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February

3.69 of 5 stars 3.69 · rating details · 1,556 ratings · 282 reviews

Longlisted for the Man Booker Prize and Winner for Canada Reads 2013

In 1982, the oil rig Ocean Ranger sank off the coast of Newfoundland during a Valentine's Day storm. All eighty-four men aboard died. February is the story of Helen O'Mara, one of those left behind when her husband, Cal, drowns on the rig. It begins in the present-day, more than twenty-five years later, bu...more

Hardcover, 310 pages

Published June 15th 2009 by House of Anansi Press (first published 2009)

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Best Canadian Literature

78th out of 401 books — 296 voters

2013 Canada Reads

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Aug 10, 2009 Bonnie rated it 5 of 5 stars

Shelves: canadian-author, recommended, reviewed-books, literary-fiction

I have been waiting for a new book by Lisa Moore and this did not disappoint. I read slowly right from the start, so that I could absorb each essential phrase, to appreciate how one sentence moved to the next, to marvel at a particular paragraph, or to pause at the end of a subsection to reflect on the way Lisa Moore had crafted a scene.

February is a fictional story about how one Newfoundland family of five deals with the loss of husband and father Cal, in the real-life tragic sinking of the of...more

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Mar 02, 2012 Brad rated it 4 of 5 stars

Shelves: forty-for-2012-personal-challenge, canadian-lit, novel-in-short-stories

Some may say that this is a book about death or life or love, but for me this is a book about the "ifs" and the "whens."

The plot is irrelevant because whatever the plot is it is only the plot because of the perspective from which the story is told. It is a story of moments, the ifs and whens of one woman's life, and those moments, unrelated but for the woman who experienced them, are the tale.

February is a novel of fragments. And in those fragments is one of the truest stories I've ever read.

I'v...more

11 likes · like · see review

Feb 15, 2013 Cheryl rated it 4 of 5 stars · review of another edition

Shelves: canadian, atlantic-provinces-lit, fiction, literature, literary

This book languished in a stack on a to-be-read shelf for almost two years, squashed between a Julian Barnes below and some short story anthology above.
It was 31 years ago on Valentine's Day that the Ocean Ranger oil rig sank off the coast of Newfoundland, killing all aboard.
31 years later, on Valentine's Day yesterday, February won the Canada Reads award. (Oh crap, now the masses will like it, it will be popular, and more often than not that means the writing sucks, but jeez, it's Lisa Moore,...more

7 likes · like · see review

Nov 22, 2010 Peachy rated it 3 of 5 stars

Shelves: abandonment, canadian, family, existential, inspirational, lyrical, survival

Had I not found out about February through the CBC's Canada Reads top 40 Canadian books list, it is doubtful that I ever would have picked it up. I'm not much in to slow-paced books without a strong storyline or intense characters. But, because of its rave reviews, and an understanding that it is important to break custom once in a while, I gave it a go. Although I'm not likely to recommend it to anyone that is not grieving a profound loss, I'd say I still enjoyed certain elements of the story....more

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Mar 12, 2013 Indrani rated it 1 of 5 stars

Shelves: didn-t-finish

I tried.

I wanted to like this book. My goal this year was to read each of the five "Canada Reads" choices, so that I could follow along with the CBC debates. These were supposed to be quintessential Canadian novels - the cream of the crop.

Perhaps I made a mistake in trying to read this during February itself - the most grey, depressing time of year here. Maybe in the summer I will try again. In the meantime though, there was so much I just could not like: the main characters frustrated me, I fou...more

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Feb 23, 2013 Tina Siegel rated it 4 of 5 stars · review of another edition

Again, Moore's prose is lovely. She's got a gift for being poetic without descending into overwrought emotionalism. And I love her ear for the salty tang of Newfoundland English.

Moore has certainly captured the devestation - and even the terror - of the Ocean Ranger disaster. Her descriptions of the rig's last moments, and the men in the water, are gut-wrenching.

I did feel like some of her transitions could be better, particularly in the beginning. There were times when I didn't know what, or...more Again, Moore's prose is lovely. She's got a gift for being poetic without descending into overwrought emotionalism. And I love her ear for the salty tang of Newfoundland English.

Moore has certainly captured the devestation - and even the terror - of the Ocean Ranger disaster. Her descriptions of the rig's last moments, and the men in the water, are gut-wrenching.

I did feel like some of her transitions could be better, particularly in the beginning. There were times when I didn't know what, or who, to focus on because she didn't give us any signs; other times, I ran smack into great big billboards advertising the change. These could have been smoothed out. Towards the end of the book, though, she got better or I accustomed myself to the style, because it stopped bothering me.

One of my two criticisms of the books is that I wanted more dialogue. Moore uses it so sparingly and, even when she does, it's often folded into the larger narration. It gets lost. I also wanted more distinction between the characters when they did speak - they all sounded roughly the same in my head.

I feel like the way we communicate, the words we choose to use, reveal a lot about who we are. Our manner of speaking, our linguistic quirks, our tone of voice - these are all part of what we present to the world and, for me, it was missing in February. I couldn't hear the characters, couldn't distinguish between them when I did, and it distanced me from them.

In some books, this wouldn't be as much of an issue. But here, all the action - the most dramatic events - have already happened, and the only ocnnection we have to them is through these characters. I wanted to be closer.

My second criticism is that I didn't buy the ending. It happened too fast, and I had no indication that Helen was truely interested in Barry. As far as I could tell, she thought he was attractive, nothing more. Certainly not someone she'd want to marry.

Having said all that, I think it's a remarkable book. Moore packs an enormous emotional punch in less than 200 pages. Give it a try.

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Jan 22, 2013 Shilpa rated it 3 of 5 stars · review of another edition

I read somewhere that as a writer you should never give up the backstory of your character in the first few pages of the book because an interested reader doesn’t need to know it upfront. Part of the experience is taking the journey with the character and discovering. Lisa Moore does a good job of following this in February. As the story unfolds, we are given a glimpse into the life of Helen O’Mara – a fifty six year old widow and mother of four – who has spent the last 25 years of her life copi...more I read somewhere that as a writer you should never give up the backstory of your character in the first few pages of the book because an interested reader doesn’t need to know it upfront. Part of the experience is taking the journey with the character and discovering. Lisa Moore does a good job of following this in February. As the story unfolds, we are given a glimpse into the life of Helen O’Mara – a fifty six year old widow and mother of four – who has spent the last 25 years of her life coping with the drowning of her husband in the Ocean Ranger oil rig disaster, using the best way she knows how: by avoidance. But it is obvious that Cal is far from her daily thoughts, constantly seeping into her subconscious.

There is a bit of oversentimentality in Moore’s writing. It takes a bit of back and forth, and half of the pages in the novel to realize that this is not a plot-driven story. Perhaps Richard Wagamese’s captivating Indian Horse was still dominant in my mind as I plunged into reading my next Canada Reads book February. However, once I realized the differentiating style of writing, I was able to appreciate how beautifully Moore takes us through Helen’s life in a backwards and forwards symbolic journey that makes it more impactful than if it had flowed linearly in a chronological manner. You can’t help but be thrust into the novel and engaged in the character.

“Water has a single imperative. Every drop is hurling itself towards itself always. All water wants is to eat out its own stomach. It flushes through itself and becomes heavier and faster and it plows on, even when remaining still.”

It is intriguing how effortlessly Lisa Moore helps us to get into Helen’s mind with constant snippets of information about what she’s thinking, how she’s feeling, and the ghosts of her past she’s trying to forget, and remember at the same time. The tie in to the real sinking of the Ocean Ranger off the coast of Newfoundland in the 1980s is brilliantly done, with well-scripted writing highlighting the business of oil and the safety protocols employed by these companies. You can help but feel a bit angered as they talk about acceptable levels of risk and ask the public to consider the overall good to be achieved. At the end of the day, all they really care about is profit. “There is a culture of safety…that was detrimental to efficiency. That’s what we wanted to trim.”

“No man would ever survive the North Atlantic for more than five minutes without a survival suit that fit probably, even if he could swim. And the chances of surviving a helicopter crash, even with the suit, were next to nothing. Every man knew that. They all knew. But each man ever to set foot on an oil rig had to kick his way out of a simulated helicopter crash if he wanted to keep his job.”

What would have been nice to see in February is more character development of Helen’s three daughters in the book. We get a brief mention of their names and the trouble they get into during their adolescent years. But Helen doesn’t seem to bat an eye towards their teenage rebellions, occasionally even playing up the notion in her head that she thinks she has a good relationship with her daughters because she is always honest with them. But that’s where it ends. We are eager to know a bit more about them, how they came to terms with their father’s death, and of their relationship with their mother. We need a bit of convincing to understand this “close-knit” family. Nonetheless, Helen’s son John has a significant part as the secondary character in February, and we do get to see him grow up in the shadow of his mother’s grief.
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Jan 06, 2013 Mike rated it 4 of 5 stars

This is fiction based largely in Newfoundland, Canada, although its backdrop is based on a real event: the sinking of the oil rig Ocean Ranger, and a woman whose husband died, and the life lived subsequently with four children, and their lives. The book is a set of stories, about the family, before, during and after the disaster. The poignancy of this book lies in the deeply written emotional depth in every day events including loss, loneliness, family trials, family milestones, heartache, joy,...more

1 like · like · see review

May 22, 2009 Sandra rated it 5 of 5 stars

FEBRUARY is a story of real people - people who love, laugh, argue,
shop at WalMart and Value Village and raise their children in the best
way that they know how.

FEBRUARY is also a story of loss and grief - grief that is not of the
moment, but rather of the decades. It is the story of three
generations: Helen O*Mara and her husband Cal who perished with the
Ocean Ranger, their four children - John, Cathy, Lulu and Gabrielle -
and their children.

The novel has a complex structure where the past and pres...more

3 likes · like · see review

Nov 15, 2012 Shonna Froebel rated it 4 of 5 stars

Shelves: canadian

Another finalist for the Evergreen award 2010. This novel follows Helen, moving back and forth over time from her early adulthood and life with her husband Cal and more recent times. Cal worked on the Ocean Ranger oil rig and was one of the crew that died when it sank in early 1982. Helen was left pregnant with three young children. We see how this has affected her life, and we also see the effect on her children, most noticably on John, her eldest.
The changes in time let us see how some things...more

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Jul 08, 2011 Renee Boucher rated it 5 of 5 stars

This was a love story of another kind. I loved this book! One I will soon not forget, I so enjoy when a book has the ability to adjust your attitudes and change your perceptions. I hope I will look at my husband in a new light since reading this, I am right now, but you know how momentum fails.
I fell in love with the main character immediately, I wanted to know how she dealt with her life, her family after the tragic loss of her husband. The story was told in choppy fragments, which I felt blend...more

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May 02, 2010 Allyson rated it 3 of 5 stars · review of another edition

I may have rated this book more highly had she not used the strange chapter jumps or whatever they may be called. I can't help but think it is an author weakness to do so as unable to maintain a narrative momentum otherwise. I am now reading her 2005 novel Alligator so may be unfair to compare. Although it also jumps between separate characters, repeatedly. Am only just started and may sign off without finishing if it is too annoying. There are too many good books to read without convincing myse...more

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Mar 26, 2013 Krista rated it 5 of 5 stars

Shelves: 2013, can-lit

I don't remember the sinking of the Ocean Ranger off Newfoundland in 1982, but I was only 14 at the time (such a self-involved age) and living through the most grief-producing event of my own life-- my parents had decided to tear us from our friends and familiar setting (seven years since we had been schlepped from New Brunswick to Ontario) and displace the family to Alberta, and although my father didn't work in oil, he was chasing the good times of the oil boom that brought so many Maritimers...more

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Feb 19, 2013 Friederike Knabe rated it 4 of 5 stars

Shelves: canadian-lit

"Solitude, she thinks, is a time-release drug... it enters the system slowly and you can become addicted. It's not an addiction, it is a craft."

On Valentine's Day 1982, the Ocean Ranger, an assumed-to-be unsinkable oil rig, sank during a vicious storm out in the North Atlantic. Thirty years later the tragic events of that night still resonate deeply with the affected communities of Newfoundland. Families lost fathers, brothers, sons and lovers during a night when hope and prayers for a miracle t...more "Solitude, she thinks, is a time-release drug... it enters the system slowly and you can become addicted. It's not an addiction, it is a craft."

On Valentine's Day 1982, the Ocean Ranger, an assumed-to-be unsinkable oil rig, sank during a vicious storm out in the North Atlantic. Thirty years later the tragic events of that night still resonate deeply with the affected communities of Newfoundland. Families lost fathers, brothers, sons and lovers during a night when hope and prayers for a miracle turned into despair and grief: all eighty four crew were lost, either on board or in the ice cold water. Newfoundland award winning author, Lisa Moore's 2009 novel February fictionalizes the deep physical and emotional shockwaves in the aftermath of the disaster by telling the story of one widow, her profound grief and the long-lasting scars on her soul while putting all her energy into bringing up her family and healing herself.

Lisa Moore's heroine, Helen, thirty at the time of the disaster, was robbed of her husband Cal, the love of her young life, the breadwinner for their young family with three small children with a fourth on the way. Much of the story is set in 2008, yet with Helen's mind often wandering back to that fateful night in 1982, the innocent years prior to the disaster and the many years since. Helen reflects on her emotional state of mind at the time as "being outside": "The best way to describe what she felt: She was banished. Banished from everyone and from herself." Still, the daily life had to go on while grief and pain were kept locked into the inner folds of her mind. "Helen wanted the children to think that she was on the inside, with them. The outside was an ugly truth that she planned to keep to herself."

Grief, as we know it, is unique to each person, intimately personal and not always easy to understand for others. Moore's capacity to capture and express the individuality of Helen's grieving in a way that we as readers can relate to it in our own personal ways, speaks to the quality and thoughtfulness of her writing. In 2009, I have to admit, this was not a book that I wanted to read, given my own recent loss, but four years later, I can appreciate Helen's story and the winding and twisting process of her coming to terms with her grief and her life. February is in no way a sad or depressing book. Moore brings enough detail to Helen's life moving forward to keep the reader supportively engaged. Helen is surrounded by her three daughters and John, her oldest. John is a major character in the novel and we follow his growing up from the ten year-old at the time of the disaster to a young man who develops his own means to deal with loss. The image of the absent father is well developed through John's and Helen's recollections. As a result, Cal remains very much a part of the novel.

Even after many years, Helen's mind keeps returning to the night of the disaster. Not knowing what really happened in the last hours of Cal's and his mates' lives, does not let her rest. What did they know and understand of the crisis? "They all knew they weren't safe. They all knew. But they had decided not to tell anyone. But it leaked out of them in larks and pranks and smutty puns, and it leaked sometimes out in a loneliness that made phone calls from land hard to handle."

February is not a chronological account of Helen's efforts "to get back on her feet". Not at all. Like memories and dreams, the narration jumps timelines, joining unrelated events or triggering sudden vivid images. Moore's narrative flows from the present in 2008 to 1982, the other still vivid present, to times before and in between... Sometimes her chapter dates give you an indication where we are, often, though, she relies on the reader to figure out where Helen's mind is at that moment. And, with a bit of reading into the novel, you do.

Moore has a subtle and compassionate way to convey her character's story. At times, her writing structure reminded me of a puzzle, where, unexpectedly, one small 'piece', be it somebody's gesture or the colour of the ocean on a misty night, connects several until then unconnected images and a broader perspective falls into place. Overall, this is a beautifully developed and affecting story, set in a broader context that is relevant as much today as it was then. Some of the side stories seem to be more than complementing the central story and distracted to some degree. The novel's ending may not be to everybody's liking, but these, in the end, are minor irritants.
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Apr 17, 2013 Arlene rated it 1 of 5 stars

I don't want to give a negative review to a book about the 1982 Ocean Ranger disaster. I don't want to appear insensitive to the people affected by that tragic event. The families and friends of those lost have my sympathies.

But I really didn't like this book.

Lisa Moore writes beautifully descriptive passages. She writes beautifully descriptive passages about scattered, disconnected and, frankly, not very interesting events. Finishing this book was a chore, and I only did so because I had to giv...more I don't want to give a negative review to a book about the 1982 Ocean Ranger disaster. I don't want to appear insensitive to the people affected by that tragic event. The families and friends of those lost have my sympathies.

But I really didn't like this book.

Lisa Moore writes beautifully descriptive passages. She writes beautifully descriptive passages about scattered, disconnected and, frankly, not very interesting events. Finishing this book was a chore, and I only did so because I had to give a full report to my book club. I procrastinated about picking it up again every time I put it down. I groaned when I finally succumbed to the need to plough through it. I impatiently skimmed through the tangential ramblings of the narrator.

The main character, Helen, loses her husband in the Ocean Ranger disaster. She has three children at home and a fourth on the way. Understandably, she's shell-shocked, and this book is the story of how she picks up the pieces of her shattered life.

The theme resonated with other members of my book club—a single mother and a widow—who felt that Moore had done an admirable job of capturing the emotional journey of people suddenly left to cope on their own. I agree, but Moore captures it, perhaps, too well. Passages rife with non sequiturs and leaps between topics effectively represent the scattered thinking of someone in shock, and I would have liked that approach, if Moore had used it only for the parts of the book that take place immediately after the disaster. But Moore uses this style through the whole book, and it's tiresome.

Moore is so busy describing random events and the characters' inconsequential encounters with strangers (that do nothing to advance the story) that she leaves unfinished the story lines we readers are hungry for. We get a lengthy passage on dolphin training, but we don't know what happened to Gabrielle, the baby born in the womb at the time of her father's death. We get an entire short chapter on how Helen and her husband were once on opposite sides of a tug of war, but we're left hungry for more details on the intriguing story line of her son's job skirting safety regulations for oil companies.

The whole book was haphazard and exasperating. Too many self-indulgent descriptions of details that don't advance the story. Too many leaps between topics within the same passage. Too many leaps back and forth and all around in time.

Oh, and I'm going to send Lisa Moore some quotation marks for Christmas.
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Jan 23, 2013 Julie rated it 5 of 5 stars · review of another edition

A stunning and at times haunting read, which had be lost in some of the passages throughout the book. It will easily be one of my favourite reads of the year.

There were many times I was completely lost in the writing and the passages throughout the book, the author is a spectacular writer and I found myself constantly making notes on many passages throughout the book - sometimes two or three on the same page. It was absolutely stunning and it helped the reader get inside Helen's mind and almos...more

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Mar 08, 2011 Andrew Smith rated it 4 of 5 stars

Lisa Moore’s ‘February’ is not unlike listening to a particularly evocative piece of music. Each sentence is exquisitely composed with exact, appropriate words lined up in the perfect order. Her writing is beautiful on the reader's "ear" so to speak, and the images it calls forth are vivid and detailed. The novel has no particular sequenced narrative but repeatedly takes the reader from era to era, and back again, in protagonist, Helen Omara’s life before and after the death of her husband, a vi...more

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Nov 17, 2010 Eliza rated it 4 of 5 stars

Shelves: man-booker-2010-long, novel

11/14/2010: This novel is extraordinary. Lisa Moore writes the most gorgeous prose I've read in a long time. Very spare, but the word choice is precise and the descriptions convey a huge amount in those few words. It's hard to give an example--I kept looking for a small section, so I could demonstrate--because it's all part of the larger whole; you get to know the characters (especially Helen, the protagonist) through the smallest of details, and that is hard to show by reading only a few senten...more

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Feb 09, 2013 Ginger Hallett rated it 4 of 5 stars

The 2013 Canada Reads candidate from Atlantic Canada, this book is historical fiction based upon the loss of 87 men who drowned when their oil rigger sank off the coast of Newfoundland in 1982. It features the family of one of the men in particular. Very poignant. I wasn't sure that I would like it during the first few pages, but once I was hooked it was compelling. Everything revolves around the impact of the wreck on the lives of the characters, yet what happens to these people as the years pa...more

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Jul 26, 2011 Ian Young added it

This is a thoughtful and beautifully written book,based on a true incident when an oil rig was last off the Canadian coast. The book follows the life of the widow of one of the workers who died, and the focus is the long and slow process by which she deals with her grief and eventually moves into a new phase of her life. Facebook reviews of this book seem very mixed, and sometimes focus on the fact that not much seems to happen. This is true, but misses the entire point of the novel. This is not...more

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Aug 23, 2010 Malena Watrous rated it 3 of 5 stars

I like the deep interiority of this novel--rather, the way that she gets at the interiority of her characters while describing them in different moments, from the outside in. I feel like she's a contemporary Virginia Woolf, in a sense, seeking to reproduce consciousness through language. I have to agree with some of the other reviewers, however, that the haphazard structure was a chore. I felt an old-fashioned yearning for a bit more cause and effect. Manipulative plotting? Perhaps. But I wanted...more

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Feb 08, 2013 Karen rated it 4 of 5 stars

Shelves: canadian-authors, i-kind-of-loved-it

I didn't think I'd enjoy this. It turns out, I did. A lot. The writing style takes a bit of getting used to, as it's all memories and dreamy thoughts, but once you do it hooks you and it's such a great book. Not only because of the story itself which is very interesting (it centers around the wife and family left behind by a man who died when the "Ocean Ranger" oil rig sank on Valentines Day 1982), but because Lisa Moore is a poet through and through. Her metaphors were vivid yet hazy...it's har...more

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Jun 02, 2011 Arlene added it

Centred around a real event – the sinking of an oil rig off the coast of Newfoundland in 1982 – February is the story of how one family is affected, immediately after the tragedy and 20 years on. The novel is recounted mainly from the point of view of Helen, who becomes a widow when the Ocean Ranger goes down. She is left, not only without her beloved husband, but with the continuing responsibility of bringing up their three small children while pregnant with a fourth. Her voice is set against t...more

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Apr 07, 2013 Angela rated it 3 of 5 stars

A friend told me about this book and said she'd like to read it with her book club. After reading reviews and learning that it was the winner of Canada Reads, I also recommended it to my book club. I just finished reading it this morning and although I liked it, I didn't love it. I was very surprised when it ended...I felt there was more to the story and was a bit disappointed that it would not be shared with the reader. I struggled to relate to Helen and tried to put myself in her shoes through...more

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Aug 20, 2012 Amanda rated it 1 of 5 stars

Honestly, it was a struggle to keep reading this book until the end. The language was beyond irritating and extremely confusing. It was written almost as if the characters were taking down every thought as they move through their lives. It was constantly switching from past to present and from character to character and I could never keep up. Just when I thought I understood what was going on, the whole thing shifted again and I was completely lost. There didn't really seem to be much of a plot...more

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Mar 14, 2013 Terri Giffin rated it 3 of 5 stars · review of another edition

There were things about this book that I loved, and things that annoyed me. I loved the "sparse" and colloquial use of language (I found myself reading it in my head with a mish-mash of every one of the people I've known in my life with a strong Newfoundland accent), but then at times I found the author rambled on about things that really didn't make any sense.

The best thing about the book is the very raw description of this woman who's had her life force sucked out of her with the loss of her h...more

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Apr 08, 2013 Lise rated it 4 of 5 stars

I was surprised by how much I liked this book. I listened to Canada Reads and was a (disappointed) supporter of Indian Horse, which I thought was a stellar book. I didn't love what I heard about February, but I thought I owed it a read. Even though I would say I am someone who is prone to find anything the least bit sad depressing, I wasn't especially depressed by this book. I actually thought it was about the risks we take in life and how sometimes there are rewards and sometimes there are trag...more

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Jan 17, 2013 Jan Kellis rated it 4 of 5 stars

Lisa Moore's writing style reminds me a bit of Carol Shields. This is based on the true story of the oil rig that went down off the coast of Newfoundland in 1982, losing all men aboard. Told in third person, it travels back and forth in time and between characters, to follow the widow of one of the lost men and her four children.

In my opinion, the best lines in the book can be found on page 238: "That's the enigma of the present. The past has already infiltrated it; the past has set up camp, de...more

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Jan 11, 2011 Steven Buechler rated it 5 of 5 stars

"The more time passed, the more convincing Helen became. There was the smell of chicken nuggets; there were bread crumbs under the toaster. She made lunches and had the oil company fill the tank and she went to the children's Christmas concerts. Her lowest point ever was when the pipes froze. Down in the basement with its earthen floor, low ceiling, and damp stone walls, going at the pipes with a blowtorch. The hawking sputter as the flame shot out, strange blue, and the hiss. It frightened the...more

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Aug 26, 2011 Vicki rated it 4 of 5 stars

This moving book captures powerfully the sheer physicality of enormous, yearning grief. Lisa Moore has forged a memorable portrait of a brave, no nonsense individual on her journey to a form of peace after devastating loss. Moore traces in plain-spoken but evocative prose Helen O'Mara's happy, passionate early life as a wife and mother, to the shattering loss of her beloved husband Cal in the Ocean Ranger disaster, to her struggle to raise her family and keep herself emotionally afloat. Moore en...more

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About Lisa Moore

Lisa Moore has written two collections of stories, Degrees of Nakedness and Open, as well as a novel, Alligator.

Open and Alligator were both nominated for the Giller Prize. Alligator won the Commonwealth Prize for the Canadian Caribbean Region and the ReLit Award, and Open won the Canadian Authors' Association Jubilee Prize for Short Fiction.

Lisa has also written for television, radio, magazines (...more

More about Lisa Moore...

Books by Lisa Moore

The Penguin Book of Contemporary Canadian Women's Short Stories

Great Expectations: Twenty-Four True Stories about Childbirth

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