    <![CDATA[Don't Cry: Stories]]>
  </title>
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  <average_rating>3.44</average_rating>
  <ratings_count>261</ratings_count>
  <description>
    <![CDATA[Following the extraordinary success of her novel <em>Veronica</em>, Mary Gaitskill returns with a luminous new collection of stories--her first in more than ten years.<strong><br/><br/></strong>In “College Town l980,” young people adrift in Ann Arbor debate the meaning of personal strength at the start of the Reagan era; in the urban fairy tale “Mirrorball,” a young man steals a girl’s soul during a one-night stand; in “The Little Boy,” a woman haunted by the death of her former husband is finally able to grieve through a mysterious encounter with a needy child; and in “The Arms and Legs of the Lake,” the fallout of the Iraq war becomes disturbingly real for the disparate passengers on a train going up the Hudson--three veterans, a liberal editor, a soldier’s uncle, and honeymooners on their way to Niagara Falls. <br/><br/>Each story delivers the powerful, original language, and the dramatic engagement of the intelligent mind with the craving body--or of the intelligent body with the craving mind--that is characteristic of Gaitskill’s fiction.  As intense as <em>Bad Behavior,</em> her first collection of stories, <em>Don’t Cry</em> reflects the profound enrichment of life experience. As the stories unfold against the backdrop of American life over the last thirty years, they describe how our social conscience has evolved while basic human truths--“the crude cinder blocks of male and female down in the basement, holding up the house,” as one character puts it--remain unchanged.]]>
  </description>
  <published>2009</published>
</book>

    <rating>4</rating>
  <votes>0</votes>
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  <read_at></read_at>
  <date_added>Mon Jun 01 07:39:17 -0700 2009</date_added>
  <date_updated>Mon Jun 01 08:03:55 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[<p>Ranging from gritty realism to fanciful allegory, the stories in Don't Cry push the boundaries of fiction in several directions. Populated by peculiar but always authentic characters with bizarre dreams and fantasies, Gaitskill's stories lack conventional plots, timelines, and mounting suspense, but...</p><a href="http://www.goodreads.com/review/show/58050784">more...</a>]]></body>
    
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</review>
      <review>
  <id>44936048</id>
    <user>
    <id>170420</id>
    <name><![CDATA[Lazygal]]></name>
    <location><![CDATA[Carmel, NY]]></location>
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  <text_reviews_count type="integer">84</text_reviews_count>
  <title>
    <![CDATA[Don't Cry: Stories]]>
  </title>
  <image_url>http://www.goodreads.com/images/books/42/835/4267835-m-1256087192.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/books/42/835/4267835-s-1256087192.jpg</small_image_url>
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  <average_rating>3.44</average_rating>
  <ratings_count>261</ratings_count>
  <description>
    <![CDATA[Following the extraordinary success of her novel <em>Veronica</em>, Mary Gaitskill returns with a luminous new collection of stories--her first in more than ten years.<strong><br/><br/></strong>In “College Town l980,” young people adrift in Ann Arbor debate the meaning of personal strength at the start of the Reagan era; in the urban fairy tale “Mirrorball,” a young man steals a girl’s soul during a one-night stand; in “The Little Boy,” a woman haunted by the death of her former husband is finally able to grieve through a mysterious encounter with a needy child; and in “The Arms and Legs of the Lake,” the fallout of the Iraq war becomes disturbingly real for the disparate passengers on a train going up the Hudson--three veterans, a liberal editor, a soldier’s uncle, and honeymooners on their way to Niagara Falls. <br/><br/>Each story delivers the powerful, original language, and the dramatic engagement of the intelligent mind with the craving body--or of the intelligent body with the craving mind--that is characteristic of Gaitskill’s fiction.  As intense as <em>Bad Behavior,</em> her first collection of stories, <em>Don’t Cry</em> reflects the profound enrichment of life experience. As the stories unfold against the backdrop of American life over the last thirty years, they describe how our social conscience has evolved while basic human truths--“the crude cinder blocks of male and female down in the basement, holding up the house,” as one character puts it--remain unchanged.]]>
  </description>
  <published>2009</published>
</book>

    <rating>2</rating>
  <votes>1</votes>
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  <read_at>Mon Mar 02 00:00:00 -0800 2009</read_at>
  <date_added>Sat Jan 31 05:25:36 -0800 2009</date_added>
  <date_updated>Mon Mar 02 18:13:26 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[None of the characters in this selection of short stories appealed to me.  Their lives didn't make me want to learn more, and the obsession with sex that permeated the book just turned me off.  Pity, because I usually like Gaitskill's work.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/44936048]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/44936048]]></link>
</review>
      <review>
  <id>35727395</id>
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    <name><![CDATA[oriana]]></name>
    <location><![CDATA[Brooklyn, NY]]></location>
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  <title>
    <![CDATA[Don't Cry: Stories]]>
  </title>
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  <small_image_url>http://www.goodreads.com/images/books/42/835/4267835-s-1256087192.jpg</small_image_url>
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  <average_rating>3.44</average_rating>
  <ratings_count>261</ratings_count>
  <description>
    <![CDATA[Following the extraordinary success of her novel <em>Veronica</em>, Mary Gaitskill returns with a luminous new collection of stories--her first in more than ten years.<strong><br/><br/></strong>In “College Town l980,” young people adrift in Ann Arbor debate the meaning of personal strength at the start of the Reagan era; in the urban fairy tale “Mirrorball,” a young man steals a girl’s soul during a one-night stand; in “The Little Boy,” a woman haunted by the death of her former husband is finally able to grieve through a mysterious encounter with a needy child; and in “The Arms and Legs of the Lake,” the fallout of the Iraq war becomes disturbingly real for the disparate passengers on a train going up the Hudson--three veterans, a liberal editor, a soldier’s uncle, and honeymooners on their way to Niagara Falls. <br/><br/>Each story delivers the powerful, original language, and the dramatic engagement of the intelligent mind with the craving body--or of the intelligent body with the craving mind--that is characteristic of Gaitskill’s fiction.  As intense as <em>Bad Behavior,</em> her first collection of stories, <em>Don’t Cry</em> reflects the profound enrichment of life experience. As the stories unfold against the backdrop of American life over the last thirty years, they describe how our social conscience has evolved while basic human truths--“the crude cinder blocks of male and female down in the basement, holding up the house,” as one character puts it--remain unchanged.]]>
  </description>
  <published>2009</published>
</book>

    <rating>0</rating>
  <votes>1</votes>
  <spoiler_flag>false</spoiler_flag>
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  <read_at></read_at>
  <date_added>Sun Oct 19 19:15:03 -0700 2008</date_added>
  <date_updated>Sun Oct 19 19:16:42 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[Gosh, well, I never really considered reading her, but Imogen can be <a rel="nofollow" target="_blank" href="http://www.goodreads.com/review/show/35496067?al=MzA4MDA=-50b95c91496dbd8a9050785705eba2c34222be18&utm_medium=email&utm_source=updates">pretty convincing</a>....]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/35727395]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/35727395]]></link>
</review>
      <review>
  <id>73598877</id>
    <user>
    <id>1045059</id>
    <name><![CDATA[Harry]]></name>
    <location><![CDATA[Long Island City, NY]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/1045059-harry]]></link>
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  <title>
    <![CDATA[Don't Cry: Stories]]>
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  <average_rating>3.44</average_rating>
  <ratings_count>261</ratings_count>
  <description>
    <![CDATA[Following the extraordinary success of her novel <em>Veronica</em>, Mary Gaitskill returns with a luminous new collection of stories--her first in more than ten years.<strong><br/><br/></strong>In “College Town l980,” young people adrift in Ann Arbor debate the meaning of personal strength at the start of the Reagan era; in the urban fairy tale “Mirrorball,” a young man steals a girl’s soul during a one-night stand; in “The Little Boy,” a woman haunted by the death of her former husband is finally able to grieve through a mysterious encounter with a needy child; and in “The Arms and Legs of the Lake,” the fallout of the Iraq war becomes disturbingly real for the disparate passengers on a train going up the Hudson--three veterans, a liberal editor, a soldier’s uncle, and honeymooners on their way to Niagara Falls. <br/><br/>Each story delivers the powerful, original language, and the dramatic engagement of the intelligent mind with the craving body--or of the intelligent body with the craving mind--that is characteristic of Gaitskill’s fiction.  As intense as <em>Bad Behavior,</em> her first collection of stories, <em>Don’t Cry</em> reflects the profound enrichment of life experience. As the stories unfold against the backdrop of American life over the last thirty years, they describe how our social conscience has evolved while basic human truths--“the crude cinder blocks of male and female down in the basement, holding up the house,” as one character puts it--remain unchanged.]]>
  </description>
  <published>2009</published>
</book>

    <rating>4</rating>
  <votes>0</votes>
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  <date_added>Tue Oct 06 00:24:03 -0700 2009</date_added>
  <date_updated>Wed Oct 14 10:43:10 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Reading this book is like climbing through a dark, wet forest and coming upon a fallen, rotting tree covered with colorful fungus. Sometimes it seems important -- that it's getting at something essential about life, death and sex -- and sometimes it just seems like a moment where you see small thing...<a href="http://www.goodreads.com/review/show/73598877">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/73598877]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/73598877]]></link>
</review>
      <review>
  <id>55308976</id>
    <user>
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    <name><![CDATA[Book Passage]]></name>
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  <title>
    <![CDATA[Don't Cry: Stories]]>
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  <average_rating>3.44</average_rating>
  <ratings_count>261</ratings_count>
  <description>
    <![CDATA[Following the extraordinary success of her novel <em>Veronica</em>, Mary Gaitskill returns with a luminous new collection of stories--her first in more than ten years.<strong><br/><br/></strong>In “College Town l980,” young people adrift in Ann Arbor debate the meaning of personal strength at the start of the Reagan era; in the urban fairy tale “Mirrorball,” a young man steals a girl’s soul during a one-night stand; in “The Little Boy,” a woman haunted by the death of her former husband is finally able to grieve through a mysterious encounter with a needy child; and in “The Arms and Legs of the Lake,” the fallout of the Iraq war becomes disturbingly real for the disparate passengers on a train going up the Hudson--three veterans, a liberal editor, a soldier’s uncle, and honeymooners on their way to Niagara Falls. <br/><br/>Each story delivers the powerful, original language, and the dramatic engagement of the intelligent mind with the craving body--or of the intelligent body with the craving mind--that is characteristic of Gaitskill’s fiction.  As intense as <em>Bad Behavior,</em> her first collection of stories, <em>Don’t Cry</em> reflects the profound enrichment of life experience. As the stories unfold against the backdrop of American life over the last thirty years, they describe how our social conscience has evolved while basic human truths--“the crude cinder blocks of male and female down in the basement, holding up the house,” as one character puts it--remain unchanged.]]>
  </description>
  <published>2009</published>
</book>

    <rating>5</rating>
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  <recommended_for><![CDATA[]]></recommended_for>
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  <read_at>Fri May 01 00:00:00 -0700 2009</read_at>
  <date_added>Thu May 07 16:40:57 -0700 2009</date_added>
  <date_updated>Thu May 07 16:41:30 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Mary Gaitskill is one of our most gifted and fearless writers of the short story. Don't Cry showcases her at her very best and demonstrates an exhilarating new maturity to her voice. These stories manage to, not merely dig beneath the surface, but to actually penetrate our psyches and perfectly desc...<a href="http://www.goodreads.com/review/show/55308976">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/55308976]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/55308976]]></link>
</review>
      <review>
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    <name><![CDATA[MelMel]]></name>
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  <title>
    <![CDATA[Don't Cry: Stories]]>
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  <average_rating>3.44</average_rating>
  <ratings_count>261</ratings_count>
  <description>
    <![CDATA[Following the extraordinary success of her novel <em>Veronica</em>, Mary Gaitskill returns with a luminous new collection of stories--her first in more than ten years.<strong><br/><br/></strong>In “College Town l980,” young people adrift in Ann Arbor debate the meaning of personal strength at the start of the Reagan era; in the urban fairy tale “Mirrorball,” a young man steals a girl’s soul during a one-night stand; in “The Little Boy,” a woman haunted by the death of her former husband is finally able to grieve through a mysterious encounter with a needy child; and in “The Arms and Legs of the Lake,” the fallout of the Iraq war becomes disturbingly real for the disparate passengers on a train going up the Hudson--three veterans, a liberal editor, a soldier’s uncle, and honeymooners on their way to Niagara Falls. <br/><br/>Each story delivers the powerful, original language, and the dramatic engagement of the intelligent mind with the craving body--or of the intelligent body with the craving mind--that is characteristic of Gaitskill’s fiction.  As intense as <em>Bad Behavior,</em> her first collection of stories, <em>Don’t Cry</em> reflects the profound enrichment of life experience. As the stories unfold against the backdrop of American life over the last thirty years, they describe how our social conscience has evolved while basic human truths--“the crude cinder blocks of male and female down in the basement, holding up the house,” as one character puts it--remain unchanged.]]>
  </description>
  <published>2009</published>
</book>

    <rating>3</rating>
  <votes>0</votes>
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            <shelf name="general-fiction" />
      </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Thu Nov 12 00:00:00 -0800 2009</read_at>
  <date_added>Sun Nov 08 21:41:32 -0800 2009</date_added>
  <date_updated>Thu Nov 12 21:38:20 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[I tried reading this whole book, I really did, but only got about a third of the way through. She has an interesting way of looking at things that did make me think, but the stories were depressing to me, the characters unloveable, and nothing really seemed to happen. Everything was about the charac...<a href="http://www.goodreads.com/review/show/77172992">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/77172992]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/77172992]]></link>
</review>
      <review>
  <id>49102084</id>
    <user>
    <id>1067337</id>
    <name><![CDATA[Gregory]]></name>
    <location><![CDATA[New York, NY]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/1067337-gregory-baird]]></link>
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  <isbn>0375424199</isbn>
  <isbn13>9780375424199</isbn13>
  <text_reviews_count type="integer">84</text_reviews_count>
  <title>
    <![CDATA[Don't Cry: Stories]]>
  </title>
  <image_url>http://www.goodreads.com/images/books/42/835/4267835-m-1256087192.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/books/42/835/4267835-s-1256087192.jpg</small_image_url>
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  <average_rating>3.44</average_rating>
  <ratings_count>261</ratings_count>
  <description>
    <![CDATA[Following the extraordinary success of her novel <em>Veronica</em>, Mary Gaitskill returns with a luminous new collection of stories--her first in more than ten years.<strong><br/><br/></strong>In “College Town l980,” young people adrift in Ann Arbor debate the meaning of personal strength at the start of the Reagan era; in the urban fairy tale “Mirrorball,” a young man steals a girl’s soul during a one-night stand; in “The Little Boy,” a woman haunted by the death of her former husband is finally able to grieve through a mysterious encounter with a needy child; and in “The Arms and Legs of the Lake,” the fallout of the Iraq war becomes disturbingly real for the disparate passengers on a train going up the Hudson--three veterans, a liberal editor, a soldier’s uncle, and honeymooners on their way to Niagara Falls. <br/><br/>Each story delivers the powerful, original language, and the dramatic engagement of the intelligent mind with the craving body--or of the intelligent body with the craving mind--that is characteristic of Gaitskill’s fiction.  As intense as <em>Bad Behavior,</em> her first collection of stories, <em>Don’t Cry</em> reflects the profound enrichment of life experience. As the stories unfold against the backdrop of American life over the last thirty years, they describe how our social conscience has evolved while basic human truths--“the crude cinder blocks of male and female down in the basement, holding up the house,” as one character puts it--remain unchanged.]]>
  </description>
  <published>2009</published>
</book>

    <rating>2</rating>
  <votes>1</votes>
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  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at></read_at>
  <date_added>Thu Mar 12 19:09:33 -0700 2009</date_added>
  <date_updated>Thu Apr 23 12:46:31 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[<strong> Unmitigated, Unreadable Despair </strong><br/><br/>The stories in Mary Gaitskill’s <em> Don’t Cry </em> reflect characters who are profoundly vexed, but not in a profound way.  It seems that Ms. Gaitskill has contrived both them and their situations with the simple goal of shocking her reader.  The stories are...<a href="http://www.goodreads.com/review/show/49102084">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/49102084]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/49102084]]></link>
</review>
      <review>
  <id>64608746</id>
    <user>
    <id>662042</id>
    <name><![CDATA[Mike]]></name>
    <location><![CDATA[New York, NY]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/662042-mike-lindgren]]></link>
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  <isbn>0375424199</isbn>
  <isbn13>9780375424199</isbn13>
  <text_reviews_count type="integer">84</text_reviews_count>
  <title>
    <![CDATA[Don't Cry: Stories]]>
  </title>
  <image_url>http://www.goodreads.com/images/books/42/835/4267835-m-1256087192.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/books/42/835/4267835-s-1256087192.jpg</small_image_url>
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  <average_rating>3.44</average_rating>
  <ratings_count>261</ratings_count>
  <description>
    <![CDATA[Following the extraordinary success of her novel <em>Veronica</em>, Mary Gaitskill returns with a luminous new collection of stories--her first in more than ten years.<strong><br/><br/></strong>In “College Town l980,” young people adrift in Ann Arbor debate the meaning of personal strength at the start of the Reagan era; in the urban fairy tale “Mirrorball,” a young man steals a girl’s soul during a one-night stand; in “The Little Boy,” a woman haunted by the death of her former husband is finally able to grieve through a mysterious encounter with a needy child; and in “The Arms and Legs of the Lake,” the fallout of the Iraq war becomes disturbingly real for the disparate passengers on a train going up the Hudson--three veterans, a liberal editor, a soldier’s uncle, and honeymooners on their way to Niagara Falls. <br/><br/>Each story delivers the powerful, original language, and the dramatic engagement of the intelligent mind with the craving body--or of the intelligent body with the craving mind--that is characteristic of Gaitskill’s fiction.  As intense as <em>Bad Behavior,</em> her first collection of stories, <em>Don’t Cry</em> reflects the profound enrichment of life experience. As the stories unfold against the backdrop of American life over the last thirty years, they describe how our social conscience has evolved while basic human truths--“the crude cinder blocks of male and female down in the basement, holding up the house,” as one character puts it--remain unchanged.]]>
  </description>
  <published>2009</published>
</book>

    <rating>2</rating>
  <votes>0</votes>
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  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Mon Jun 01 00:00:00 -0700 2009</read_at>
  <date_added>Wed Jul 22 20:58:35 -0700 2009</date_added>
  <date_updated>Wed Jul 22 20:59:28 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Mary Gaitskill's career hits a speed bump with &quot;Don't Cry,&quot; the oddly subdued follow-up to her breakout novel, &quot;Veronica.&quot; These new stories sport a fillip of the surreal and a dash of riot-girl sass, but the prose feels simultaneously vague and fussed-over, in that portentous MF...<a href="http://www.goodreads.com/review/show/64608746">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/64608746]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/64608746]]></link>
</review>
      <review>
  <id>53277951</id>
    <user>
    <id>139406</id>
    <name><![CDATA[lnb]]></name>
    <location><![CDATA[Saint Louis, MO]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/139406-lnb]]></link>
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  <isbn>0375424199</isbn>
  <isbn13>9780375424199</isbn13>
  <text_reviews_count type="integer">84</text_reviews_count>
  <title>
    <![CDATA[Don't Cry: Stories]]>
  </title>
  <image_url>http://www.goodreads.com/images/books/42/835/4267835-m-1256087192.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/books/42/835/4267835-s-1256087192.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/4267835.Don_t_Cry_Stories</link>
  <average_rating>3.44</average_rating>
  <ratings_count>261</ratings_count>
  <description>
    <![CDATA[Following the extraordinary success of her novel <em>Veronica</em>, Mary Gaitskill returns with a luminous new collection of stories--her first in more than ten years.<strong><br/><br/></strong>In “College Town l980,” young people adrift in Ann Arbor debate the meaning of personal strength at the start of the Reagan era; in the urban fairy tale “Mirrorball,” a young man steals a girl’s soul during a one-night stand; in “The Little Boy,” a woman haunted by the death of her former husband is finally able to grieve through a mysterious encounter with a needy child; and in “The Arms and Legs of the Lake,” the fallout of the Iraq war becomes disturbingly real for the disparate passengers on a train going up the Hudson--three veterans, a liberal editor, a soldier’s uncle, and honeymooners on their way to Niagara Falls. <br/><br/>Each story delivers the powerful, original language, and the dramatic engagement of the intelligent mind with the craving body--or of the intelligent body with the craving mind--that is characteristic of Gaitskill’s fiction.  As intense as <em>Bad Behavior,</em> her first collection of stories, <em>Don’t Cry</em> reflects the profound enrichment of life experience. As the stories unfold against the backdrop of American life over the last thirty years, they describe how our social conscience has evolved while basic human truths--“the crude cinder blocks of male and female down in the basement, holding up the house,” as one character puts it--remain unchanged.]]>
  </description>
  <published>2009</published>
</book>

    <rating>2</rating>
  <votes>1</votes>
  <spoiler_flag>false</spoiler_flag>
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  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Mon Jun 22 00:00:00 -0700 2009</read_at>
  <date_added>Sun Apr 19 17:56:20 -0700 2009</date_added>
  <date_updated>Mon Jun 22 14:56:46 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[i have a soft place in my heart for mary gaitskill for various reasons but this book was kind of bad most of the time. i admire what she does, because it is beautiful and truly grotesque, but there comes a point where it gets boring. most of the characters felt like either representations of or foil...<a href="http://www.goodreads.com/review/show/53277951">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/53277951]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/53277951]]></link>
</review>
      <review>
  <id>47046475</id>
    <user>
    <id>42841</id>
    <name><![CDATA[Jodi]]></name>
    <location><![CDATA[Shakopee, MN]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/42841-jodi]]></link>
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  <id type="integer">4267835</id>
  <isbn>0375424199</isbn>
  <isbn13>9780375424199</isbn13>
  <text_reviews_count type="integer">84</text_reviews_count>
  <title>
    <![CDATA[Don't Cry: Stories]]>
  </title>
  <image_url>http://www.goodreads.com/images/books/42/835/4267835-m-1256087192.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/books/42/835/4267835-s-1256087192.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/4267835.Don_t_Cry_Stories</link>
  <average_rating>3.44</average_rating>
  <ratings_count>261</ratings_count>
  <description>
    <![CDATA[Following the extraordinary success of her novel <em>Veronica</em>, Mary Gaitskill returns with a luminous new collection of stories--her first in more than ten years.<strong><br/><br/></strong>In “College Town l980,” young people adrift in Ann Arbor debate the meaning of personal strength at the start of the Reagan era; in the urban fairy tale “Mirrorball,” a young man steals a girl’s soul during a one-night stand; in “The Little Boy,” a woman haunted by the death of her former husband is finally able to grieve through a mysterious encounter with a needy child; and in “The Arms and Legs of the Lake,” the fallout of the Iraq war becomes disturbingly real for the disparate passengers on a train going up the Hudson--three veterans, a liberal editor, a soldier’s uncle, and honeymooners on their way to Niagara Falls. <br/><br/>Each story delivers the powerful, original language, and the dramatic engagement of the intelligent mind with the craving body--or of the intelligent body with the craving mind--that is characteristic of Gaitskill’s fiction.  As intense as <em>Bad Behavior,</em> her first collection of stories, <em>Don’t Cry</em> reflects the profound enrichment of life experience. As the stories unfold against the backdrop of American life over the last thirty years, they describe how our social conscience has evolved while basic human truths--“the crude cinder blocks of male and female down in the basement, holding up the house,” as one character puts it--remain unchanged.]]>
  </description>
  <published>2009</published>
</book>

    <rating>3</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
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            <shelf name="2009-read" />
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      </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at></read_at>
  <date_added>Sat Feb 21 08:50:33 -0800 2009</date_added>
  <date_updated>Sun May 03 15:40:00 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[What has always drawn me to the short stories of Mary Gaitskill is that she spends a lot of time writing about the struggle women have with their intelligence and their sexuality and how giving into one always feels like subverting the other. This is a struggle a lot of intelligent women have becaus...<a href="http://www.goodreads.com/review/show/47046475">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/47046475]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/47046475]]></link>
</review>
      <review>
  <id>65599024</id>
    <user>
    <id>1856914</id>
    <name><![CDATA[Lauren]]></name>
    <location><![CDATA[Washington, DC]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/1856914-lauren]]></link>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto-F-111x148.jpg]]></image_url>
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  <isbn>0375424199</isbn>
  <isbn13>9780375424199</isbn13>
  <text_reviews_count type="integer">84</text_reviews_count>
  <title>
    <![CDATA[Don't Cry: Stories]]>
  </title>
  <image_url>http://www.goodreads.com/images/books/42/835/4267835-m-1256087192.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/books/42/835/4267835-s-1256087192.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/4267835.Don_t_Cry_Stories</link>
  <average_rating>3.44</average_rating>
  <ratings_count>261</ratings_count>
  <description>
    <![CDATA[Following the extraordinary success of her novel <em>Veronica</em>, Mary Gaitskill returns with a luminous new collection of stories--her first in more than ten years.<strong><br/><br/></strong>In “College Town l980,” young people adrift in Ann Arbor debate the meaning of personal strength at the start of the Reagan era; in the urban fairy tale “Mirrorball,” a young man steals a girl’s soul during a one-night stand; in “The Little Boy,” a woman haunted by the death of her former husband is finally able to grieve through a mysterious encounter with a needy child; and in “The Arms and Legs of the Lake,” the fallout of the Iraq war becomes disturbingly real for the disparate passengers on a train going up the Hudson--three veterans, a liberal editor, a soldier’s uncle, and honeymooners on their way to Niagara Falls. <br/><br/>Each story delivers the powerful, original language, and the dramatic engagement of the intelligent mind with the craving body--or of the intelligent body with the craving mind--that is characteristic of Gaitskill’s fiction.  As intense as <em>Bad Behavior,</em> her first collection of stories, <em>Don’t Cry</em> reflects the profound enrichment of life experience. As the stories unfold against the backdrop of American life over the last thirty years, they describe how our social conscience has evolved while basic human truths--“the crude cinder blocks of male and female down in the basement, holding up the house,” as one character puts it--remain unchanged.]]>
  </description>
  <published>2009</published>
</book>

    <rating>1</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
        <shelf name="read" />
          </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Sun Aug 02 00:00:00 -0700 2009</read_at>
  <date_added>Thu Jul 30 18:51:50 -0700 2009</date_added>
  <date_updated>Sun Aug 02 08:37:50 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[I wouldn't advise reading this book.  Gaitskill's writing is too loose.  I've enjoyed everything I've read by this author in the past.  Take some time to read Bad Behavior or Because they wanted to.  Two girls Fat and Thin is also a good read if you don't mind reading about Rand and her followers.  ...<a href="http://www.goodreads.com/review/show/65599024">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/65599024]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/65599024]]></link>
</review>
      <review>
  <id>72007079</id>
    <user>
    <id>991634</id>
    <name><![CDATA[Ruthie]]></name>
    <location><![CDATA[Summit, NJ]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/991634-ruthie]]></link>
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  <isbn>0375424199</isbn>
  <isbn13>9780375424199</isbn13>
  <text_reviews_count type="integer">84</text_reviews_count>
  <title>
    <![CDATA[Don't Cry: Stories]]>
  </title>
  <image_url>http://www.goodreads.com/images/books/42/835/4267835-m-1256087192.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/books/42/835/4267835-s-1256087192.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/4267835.Don_t_Cry_Stories</link>
  <average_rating>3.44</average_rating>
  <ratings_count>261</ratings_count>
  <description>
    <![CDATA[Following the extraordinary success of her novel <em>Veronica</em>, Mary Gaitskill returns with a luminous new collection of stories--her first in more than ten years.<strong><br/><br/></strong>In “College Town l980,” young people adrift in Ann Arbor debate the meaning of personal strength at the start of the Reagan era; in the urban fairy tale “Mirrorball,” a young man steals a girl’s soul during a one-night stand; in “The Little Boy,” a woman haunted by the death of her former husband is finally able to grieve through a mysterious encounter with a needy child; and in “The Arms and Legs of the Lake,” the fallout of the Iraq war becomes disturbingly real for the disparate passengers on a train going up the Hudson--three veterans, a liberal editor, a soldier’s uncle, and honeymooners on their way to Niagara Falls. <br/><br/>Each story delivers the powerful, original language, and the dramatic engagement of the intelligent mind with the craving body--or of the intelligent body with the craving mind--that is characteristic of Gaitskill’s fiction.  As intense as <em>Bad Behavior,</em> her first collection of stories, <em>Don’t Cry</em> reflects the profound enrichment of life experience. As the stories unfold against the backdrop of American life over the last thirty years, they describe how our social conscience has evolved while basic human truths--“the crude cinder blocks of male and female down in the basement, holding up the house,” as one character puts it--remain unchanged.]]>
  </description>
  <published>2009</published>
</book>

    <rating>3</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
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        <shelf name="read" />
          </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Fri Sep 18 00:00:00 -0700 2009</read_at>
  <date_added>Mon Sep 21 11:37:28 -0700 2009</date_added>
  <date_updated>Mon Sep 21 11:41:29 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[I grabbed this book because everyone who reviews short stories seems to hold Gaitskill as the best of the genre.  Although she can really write, I did not enjoy the reading. Miserable characters in unappealing situations, making bad choices. No one is ever happy, including the reader. I have read so...<a href="http://www.goodreads.com/review/show/72007079">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/72007079]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/72007079]]></link>
</review>
      <review>
  <id>56700918</id>
    <user>
    <id>889624</id>
    <name><![CDATA[Olivia]]></name>
    <location><![CDATA[The United States]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/889624-olivia-anderson]]></link>
    <image_url><![CDATA[http://photo.goodreads.com/users/1242794017p3/889624.jpg]]></image_url>
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  <id type="integer">4267835</id>
  <isbn>0375424199</isbn>
  <isbn13>9780375424199</isbn13>
  <text_reviews_count type="integer">84</text_reviews_count>
  <title>
    <![CDATA[Don't Cry: Stories]]>
  </title>
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  <average_rating>3.44</average_rating>
  <ratings_count>261</ratings_count>
  <description>
    <![CDATA[Following the extraordinary success of her novel <em>Veronica</em>, Mary Gaitskill returns with a luminous new collection of stories--her first in more than ten years.<strong><br/><br/></strong>In “College Town l980,” young people adrift in Ann Arbor debate the meaning of personal strength at the start of the Reagan era; in the urban fairy tale “Mirrorball,” a young man steals a girl’s soul during a one-night stand; in “The Little Boy,” a woman haunted by the death of her former husband is finally able to grieve through a mysterious encounter with a needy child; and in “The Arms and Legs of the Lake,” the fallout of the Iraq war becomes disturbingly real for the disparate passengers on a train going up the Hudson--three veterans, a liberal editor, a soldier’s uncle, and honeymooners on their way to Niagara Falls. <br/><br/>Each story delivers the powerful, original language, and the dramatic engagement of the intelligent mind with the craving body--or of the intelligent body with the craving mind--that is characteristic of Gaitskill’s fiction.  As intense as <em>Bad Behavior,</em> her first collection of stories, <em>Don’t Cry</em> reflects the profound enrichment of life experience. As the stories unfold against the backdrop of American life over the last thirty years, they describe how our social conscience has evolved while basic human truths--“the crude cinder blocks of male and female down in the basement, holding up the house,” as one character puts it--remain unchanged.]]>
  </description>
  <published>2009</published>
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    <rating>3</rating>
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  <read_at>Sat Jun 20 00:00:00 -0700 2009</read_at>
  <date_added>Tue May 19 21:19:23 -0700 2009</date_added>
  <date_updated>Sat Jun 20 10:50:02 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[There were a few stories in here that were very good. The writing is concise and still very descriptive. In these it seemed we were given just enough of a glimpse into the character's lives to gain an understanding of them. The rest seemed a little overly dramatic, almost like they had been written ...<a href="http://www.goodreads.com/review/show/56700918">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/56700918]]></url>
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