Monteverdi and the End of the Renaissance
Combining a close study of Monteverdi's secular works with recent research on late Renaissance history, Gary Tomlinson places the composer's creative career in its broad cultural context and illuminates the state of Italian music, poetry, and ideology in the sixteenth and seventeenth centuries.
Paperback, 292 pages
Published July 9th 1990 by University of California Press
(first published January 1st 1987)
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