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The Phantom of the Opera
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I've never seen the musical, sadly; I've only the seen the most recent movie version - whi ...more
W A R N I N G *MAY be a spoiler in this next parag ...more
نخست فیلم را چند بار دیدم؛ سپس گشتم و ترجمه ی آجودانی را از کتاب یافتم؛ رمان «شبح اپرا»؛ داستان دل انگیزی در دل خویش نهان دارد؛ خوانشگر و بینشگر هرگزی داستان و صحنه های فیلم و یا کتاب از یادشان به جای دیگر کوچ نمیکنند و نمیروند. یادم مانده که آن دخترک «کریستین» چگونه به آن فرشته ی موسیقی دل باخت. همان فرشته یا شبح خوفناک، که در سردابه های ساختمان اپرا مسکن گزیده بود، و تنها برای شنیدن موسیقی به کنار صحنه میآمد. نیز نام فیلمی موزیکال ...more
I guess It's not for me.. I think I'll just go with the musicale version.
“Erik is not truly dead. He lives on within the souls of those who choose to listen to the music of the night.”
I'm not a fan of musicals... at all. I've never seen a play besides a childhood production of the Velveteen Rabbit, which hardly counts. Despite this, I've always wanted to see a live production of 'Phantom of the opera.' What is it about the story and atmosphere that draws so many in? I've seen movies - the musical drama (not my thing), the Robert Englund horror version (sorr ...more
While I was in New York City, living it up on 7th and 27th, I decided that I would go see a musical, with friends, on Broadway. However, being the 'buy-first-think-later' student that I am, most of the musicals were out of my price range. The suitcase load of cheaper comics and novels had something to do with this. However, I did have enough cash to go with two of the ladies on the trip and get tickets to The Phantom of the Opera with Peter Jöback staring as the eponymous character. We all dress ...more
Leroux presents the "strange affair" of the Phantom to us as if it were fact. Normally that wouldn't bother me too much, but it is continually insisted upon until you want to shout that there is no way it is at all possible and to kindly take your insanity elsewhere in case it's catching.
The plot is convoluted at best and constantly bounces between the main action ...more
Persons who are visited by the Angel quiver with a thrill unknown to the rest of mankind. And they cannot touch an instrument or open their mouths to sing, without producing sounds that put all other human sounds to shame.
Erik, AKA The Phantom of the Opera, is Paris's answer to Heathcliff. This book is a darkly romantic tale of a man's descent into violence and madness, and the woman who forms the obsession at the centre of his life.
I should probably confess: I am a shameless lover of The Ph ...more
The story takes place in the Parisian opera house and the famous Phantom lives somewhere in its undergrounds.
Mysterious and music-loving, he even has a private lounge.
One of the chorus girls, Christine, lost her father who always told her about the Angel of Music and once, she hears this angel singing and follows him through a hidden door in his dark empire.
From this moment on the Angel of Music teaches her and Christine improves her singing until she is a well known and treasured singer. ...more
Be prepared for murder by hanging, frequent cries of terror from malicious "accidents", and suicide for just a smidgeon of what will "materialize". But, it's the mysterious Opera Ghost who lurks in the shadows using tricks and illusions to work his many evils behind a mask of horror and smell of death that will grab your attention th...more
Interesting to see that this was only published around 10 years after Dracula. Loooooove the Gothic vibe that runs between both novels, and again, as with Dracula, I think the wording of the time period is what dulls the story here. I've mentioned in previous posts how my original read of this book (in high school) was really due to an infatuation with the musical adaptation, and thus I was rather disappointed that it wasn't more of a love story, as t ...more
“If I am the phantom, it is because man’s hatred has made me so. If I am to be saved it is because your love redeems me.”
I believe everyone has at least heard about The Phantom of the Opera. If not for the book itself, then it may be because of the movies. I knew it was a book, and I knew there were movies, but I’ve never watched any of them, and the book I read until now.
In any case, if you’ve heard about this story, then you know it’s a tragic one – and indeed, it is.
The Phantom of the Opera ...more
Because I quit a book last week, I forced myself to finish this one. I can finish anything on audio, thought I. I am not a quitter, thought I. But after struggling to focus on this and backtracking 2 hours because I realized I had been daydreaming the entire time, I have come to the realization that the DNF review is not so bad a thing.
This read was torturous. I finished it but did not have a good time.
“You don’t love me. But you will.”
Sorry Erik but no. No I won’t. ...more
Gaston Leroux - who popularized an entire sub-genre of detective fiction called ‘locked room mystery’ through his works like 'The Mystery of the Yellow Room' and his fictional amateur sleuth, Joseph Rouletabille - is most renow ...more
What a melodramatic book this is. Lots of swooning, lots of proclamations of love, and lots of unnecessary details that do not add anything to the plot.
'Tis where me and the ghost of the opera part ways for good. I will probably never know the original reasons as to why Erik - the ghost, the genius and the mad came to be what he is in the first place. I don't think I care much to find out either way.
All the care in the world you can give me and it will still be not enough for ...more
In all versions, the story was told in a third person. However, I was hoping that in this book, I could empathise more with the characters. But in this case I felt rather distant with them. As I was forced to read from a lot of useless perspectives, which kept the pacing extremely slow.
I didn’t understand the characterization of Erik. I was confused at every other chapter whether we were supposed to sympathize, pity, or loathe him. I generally just thought he was an asshole but the way Christine treats him ...more
The Phantom of the Opera is almost universally acclaimed as a classic Gothic horror story, and I’ve often heard that it rivals Dracula or Frankenstein. There is no denying the influence of this book, and Leroux deserves a great deal of credit for creating an incredible plot. Conceptually, it is a perfect storm of Gothic nightmares: the ancient, labyrinthine opera house; the many colorful characters that make the beautiful Paris Opera House the center of their lives; a love triangle in w ...more
2/5 μόνο για το υπερ ...more
OK OK, I won't go there, no Andrew Lloyd Wibbly in this review. The Phantom of the Opera seems to have joined the rank of books that few people bother to read because too many people assume they already know the entire story. There is a lot more to the novel than a crazy guy with half a mask abducting a girl just to give her some free singing lessons. I mean who does ...more
3.5 Le Fantôme Stars
“If I am the phantom, it is because man's hatred has made me so. If I am to be saved it is because your love redeems me.”
One of my New Year's resolutions is to read more classics. The Phantom of the Opera is a novel I've been meaning to read for a long time. If I was forced to choose a favorite musical, I would probably choose The Phantom. First time I saw it was with my mom, almost 10 years ago. I instantly fell in love with the ...more
When you drill it down, it's a chilling paranormal tale with an element of friendship, a classic and a beautiful book altogether. I loved it and I'd recommend it to anyone. :)
The Phantom of the Opera (1909) is a Gothic novel par excellence, a dark novel full of thrilling events and mysteries mixed with obsession, romance, madness and violence, as well as humour. The cast is quite large and very colourful ...more
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In the English-speaking world, he is best known for writing the novel The Phantom of the Opera (Le Fantôme de l'Opéra, 1910), which has been made into several film and stage productions of the same name, such as the 1925 film starring Lon Chaney, and Andrew Lloyd Webber's 1986 musical. It was also the basis of the 1 ...more