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Hyperart: Thomasson

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4.0 of 5 stars 4.00  ·  rating details  ·  26 ratings  ·  3 reviews
In the 1970s, estranged from the institutions and practices of high art, avant-garde artist and award-winning novelist Genpei Akasegawa launched an open-ended, participatory project to search the streets of Japan for strange objects which he and his collaborators labeled "hyperart," codifying them with an elaborate system of humorous nomenclature. Along with "modernologist ...more
Paperback, 401 pages
Published February 1st 2010 by Kaya Press (first published September 30th 2009)
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Mike
Imagine that you're walking through an older neighborhood when you stumble upon a bit of historical detritus - an unused upstairs doorway with no porch or stairs, a stairway that leads to a blank wall, or the remains of a building impressed into the facade of its neighbor. What's more, you notice that someone has spent some time and effort maintaining this vestige. They've painted the door, or repaired a broken stair.

This manifestation is what Japanese avant-garde Genpei Akasegawa designated Hyp
...more
Leifer
Most enjoyable book i've ever read about conceptual art!
Takashi Sakai
・東京に幽霊が出る.トマソンという幽霊である.
・都市という物件は,大自然に発生した人類による一時的な現象であり,いずれは崩壊してまた大自然の中に埋もれていくのであった.

現在はこの本の時代ほどトマソンがあるとは思えないけど,街歩きが楽しくなる見方をもらえた.今すぐ街に行きたくなる本.
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Genpei Akasegawa (Japanese: 赤瀬川原平) is a rare phenomenon, an artist who successfully transitioned from the avant-garde to the larger realm of popular culture. He emerged on the Japanese art scene around 1960, starting in the radical “Anti-Art” movement and becoming a member of the seminal artist collectives Neo Dada and Hi Red Center. The epic piece Model 1,000-Yen Note Incident (1963-1974), which ...more
More about Genpei Akasegawa...
新解さんの謎 [Shinkaisan No Nazo] 東京ミキサー計画 : ハイレッド・センター直接行動の記錄 [Tōkyō Mikisā Keikaku: Haireddo Sentā Chokusetsu Kōdō No Kiroku] 路上観察学入門 [Rojō Kansatsugaku Nyūmon] 芸術原論 [Geijutsu Genron] 私の昭和の終わり史 [Watakushi No Shōwa No Owarishi]

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