Songs of the Caged, Songs of the Free: Music and the Vietnamese Refugee Experience

In Songs of the Caged, Songs of the Free, Reyes brings history, politics, and decades of research to her study of four resettlement communities, including refugee centers in Palawan and Bataan, the early refugee community in New Jersey, and the largest of all Vietnamese communities—Little Saigon, in southern California's Orange County.

Looking closely at diasporic Vietnamese in each location, Reyes demonstrates that expressive culture provides a valuable window into the refugee experience. Showing that Vietnamese immigrants deal with more than simply a new country and culture in these communities, Reyes considers such issues as ethnicity, socio-economic class, and differing generations. She considers in her study music of all kinds—performed and recorded, public and private—and looks at music as listened to and performed by all age groups, including church music, club music, and music used in cultural festivals. Moving from traditional folk music to elite and modern music and from the recording industry to pirated tapes, Reyes looks at how Vietnamese in exile struggled, in different ways, to hold onto a part of their home culture and to assimilate into their new, most frequently American, culture.

Songs of the Caged, Songs of the Free will attract the attention of readers in Asian-American studies, Asian studies, immigration studies, music, and ethnomusicology.