The Immense Journey: An Imaginative Naturalist Explores the Mysteries of Man and Nature

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The Immense Journey: An Imaginative Naturalist Explores the Mysteries of Man and Nature

by Loren Eiseley

4.37 of 5 stars 4.37 · rating details · 745 ratings · 58 reviews

Anthropologist and naturalist Loren Eiseley blends scientific knowledge and imaginative vision in this story of man.

Paperback, 224 pages

Published January 12th 1959 by Vintage (first published 1946)

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Apr 12, 2013 John Alt rated it 4 of 5 stars

Benjamin Franklin Professor of Anthropology and History of Science at the University of Pennsylvania, Loren Eiseley (1907–1977) was a prairie child growing up in Lincoln, Nebraska, son of a hardware-salesman father and a deaf mother, his parents living together but estranged. Something in their relationship made a tortured poet out of Eisely, for in his books there is a quest, a haunted imagination of eternity and the infinite, all of it filtered through the long shadow of geological epochs and...more Benjamin Franklin Professor of Anthropology and History of Science at the University of Pennsylvania, Loren Eiseley (1907–1977) was a prairie child growing up in Lincoln, Nebraska, son of a hardware-salesman father and a deaf mother, his parents living together but estranged. Something in their relationship made a tortured poet out of Eisely, for in his books there is a quest, a haunted imagination of eternity and the infinite, all of it filtered through the long shadow of geological epochs and black outer space. After years, I can pick up The Immense Journey, Darwin's Century, The Night Country, and other books to find myself enrapt by captivating prose evoking the long shadows of an evolving Earth and its tiny, whirling track among galaxies.

In The Immense Journey, he recalls a moth under an opera tent, a seemingly insignificant subject, but in his prose he provides a metaphor that reaches above the tent into the night sky, up toward the stars. Here it is.

While I was sitting one night with a poet friend watching a great opera performed in a tent under arc lights, the poet took my arm and pointed silently. Far up, blundering out of the night, a huge Cecropia moth swept past from light to light over the posturings of the actors. “He doesn’t know,” my friend whispered excitedly. “He’s passing through an alien universe brightly lit but invisible to him. He’s in another play; he doesn’t see us. He doesn’t know. Maybe it’s happening right now to us.”

Living in an age dominated by science, we have come more and more to believe in an objective, empirical reality and in the goal of reaching a complete understanding of that reality. A thrill came with the announcement that the human genome had been mapped or with the idea that we are close to understanding the big bang. It rests in our desire for completeness.

But we’re fooling ourselves. We are like Loren Eiseley's moth, blundering from light to light, unable to discern the great play that blazes under the opera tent.

In The Unbearable Lightness of Being, Milan Kundera finds a voice for imagination and his experiences in Soviet Czechoslovakia. He also provides an image that reminds me of Eiseley's. In the novel there is Tomas, and Tereza, his wife

They dance together in a dingy Soviet-era hotel. Tomas, promiscuous, has finally surrendered to Tereza, long suffering. He will no longer chase women. "I have no mission," he says. They go to bed to wake up for a new beginning in the morning.

Next day, they will die as their truck's brakes fail on a mountain road.

The story leaves this image of their last night alive: "Up out of the lamp shade, startled by the overhead light, flew a large nocturnal butterfly that began circling the room. The strains of the piano and violin rose up weakly from below."

Another parabola intersects with their decline into death, and the nocturnal butterfly does not even know it is night.(less)

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Sep 12, 2011 Annie Flanders rated it 5 of 5 stars

i have fond memories of reading loren eiseley in the late 1960s. one of my fondest memories is that i was reading either this book or 'night country' when i first met the late science fiction writer, philip k dick.

a friend at cal state hayward [that's what it was called long before it changed names to it's present one -CSUEB] felt that eiseley was 'too deep' for me at the grand old age of 21. he brought this friend of his to one of our 'nickolodoen nights' - a group of us played gin rummy and e...more

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Aug 26, 2011 Michaelbert Humperdink rated it 4 of 5 stars · review of another edition

I have never seen anything like this guy in science (fiction) writing. This writing is a kaleidoscope of space, time, and evolution. Bizarre, dense, Klein-bottle twisted metaphor flies by so quickly one is, at first, tempted to dismiss what he is saying as mystical nonsense. Then it starts to make sense, after you stare at it for a while, in the manner of those 3D stereograms I always saw inverted. Or how, in darkling light, rough ground can look like it is flat with a 2D pattern on it. Could he...more

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Oct 21, 2012 Paige rated it 3 of 5 stars

3 1/2 stars.

This is a hard book for me to rate.

It started off really strong (first five essays), I lost a little bit of interest & got annoyed around the middle, and it ended strong--the last three essays being especially good.

I guess this means, looking back over the chapters, that what worked for me was his perspectives on nature as a whole--water, earth, plants, animals, the long process of evolution, wonderings about various aspects of our world. What I didn't like so much was when he st...more 3 1/2 stars.

This is a hard book for me to rate.

It started off really strong (first five essays), I lost a little bit of interest & got annoyed around the middle, and it ended strong--the last three essays being especially good.

I guess this means, looking back over the chapters, that what worked for me was his perspectives on nature as a whole--water, earth, plants, animals, the long process of evolution, wonderings about various aspects of our world. What I didn't like so much was when he started talking about humankind specifically, and what this or that skull "means."

It should be of no surprise to anyone who knows me that his use of the word "man" and male pronouns as a blanket term for all people was annoying; I was also suspicious of his seemingly racist language. I'm not sure how much of it is just a sign of the times, the field of physical anthropology itself (which has been, historically, used to justify racism), or Eiseley's own beliefs. He praised people who fought the out & out racism of their time, but he also made a couple statements that I was uncomfortable with (in one of them, which I did not have the supplies on hand to sticky-note, he said something about undeveloped something or other and "looking at the Eskimos" and I was just like--woah hold on one second there, dude!). Adding to this, the book is somewhat dated, the most recent essay in being published in 1957 (and the first in 1946). This made me somewhat dubious of accepting all his claims and opinions.

Other things I didn't like: his use of the words primitive, higher (and yes, even though he often put it in quotes to show that he had personal disagreement with its use in certain cases...it wasn't a good enough disclaimer for me *nose in the air*), savage (same as with his use of "higher"--he doesn't seem to embrace the use of "savages" personally, but he doesn't dissocate himself from it enough for my tastes), and the way he said the city was man's "greatest" creation, that man was the "master" of the world and so on. At various points he seems to be writing from a different (and one more closely aligned with me) mindset--I guess that's the nature of collecting essays that span a decade. Anyway, I enjoyed it much more when he was talking about human ego and conceit.

Besides the qualms I've detailed, I thought it was quite nice (I notice I never seem to detail what I do like, only what I don't). His writing really shines when he's talking about critters & ideas bigger than humans. The story in "The Bird and the Machine" moved me to tears, his subject and writing were generally interesting to me, and every so often had a beautiful turn of phrase on some profound something or other.

So, all in all: it was a worthwhile read. Some of these essays I would gladly read again, and some of them kinda bugged me.(less)

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Jan 09, 2012 Kirk rated it 3 of 5 stars · review of another edition

A little less revelatory than The Night Country, my favorite Eiseley book so far; still worth reading.
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With the rise of the truly human brain, Wallace saw that man had transferred to his machines and tools many of the alterations of parts that in animals take places through evolution of the body. Unwittingly, man had assigned to his machines the selective evolution which in the animal changes the nature of its bodily structure through...more A little less revelatory than The Night Country, my favorite Eiseley book so far; still worth reading.
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With the rise of the truly human brain, Wallace saw that man had transferred to his machines and tools many of the alterations of parts that in animals take places through evolution of the body. Unwittingly, man had assigned to his machines the selective evolution which in the animal changes the nature of its bodily structure through the ages. Man of today, the atomic manipulator, the aeronaut who flies faster than sound, has precisely the same brain and body as his ancestors of twenty thousand years ago who painted the last Ice Age mammoths on the walls of caves in France.
To put it another way, it is man's ideas that have evolved and changed the world about him. Now, confronted by the lethal radiations of open space and the fantastic speeds of his machines, he has to invent new electronic controls that operate faster than his nerves, and he must shield his naked body against atomic radiation by the use of protective metals. Already he is physically antique in this robot world he has created. All that sustains him is that small globe of gray matter through which spin his ever-changing conceptions of the universe.

Even now, however, the brain of man, with all its individual never-to-be-abandoned richness, is becoming merely a unit in the vast social brain which is potentially immortal, and whose memory is the heaped wisdom of the world's great thinkers. […]
It is unlikely, however, in our present comfortable circumstances, that the pace of human change will ever again speed at the accelerated rate it knew when man strove against extinction. The story of Eden is a greater allegory than man has ever guessed. For it was truly man who, walking memoryless through bars of sunlight and shade in the morning of the world, sat down and passed a wondering hand across his heavy forehead. Time and darkness, knowledge of good and evil, have walked with him ever since. It is the destiny struck by the clock in the body in that brief space between the beginning of the first ice and that of the second. In just that interval a new world of terror and loneliness appears to have been created in the soul of man.
For the first time in four billion years a living creature had contemplated himself and heard with a sudden, unaccountable loneliness, the whisper of the wind in the night reeds. Perhaps he knew, there in the grass by the chill waters, that he had before him an immense journey. Perhaps that same foreboding still troubles the hearts of those who walk out of a crowded room and stare with relief into the abyss of space so long as there is a star to be seen twinkling across those miles of emptiness. (less)

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Jun 25, 2011 Jen Hirt rated it 4 of 5 stars

A 1940s thunderclap of imagining evolution and countering people who don't want to believe it. Thoughtful, sublime anecdotes. Eiseley writes longingly about his desire to see intelligent life crawl out of the mud, literally. It made me want to go look at the mud, in a good way. I had to keep reminding myself that this was originally written in 1946, and how strange it must have seemed to readers then. It compares nicely to Annie Dillard and even Michael Pollan, both writers I've read and admired...more

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Mar 06, 2011 Bennet rated it 5 of 5 stars

Shelves: explores

"Some lands are flat and grass-covered, and smile so evenly up at the sun that they seem forever youthful, untouched by man or time. Some are torn, ravaged and convulsed like the features of profane old age. Rocks are wrenched up and exposed to view; black pits receive the sun but give back no light. It was to such a land I rode, but I rode it across a sunlit, timeless prairie . . ."

Breathtaking landscapes and language, prompting "nostalgic yearnings for some islands outside of time" where creat...more

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Jul 19, 2009 Carol rated it 5 of 5 stars

Shelves: earth, science

I read this book many years ago and enjoyed it just as much this time. Eiseley was a paleontologist who thought deeply and vividly imaged the past. With his mind uncluttered by electronic noise he would spend long days digging in remote areas, imagining the ancient creatures and their environments whose bones he was uncovering. His reflections are full of awe for the workings of nature, for the amazing reality of life, wondering about the process of evolution. His insight into the process of the...more

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Sep 20, 2010 Kirk Sinclair rated it 5 of 5 stars

Eiseley is a soulful scientist. He looks at the natural world with a good measure of soulful fascination and wonder along with the empiricism which should be the trademark of every true scientist. These essays tell, in essence, the story of humans. It's a story full of pitfalls as supposedly empirical scientists hold on to fixed beliefs (play the dogmatic scholar if you will) as they interpret the fossil record. Beyond the details of the story is the passion Eiseley feels for it. One of the essa...more

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Apr 18, 2011 Elle rated it 4 of 5 stars

Although the sexist language of the book and its scientific positivism dates it somewhat, Loren Eiseley's The Immense Journey remains a classic. He narrates a history of the human species in the context of life on this planet throughout the scope of time. Glimpsed through his eyes, we can see the improbable and amazing persistence and adaptability of life in the face of eons of inhospitable conditions and successful and failed experiments. I found it a fascinating lens with which to consider exi...more Although the sexist language of the book and its scientific positivism dates it somewhat, Loren Eiseley's The Immense Journey remains a classic. He narrates a history of the human species in the context of life on this planet throughout the scope of time. Glimpsed through his eyes, we can see the improbable and amazing persistence and adaptability of life in the face of eons of inhospitable conditions and successful and failed experiments. I found it a fascinating lens with which to consider existential and ecological questions.

I reveled in the descriptions of how angiosperms transformed the planet from green and brown to brilliant hues and made possible a great diversity of plant, insect, bird, mammalian and even specifically human life, finding it a very apt companion on a trip to Costa Rica's cloud forest in Monteverde. I puzzled with Eiseley over the mysterious naked bipedal prolonged adolescence and large brain of our species and how it came to be. Yet the part of the book that actually made me cry with delight came at the end. Three vignettes moved me greatly, because they were moments that moved Eiseley greatly and he marveled over them.

One concerned a spider, another two sparrowhawks and the another a group of birds. The latter involved a raven who had caught a nestling and carried it to a branch to eat it. "The sound that awoke me was the outraged cries of the nestling's parents, who flew helplessly in circles about the clearing. The sleek black monster was indifferent to them. He gulped, whetted his beak on the dead branch a moment and sat still. Up to that point the little tragedy had followed the usual pattern. But suddenly, out of all that area of woodland, a soft sound of complaint began to rise. Into the glade fluttered small birds of half a dozen varieties drawn by the anguished outcries of the tiny parents. No one dared to attack the raven. But they cried there in some instinctive common misery, the bereaved and the unbereaved. The glade filled with their soft rustling and their cries. They fluttered as though to point their wings at the murderer. There was a dim intangible ethic he had violated, that they knew. He was a bird of death. And he, the murderer, the black bird at the heart of life, sat on there, glistening in the common light, formidable, unmoving, unperturbed, untouchable. The sighing died. It was then I saw....in the midst of protest, they forgot the violence. There, in that clearing, the crystal note of a song sparrow lifted hesitantly in the hush. And finally, after painful fluttering, another took the song, and then another, the song passing from one bird to another, doubtfully at first, as though some evil thing were being slowly forgotten. Till suddenly they took heart and sang from many throats joyously together as birds are known to sing. They sang because life is sweet and sunlight beautiful. They sang under the brooding shadow of the raven. In simple truth they had forgotten the raven, for they were the singers of life, not death." (174-175).

I hope you will read the book for many reasons, not least of which might be to encounter the other two vignettes. (less)

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Sep 16, 2009 James rated it 5 of 5 stars

Shelves: history-of-science, essays, nature, philosophy

Simply the most beautiful science writing I have ever read. An “imaginative naturalist,” according to the cover of his book, The Immense Journey. An anthropologist, a scholar, a poet, a genius. Eiseley wears all of these hats. He observes the story of life unfolding throughout history, recounting some of it to us in his own story. “Forward and backward I have gone, and for me it has been an immense journey” (p 13). By the time we read these words we have come to realize that Eiseley is not just...more

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Aug 10, 2007 Dan rated it 5 of 5 stars Recommends it for: people interested in biology, Jared Diamond Fans

I really liked this book.

This book is the story of life on planet earth, it is a discussion of evolution. It is high level, and doesn't really go into lots of detail. But what it lacks in detail it more than makes up for in its narrative style, which is very well applied to the story of evolution. This story has what some may label a tendency to "anthropomorphise" animals, because he discusses animals making decisions. However, I think that this is a misnomer. This book casts evolution in the co...more

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Jul 06, 2010 Kristine rated it 2 of 5 stars

Shelves: non-fiction

A series of essays by a notable figure who died in 1977, some of which feel quite out-of-date. Nevertheless, this particular volume published first in the nineteen forties was the writing that catapulted Eiseley into the limelight as a humanist-scientist for several decades. He wrote extensively and left a mark that may have lessened, but has not been lost. I much preferred reading his Excavation of a Life, a sort of memoir, as a way of getting acquainted with the person and his writing.

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May 20, 2012 doug bowman rated it 5 of 5 stars

Eiseley looks at the mystical nature of the universe, using science in a way that never veers from a sense of awe about it all. A brilliant book which I actually read in a poetry seminar.

It will change the way you look at the world.

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May 20, 2011 Maughn Gregory rated it 4 of 5 stars

Shelves: science-nature

This week someone on the radio said that the public can't help make wise decisions about science unless there are scientists who can write about it very well, for non-scientists. Very true, and here is such a book. Though it was written in the 1940s and 50s, it's a beautiful, poetic account of natural history. The two most startling things I learned are that humans have extended childhoods (compared to other animals) in part because it takes that long for the brain to grow enough (it has to treb...more

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Jun 30, 2010 Christy rated it 5 of 5 stars · review of another edition

Shelves: read-2010

A beautiful work of meditations on the natural world and the human journey through it, pervaded by a kind of tragic sensibility that isn't usually associated with nature or science writing, but is thoroughly wise and appropriate. This book sat unread on my shelf for years, what a loss! I'm so grateful I finally picked it up; it's a touchstone now.

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Aug 09, 2010 Michael Moore added it

If you like naturalist Stephen Jay Gould then you'll like Eiseley who is sort of like a prequel to Gould. Eiseley's enthusiasm for nature is catching. His chapter on how flowers changed the world might be dated to the new crop of naturalists but I'll bet none of them have his awe. I would call Eiseley a prose version of Mary Oliver.

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Jan 21, 2009 Glenn rated it 5 of 5 stars

One of my favorite books of all time. No one can evoke the sacredness of the world while examining it scientifically like Mr. Eiseley. His prose also evokes a melancholy longing as he searches for answers that seems to outline every image he creates. A highly influential work for me.

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Sep 11, 2012 Brooke Binkowski rated it 5 of 5 stars

Not only is this a wonderfully informative book, but Loren Eiseley is one of those writers whose words I like to roll around on my tongue. He and Paul Shepard are two of my favorite naturalist-writers, both of whom I credit for an early and enduring interest in science.

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Mar 03, 2009 Stephen rated it 5 of 5 stars

Shelves: favorites

First published in 1957, this book was a huge influence on me and my writing.

Eiseley illustrates the fine line between science and art. He was an anthropologist, ecologist and poet and wrote what he called “concealed essays.” And I might add, they were beautifully written.

In “The Immense Journey,” principally about the history of humanity, Eiseley’s lyric prose flows. Here’s an excerpt:

"Perpetually, now, we search and bicker and disagree. The eternal form eludes us—the shape we conceive as ours...more

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Dec 30, 2012 Darryl rated it 4 of 5 stars

Shelves: natural-history

"Every spring in the wet meadows and ditches I hear a little shrilling chorus which sounds for all the world like an endlessly reiterated "We're here, we're here, we're here," And so they are, as frogs, of course. Confident little fellows, I suspect that to some greater ear than ours, man's optimistic pronouncements about his role and destiny may make a similar little ringing sound that travels a small way out into the night. It is only its nearness that is offensive. From the heights of a mount...more

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Oct 02, 2010 Tinytextiles rated it 5 of 5 stars

Written in 1946, this story of the origin of living creatures is still relevant today. It reads like a love story between man and his beginnings--very poetic and very challenging. I hope to reread it every year.

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Sep 04, 2011 Nancy rated it 5 of 5 stars · review of another edition

Shelves: natural-history

A beautiful collection of essays by scientist-philosopher-poet Loren Eisley. My favorite is the one where Eisley floats down the Platte River. I wish I could write like this: “The sky wheeled over me. For an instant, as I bobbed into the main channel, I had the sensation of sliding down the vast tilted face of the continent. It was then I felt the cold needles of the alpine springs at my fingertips, and the warmth of the Gulf pulling me southward. Moving with me, leaving its taste upon my mouth...more

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May 28, 2011 Vasha7 rated it 5 of 5 stars

Lovely, eloquent essays on the history of life on Earth and human evolution. Written in the 1940s and 50s. "The Flow of the River" is one of the most beautiful things I've ever read.

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Nov 06, 2010 Silvio Curtis rated it 4 of 5 stars

A collection of essays on evolution, the history of science, and nature in general. The harmony of intellect and emotion is something really special. Eisely has a way of taking the seemingly commonplace and making you look at it as if for the first time - and of course, it suddenly doesn't seem so commonplace anymore. Sometimes he uses this gift to challenge anthropocentrist or racist ideas in a way that seems ahead of his time, though he is not entirely free of them himself. Some of the science...more

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Aug 03, 2012 Bpaul rated it 3 of 5 stars

Shelves: sciency-ish, outdoorsy

A bit dated, but a sweet-hearted author and one of the cannon you kind of have to read if you are studying U.S. nature writing seriously.

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Mar 03, 2012 Tristan rated it 5 of 5 stars

Shelves: science, biology, non-fiction, own

His writing is beautiful and captivating, and the entire book is worth reading for the insights into both science and life, through to the last chapter, which may be one of the most true and moving passages I've read all my life. That chapter deserves its title: "The Secret of Life."

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Jun 06, 2009 Julie Ann rated it 5 of 5 stars

This is my very favorite book of all time... The most beautifully written scientific writing I've ever had the pleasure to read.

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Mar 11, 2013 Natalia rated it 5 of 5 stars

Shelves: priceless

Challenges perspectives, refreshing, enlightening, and unforgettable. A must for everyone young and old.

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Mar 21, 2012 Leslie Bratspis rated it 5 of 5 stars

This is one of my favorite books. If I could give it 12-stars I would! Loren Eiseley was a naturalist and anthropologist but beyond that, he received numerous awards for his beautiful writing style and was considered a man of letters. Each chapter is a complete story and accounts one of his many fascinating adventures. If you're an animal and nature lover, and fascinated by anthropology, you too will love this book. It touched my heart.

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About Loren Eiseley

Loren Corey Eiseley (September 3, 1907 – July 9, 1977) was a highly respected anthropologist, science writer, ecologist, and poet. He published books of essays, biography, and general science in the 1950s through the 1970s.

Eiseley is best known for the poetic essay style, called the "concealed essay". He used this to explain complex scientific ideas, such as human evolution, to the general public....more

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Books by Loren Eiseley

All the Strange Hours: The Excavation of a Life

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Quotes from The Immense Journey

“The need is not really for more brains, the need is now for a gentler, a more tolerant people than those who won for us against the ice, the tiger and the bear. The hand that hefted the ax, out of some old blind allegiance to the past fondles the machine gun as lovingly. It is a habit man will have to break to survive, but the roots go very deep.” — 10 people liked it

“This is the most enormous extension of vision of which life is capable: the projection of itself into other lives. This is the lonely, magnificent power of humanity. It is . . . the supreme epitome of the reaching out.” — 6 people liked it

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