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  <title><![CDATA[The Pirates and the Mouse: Disney's War Against the Counterculture]]></title>
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  <title>
    <![CDATA[The Pirates and the Mouse: Disney's War Against the Counterculture]]>
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    <![CDATA[<strong>They fought the Mouse and the Mouse (eventually) won&#151;but it was a battle that left everyone bloodied...</strong>  During a time of unprecedented political, social, and cultural upheaval in U.S. history, one of the fiercest battles was ignited by a comic book. In 1963, the <em>San Francisco Chronicle</em> made 21-year-old Dan O'Neill the youngest syndicated cartoonist in American newspaper history. As O'Neill delved deeper into the emerging counterculture, his strip, <em>Odd Bodkins</em>, became stranger and stranger and more and more provocative, until the papers in the syndicate dropped it and the <em>Chronicle</em> let him go. The lesson that O'Neill drew from this was that what America most needed was the destruction of Walt Disney.  O'Neill assembled a band of rogue cartoonists called the Air Pirates (after a group of villains who had bedeviled Mickey Mouse in comic books and cartoons). They lived communally in a San Francisco warehouse owned by Francis Ford Coppola and put out a comic book, <em>Air Pirates Funnies</em>, that featured Disney characters participating in very un-Disneylike behavior, provoking a mammoth lawsuit for copyright and trademark infringements and hundreds of thousands of dollars in damages. Disney was represented by one of San Francisco's top corporate law firms and the Pirates by the cream of the counterculture bar. The lawsuit raged for 10 years, from the trial court to the  US Supreme Court and back again.<p> The novelist and essayist Bob Levin recounts this rollicking saga with humor, wit, intelligence, and skill, bringing alive the times, the issues, the absurdities, the personalities, the changes wrought within them and us all. Includes never-before seen art from the Air Pirates archives! Two excerpted chapters of this book in <em>The Comics Journal</em> in 2001 proved to be one of the magazine's most popular features in recent memory. Black-and-white illustrations throughout.</p>]]>
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  <read_at>Sun Oct 18 00:00:00 -0700 2009</read_at>
  <date_added>Tue Oct 06 23:30:02 -0700 2009</date_added>
  <date_updated>Sat Nov 21 21:40:22 -0800 2009</date_updated>
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    <body><![CDATA[WOW. Now THIS is a book about comics! The subject matter is fascinating enough, but Bob Levin manages to write a comics history book that is not obnoxious or pretentious or boring in any way! It's perfect! I really, really did not want this book to end. Levin paints a full picture of O'Neil and the ...<a href="http://www.goodreads.com/review/show/73711171">more...</a>]]></body>
    
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      <review>
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    <![CDATA[<strong>They fought the Mouse and the Mouse (eventually) won&#151;but it was a battle that left everyone bloodied...</strong>  During a time of unprecedented political, social, and cultural upheaval in U.S. history, one of the fiercest battles was ignited by a comic book. In 1963, the <em>San Francisco Chronicle</em> made 21-year-old Dan O'Neill the youngest syndicated cartoonist in American newspaper history. As O'Neill delved deeper into the emerging counterculture, his strip, <em>Odd Bodkins</em>, became stranger and stranger and more and more provocative, until the papers in the syndicate dropped it and the <em>Chronicle</em> let him go. The lesson that O'Neill drew from this was that what America most needed was the destruction of Walt Disney.  O'Neill assembled a band of rogue cartoonists called the Air Pirates (after a group of villains who had bedeviled Mickey Mouse in comic books and cartoons). They lived communally in a San Francisco warehouse owned by Francis Ford Coppola and put out a comic book, <em>Air Pirates Funnies</em>, that featured Disney characters participating in very un-Disneylike behavior, provoking a mammoth lawsuit for copyright and trademark infringements and hundreds of thousands of dollars in damages. Disney was represented by one of San Francisco's top corporate law firms and the Pirates by the cream of the counterculture bar. The lawsuit raged for 10 years, from the trial court to the  US Supreme Court and back again.<p> The novelist and essayist Bob Levin recounts this rollicking saga with humor, wit, intelligence, and skill, bringing alive the times, the issues, the absurdities, the personalities, the changes wrought within them and us all. Includes never-before seen art from the Air Pirates archives! Two excerpted chapters of this book in <em>The Comics Journal</em> in 2001 proved to be one of the magazine's most popular features in recent memory. Black-and-white illustrations throughout.</p>]]>
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    <rating>4</rating>
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  <read_at>Tue Feb 01 00:00:00 -0800 2005</read_at>
  <date_added>Fri Mar 16 10:20:14 -0700 2007</date_added>
  <date_updated>Fri Mar 16 10:31:05 -0700 2007</date_updated>
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    <body><![CDATA[Dan O'Neill and his &quot;Air Pirates&quot; collective were, by virtue of opinion, either narcotic-gobbling subhominid perverts, or the most brazen geniuses in the history of comix (and copyright law). Either way, they've been largely forgotten by history. This book does its part to remedy that with...<a href="http://www.goodreads.com/review/show/290167">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/290167]]></url>
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      <review>
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    <![CDATA[The Pirates and the Mouse: Disney's War Against the Counterculture]]>
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  <average_rating>3.75</average_rating>
  <ratings_count>16</ratings_count>
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    <![CDATA[<strong>They fought the Mouse and the Mouse (eventually) won&#151;but it was a battle that left everyone bloodied...</strong>  During a time of unprecedented political, social, and cultural upheaval in U.S. history, one of the fiercest battles was ignited by a comic book. In 1963, the <em>San Francisco Chronicle</em> made 21-year-old Dan O'Neill the youngest syndicated cartoonist in American newspaper history. As O'Neill delved deeper into the emerging counterculture, his strip, <em>Odd Bodkins</em>, became stranger and stranger and more and more provocative, until the papers in the syndicate dropped it and the <em>Chronicle</em> let him go. The lesson that O'Neill drew from this was that what America most needed was the destruction of Walt Disney.  O'Neill assembled a band of rogue cartoonists called the Air Pirates (after a group of villains who had bedeviled Mickey Mouse in comic books and cartoons). They lived communally in a San Francisco warehouse owned by Francis Ford Coppola and put out a comic book, <em>Air Pirates Funnies</em>, that featured Disney characters participating in very un-Disneylike behavior, provoking a mammoth lawsuit for copyright and trademark infringements and hundreds of thousands of dollars in damages. Disney was represented by one of San Francisco's top corporate law firms and the Pirates by the cream of the counterculture bar. The lawsuit raged for 10 years, from the trial court to the  US Supreme Court and back again.<p> The novelist and essayist Bob Levin recounts this rollicking saga with humor, wit, intelligence, and skill, bringing alive the times, the issues, the absurdities, the personalities, the changes wrought within them and us all. Includes never-before seen art from the Air Pirates archives! Two excerpted chapters of this book in <em>The Comics Journal</em> in 2001 proved to be one of the magazine's most popular features in recent memory. Black-and-white illustrations throughout.</p>]]>
  </description>
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    <rating>5</rating>
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  <recommended_for><![CDATA[indie/underground comic fans]]></recommended_for>
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  <read_at></read_at>
  <date_added>Sat Jun 28 23:09:37 -0700 2008</date_added>
  <date_updated>Sat Jun 28 23:12:11 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[A great story I knew only the tiniest bits &amp; pieces of prior to reading - a must for indie comic fans and/or Disney haters ...<br/><br/>I prob'ly oughta get off this pirate theme ...]]></body>
    
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      <review>
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    <![CDATA[The Pirates and the Mouse: Disney's War Against the Counterculture]]>
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  <average_rating>3.75</average_rating>
  <ratings_count>16</ratings_count>
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    <![CDATA[<strong>They fought the Mouse and the Mouse (eventually) won&#151;but it was a battle that left everyone bloodied...</strong>  During a time of unprecedented political, social, and cultural upheaval in U.S. history, one of the fiercest battles was ignited by a comic book. In 1963, the <em>San Francisco Chronicle</em> made 21-year-old Dan O'Neill the youngest syndicated cartoonist in American newspaper history. As O'Neill delved deeper into the emerging counterculture, his strip, <em>Odd Bodkins</em>, became stranger and stranger and more and more provocative, until the papers in the syndicate dropped it and the <em>Chronicle</em> let him go. The lesson that O'Neill drew from this was that what America most needed was the destruction of Walt Disney.  O'Neill assembled a band of rogue cartoonists called the Air Pirates (after a group of villains who had bedeviled Mickey Mouse in comic books and cartoons). They lived communally in a San Francisco warehouse owned by Francis Ford Coppola and put out a comic book, <em>Air Pirates Funnies</em>, that featured Disney characters participating in very un-Disneylike behavior, provoking a mammoth lawsuit for copyright and trademark infringements and hundreds of thousands of dollars in damages. Disney was represented by one of San Francisco's top corporate law firms and the Pirates by the cream of the counterculture bar. The lawsuit raged for 10 years, from the trial court to the  US Supreme Court and back again.<p> The novelist and essayist Bob Levin recounts this rollicking saga with humor, wit, intelligence, and skill, bringing alive the times, the issues, the absurdities, the personalities, the changes wrought within them and us all. Includes never-before seen art from the Air Pirates archives! Two excerpted chapters of this book in <em>The Comics Journal</em> in 2001 proved to be one of the magazine's most popular features in recent memory. Black-and-white illustrations throughout.</p>]]>
  </description>
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    <rating>4</rating>
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  <date_added>Fri Feb 29 16:34:25 -0800 2008</date_added>
  <date_updated>Fri Feb 29 16:36:51 -0800 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[Engrossing story of the Disney empire trying to keep us childlike, versus the underground 60's folk trying to hold on to their adolescence and the culture war that ensued. ]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/16727707]]></url>
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      <review>
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    <![CDATA[<strong>They fought the Mouse and the Mouse (eventually) won&#151;but it was a battle that left everyone bloodied...</strong>  During a time of unprecedented political, social, and cultural upheaval in U.S. history, one of the fiercest battles was ignited by a comic book. In 1963, the <em>San Francisco Chronicle</em> made 21-year-old Dan O'Neill the youngest syndicated cartoonist in American newspaper history. As O'Neill delved deeper into the emerging counterculture, his strip, <em>Odd Bodkins</em>, became stranger and stranger and more and more provocative, until the papers in the syndicate dropped it and the <em>Chronicle</em> let him go. The lesson that O'Neill drew from this was that what America most needed was the destruction of Walt Disney.  O'Neill assembled a band of rogue cartoonists called the Air Pirates (after a group of villains who had bedeviled Mickey Mouse in comic books and cartoons). They lived communally in a San Francisco warehouse owned by Francis Ford Coppola and put out a comic book, <em>Air Pirates Funnies</em>, that featured Disney characters participating in very un-Disneylike behavior, provoking a mammoth lawsuit for copyright and trademark infringements and hundreds of thousands of dollars in damages. Disney was represented by one of San Francisco's top corporate law firms and the Pirates by the cream of the counterculture bar. The lawsuit raged for 10 years, from the trial court to the  US Supreme Court and back again.<p> The novelist and essayist Bob Levin recounts this rollicking saga with humor, wit, intelligence, and skill, bringing alive the times, the issues, the absurdities, the personalities, the changes wrought within them and us all. Includes never-before seen art from the Air Pirates archives! Two excerpted chapters of this book in <em>The Comics Journal</em> in 2001 proved to be one of the magazine's most popular features in recent memory. Black-and-white illustrations throughout.</p>]]>
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  <date_added>Thu Nov 12 18:30:41 -0800 2009</date_added>
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  <id type="integer">69226</id>
  <isbn>156097530X</isbn>
  <isbn13>9781560975304</isbn13>
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    <![CDATA[The Pirates and the Mouse: Disney's War Against the Counterculture]]>
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    <![CDATA[<strong>They fought the Mouse and the Mouse (eventually) won&#151;but it was a battle that left everyone bloodied...</strong>  During a time of unprecedented political, social, and cultural upheaval in U.S. history, one of the fiercest battles was ignited by a comic book. In 1963, the <em>San Francisco Chronicle</em> made 21-year-old Dan O'Neill the youngest syndicated cartoonist in American newspaper history. As O'Neill delved deeper into the emerging counterculture, his strip, <em>Odd Bodkins</em>, became stranger and stranger and more and more provocative, until the papers in the syndicate dropped it and the <em>Chronicle</em> let him go. The lesson that O'Neill drew from this was that what America most needed was the destruction of Walt Disney.  O'Neill assembled a band of rogue cartoonists called the Air Pirates (after a group of villains who had bedeviled Mickey Mouse in comic books and cartoons). They lived communally in a San Francisco warehouse owned by Francis Ford Coppola and put out a comic book, <em>Air Pirates Funnies</em>, that featured Disney characters participating in very un-Disneylike behavior, provoking a mammoth lawsuit for copyright and trademark infringements and hundreds of thousands of dollars in damages. Disney was represented by one of San Francisco's top corporate law firms and the Pirates by the cream of the counterculture bar. The lawsuit raged for 10 years, from the trial court to the  US Supreme Court and back again.<p> The novelist and essayist Bob Levin recounts this rollicking saga with humor, wit, intelligence, and skill, bringing alive the times, the issues, the absurdities, the personalities, the changes wrought within them and us all. Includes never-before seen art from the Air Pirates archives! Two excerpted chapters of this book in <em>The Comics Journal</em> in 2001 proved to be one of the magazine's most popular features in recent memory. Black-and-white illustrations throughout.</p>]]>
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  <published>2003</published>
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  <date_added>Wed Jul 02 18:09:03 -0700 2008</date_added>
  <date_updated>Wed Jul 02 18:09:03 -0700 2008</date_updated>
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