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Unspeakable Secrets and the Psychoanalysis of Culture
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Unspeakable Secrets and the Psychoanalysis of Culture (SUNY Series in Psychoanalysis and Culture)

3.43  ·  Rating Details ·  7 Ratings  ·  1 Review
Esther Rashkin argues that psychoanalysis galvanizes, as no other discipline can, an understanding of texts in their social, historical, and political contexts. Demonstrating that close reading can be a radical political practice, she exposes heretofore unseen ideologies concealed in works of film and literature, from Last Tango in Paris to The Picture of Dorian Gray, from ...more
Paperback, 260 pages
Published July 1st 2009 by State University of New York Press (first published August 1st 2008)
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Bobby Cockrell
While Rashkin makes many interesting, thought-provoking claims involving the use of psychoanalysis to unearth buried political narratives in film and literature using elaborate and well-constructed arguments, the book is hard to respect in an academic sense because it subscribes to a set of theories marred by pseudoscience and non-falsifiable hypotheses.
Amy Baker
Amy Baker rated it it was amazing
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Sep 04, 2009
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Other Books in the Series

SUNY Series in Psychoanalysis and Culture (1 - 10 of 31 books)
  • Acting Beautifully: Henry James and the Ethical Aesthetic
  • After Lacan
  • Beyond Lacan
  • Celluloid Couches, Cinematic Clients: Psychoanalysis and Psychotherapy in the Movies
  • The Comedy of Philosophy: Sense and Nonsense in Early Cinematic Slapstick
  • D. H. Lawrence and the Paradoxes of Psychic Life
  • Deracination: Historicity, Hiroshima, and the Tragic Imperative
  • Desire of the Analysts: Psychoanalysis and Cultural Criticism
  • Disappearing Persons: Shame and Appearance
  • Feminine Look: Sexuation, Spectatorship, Subversion

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