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Iron Council (New Crobuzon #3)

3.67 of 5 stars 3.67  ·  rating details  ·  7,838 ratings  ·  543 reviews
Following Perdido Street Station and The Scar, acclaimed author China Miéville returns with his hugely anticipated Del Rey hardcover debut. With a fresh and fantastical band of characters, he carries us back to the decadent squalor of New Crobuzon—this time, decades later.

It is a time of wars and revolutions, conflict and intrigue. New Crobuzon is being ripped apart from
Paperback, 576 pages
Published July 26th 2005 by Del Rey (first published January 1st 2004)
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Community Reviews

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Overtly political, teasingly intricate, and deeply intertextual, China Miéville's Iron Council is everything I expect to love in great speculative fiction, and nearly everything I know I love in Miéville's work.

Yet, since its publication, I have only read it once, and I still find myself ranking it third of Miéville's Bas-Lag books. I've been baffled by my restraint with Iron Council. My admiration of Miéville's other books is boundless, bordering on madness, and I haven't understood how a book
Iron Council is China Miéville's most overtly political fiction work, but don't pigeonhole it.

Between the revolutionary fervor, fantasy, trains, and Western-like parts runs a common theme of love and the painful, desperate, doomed human longing.

I loved this book. It was not the insta-love like it was with "The Scar" but a long, careful, slow-to-build-up affair that by the end of the story fully blossomed. This book is fascinating, passionate, brutal at times, thought-provoking and deliberately
December 2008

Gods and Jabber, I don't know why I love this one the most. It's not necessarily better than the other Bas-Lag Books (don't you dare call them a trilogy, don't you dare. Old China says he'll always come back to this; there's more to come), and it's nowhere near the worst. There's just something about this that feels so radically different, so alien, so apart from the others. Perdido Street Station was new and fresh and amazing, yeah, but it felt familiar enough--while still being st
We live in a culture that desires fragmented stories; stories that are told quickly and compellingly, so we can move on to the next tale. It is why we love visual forms so much. It is why YA fiction is increasingly popular with older crowds. It is why graphic novels are on the rise as a literary form. But where are the novellas? Where are books like One Day in the Life of Ivan Denisovich, The Old Man and the Sea, Heart of Darkness, The Awakening, A Clockwork Orange?

I have been looking, waiting,
Ben Babcock
Recall in my review of The Scar how I was whining about my opinion of China Miéville and his novels remaining relatively constant? How I wanted to read something different, something I could say didn't rank equally with the other three novels by him that I have read?

This is the story of why I should have been more careful with my wishing.

I knew something was wrong—perhaps I should say off—almost from the beginning of this book. The opening was grandiose in Miéville's usual style (which, if you'v
So, here we are in Bas Lag again. According to interviews, Mieville sounds like he has every intention of returning to the world of Bas Lag in the future, so I won't refer to this as "the last Bas Lag novel." But, as of 2009, it's the most recent.

I found the experience of reading Iron Council markedly different from the first two books set in this world. For one, in this book the story isn't as localised. We have met the city of New Crobuzon in Perdido Street Station and the pirate collective of
Enough imagination for eighty favorite of Mieville's anti-trilogy for some reason...seems like you walked into a Bosch painting for most of the book.The most dismissed of Mieville’s books maybe because the first hundred pages are a little confusing and the structure strains a little bit more than usual. While all his books have flaws his enormous imagination and stunning vocabulary (rivaling Wolfe and McCarthy) pave over any hesitations I have. This one focuses on a tragic and costly c ...more
I love the first two Bas-Lag books but it took me ages to get around to this third volume due to the relatively high number of less than enthusiastic reviews on Goodreads and elsewhere. Yes, I can be swayed by reviews if the consensus opinion leans towards the negative. At the end of the day though I could not resist picking this book up as it is the last Bas-Lag volume for the foreseeable future (Miéville may come back to it but he seems to have no plan to do so at the moment). Another thing in ...more
Camille Stein

Handlinger / Manecro - &

No escogemos lo que recordamos, piensa Judah, las historias que llevamos con nosotros.

Eran jardineros de quitina. Tenían rebaños formados por millones de insectos, arácnidos y artrópodos, cuya evolución iban dirigiendo en la acelerada sucesión de las generaciones hasta que contaban con cantidades colosales de arañas del tamaño de alfileres, ciempiés de un pie de largo e incontables especies de avispas reptantes. Empleando extraña
Mar 14, 2011 Spoonbridge rated it 3 of 5 stars
Recommends it for: people who like Bas Lag
Shelves: fantasy
After reading this, the last of Mieville's trio of Bas Lag novels, I have to say I was a bit disappointed. Iron Council is definitely my least favorite of the three, despite (or perhaps because of) being the most overtly political. Perhaps because of the focus on revolution, I felt the characters of this novel were much less interesting then the previous two. Unlike Isaac or Bellis, I never really connected with or identified with Cutter, Ori, Ann Hari or any other person or felt drawn into thei ...more
‘El Consejo de Hierro’ es una novela ambientada en el fantástico mundo de Bas-lag, donde también transcurrían esas obras maestras que son ‘La estación de la Calle Perdido’ y ‘La cicatriz’. No cabe duda de que China Miéville es un escritor único, del que a duras penas puede ser comparado con ningún otro. Su visión de la fantasía, de naturaleza New Weird, oscura y pesadillesca, se aleja de todo lo conocido hasta el momento.

En ‘El Consejo de Hierro’, de nuevo volvemos a Nueva Crobuzon, esa ciudad m
A profoundly beautiful novel, perhaps the best speculative fiction that I've read, but likewise certainly enriched by reference to its close companion text, The Scar, which parallels it in important ways, as well as to Perdido Street Station, which introduces its setting.

As in The Scar, the narrative here involves a group of outcasts who travel on a more or less traditional quest to find something in particular. Both books involve a renegade, mobile city that interacts weirdly with a bizarre bre
Wow, what a rich novel! China Mieville does with fantasy what I love about radical science fiction: sets a revolution in an imagined world to create an engaging, complex, deep story and character and speak to the real world, the present. I highly recommend the Iron Council to folks who like feminist/leftist science fiction that want to read a fantasy novel that doesn't celebrate the aristocracy. Iron Council is a novel about class struggle and the people in it, and it happens to be fantasy.

I'm d
I wanted very much to like Iron Council, considering how much I was drawn into the worlds of Perdido Street Station and The Scar, but despite my best efforts, I couldn't do it. Without question, it's my least favorite of Mieville's three Bas-Lag books, and I am conceding defeat at page 287. Judging from many of the positive (though qualified) reviews of other GR readers, the story is difficult but rewarding, but I think if I don't care what happens by the mid-way point, then it's not going to ha ...more
This book was fantastic. I picked it up with some hesitation because of reviews I'd read, which said that Iron Council was "the weakest" of the series, that the plot and setting were a far cry from the complex, violently magical and Victorian-inspired backdrops of the previous two books. Other reviews simply said the book was too slow.

And to some extent it is all true. Iron Council takes the reader much farther from the brilliant magics, sciences, and mythologies depicted in Perdido Street Stati
[after second reading]
Yeah, I'm sticking with the two stars. Is it about preserving history? Is it about the inaccuracy of monuments? Is it about the sources of inspiration being stronger for what they inspire than for their truth? I'm not sure, and I don't care.

As other reviewers have said, the reason Iron Council is less satisfying that Perdido Street Station or The Scar is because it's mostly endless description of conflicts and fights and there's very little character development. Ultimately
Sep 15, 2007 Tessa rated it 2 of 5 stars
Recommends it for: pretentious marxists
Shelves: fictive
I absolutely raced through Mieville's previous efforts, but this one was a slog. There were too many battles for my taste, and the characters had no depth whatsoever. Instead of trying to create depth, Mieville just repeats the same information over and over. Cutter loves Judah. Oh he loves him so much. Judah is unable to love, or is just priest-like. Why should I care? I never managed to care through the whole almost-600 pages. He also commits the literary crime of describing other fantasy race ...more
Looking back from "Embassytown" and "The City and the City," I can see some of the same maturity that Mieville brought to these later works in "Iron Council." This is the strongest Bas-Lag book he has written in terms of structure and, especially, the close of the story. The conceit behind the eponymous Council is far-fetched--even in Mieville's crazy world--but Mieville pulls it off with his usual talent for language, description, and the evocation of something otherworldly and yet still ground ...more
Arun Divakar
There are quite a lot of wordings swirling inside my head now. Words like 'Power' , 'Revolution', 'Government' and so on. I am stuck with putting them down into coherent sentences. This was the outcome of the book for me : a muddled mind.

The landscape of New Crobuzon is not unfamiliar to me thanks to Perdido Street Station.I still count that as one of the best books ever. But where the first book was one that cut across genres, here the tone is overtly political. There is a tone of an impending
This would be a 3.5 stars review if it were possible. I've become a China Mieville fan late compared to some (Amanda) via Kraken and King Rat and others but I confess I found Perdido Street Station to be very hard reading ( a bit like Jeff Van der Meer's early work) and Iron Council although easier than Perdido.. was still slow for me. It's something to do with his writing style I am sure because the ideas in the book are phenomenal. Truly original and very imaginative. The themes are big too - ...more
Dear China,

It’s not you, it’s me.

I wanted to like Iron Council, and there were parts of it I really did like, but the old magic was just not there.

I remember first meeting you on the pages of Kraken, and your fantastic images, scenes and people made me want to spend more time with you.

Then we spent some time together stepping in between Besźel and Ul Qoma and I realized the depth and virtuosity was more than a flash in the pan, you were on to some heady stuff, THE NEW WEIRD. I was hooked.

Then I
Alexis Rado
I know a lot of people (even trufans of Mieville) really hate this book. If you understand where he's coming from, though, I think the book will make more sense. The biggest gripe is that the book is overtly political, focuses too much on revolution. Mieville is a Marxist! I've seen him speak in London at Communist Party events, and his PhD is on reworking the discourse of international law based on a Marxist theory of human rights. Seriously, old school Marxist all the way. A big part of that i ...more

Bien, éste volumen es la tercera entrega de la trilogía sobre Nueva Crobuzón de China Miéville, ambientada en el mundo de Bas-Lag, un mundo en el que tecnología con un toque SteamPunk y magia se hibridan, tiñendo una cosmología mestiza y bastarda al cincuenta por ciento entre la ciencia ficción y la fantasía...

Quien ya haya leído los dos primeros volúmenes (La Estación de la Calle Perdido, y La Cicatriz), se sentirá mucho más cómodo que quien lo aborde como primera lectura, pero no es imprescind

This was definitely my least favourite of the New Crobuzon three. I don't want to say it wasn't worth reading, but if I had known ahead of time what it was like I probably would have shoved it to the bottom of my reading pile.

I just couldn't get really interested in the story or invested in any of the characters. It skipped around a lot, both in time and in point of view. I don't know if it was intended to add interest or what, but it just made the story confusing and frustrating. I think I wou
Fantastic, if uneven, trip back to Miéville's world of Bas-Lag. This time, there's a Wild West theme injected into the steampunk, and even better, political insurrection... which, when means the terror in the book doesn't just come from the monsters, but politicians and revolutionaries too. So, I enjoyed that aspect of it, but, like Perdido Street Station and The Scar before it, when the landscape and Lovecraftian inhabitants of the badlands start threatening comprehension (and sometimes the law ...more
I loved Perdido Street Station and The Scar so i was highly anticipating a return to Bas Lag but i didnt expect to find New Crobuzon like this, oppression and revolution is all around, war going on with The Tesh, whilst outside the city an expedition is taking place to find the legendary Iron Council, a train of remade and others who cast off New Crobuzons militia and escaped to be free.

It's not an easy book to like and twice i almost stopped reading, first time i went and read Terry Pratchett's
Tyler Lutz
What a wonderful book. I've heard a lot of folks think this is their least favorite or the Bas-Lag books and it really is hard to say. Although I like Perdido Street Station and The Scar more than this one, I hate to say that this is my least favorite of the three because it was SO exciting returning to Bas-Lag. I loved the whole western feel of the train expansion and although it was a more political book, the politics were at least laid out in a very gripping way, I mean after all, look who is ...more
I had already become a huge fan of Mieville's after reading Perdido Street Station and now I am an even bigger fan and will end up reading everything he has ever written including his doctoral dissertation! Toro's story was fascinating and I'm probably one of the few people who really enjoyed the political and revolutionary strife. From the moment The Weaver appears and it looks like the strike will extend beyond expectation of late pay to Judah's heartbreaking reunion with his "sisters", to t ...more
i would give it six stars if i could.

Mieville writes as a communist, and there are threads to his story that i think can only be appreciated if you have thought about questions of revolution, and how communist experiments played out in the 20th century.

But he hasn't written a book of political theory, he has written a steampunk fantasy about magicians and scientists and crazy weird-ass monsters, at the same time allegory for our world and at the same time a story that can stand on its own.

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A British "fantastic fiction" writer. He is fond of describing his work as "weird fiction" (after early 20th century pulp and horror writers such as H. P. Lovecraft), and belongs to a loose group of writers sometimes called New Weird who consciously attempt to move fantasy away from commercial, genre clichés of Tolkien epigons. He is also active in left-wing politics as a member of the Socialist W ...more
More about China Miéville...
Perdido Street Station (Bas-Lag, #1) The City & the City The Scar (Bas-Lag, #2) Embassytown Kraken

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“Imagine if one of them were turned. Imagine if one could be bought.'
'But they're chosen just so's they can't be bought...'
'History...' Jacobs spoke with terse authority. Brought Ori to a hush. 'Is all full. And dripping. With the corpses. Of them who trusted the incorruptible.”
“When the rich grow afraid, they get nasty.” 2 likes
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