Stephen L. Carter’s brilliant debut, The Emperor of Ocean Park, spent eleven week son the New York Times best-seller list. Now, in Jericho’s Fall, Carter turns his formidable talents to the shadowy world of spies, official secrecy, and financial fraud in a thriller that rivets the reader’s attention until the very last page.
In an imposing house in the Colorado Rockies, Jericho Ainsley, former head of the Central Intelligence Agency and a Wall Street titan, lies dying. He summons to his beside Beck DeForde, the younger woman for whom he threw away his career years ago, miring them both in scandal. Beck believes she is visiting to say farewell. Instead, she is drawn into a battle over an explosive secret that foreign governments and powerful corporations alike want to wrest from Jericho before he dies.
An intricate and timely thriller that plumbs the emotional depths of a failed love affair and a family torn apart by mistrust, Jericho’s Fall takes us on a fast-moving journey through the secretive world of intelligence operations and the meltdown of the financial markets. And it creates, in Beck DeForde, an unforgettable heroine for our turbulent age.<span class="h1">
A Q&A with Stephen L. Carter</span><span class="ptBrand"></span>
Question: Jericho's Fall is a departure from your previous novels. What made you decide to turn your attention to a spy thriller?Stephen L. Carter: I was ready for a change of pace. My other novels have been large—as the reviewers like to say, multi-layered. I wanted to try a short, straightforward page turner, a book to be read for the sheer pleasure of the story. Thrillers are fun to read, and, as I discovered, they are also lots of fun to write. If readers like Jericho's Fall, I expect I will write more of them.
Question: In your "Author's Note" you write that "the problem of mental illness among intelligence professionals is often said to be endemic." This link between intelligence work and madness is certainly born out in your character Jericho Ainsley. Why do you think this link exists and is this what drew you to Jericho's story?
Stephen L. Carter: In researching my previous novel, Palace Council, I became fascinated by the problem of mental illness in the intelligence community, an issue much-commented on in the 1960s and 1970s, mainly because of James Jesus Angleton, whose paranoia when he ran counter-intelligence at the CIA nearly tore the place apart. I thought that structuring a story around an ex-spy who was losing his mind might provide a nice hook, and the rest just followed.
Question: Jericho is former Director of the CIA, former Secretary of Defense, former White House National Security Advisor ("former everything" as you refer to him). You seem equally interested in how his career affected not only him but his family and in particular his ex-lover Rebecca DeForde ("Beck"). Why did you decide to make Beck the center of the story?
Stephen L. Carter: My first novel, The Emperor of Ocean Park, dealt in part with what happens to the family of a man who is embittered after losing a tough confirmation battle for the Supreme Court. Here, I thought about the men in public life who have been brought down (or nearly brought down) by their relationships with women. We always find out what happened to the men, but rarely what happened to the women. In Beck DeForde, I wrote a character who was once "the other woman" to a famous man, and has had to rebuild her life after their tempestuous relationship ended. The idea of drawing her into the conspiratorial web surrounding her ex-lover was irresistible.
Question: Have you always been fascinated with the idea of spies and secrets?
Stephen L. Carter: It is not spying itself that interests me, it is the people who do it. I have done some reading about the toll that intelligence work takes on families, and here I have tried to imagine it fictionally.
As to secrets, I teach a course at Yale Law School on secrets and the law. We build powerful walls to keep secrets, and most of them are probably not worth keeping. Those that are, sooner or later tend to leak through the wall. No doubt there are some secrets that should be kept, but classification and national security tempt those in power to keep in the darkness acts and words that should be dragged into the light. One rule of thumb I wish all officials would follow is this: Don't do anything you're not willing to defend in your memoirs.
Question: What sort of research did this novel require? Did you have to investigate the history of the CIA? What it's like to work in the intelligence community? Interrogation techniques? Did your research into the intelligence community unearth any surprises?
Stephen L. Carter: I did a lot of research about the CIA, its history, its structure, its personalities, as well as about various mental illnesses. One thing that struck me was how much mental illness there has been, historically, near the top of the Agency. I mentioned Angleton. Frank Wisner, the father of the clandestine services, had a nervous breakdown while on the job. There are other, smaller stories, as well.
Stephen L. Carter: The CIA has had its share of financial scandals, but the larger problem, I think, is the way that people parlay government service into multi-million dollar stints lobbying and litigating against the very agencies they used to run. Such conduct is not, nor should it be, illegal; but it does not look good either.
Question: Can people who dedicate their lives to keeping secrets and trading in conspiracies, ever really retire from that kind of work?
Stephen L. Carter: Of course one can retire, but this line of work has to have a lasting effect. If you live your life not talking about your work, it can be difficult to settle into a life where you can talk about everything. And people who have been on the inside often suffer when forced to sit on the outside instead.
Question: Jericho's Fall is set mainly in a small town in the Colorado Rockies. How and why did you choose this particular setting for the novel?
Stephen L. Carter: I have spent a lot of time in the Colorado Rockies over the past thirty years, and it is a region of the country I dearly love. There are, moreover, many places in the mountains where cell phone service is iffy or non-existence. Being cut off from the outside world is of course red meat to the thriller writer...
Question: Jericho's house, Stone Heights, is itself a character in this novel, one with its own secrets and surprises. It harks back to such stories as Wuthering Heights or Rebecca or an Agatha Christie mystery where the physical setting is as much a character as the people. Did you have any of those stories in mind as you wrote this?
Stephen L. Carter: Oh, yes. I remember reading Thomas Hardy as a teenager, and being fascinated by the way that the house or the pond or the moor was always brooding over the action. Here, I had in effect two "physical" characters, the house itself, and the mountains that surround both Stone Heights and the town of Bethel. By the way, the town of Bethel is fictitious, but of course bears a biblical relation to Jericho.
Question: In your previous books characters from earlier novels have gone on to appear in future novels. Will we see more of any of the characters from this novel?
Stephen L. Carter: If I keep writing short thrillers like this one, we will certainly see some of these characters again. By the way, one of the minor characters in Jericho's Fall, a law professor named Tish Kirschbaum, was also a minor character in The Emperor of Ocean Park. So I have kept the connections going.
(Photo © Elena Seibert)
]]>Stephen L. Carter’s brilliant debut, The Emperor of Ocean Park, spent eleven week son the New York Times best-seller list. Now, in Jericho’s Fall, Carter turns his formidable talents to the shadowy world of spies, official secrecy, and financial fraud in a thriller that rivets the reader’s attention until the very last page.
In an imposing house in the Colorado Rockies, Jericho Ainsley, former head of the Central Intelligence Agency and a Wall Street titan, lies dying. He summons to his beside Beck DeForde, the younger woman for whom he threw away his career years ago, miring them both in scandal. Beck believes she is visiting to say farewell. Instead, she is drawn into a battle over an explosive secret that foreign governments and powerful corporations alike want to wrest from Jericho before he dies.
An intricate and timely thriller that plumbs the emotional depths of a failed love affair and a family torn apart by mistrust, Jericho’s Fall takes us on a fast-moving journey through the secretive world of intelligence operations and the meltdown of the financial markets. And it creates, in Beck DeForde, an unforgettable heroine for our turbulent age.<span class="h1">
A Q&A with Stephen L. Carter</span><span class="ptBrand"></span>
Question: Jericho's Fall is a departure from your previous novels. What made you decide to turn your attention to a spy thriller?Stephen L. Carter: I was ready for a change of pace. My other novels have been large—as the reviewers like to say, multi-layered. I wanted to try a short, straightforward page turner, a book to be read for the sheer pleasure of the story. Thrillers are fun to read, and, as I discovered, they are also lots of fun to write. If readers like Jericho's Fall, I expect I will write more of them.
Question: In your "Author's Note" you write that "the problem of mental illness among intelligence professionals is often said to be endemic." This link between intelligence work and madness is certainly born out in your character Jericho Ainsley. Why do you think this link exists and is this what drew you to Jericho's story?
Stephen L. Carter: In researching my previous novel, Palace Council, I became fascinated by the problem of mental illness in the intelligence community, an issue much-commented on in the 1960s and 1970s, mainly because of James Jesus Angleton, whose paranoia when he ran counter-intelligence at the CIA nearly tore the place apart. I thought that structuring a story around an ex-spy who was losing his mind might provide a nice hook, and the rest just followed.
Question: Jericho is former Director of the CIA, former Secretary of Defense, former White House National Security Advisor ("former everything" as you refer to him). You seem equally interested in how his career affected not only him but his family and in particular his ex-lover Rebecca DeForde ("Beck"). Why did you decide to make Beck the center of the story?
Stephen L. Carter: My first novel, The Emperor of Ocean Park, dealt in part with what happens to the family of a man who is embittered after losing a tough confirmation battle for the Supreme Court. Here, I thought about the men in public life who have been brought down (or nearly brought down) by their relationships with women. We always find out what happened to the men, but rarely what happened to the women. In Beck DeForde, I wrote a character who was once "the other woman" to a famous man, and has had to rebuild her life after their tempestuous relationship ended. The idea of drawing her into the conspiratorial web surrounding her ex-lover was irresistible.
Question: Have you always been fascinated with the idea of spies and secrets?
Stephen L. Carter: It is not spying itself that interests me, it is the people who do it. I have done some reading about the toll that intelligence work takes on families, and here I have tried to imagine it fictionally.
As to secrets, I teach a course at Yale Law School on secrets and the law. We build powerful walls to keep secrets, and most of them are probably not worth keeping. Those that are, sooner or later tend to leak through the wall. No doubt there are some secrets that should be kept, but classification and national security tempt those in power to keep in the darkness acts and words that should be dragged into the light. One rule of thumb I wish all officials would follow is this: Don't do anything you're not willing to defend in your memoirs.
Question: What sort of research did this novel require? Did you have to investigate the history of the CIA? What it's like to work in the intelligence community? Interrogation techniques? Did your research into the intelligence community unearth any surprises?
Stephen L. Carter: I did a lot of research about the CIA, its history, its structure, its personalities, as well as about various mental illnesses. One thing that struck me was how much mental illness there has been, historically, near the top of the Agency. I mentioned Angleton. Frank Wisner, the father of the clandestine services, had a nervous breakdown while on the job. There are other, smaller stories, as well.
Stephen L. Carter: The CIA has had its share of financial scandals, but the larger problem, I think, is the way that people parlay government service into multi-million dollar stints lobbying and litigating against the very agencies they used to run. Such conduct is not, nor should it be, illegal; but it does not look good either.
Question: Can people who dedicate their lives to keeping secrets and trading in conspiracies, ever really retire from that kind of work?
Stephen L. Carter: Of course one can retire, but this line of work has to have a lasting effect. If you live your life not talking about your work, it can be difficult to settle into a life where you can talk about everything. And people who have been on the inside often suffer when forced to sit on the outside instead.
Question: Jericho's Fall is set mainly in a small town in the Colorado Rockies. How and why did you choose this particular setting for the novel?
Stephen L. Carter: I have spent a lot of time in the Colorado Rockies over the past thirty years, and it is a region of the country I dearly love. There are, moreover, many places in the mountains where cell phone service is iffy or non-existence. Being cut off from the outside world is of course red meat to the thriller writer...
Question: Jericho's house, Stone Heights, is itself a character in this novel, one with its own secrets and surprises. It harks back to such stories as Wuthering Heights or Rebecca or an Agatha Christie mystery where the physical setting is as much a character as the people. Did you have any of those stories in mind as you wrote this?
Stephen L. Carter: Oh, yes. I remember reading Thomas Hardy as a teenager, and being fascinated by the way that the house or the pond or the moor was always brooding over the action. Here, I had in effect two "physical" characters, the house itself, and the mountains that surround both Stone Heights and the town of Bethel. By the way, the town of Bethel is fictitious, but of course bears a biblical relation to Jericho.
Question: In your previous books characters from earlier novels have gone on to appear in future novels. Will we see more of any of the characters from this novel?
Stephen L. Carter: If I keep writing short thrillers like this one, we will certainly see some of these characters again. By the way, one of the minor characters in Jericho's Fall, a law professor named Tish Kirschbaum, was also a minor character in The Emperor of Ocean Park. So I have kept the connections going.
(Photo © Elena Seibert)
]]>Stone Heights, Colorado: Jericho Ainsley, onetime director of the CIA, lies dying. He has gathered his relatives, friends, supporters and minions to his side for a final goodbye. At the opening of Jericho’s Fall, Stephen L. Carter’s espionage thrille...more...]]>
Stephen L. Carter’s brilliant debut, The Emperor of Ocean Park, spent eleven week son the New York Times best-seller list. Now, in Jericho’s Fall, Carter turns his formidable talents to the shadowy world of spies, official secrecy, and financial fraud in a thriller that rivets the reader’s attention until the very last page.
In an imposing house in the Colorado Rockies, Jericho Ainsley, former head of the Central Intelligence Agency and a Wall Street titan, lies dying. He summons to his beside Beck DeForde, the younger woman for whom he threw away his career years ago, miring them both in scandal. Beck believes she is visiting to say farewell. Instead, she is drawn into a battle over an explosive secret that foreign governments and powerful corporations alike want to wrest from Jericho before he dies.
An intricate and timely thriller that plumbs the emotional depths of a failed love affair and a family torn apart by mistrust, Jericho’s Fall takes us on a fast-moving journey through the secretive world of intelligence operations and the meltdown of the financial markets. And it creates, in Beck DeForde, an unforgettable heroine for our turbulent age.<span class="h1">
A Q&A with Stephen L. Carter</span><span class="ptBrand"></span>
Question: Jericho's Fall is a departure from your previous novels. What made you decide to turn your attention to a spy thriller?Stephen L. Carter: I was ready for a change of pace. My other novels have been large—as the reviewers like to say, multi-layered. I wanted to try a short, straightforward page turner, a book to be read for the sheer pleasure of the story. Thrillers are fun to read, and, as I discovered, they are also lots of fun to write. If readers like Jericho's Fall, I expect I will write more of them.
Question: In your "Author's Note" you write that "the problem of mental illness among intelligence professionals is often said to be endemic." This link between intelligence work and madness is certainly born out in your character Jericho Ainsley. Why do you think this link exists and is this what drew you to Jericho's story?
Stephen L. Carter: In researching my previous novel, Palace Council, I became fascinated by the problem of mental illness in the intelligence community, an issue much-commented on in the 1960s and 1970s, mainly because of James Jesus Angleton, whose paranoia when he ran counter-intelligence at the CIA nearly tore the place apart. I thought that structuring a story around an ex-spy who was losing his mind might provide a nice hook, and the rest just followed.
Question: Jericho is former Director of the CIA, former Secretary of Defense, former White House National Security Advisor ("former everything" as you refer to him). You seem equally interested in how his career affected not only him but his family and in particular his ex-lover Rebecca DeForde ("Beck"). Why did you decide to make Beck the center of the story?
Stephen L. Carter: My first novel, The Emperor of Ocean Park, dealt in part with what happens to the family of a man who is embittered after losing a tough confirmation battle for the Supreme Court. Here, I thought about the men in public life who have been brought down (or nearly brought down) by their relationships with women. We always find out what happened to the men, but rarely what happened to the women. In Beck DeForde, I wrote a character who was once "the other woman" to a famous man, and has had to rebuild her life after their tempestuous relationship ended. The idea of drawing her into the conspiratorial web surrounding her ex-lover was irresistible.
Question: Have you always been fascinated with the idea of spies and secrets?
Stephen L. Carter: It is not spying itself that interests me, it is the people who do it. I have done some reading about the toll that intelligence work takes on families, and here I have tried to imagine it fictionally.
As to secrets, I teach a course at Yale Law School on secrets and the law. We build powerful walls to keep secrets, and most of them are probably not worth keeping. Those that are, sooner or later tend to leak through the wall. No doubt there are some secrets that should be kept, but classification and national security tempt those in power to keep in the darkness acts and words that should be dragged into the light. One rule of thumb I wish all officials would follow is this: Don't do anything you're not willing to defend in your memoirs.
Question: What sort of research did this novel require? Did you have to investigate the history of the CIA? What it's like to work in the intelligence community? Interrogation techniques? Did your research into the intelligence community unearth any surprises?
Stephen L. Carter: I did a lot of research about the CIA, its history, its structure, its personalities, as well as about various mental illnesses. One thing that struck me was how much mental illness there has been, historically, near the top of the Agency. I mentioned Angleton. Frank Wisner, the father of the clandestine services, had a nervous breakdown while on the job. There are other, smaller stories, as well.
Stephen L. Carter: The CIA has had its share of financial scandals, but the larger problem, I think, is the way that people parlay government service into multi-million dollar stints lobbying and litigating against the very agencies they used to run. Such conduct is not, nor should it be, illegal; but it does not look good either.
Question: Can people who dedicate their lives to keeping secrets and trading in conspiracies, ever really retire from that kind of work?
Stephen L. Carter: Of course one can retire, but this line of work has to have a lasting effect. If you live your life not talking about your work, it can be difficult to settle into a life where you can talk about everything. And people who have been on the inside often suffer when forced to sit on the outside instead.
Question: Jericho's Fall is set mainly in a small town in the Colorado Rockies. How and why did you choose this particular setting for the novel?
Stephen L. Carter: I have spent a lot of time in the Colorado Rockies over the past thirty years, and it is a region of the country I dearly love. There are, moreover, many places in the mountains where cell phone service is iffy or non-existence. Being cut off from the outside world is of course red meat to the thriller writer...
Question: Jericho's house, Stone Heights, is itself a character in this novel, one with its own secrets and surprises. It harks back to such stories as Wuthering Heights or Rebecca or an Agatha Christie mystery where the physical setting is as much a character as the people. Did you have any of those stories in mind as you wrote this?
Stephen L. Carter: Oh, yes. I remember reading Thomas Hardy as a teenager, and being fascinated by the way that the house or the pond or the moor was always brooding over the action. Here, I had in effect two "physical" characters, the house itself, and the mountains that surround both Stone Heights and the town of Bethel. By the way, the town of Bethel is fictitious, but of course bears a biblical relation to Jericho.
Question: In your previous books characters from earlier novels have gone on to appear in future novels. Will we see more of any of the characters from this novel?
Stephen L. Carter: If I keep writing short thrillers like this one, we will certainly see some of these characters again. By the way, one of the minor characters in Jericho's Fall, a law professor named Tish Kirschbaum, was also a minor character in The Emperor of Ocean Park. So I have kept the connections going.
(Photo © Elena Seibert)
]]>Stephen L. Carter’s brilliant debut, The Emperor of Ocean Park, spent eleven week son the New York Times best-seller list. Now, in Jericho’s Fall, Carter turns his formidable talents to the shadowy world of spies, official secrecy, and financial fraud in a thriller that rivets the reader’s attention until the very last page.
In an imposing house in the Colorado Rockies, Jericho Ainsley, former head of the Central Intelligence Agency and a Wall Street titan, lies dying. He summons to his beside Beck DeForde, the younger woman for whom he threw away his career years ago, miring them both in scandal. Beck believes she is visiting to say farewell. Instead, she is drawn into a battle over an explosive secret that foreign governments and powerful corporations alike want to wrest from Jericho before he dies.
An intricate and timely thriller that plumbs the emotional depths of a failed love affair and a family torn apart by mistrust, Jericho’s Fall takes us on a fast-moving journey through the secretive world of intelligence operations and the meltdown of the financial markets. And it creates, in Beck DeForde, an unforgettable heroine for our turbulent age.<span class="h1">
A Q&A with Stephen L. Carter</span><span class="ptBrand"></span>
Question: Jericho's Fall is a departure from your previous novels. What made you decide to turn your attention to a spy thriller?Stephen L. Carter: I was ready for a change of pace. My other novels have been large—as the reviewers like to say, multi-layered. I wanted to try a short, straightforward page turner, a book to be read for the sheer pleasure of the story. Thrillers are fun to read, and, as I discovered, they are also lots of fun to write. If readers like Jericho's Fall, I expect I will write more of them.
Question: In your "Author's Note" you write that "the problem of mental illness among intelligence professionals is often said to be endemic." This link between intelligence work and madness is certainly born out in your character Jericho Ainsley. Why do you think this link exists and is this what drew you to Jericho's story?
Stephen L. Carter: In researching my previous novel, Palace Council, I became fascinated by the problem of mental illness in the intelligence community, an issue much-commented on in the 1960s and 1970s, mainly because of James Jesus Angleton, whose paranoia when he ran counter-intelligence at the CIA nearly tore the place apart. I thought that structuring a story around an ex-spy who was losing his mind might provide a nice hook, and the rest just followed.
Question: Jericho is former Director of the CIA, former Secretary of Defense, former White House National Security Advisor ("former everything" as you refer to him). You seem equally interested in how his career affected not only him but his family and in particular his ex-lover Rebecca DeForde ("Beck"). Why did you decide to make Beck the center of the story?
Stephen L. Carter: My first novel, The Emperor of Ocean Park, dealt in part with what happens to the family of a man who is embittered after losing a tough confirmation battle for the Supreme Court. Here, I thought about the men in public life who have been brought down (or nearly brought down) by their relationships with women. We always find out what happened to the men, but rarely what happened to the women. In Beck DeForde, I wrote a character who was once "the other woman" to a famous man, and has had to rebuild her life after their tempestuous relationship ended. The idea of drawing her into the conspiratorial web surrounding her ex-lover was irresistible.
Question: Have you always been fascinated with the idea of spies and secrets?
Stephen L. Carter: It is not spying itself that interests me, it is the people who do it. I have done some reading about the toll that intelligence work takes on families, and here I have tried to imagine it fictionally.
As to secrets, I teach a course at Yale Law School on secrets and the law. We build powerful walls to keep secrets, and most of them are probably not worth keeping. Those that are, sooner or later tend to leak through the wall. No doubt there are some secrets that should be kept, but classification and national security tempt those in power to keep in the darkness acts and words that should be dragged into the light. One rule of thumb I wish all officials would follow is this: Don't do anything you're not willing to defend in your memoirs.
Question: What sort of research did this novel require? Did you have to investigate the history of the CIA? What it's like to work in the intelligence community? Interrogation techniques? Did your research into the intelligence community unearth any surprises?
Stephen L. Carter: I did a lot of research about the CIA, its history, its structure, its personalities, as well as about various mental illnesses. One thing that struck me was how much mental illness there has been, historically, near the top of the Agency. I mentioned Angleton. Frank Wisner, the father of the clandestine services, had a nervous breakdown while on the job. There are other, smaller stories, as well.
Stephen L. Carter: The CIA has had its share of financial scandals, but the larger problem, I think, is the way that people parlay government service into multi-million dollar stints lobbying and litigating against the very agencies they used to run. Such conduct is not, nor should it be, illegal; but it does not look good either.
Question: Can people who dedicate their lives to keeping secrets and trading in conspiracies, ever really retire from that kind of work?
Stephen L. Carter: Of course one can retire, but this line of work has to have a lasting effect. If you live your life not talking about your work, it can be difficult to settle into a life where you can talk about everything. And people who have been on the inside often suffer when forced to sit on the outside instead.
Question: Jericho's Fall is set mainly in a small town in the Colorado Rockies. How and why did you choose this particular setting for the novel?
Stephen L. Carter: I have spent a lot of time in the Colorado Rockies over the past thirty years, and it is a region of the country I dearly love. There are, moreover, many places in the mountains where cell phone service is iffy or non-existence. Being cut off from the outside world is of course red meat to the thriller writer...
Question: Jericho's house, Stone Heights, is itself a character in this novel, one with its own secrets and surprises. It harks back to such stories as Wuthering Heights or Rebecca or an Agatha Christie mystery where the physical setting is as much a character as the people. Did you have any of those stories in mind as you wrote this?
Stephen L. Carter: Oh, yes. I remember reading Thomas Hardy as a teenager, and being fascinated by the way that the house or the pond or the moor was always brooding over the action. Here, I had in effect two "physical" characters, the house itself, and the mountains that surround both Stone Heights and the town of Bethel. By the way, the town of Bethel is fictitious, but of course bears a biblical relation to Jericho.
Question: In your previous books characters from earlier novels have gone on to appear in future novels. Will we see more of any of the characters from this novel?
Stephen L. Carter: If I keep writing short thrillers like this one, we will certainly see some of these characters again. By the way, one of the minor characters in Jericho's Fall, a law professor named Tish Kirschbaum, was also a minor character in The Emperor of Ocean Park. So I have kept the connections going.
(Photo © Elena Seibert)
]]>Stephen L. Carter’s brilliant debut, The Emperor of Ocean Park, spent eleven week son the New York Times best-seller list. Now, in Jericho’s Fall, Carter turns his formidable talents to the shadowy world of spies, official secrecy, and financial fraud in a thriller that rivets the reader’s attention until the very last page.
In an imposing house in the Colorado Rockies, Jericho Ainsley, former head of the Central Intelligence Agency and a Wall Street titan, lies dying. He summons to his beside Beck DeForde, the younger woman for whom he threw away his career years ago, miring them both in scandal. Beck believes she is visiting to say farewell. Instead, she is drawn into a battle over an explosive secret that foreign governments and powerful corporations alike want to wrest from Jericho before he dies.
An intricate and timely thriller that plumbs the emotional depths of a failed love affair and a family torn apart by mistrust, Jericho’s Fall takes us on a fast-moving journey through the secretive world of intelligence operations and the meltdown of the financial markets. And it creates, in Beck DeForde, an unforgettable heroine for our turbulent age.<span class="h1">
A Q&A with Stephen L. Carter</span><span class="ptBrand"></span>
Question: Jericho's Fall is a departure from your previous novels. What made you decide to turn your attention to a spy thriller?Stephen L. Carter: I was ready for a change of pace. My other novels have been large—as the reviewers like to say, multi-layered. I wanted to try a short, straightforward page turner, a book to be read for the sheer pleasure of the story. Thrillers are fun to read, and, as I discovered, they are also lots of fun to write. If readers like Jericho's Fall, I expect I will write more of them.
Question: In your "Author's Note" you write that "the problem of mental illness among intelligence professionals is often said to be endemic." This link between intelligence work and madness is certainly born out in your character Jericho Ainsley. Why do you think this link exists and is this what drew you to Jericho's story?
Stephen L. Carter: In researching my previous novel, Palace Council, I became fascinated by the problem of mental illness in the intelligence community, an issue much-commented on in the 1960s and 1970s, mainly because of James Jesus Angleton, whose paranoia when he ran counter-intelligence at the CIA nearly tore the place apart. I thought that structuring a story around an ex-spy who was losing his mind might provide a nice hook, and the rest just followed.
Question: Jericho is former Director of the CIA, former Secretary of Defense, former White House National Security Advisor ("former everything" as you refer to him). You seem equally interested in how his career affected not only him but his family and in particular his ex-lover Rebecca DeForde ("Beck"). Why did you decide to make Beck the center of the story?
Stephen L. Carter: My first novel, The Emperor of Ocean Park, dealt in part with what happens to the family of a man who is embittered after losing a tough confirmation battle for the Supreme Court. Here, I thought about the men in public life who have been brought down (or nearly brought down) by their relationships with women. We always find out what happened to the men, but rarely what happened to the women. In Beck DeForde, I wrote a character who was once "the other woman" to a famous man, and has had to rebuild her life after their tempestuous relationship ended. The idea of drawing her into the conspiratorial web surrounding her ex-lover was irresistible.
Question: Have you always been fascinated with the idea of spies and secrets?
Stephen L. Carter: It is not spying itself that interests me, it is the people who do it. I have done some reading about the toll that intelligence work takes on families, and here I have tried to imagine it fictionally.
As to secrets, I teach a course at Yale Law School on secrets and the law. We build powerful walls to keep secrets, and most of them are probably not worth keeping. Those that are, sooner or later tend to leak through the wall. No doubt there are some secrets that should be kept, but classification and national security tempt those in power to keep in the darkness acts and words that should be dragged into the light. One rule of thumb I wish all officials would follow is this: Don't do anything you're not willing to defend in your memoirs.
Question: What sort of research did this novel require? Did you have to investigate the history of the CIA? What it's like to work in the intelligence community? Interrogation techniques? Did your research into the intelligence community unearth any surprises?
Stephen L. Carter: I did a lot of research about the CIA, its history, its structure, its personalities, as well as about various mental illnesses. One thing that struck me was how much mental illness there has been, historically, near the top of the Agency. I mentioned Angleton. Frank Wisner, the father of the clandestine services, had a nervous breakdown while on the job. There are other, smaller stories, as well.
Stephen L. Carter: The CIA has had its share of financial scandals, but the larger problem, I think, is the way that people parlay government service into multi-million dollar stints lobbying and litigating against the very agencies they used to run. Such conduct is not, nor should it be, illegal; but it does not look good either.
Question: Can people who dedicate their lives to keeping secrets and trading in conspiracies, ever really retire from that kind of work?
Stephen L. Carter: Of course one can retire, but this line of work has to have a lasting effect. If you live your life not talking about your work, it can be difficult to settle into a life where you can talk about everything. And people who have been on the inside often suffer when forced to sit on the outside instead.
Question: Jericho's Fall is set mainly in a small town in the Colorado Rockies. How and why did you choose this particular setting for the novel?
Stephen L. Carter: I have spent a lot of time in the Colorado Rockies over the past thirty years, and it is a region of the country I dearly love. There are, moreover, many places in the mountains where cell phone service is iffy or non-existence. Being cut off from the outside world is of course red meat to the thriller writer...
Question: Jericho's house, Stone Heights, is itself a character in this novel, one with its own secrets and surprises. It harks back to such stories as Wuthering Heights or Rebecca or an Agatha Christie mystery where the physical setting is as much a character as the people. Did you have any of those stories in mind as you wrote this?
Stephen L. Carter: Oh, yes. I remember reading Thomas Hardy as a teenager, and being fascinated by the way that the house or the pond or the moor was always brooding over the action. Here, I had in effect two "physical" characters, the house itself, and the mountains that surround both Stone Heights and the town of Bethel. By the way, the town of Bethel is fictitious, but of course bears a biblical relation to Jericho.
Question: In your previous books characters from earlier novels have gone on to appear in future novels. Will we see more of any of the characters from this novel?
Stephen L. Carter: If I keep writing short thrillers like this one, we will certainly see some of these characters again. By the way, one of the minor characters in Jericho's Fall, a law professor named Tish Kirschbaum, was also a minor character in The Emperor of Ocean Park. So I have kept the connections going.
(Photo © Elena Seibert)
]]>Stephen L. Carter’s brilliant debut, The Emperor of Ocean Park, spent eleven week son the New York Times best-seller list. Now, in Jericho’s Fall, Carter turns his formidable talents to the shadowy world of spies, official secrecy, and financial fraud in a thriller that rivets the reader’s attention until the very last page.
In an imposing house in the Colorado Rockies, Jericho Ainsley, former head of the Central Intelligence Agency and a Wall Street titan, lies dying. He summons to his beside Beck DeForde, the younger woman for whom he threw away his career years ago, miring them both in scandal. Beck believes she is visiting to say farewell. Instead, she is drawn into a battle over an explosive secret that foreign governments and powerful corporations alike want to wrest from Jericho before he dies.
An intricate and timely thriller that plumbs the emotional depths of a failed love affair and a family torn apart by mistrust, Jericho’s Fall takes us on a fast-moving journey through the secretive world of intelligence operations and the meltdown of the financial markets. And it creates, in Beck DeForde, an unforgettable heroine for our turbulent age.<span class="h1">
A Q&A with Stephen L. Carter</span><span class="ptBrand"></span>
Question: Jericho's Fall is a departure from your previous novels. What made you decide to turn your attention to a spy thriller?Stephen L. Carter: I was ready for a change of pace. My other novels have been large—as the reviewers like to say, multi-layered. I wanted to try a short, straightforward page turner, a book to be read for the sheer pleasure of the story. Thrillers are fun to read, and, as I discovered, they are also lots of fun to write. If readers like Jericho's Fall, I expect I will write more of them.
Question: In your "Author's Note" you write that "the problem of mental illness among intelligence professionals is often said to be endemic." This link between intelligence work and madness is certainly born out in your character Jericho Ainsley. Why do you think this link exists and is this what drew you to Jericho's story?
Stephen L. Carter: In researching my previous novel, Palace Council, I became fascinated by the problem of mental illness in the intelligence community, an issue much-commented on in the 1960s and 1970s, mainly because of James Jesus Angleton, whose paranoia when he ran counter-intelligence at the CIA nearly tore the place apart. I thought that structuring a story around an ex-spy who was losing his mind might provide a nice hook, and the rest just followed.
Question: Jericho is former Director of the CIA, former Secretary of Defense, former White House National Security Advisor ("former everything" as you refer to him). You seem equally interested in how his career affected not only him but his family and in particular his ex-lover Rebecca DeForde ("Beck"). Why did you decide to make Beck the center of the story?
Stephen L. Carter: My first novel, The Emperor of Ocean Park, dealt in part with what happens to the family of a man who is embittered after losing a tough confirmation battle for the Supreme Court. Here, I thought about the men in public life who have been brought down (or nearly brought down) by their relationships with women. We always find out what happened to the men, but rarely what happened to the women. In Beck DeForde, I wrote a character who was once "the other woman" to a famous man, and has had to rebuild her life after their tempestuous relationship ended. The idea of drawing her into the conspiratorial web surrounding her ex-lover was irresistible.
Question: Have you always been fascinated with the idea of spies and secrets?
Stephen L. Carter: It is not spying itself that interests me, it is the people who do it. I have done some reading about the toll that intelligence work takes on families, and here I have tried to imagine it fictionally.
As to secrets, I teach a course at Yale Law School on secrets and the law. We build powerful walls to keep secrets, and most of them are probably not worth keeping. Those that are, sooner or later tend to leak through the wall. No doubt there are some secrets that should be kept, but classification and national security tempt those in power to keep in the darkness acts and words that should be dragged into the light. One rule of thumb I wish all officials would follow is this: Don't do anything you're not willing to defend in your memoirs.
Question: What sort of research did this novel require? Did you have to investigate the history of the CIA? What it's like to work in the intelligence community? Interrogation techniques? Did your research into the intelligence community unearth any surprises?
Stephen L. Carter: I did a lot of research about the CIA, its history, its structure, its personalities, as well as about various mental illnesses. One thing that struck me was how much mental illness there has been, historically, near the top of the Agency. I mentioned Angleton. Frank Wisner, the father of the clandestine services, had a nervous breakdown while on the job. There are other, smaller stories, as well.
Stephen L. Carter: The CIA has had its share of financial scandals, but the larger problem, I think, is the way that people parlay government service into multi-million dollar stints lobbying and litigating against the very agencies they used to run. Such conduct is not, nor should it be, illegal; but it does not look good either.
Question: Can people who dedicate their lives to keeping secrets and trading in conspiracies, ever really retire from that kind of work?
Stephen L. Carter: Of course one can retire, but this line of work has to have a lasting effect. If you live your life not talking about your work, it can be difficult to settle into a life where you can talk about everything. And people who have been on the inside often suffer when forced to sit on the outside instead.
Question: Jericho's Fall is set mainly in a small town in the Colorado Rockies. How and why did you choose this particular setting for the novel?
Stephen L. Carter: I have spent a lot of time in the Colorado Rockies over the past thirty years, and it is a region of the country I dearly love. There are, moreover, many places in the mountains where cell phone service is iffy or non-existence. Being cut off from the outside world is of course red meat to the thriller writer...
Question: Jericho's house, Stone Heights, is itself a character in this novel, one with its own secrets and surprises. It harks back to such stories as Wuthering Heights or Rebecca or an Agatha Christie mystery where the physical setting is as much a character as the people. Did you have any of those stories in mind as you wrote this?
Stephen L. Carter: Oh, yes. I remember reading Thomas Hardy as a teenager, and being fascinated by the way that the house or the pond or the moor was always brooding over the action. Here, I had in effect two "physical" characters, the house itself, and the mountains that surround both Stone Heights and the town of Bethel. By the way, the town of Bethel is fictitious, but of course bears a biblical relation to Jericho.
Question: In your previous books characters from earlier novels have gone on to appear in future novels. Will we see more of any of the characters from this novel?
Stephen L. Carter: If I keep writing short thrillers like this one, we will certainly see some of these characters again. By the way, one of the minor characters in Jericho's Fall, a law professor named Tish Kirschbaum, was also a minor character in The Emperor of Ocean Park. So I have kept the connections going.
(Photo © Elena Seibert)
]]>Stephen L. Carter’s brilliant debut, The Emperor of Ocean Park, spent eleven week son the New York Times best-seller list. Now, in Jericho’s Fall, Carter turns his formidable talents to the shadowy world of spies, official secrecy, and financial fraud in a thriller that rivets the reader’s attention until the very last page.
In an imposing house in the Colorado Rockies, Jericho Ainsley, former head of the Central Intelligence Agency and a Wall Street titan, lies dying. He summons to his beside Beck DeForde, the younger woman for whom he threw away his career years ago, miring them both in scandal. Beck believes she is visiting to say farewell. Instead, she is drawn into a battle over an explosive secret that foreign governments and powerful corporations alike want to wrest from Jericho before he dies.
An intricate and timely thriller that plumbs the emotional depths of a failed love affair and a family torn apart by mistrust, Jericho’s Fall takes us on a fast-moving journey through the secretive world of intelligence operations and the meltdown of the financial markets. And it creates, in Beck DeForde, an unforgettable heroine for our turbulent age.<span class="h1">
A Q&A with Stephen L. Carter</span><span class="ptBrand"></span>
Question: Jericho's Fall is a departure from your previous novels. What made you decide to turn your attention to a spy thriller?Stephen L. Carter: I was ready for a change of pace. My other novels have been large—as the reviewers like to say, multi-layered. I wanted to try a short, straightforward page turner, a book to be read for the sheer pleasure of the story. Thrillers are fun to read, and, as I discovered, they are also lots of fun to write. If readers like Jericho's Fall, I expect I will write more of them.
Question: In your "Author's Note" you write that "the problem of mental illness among intelligence professionals is often said to be endemic." This link between intelligence work and madness is certainly born out in your character Jericho Ainsley. Why do you think this link exists and is this what drew you to Jericho's story?
Stephen L. Carter: In researching my previous novel, Palace Council, I became fascinated by the problem of mental illness in the intelligence community, an issue much-commented on in the 1960s and 1970s, mainly because of James Jesus Angleton, whose paranoia when he ran counter-intelligence at the CIA nearly tore the place apart. I thought that structuring a story around an ex-spy who was losing his mind might provide a nice hook, and the rest just followed.
Question: Jericho is former Director of the CIA, former Secretary of Defense, former White House National Security Advisor ("former everything" as you refer to him). You seem equally interested in how his career affected not only him but his family and in particular his ex-lover Rebecca DeForde ("Beck"). Why did you decide to make Beck the center of the story?
Stephen L. Carter: My first novel, The Emperor of Ocean Park, dealt in part with what happens to the family of a man who is embittered after losing a tough confirmation battle for the Supreme Court. Here, I thought about the men in public life who have been brought down (or nearly brought down) by their relationships with women. We always find out what happened to the men, but rarely what happened to the women. In Beck DeForde, I wrote a character who was once "the other woman" to a famous man, and has had to rebuild her life after their tempestuous relationship ended. The idea of drawing her into the conspiratorial web surrounding her ex-lover was irresistible.
Question: Have you always been fascinated with the idea of spies and secrets?
Stephen L. Carter: It is not spying itself that interests me, it is the people who do it. I have done some reading about the toll that intelligence work takes on families, and here I have tried to imagine it fictionally.
As to secrets, I teach a course at Yale Law School on secrets and the law. We build powerful walls to keep secrets, and most of them are probably not worth keeping. Those that are, sooner or later tend to leak through the wall. No doubt there are some secrets that should be kept, but classification and national security tempt those in power to keep in the darkness acts and words that should be dragged into the light. One rule of thumb I wish all officials would follow is this: Don't do anything you're not willing to defend in your memoirs.
Question: What sort of research did this novel require? Did you have to investigate the history of the CIA? What it's like to work in the intelligence community? Interrogation techniques? Did your research into the intelligence community unearth any surprises?
Stephen L. Carter: I did a lot of research about the CIA, its history, its structure, its personalities, as well as about various mental illnesses. One thing that struck me was how much mental illness there has been, historically, near the top of the Agency. I mentioned Angleton. Frank Wisner, the father of the clandestine services, had a nervous breakdown while on the job. There are other, smaller stories, as well.
Stephen L. Carter: The CIA has had its share of financial scandals, but the larger problem, I think, is the way that people parlay government service into multi-million dollar stints lobbying and litigating against the very agencies they used to run. Such conduct is not, nor should it be, illegal; but it does not look good either.
Question: Can people who dedicate their lives to keeping secrets and trading in conspiracies, ever really retire from that kind of work?
Stephen L. Carter: Of course one can retire, but this line of work has to have a lasting effect. If you live your life not talking about your work, it can be difficult to settle into a life where you can talk about everything. And people who have been on the inside often suffer when forced to sit on the outside instead.
Question: Jericho's Fall is set mainly in a small town in the Colorado Rockies. How and why did you choose this particular setting for the novel?
Stephen L. Carter: I have spent a lot of time in the Colorado Rockies over the past thirty years, and it is a region of the country I dearly love. There are, moreover, many places in the mountains where cell phone service is iffy or non-existence. Being cut off from the outside world is of course red meat to the thriller writer...
Question: Jericho's house, Stone Heights, is itself a character in this novel, one with its own secrets and surprises. It harks back to such stories as Wuthering Heights or Rebecca or an Agatha Christie mystery where the physical setting is as much a character as the people. Did you have any of those stories in mind as you wrote this?
Stephen L. Carter: Oh, yes. I remember reading Thomas Hardy as a teenager, and being fascinated by the way that the house or the pond or the moor was always brooding over the action. Here, I had in effect two "physical" characters, the house itself, and the mountains that surround both Stone Heights and the town of Bethel. By the way, the town of Bethel is fictitious, but of course bears a biblical relation to Jericho.
Question: In your previous books characters from earlier novels have gone on to appear in future novels. Will we see more of any of the characters from this novel?
Stephen L. Carter: If I keep writing short thrillers like this one, we will certainly see some of these characters again. By the way, one of the minor characters in Jericho's Fall, a law professor named Tish Kirschbaum, was also a minor character in The Emperor of Ocean Park. So I have kept the connections going.
(Photo © Elena Seibert)
]]>This is the first...more...]]>
Stephen L. Carter’s brilliant debut, The Emperor of Ocean Park, spent eleven week son the New York Times best-seller list. Now, in Jericho’s Fall, Carter turns his formidable talents to the shadowy world of spies, official secrecy, and financial fraud in a thriller that rivets the reader’s attention until the very last page.
In an imposing house in the Colorado Rockies, Jericho Ainsley, former head of the Central Intelligence Agency and a Wall Street titan, lies dying. He summons to his beside Beck DeForde, the younger woman for whom he threw away his career years ago, miring them both in scandal. Beck believes she is visiting to say farewell. Instead, she is drawn into a battle over an explosive secret that foreign governments and powerful corporations alike want to wrest from Jericho before he dies.
An intricate and timely thriller that plumbs the emotional depths of a failed love affair and a family torn apart by mistrust, Jericho’s Fall takes us on a fast-moving journey through the secretive world of intelligence operations and the meltdown of the financial markets. And it creates, in Beck DeForde, an unforgettable heroine for our turbulent age.<span class="h1">
A Q&A with Stephen L. Carter</span><span class="ptBrand"></span>
Question: Jericho's Fall is a departure from your previous novels. What made you decide to turn your attention to a spy thriller?Stephen L. Carter: I was ready for a change of pace. My other novels have been large—as the reviewers like to say, multi-layered. I wanted to try a short, straightforward page turner, a book to be read for the sheer pleasure of the story. Thrillers are fun to read, and, as I discovered, they are also lots of fun to write. If readers like Jericho's Fall, I expect I will write more of them.
Question: In your "Author's Note" you write that "the problem of mental illness among intelligence professionals is often said to be endemic." This link between intelligence work and madness is certainly born out in your character Jericho Ainsley. Why do you think this link exists and is this what drew you to Jericho's story?
Stephen L. Carter: In researching my previous novel, Palace Council, I became fascinated by the problem of mental illness in the intelligence community, an issue much-commented on in the 1960s and 1970s, mainly because of James Jesus Angleton, whose paranoia when he ran counter-intelligence at the CIA nearly tore the place apart. I thought that structuring a story around an ex-spy who was losing his mind might provide a nice hook, and the rest just followed.
Question: Jericho is former Director of the CIA, former Secretary of Defense, former White House National Security Advisor ("former everything" as you refer to him). You seem equally interested in how his career affected not only him but his family and in particular his ex-lover Rebecca DeForde ("Beck"). Why did you decide to make Beck the center of the story?
Stephen L. Carter: My first novel, The Emperor of Ocean Park, dealt in part with what happens to the family of a man who is embittered after losing a tough confirmation battle for the Supreme Court. Here, I thought about the men in public life who have been brought down (or nearly brought down) by their relationships with women. We always find out what happened to the men, but rarely what happened to the women. In Beck DeForde, I wrote a character who was once "the other woman" to a famous man, and has had to rebuild her life after their tempestuous relationship ended. The idea of drawing her into the conspiratorial web surrounding her ex-lover was irresistible.
Question: Have you always been fascinated with the idea of spies and secrets?
Stephen L. Carter: It is not spying itself that interests me, it is the people who do it. I have done some reading about the toll that intelligence work takes on families, and here I have tried to imagine it fictionally.
As to secrets, I teach a course at Yale Law School on secrets and the law. We build powerful walls to keep secrets, and most of them are probably not worth keeping. Those that are, sooner or later tend to leak through the wall. No doubt there are some secrets that should be kept, but classification and national security tempt those in power to keep in the darkness acts and words that should be dragged into the light. One rule of thumb I wish all officials would follow is this: Don't do anything you're not willing to defend in your memoirs.
Question: What sort of research did this novel require? Did you have to investigate the history of the CIA? What it's like to work in the intelligence community? Interrogation techniques? Did your research into the intelligence community unearth any surprises?
Stephen L. Carter: I did a lot of research about the CIA, its history, its structure, its personalities, as well as about various mental illnesses. One thing that struck me was how much mental illness there has been, historically, near the top of the Agency. I mentioned Angleton. Frank Wisner, the father of the clandestine services, had a nervous breakdown while on the job. There are other, smaller stories, as well.
Stephen L. Carter: The CIA has had its share of financial scandals, but the larger problem, I think, is the way that people parlay government service into multi-million dollar stints lobbying and litigating against the very agencies they used to run. Such conduct is not, nor should it be, illegal; but it does not look good either.
Question: Can people who dedicate their lives to keeping secrets and trading in conspiracies, ever really retire from that kind of work?
Stephen L. Carter: Of course one can retire, but this line of work has to have a lasting effect. If you live your life not talking about your work, it can be difficult to settle into a life where you can talk about everything. And people who have been on the inside often suffer when forced to sit on the outside instead.
Question: Jericho's Fall is set mainly in a small town in the Colorado Rockies. How and why did you choose this particular setting for the novel?
Stephen L. Carter: I have spent a lot of time in the Colorado Rockies over the past thirty years, and it is a region of the country I dearly love. There are, moreover, many places in the mountains where cell phone service is iffy or non-existence. Being cut off from the outside world is of course red meat to the thriller writer...
Question: Jericho's house, Stone Heights, is itself a character in this novel, one with its own secrets and surprises. It harks back to such stories as Wuthering Heights or Rebecca or an Agatha Christie mystery where the physical setting is as much a character as the people. Did you have any of those stories in mind as you wrote this?
Stephen L. Carter: Oh, yes. I remember reading Thomas Hardy as a teenager, and being fascinated by the way that the house or the pond or the moor was always brooding over the action. Here, I had in effect two "physical" characters, the house itself, and the mountains that surround both Stone Heights and the town of Bethel. By the way, the town of Bethel is fictitious, but of course bears a biblical relation to Jericho.
Question: In your previous books characters from earlier novels have gone on to appear in future novels. Will we see more of any of the characters from this novel?
Stephen L. Carter: If I keep writing short thrillers like this one, we will certainly see some of these characters again. By the way, one of the minor characters in Jericho's Fall, a law professor named Tish Kirschbaum, was also a minor character in The Emperor of Ocean Park. So I have kept the connections going.
(Photo © Elena Seibert)
]]>Stephen L. Carter’s brilliant debut, The Emperor of Ocean Park, spent eleven week son the New York Times best-seller list. Now, in Jericho’s Fall, Carter turns his formidable talents to the shadowy world of spies, official secrecy, and financial fraud in a thriller that rivets the reader’s attention until the very last page.
In an imposing house in the Colorado Rockies, Jericho Ainsley, former head of the Central Intelligence Agency and a Wall Street titan, lies dying. He summons to his beside Beck DeForde, the younger woman for whom he threw away his career years ago, miring them both in scandal. Beck believes she is visiting to say farewell. Instead, she is drawn into a battle over an explosive secret that foreign governments and powerful corporations alike want to wrest from Jericho before he dies.
An intricate and timely thriller that plumbs the emotional depths of a failed love affair and a family torn apart by mistrust, Jericho’s Fall takes us on a fast-moving journey through the secretive world of intelligence operations and the meltdown of the financial markets. And it creates, in Beck DeForde, an unforgettable heroine for our turbulent age.<span class="h1">
A Q&A with Stephen L. Carter</span><span class="ptBrand"></span>
Question: Jericho's Fall is a departure from your previous novels. What made you decide to turn your attention to a spy thriller?Stephen L. Carter: I was ready for a change of pace. My other novels have been large—as the reviewers like to say, multi-layered. I wanted to try a short, straightforward page turner, a book to be read for the sheer pleasure of the story. Thrillers are fun to read, and, as I discovered, they are also lots of fun to write. If readers like Jericho's Fall, I expect I will write more of them.
Question: In your "Author's Note" you write that "the problem of mental illness among intelligence professionals is often said to be endemic." This link between intelligence work and madness is certainly born out in your character Jericho Ainsley. Why do you think this link exists and is this what drew you to Jericho's story?
Stephen L. Carter: In researching my previous novel, Palace Council, I became fascinated by the problem of mental illness in the intelligence community, an issue much-commented on in the 1960s and 1970s, mainly because of James Jesus Angleton, whose paranoia when he ran counter-intelligence at the CIA nearly tore the place apart. I thought that structuring a story around an ex-spy who was losing his mind might provide a nice hook, and the rest just followed.
Question: Jericho is former Director of the CIA, former Secretary of Defense, former White House National Security Advisor ("former everything" as you refer to him). You seem equally interested in how his career affected not only him but his family and in particular his ex-lover Rebecca DeForde ("Beck"). Why did you decide to make Beck the center of the story?
Stephen L. Carter: My first novel, The Emperor of Ocean Park, dealt in part with what happens to the family of a man who is embittered after losing a tough confirmation battle for the Supreme Court. Here, I thought about the men in public life who have been brought down (or nearly brought down) by their relationships with women. We always find out what happened to the men, but rarely what happened to the women. In Beck DeForde, I wrote a character who was once "the other woman" to a famous man, and has had to rebuild her life after their tempestuous relationship ended. The idea of drawing her into the conspiratorial web surrounding her ex-lover was irresistible.
Question: Have you always been fascinated with the idea of spies and secrets?
Stephen L. Carter: It is not spying itself that interests me, it is the people who do it. I have done some reading about the toll that intelligence work takes on families, and here I have tried to imagine it fictionally.
As to secrets, I teach a course at Yale Law School on secrets and the law. We build powerful walls to keep secrets, and most of them are probably not worth keeping. Those that are, sooner or later tend to leak through the wall. No doubt there are some secrets that should be kept, but classification and national security tempt those in power to keep in the darkness acts and words that should be dragged into the light. One rule of thumb I wish all officials would follow is this: Don't do anything you're not willing to defend in your memoirs.
Question: What sort of research did this novel require? Did you have to investigate the history of the CIA? What it's like to work in the intelligence community? Interrogation techniques? Did your research into the intelligence community unearth any surprises?
Stephen L. Carter: I did a lot of research about the CIA, its history, its structure, its personalities, as well as about various mental illnesses. One thing that struck me was how much mental illness there has been, historically, near the top of the Agency. I mentioned Angleton. Frank Wisner, the father of the clandestine services, had a nervous breakdown while on the job. There are other, smaller stories, as well.
Stephen L. Carter: The CIA has had its share of financial scandals, but the larger problem, I think, is the way that people parlay government service into multi-million dollar stints lobbying and litigating against the very agencies they used to run. Such conduct is not, nor should it be, illegal; but it does not look good either.
Question: Can people who dedicate their lives to keeping secrets and trading in conspiracies, ever really retire from that kind of work?
Stephen L. Carter: Of course one can retire, but this line of work has to have a lasting effect. If you live your life not talking about your work, it can be difficult to settle into a life where you can talk about everything. And people who have been on the inside often suffer when forced to sit on the outside instead.
Question: Jericho's Fall is set mainly in a small town in the Colorado Rockies. How and why did you choose this particular setting for the novel?
Stephen L. Carter: I have spent a lot of time in the Colorado Rockies over the past thirty years, and it is a region of the country I dearly love. There are, moreover, many places in the mountains where cell phone service is iffy or non-existence. Being cut off from the outside world is of course red meat to the thriller writer...
Question: Jericho's house, Stone Heights, is itself a character in this novel, one with its own secrets and surprises. It harks back to such stories as Wuthering Heights or Rebecca or an Agatha Christie mystery where the physical setting is as much a character as the people. Did you have any of those stories in mind as you wrote this?
Stephen L. Carter: Oh, yes. I remember reading Thomas Hardy as a teenager, and being fascinated by the way that the house or the pond or the moor was always brooding over the action. Here, I had in effect two "physical" characters, the house itself, and the mountains that surround both Stone Heights and the town of Bethel. By the way, the town of Bethel is fictitious, but of course bears a biblical relation to Jericho.
Question: In your previous books characters from earlier novels have gone on to appear in future novels. Will we see more of any of the characters from this novel?
Stephen L. Carter: If I keep writing short thrillers like this one, we will certainly see some of these characters again. By the way, one of the minor characters in Jericho's Fall, a law professor named Tish Kirschbaum, was also a minor character in The Emperor of Ocean Park. So I have kept the connections going.
(Photo © Elena Seibert)
]]>Enjoyability: 2.5
Re-Readability: 1
Character Development: 3.5
Complexity: 4
Writing Style: 4
Believability: 3.5
Overall: 3.08
This was the first book I...more...]]>
Stephen L. Carter’s brilliant debut, The Emperor of Ocean Park, spent eleven week son the New York Times best-seller list. Now, in Jericho’s Fall, Carter turns his formidable talents to the shadowy world of spies, official secrecy, and financial fraud in a thriller that rivets the reader’s attention until the very last page.
In an imposing house in the Colorado Rockies, Jericho Ainsley, former head of the Central Intelligence Agency and a Wall Street titan, lies dying. He summons to his beside Beck DeForde, the younger woman for whom he threw away his career years ago, miring them both in scandal. Beck believes she is visiting to say farewell. Instead, she is drawn into a battle over an explosive secret that foreign governments and powerful corporations alike want to wrest from Jericho before he dies.
An intricate and timely thriller that plumbs the emotional depths of a failed love affair and a family torn apart by mistrust, Jericho’s Fall takes us on a fast-moving journey through the secretive world of intelligence operations and the meltdown of the financial markets. And it creates, in Beck DeForde, an unforgettable heroine for our turbulent age.<span class="h1">
A Q&A with Stephen L. Carter</span><span class="ptBrand"></span>
Question: Jericho's Fall is a departure from your previous novels. What made you decide to turn your attention to a spy thriller?Stephen L. Carter: I was ready for a change of pace. My other novels have been large—as the reviewers like to say, multi-layered. I wanted to try a short, straightforward page turner, a book to be read for the sheer pleasure of the story. Thrillers are fun to read, and, as I discovered, they are also lots of fun to write. If readers like Jericho's Fall, I expect I will write more of them.
Question: In your "Author's Note" you write that "the problem of mental illness among intelligence professionals is often said to be endemic." This link between intelligence work and madness is certainly born out in your character Jericho Ainsley. Why do you think this link exists and is this what drew you to Jericho's story?
Stephen L. Carter: In researching my previous novel, Palace Council, I became fascinated by the problem of mental illness in the intelligence community, an issue much-commented on in the 1960s and 1970s, mainly because of James Jesus Angleton, whose paranoia when he ran counter-intelligence at the CIA nearly tore the place apart. I thought that structuring a story around an ex-spy who was losing his mind might provide a nice hook, and the rest just followed.
Question: Jericho is former Director of the CIA, former Secretary of Defense, former White House National Security Advisor ("former everything" as you refer to him). You seem equally interested in how his career affected not only him but his family and in particular his ex-lover Rebecca DeForde ("Beck"). Why did you decide to make Beck the center of the story?
Stephen L. Carter: My first novel, The Emperor of Ocean Park, dealt in part with what happens to the family of a man who is embittered after losing a tough confirmation battle for the Supreme Court. Here, I thought about the men in public life who have been brought down (or nearly brought down) by their relationships with women. We always find out what happened to the men, but rarely what happened to the women. In Beck DeForde, I wrote a character who was once "the other woman" to a famous man, and has had to rebuild her life after their tempestuous relationship ended. The idea of drawing her into the conspiratorial web surrounding her ex-lover was irresistible.
Question: Have you always been fascinated with the idea of spies and secrets?
Stephen L. Carter: It is not spying itself that interests me, it is the people who do it. I have done some reading about the toll that intelligence work takes on families, and here I have tried to imagine it fictionally.
As to secrets, I teach a course at Yale Law School on secrets and the law. We build powerful walls to keep secrets, and most of them are probably not worth keeping. Those that are, sooner or later tend to leak through the wall. No doubt there are some secrets that should be kept, but classification and national security tempt those in power to keep in the darkness acts and words that should be dragged into the light. One rule of thumb I wish all officials would follow is this: Don't do anything you're not willing to defend in your memoirs.
Question: What sort of research did this novel require? Did you have to investigate the history of the CIA? What it's like to work in the intelligence community? Interrogation techniques? Did your research into the intelligence community unearth any surprises?
Stephen L. Carter: I did a lot of research about the CIA, its history, its structure, its personalities, as well as about various mental illnesses. One thing that struck me was how much mental illness there has been, historically, near the top of the Agency. I mentioned Angleton. Frank Wisner, the father of the clandestine services, had a nervous breakdown while on the job. There are other, smaller stories, as well.
Stephen L. Carter: The CIA has had its share of financial scandals, but the larger problem, I think, is the way that people parlay government service into multi-million dollar stints lobbying and litigating against the very agencies they used to run. Such conduct is not, nor should it be, illegal; but it does not look good either.
Question: Can people who dedicate their lives to keeping secrets and trading in conspiracies, ever really retire from that kind of work?
Stephen L. Carter: Of course one can retire, but this line of work has to have a lasting effect. If you live your life not talking about your work, it can be difficult to settle into a life where you can talk about everything. And people who have been on the inside often suffer when forced to sit on the outside instead.
Question: Jericho's Fall is set mainly in a small town in the Colorado Rockies. How and why did you choose this particular setting for the novel?
Stephen L. Carter: I have spent a lot of time in the Colorado Rockies over the past thirty years, and it is a region of the country I dearly love. There are, moreover, many places in the mountains where cell phone service is iffy or non-existence. Being cut off from the outside world is of course red meat to the thriller writer...
Question: Jericho's house, Stone Heights, is itself a character in this novel, one with its own secrets and surprises. It harks back to such stories as Wuthering Heights or Rebecca or an Agatha Christie mystery where the physical setting is as much a character as the people. Did you have any of those stories in mind as you wrote this?
Stephen L. Carter: Oh, yes. I remember reading Thomas Hardy as a teenager, and being fascinated by the way that the house or the pond or the moor was always brooding over the action. Here, I had in effect two "physical" characters, the house itself, and the mountains that surround both Stone Heights and the town of Bethel. By the way, the town of Bethel is fictitious, but of course bears a biblical relation to Jericho.
Question: In your previous books characters from earlier novels have gone on to appear in future novels. Will we see more of any of the characters from this novel?
Stephen L. Carter: If I keep writing short thrillers like this one, we will certainly see some of these characters again. By the way, one of the minor characters in Jericho's Fall, a law professor named Tish Kirschbaum, was also a minor character in The Emperor of Ocean Park. So I have kept the connections going.
(Photo © Elena Seibert)
]]>Stephen L. Carter’s brilliant debut, The Emperor of Ocean Park, spent eleven week son the New York Times best-seller list. Now, in Jericho’s Fall, Carter turns his formidable talents to the shadowy world of spies, official secrecy, and financial fraud in a thriller that rivets the reader’s attention until the very last page.
In an imposing house in the Colorado Rockies, Jericho Ainsley, former head of the Central Intelligence Agency and a Wall Street titan, lies dying. He summons to his beside Beck DeForde, the younger woman for whom he threw away his career years ago, miring them both in scandal. Beck believes she is visiting to say farewell. Instead, she is drawn into a battle over an explosive secret that foreign governments and powerful corporations alike want to wrest from Jericho before he dies.
An intricate and timely thriller that plumbs the emotional depths of a failed love affair and a family torn apart by mistrust, Jericho’s Fall takes us on a fast-moving journey through the secretive world of intelligence operations and the meltdown of the financial markets. And it creates, in Beck DeForde, an unforgettable heroine for our turbulent age.<span class="h1">
A Q&A with Stephen L. Carter</span><span class="ptBrand"></span>
Question: Jericho's Fall is a departure from your previous novels. What made you decide to turn your attention to a spy thriller?Stephen L. Carter: I was ready for a change of pace. My other novels have been large—as the reviewers like to say, multi-layered. I wanted to try a short, straightforward page turner, a book to be read for the sheer pleasure of the story. Thrillers are fun to read, and, as I discovered, they are also lots of fun to write. If readers like Jericho's Fall, I expect I will write more of them.
Question: In your "Author's Note" you write that "the problem of mental illness among intelligence professionals is often said to be endemic." This link between intelligence work and madness is certainly born out in your character Jericho Ainsley. Why do you think this link exists and is this what drew you to Jericho's story?
Stephen L. Carter: In researching my previous novel, Palace Council, I became fascinated by the problem of mental illness in the intelligence community, an issue much-commented on in the 1960s and 1970s, mainly because of James Jesus Angleton, whose paranoia when he ran counter-intelligence at the CIA nearly tore the place apart. I thought that structuring a story around an ex-spy who was losing his mind might provide a nice hook, and the rest just followed.
Question: Jericho is former Director of the CIA, former Secretary of Defense, former White House National Security Advisor ("former everything" as you refer to him). You seem equally interested in how his career affected not only him but his family and in particular his ex-lover Rebecca DeForde ("Beck"). Why did you decide to make Beck the center of the story?
Stephen L. Carter: My first novel, The Emperor of Ocean Park, dealt in part with what happens to the family of a man who is embittered after losing a tough confirmation battle for the Supreme Court. Here, I thought about the men in public life who have been brought down (or nearly brought down) by their relationships with women. We always find out what happened to the men, but rarely what happened to the women. In Beck DeForde, I wrote a character who was once "the other woman" to a famous man, and has had to rebuild her life after their tempestuous relationship ended. The idea of drawing her into the conspiratorial web surrounding her ex-lover was irresistible.
Question: Have you always been fascinated with the idea of spies and secrets?
Stephen L. Carter: It is not spying itself that interests me, it is the people who do it. I have done some reading about the toll that intelligence work takes on families, and here I have tried to imagine it fictionally.
As to secrets, I teach a course at Yale Law School on secrets and the law. We build powerful walls to keep secrets, and most of them are probably not worth keeping. Those that are, sooner or later tend to leak through the wall. No doubt there are some secrets that should be kept, but classification and national security tempt those in power to keep in the darkness acts and words that should be dragged into the light. One rule of thumb I wish all officials would follow is this: Don't do anything you're not willing to defend in your memoirs.
Question: What sort of research did this novel require? Did you have to investigate the history of the CIA? What it's like to work in the intelligence community? Interrogation techniques? Did your research into the intelligence community unearth any surprises?
Stephen L. Carter: I did a lot of research about the CIA, its history, its structure, its personalities, as well as about various mental illnesses. One thing that struck me was how much mental illness there has been, historically, near the top of the Agency. I mentioned Angleton. Frank Wisner, the father of the clandestine services, had a nervous breakdown while on the job. There are other, smaller stories, as well.
Stephen L. Carter: The CIA has had its share of financial scandals, but the larger problem, I think, is the way that people parlay government service into multi-million dollar stints lobbying and litigating against the very agencies they used to run. Such conduct is not, nor should it be, illegal; but it does not look good either.
Question: Can people who dedicate their lives to keeping secrets and trading in conspiracies, ever really retire from that kind of work?
Stephen L. Carter: Of course one can retire, but this line of work has to have a lasting effect. If you live your life not talking about your work, it can be difficult to settle into a life where you can talk about everything. And people who have been on the inside often suffer when forced to sit on the outside instead.
Question: Jericho's Fall is set mainly in a small town in the Colorado Rockies. How and why did you choose this particular setting for the novel?
Stephen L. Carter: I have spent a lot of time in the Colorado Rockies over the past thirty years, and it is a region of the country I dearly love. There are, moreover, many places in the mountains where cell phone service is iffy or non-existence. Being cut off from the outside world is of course red meat to the thriller writer...
Question: Jericho's house, Stone Heights, is itself a character in this novel, one with its own secrets and surprises. It harks back to such stories as Wuthering Heights or Rebecca or an Agatha Christie mystery where the physical setting is as much a character as the people. Did you have any of those stories in mind as you wrote this?
Stephen L. Carter: Oh, yes. I remember reading Thomas Hardy as a teenager, and being fascinated by the way that the house or the pond or the moor was always brooding over the action. Here, I had in effect two "physical" characters, the house itself, and the mountains that surround both Stone Heights and the town of Bethel. By the way, the town of Bethel is fictitious, but of course bears a biblical relation to Jericho.
Question: In your previous books characters from earlier novels have gone on to appear in future novels. Will we see more of any of the characters from this novel?
Stephen L. Carter: If I keep writing short thrillers like this one, we will certainly see some of these characters again. By the way, one of the minor characters in Jericho's Fall, a law professor named Tish Kirschbaum, was also a minor character in The Emperor of Ocean Park. So I have kept the connections going.
(Photo © Elena Seibert)
]]>It's a departure from the first three which were thrillers set in upper crust African-American society. This one features a white female caught up in either the hallucinations of a former CIA...more...]]>
Stephen L. Carter’s brilliant debut, The Emperor of Ocean Park, spent eleven week son the New York Times best-seller list. Now, in Jericho’s Fall, Carter turns his formidable talents to the shadowy world of spies, official secrecy, and financial fraud in a thriller that rivets the reader’s attention until the very last page.
In an imposing house in the Colorado Rockies, Jericho Ainsley, former head of the Central Intelligence Agency and a Wall Street titan, lies dying. He summons to his beside Beck DeForde, the younger woman for whom he threw away his career years ago, miring them both in scandal. Beck believes she is visiting to say farewell. Instead, she is drawn into a battle over an explosive secret that foreign governments and powerful corporations alike want to wrest from Jericho before he dies.
An intricate and timely thriller that plumbs the emotional depths of a failed love affair and a family torn apart by mistrust, Jericho’s Fall takes us on a fast-moving journey through the secretive world of intelligence operations and the meltdown of the financial markets. And it creates, in Beck DeForde, an unforgettable heroine for our turbulent age.<span class="h1">
A Q&A with Stephen L. Carter</span><span class="ptBrand"></span>
Question: Jericho's Fall is a departure from your previous novels. What made you decide to turn your attention to a spy thriller?Stephen L. Carter: I was ready for a change of pace. My other novels have been large—as the reviewers like to say, multi-layered. I wanted to try a short, straightforward page turner, a book to be read for the sheer pleasure of the story. Thrillers are fun to read, and, as I discovered, they are also lots of fun to write. If readers like Jericho's Fall, I expect I will write more of them.
Question: In your "Author's Note" you write that "the problem of mental illness among intelligence professionals is often said to be endemic." This link between intelligence work and madness is certainly born out in your character Jericho Ainsley. Why do you think this link exists and is this what drew you to Jericho's story?
Stephen L. Carter: In researching my previous novel, Palace Council, I became fascinated by the problem of mental illness in the intelligence community, an issue much-commented on in the 1960s and 1970s, mainly because of James Jesus Angleton, whose paranoia when he ran counter-intelligence at the CIA nearly tore the place apart. I thought that structuring a story around an ex-spy who was losing his mind might provide a nice hook, and the rest just followed.
Question: Jericho is former Director of the CIA, former Secretary of Defense, former White House National Security Advisor ("former everything" as you refer to him). You seem equally interested in how his career affected not only him but his family and in particular his ex-lover Rebecca DeForde ("Beck"). Why did you decide to make Beck the center of the story?
Stephen L. Carter: My first novel, The Emperor of Ocean Park, dealt in part with what happens to the family of a man who is embittered after losing a tough confirmation battle for the Supreme Court. Here, I thought about the men in public life who have been brought down (or nearly brought down) by their relationships with women. We always find out what happened to the men, but rarely what happened to the women. In Beck DeForde, I wrote a character who was once "the other woman" to a famous man, and has had to rebuild her life after their tempestuous relationship ended. The idea of drawing her into the conspiratorial web surrounding her ex-lover was irresistible.
Question: Have you always been fascinated with the idea of spies and secrets?
Stephen L. Carter: It is not spying itself that interests me, it is the people who do it. I have done some reading about the toll that intelligence work takes on families, and here I have tried to imagine it fictionally.
As to secrets, I teach a course at Yale Law School on secrets and the law. We build powerful walls to keep secrets, and most of them are probably not worth keeping. Those that are, sooner or later tend to leak through the wall. No doubt there are some secrets that should be kept, but classification and national security tempt those in power to keep in the darkness acts and words that should be dragged into the light. One rule of thumb I wish all officials would follow is this: Don't do anything you're not willing to defend in your memoirs.
Question: What sort of research did this novel require? Did you have to investigate the history of the CIA? What it's like to work in the intelligence community? Interrogation techniques? Did your research into the intelligence community unearth any surprises?
Stephen L. Carter: I did a lot of research about the CIA, its history, its structure, its personalities, as well as about various mental illnesses. One thing that struck me was how much mental illness there has been, historically, near the top of the Agency. I mentioned Angleton. Frank Wisner, the father of the clandestine services, had a nervous breakdown while on the job. There are other, smaller stories, as well.
Stephen L. Carter: The CIA has had its share of financial scandals, but the larger problem, I think, is the way that people parlay government service into multi-million dollar stints lobbying and litigating against the very agencies they used to run. Such conduct is not, nor should it be, illegal; but it does not look good either.
Question: Can people who dedicate their lives to keeping secrets and trading in conspiracies, ever really retire from that kind of work?
Stephen L. Carter: Of course one can retire, but this line of work has to have a lasting effect. If you live your life not talking about your work, it can be difficult to settle into a life where you can talk about everything. And people who have been on the inside often suffer when forced to sit on the outside instead.
Question: Jericho's Fall is set mainly in a small town in the Colorado Rockies. How and why did you choose this particular setting for the novel?
Stephen L. Carter: I have spent a lot of time in the Colorado Rockies over the past thirty years, and it is a region of the country I dearly love. There are, moreover, many places in the mountains where cell phone service is iffy or non-existence. Being cut off from the outside world is of course red meat to the thriller writer...
Question: Jericho's house, Stone Heights, is itself a character in this novel, one with its own secrets and surprises. It harks back to such stories as Wuthering Heights or Rebecca or an Agatha Christie mystery where the physical setting is as much a character as the people. Did you have any of those stories in mind as you wrote this?
Stephen L. Carter: Oh, yes. I remember reading Thomas Hardy as a teenager, and being fascinated by the way that the house or the pond or the moor was always brooding over the action. Here, I had in effect two "physical" characters, the house itself, and the mountains that surround both Stone Heights and the town of Bethel. By the way, the town of Bethel is fictitious, but of course bears a biblical relation to Jericho.
Question: In your previous books characters from earlier novels have gone on to appear in future novels. Will we see more of any of the characters from this novel?
Stephen L. Carter: If I keep writing short thrillers like this one, we will certainly see some of these characters again. By the way, one of the minor characters in Jericho's Fall, a law professor named Tish Kirschbaum, was also a minor character in The Emperor of Ocean Park. So I have kept the connections going.
(Photo © Elena Seibert)
]]>really enjoy a book. Otherwise, who cares what happens. The sto...more...]]>
Stephen L. Carter’s brilliant debut, The Emperor of Ocean Park, spent eleven week son the New York Times best-seller list. Now, in Jericho’s Fall, Carter turns his formidable talents to the shadowy world of spies, official secrecy, and financial fraud in a thriller that rivets the reader’s attention until the very last page.
In an imposing house in the Colorado Rockies, Jericho Ainsley, former head of the Central Intelligence Agency and a Wall Street titan, lies dying. He summons to his beside Beck DeForde, the younger woman for whom he threw away his career years ago, miring them both in scandal. Beck believes she is visiting to say farewell. Instead, she is drawn into a battle over an explosive secret that foreign governments and powerful corporations alike want to wrest from Jericho before he dies.
An intricate and timely thriller that plumbs the emotional depths of a failed love affair and a family torn apart by mistrust, Jericho’s Fall takes us on a fast-moving journey through the secretive world of intelligence operations and the meltdown of the financial markets. And it creates, in Beck DeForde, an unforgettable heroine for our turbulent age.<span class="h1">
A Q&A with Stephen L. Carter</span><span class="ptBrand"></span>
Question: Jericho's Fall is a departure from your previous novels. What made you decide to turn your attention to a spy thriller?Stephen L. Carter: I was ready for a change of pace. My other novels have been large—as the reviewers like to say, multi-layered. I wanted to try a short, straightforward page turner, a book to be read for the sheer pleasure of the story. Thrillers are fun to read, and, as I discovered, they are also lots of fun to write. If readers like Jericho's Fall, I expect I will write more of them.
Question: In your "Author's Note" you write that "the problem of mental illness among intelligence professionals is often said to be endemic." This link between intelligence work and madness is certainly born out in your character Jericho Ainsley. Why do you think this link exists and is this what drew you to Jericho's story?
Stephen L. Carter: In researching my previous novel, Palace Council, I became fascinated by the problem of mental illness in the intelligence community, an issue much-commented on in the 1960s and 1970s, mainly because of James Jesus Angleton, whose paranoia when he ran counter-intelligence at the CIA nearly tore the place apart. I thought that structuring a story around an ex-spy who was losing his mind might provide a nice hook, and the rest just followed.
Question: Jericho is former Director of the CIA, former Secretary of Defense, former White House National Security Advisor ("former everything" as you refer to him). You seem equally interested in how his career affected not only him but his family and in particular his ex-lover Rebecca DeForde ("Beck"). Why did you decide to make Beck the center of the story?
Stephen L. Carter: My first novel, The Emperor of Ocean Park, dealt in part with what happens to the family of a man who is embittered after losing a tough confirmation battle for the Supreme Court. Here, I thought about the men in public life who have been brought down (or nearly brought down) by their relationships with women. We always find out what happened to the men, but rarely what happened to the women. In Beck DeForde, I wrote a character who was once "the other woman" to a famous man, and has had to rebuild her life after their tempestuous relationship ended. The idea of drawing her into the conspiratorial web surrounding her ex-lover was irresistible.
Question: Have you always been fascinated with the idea of spies and secrets?
Stephen L. Carter: It is not spying itself that interests me, it is the people who do it. I have done some reading about the toll that intelligence work takes on families, and here I have tried to imagine it fictionally.
As to secrets, I teach a course at Yale Law School on secrets and the law. We build powerful walls to keep secrets, and most of them are probably not worth keeping. Those that are, sooner or later tend to leak through the wall. No doubt there are some secrets that should be kept, but classification and national security tempt those in power to keep in the darkness acts and words that should be dragged into the light. One rule of thumb I wish all officials would follow is this: Don't do anything you're not willing to defend in your memoirs.
Question: What sort of research did this novel require? Did you have to investigate the history of the CIA? What it's like to work in the intelligence community? Interrogation techniques? Did your research into the intelligence community unearth any surprises?
Stephen L. Carter: I did a lot of research about the CIA, its history, its structure, its personalities, as well as about various mental illnesses. One thing that struck me was how much mental illness there has been, historically, near the top of the Agency. I mentioned Angleton. Frank Wisner, the father of the clandestine services, had a nervous breakdown while on the job. There are other, smaller stories, as well.
Stephen L. Carter: The CIA has had its share of financial scandals, but the larger problem, I think, is the way that people parlay government service into multi-million dollar stints lobbying and litigating against the very agencies they used to run. Such conduct is not, nor should it be, illegal; but it does not look good either.
Question: Can people who dedicate their lives to keeping secrets and trading in conspiracies, ever really retire from that kind of work?
Stephen L. Carter: Of course one can retire, but this line of work has to have a lasting effect. If you live your life not talking about your work, it can be difficult to settle into a life where you can talk about everything. And people who have been on the inside often suffer when forced to sit on the outside instead.
Question: Jericho's Fall is set mainly in a small town in the Colorado Rockies. How and why did you choose this particular setting for the novel?
Stephen L. Carter: I have spent a lot of time in the Colorado Rockies over the past thirty years, and it is a region of the country I dearly love. There are, moreover, many places in the mountains where cell phone service is iffy or non-existence. Being cut off from the outside world is of course red meat to the thriller writer...
Question: Jericho's house, Stone Heights, is itself a character in this novel, one with its own secrets and surprises. It harks back to such stories as Wuthering Heights or Rebecca or an Agatha Christie mystery where the physical setting is as much a character as the people. Did you have any of those stories in mind as you wrote this?
Stephen L. Carter: Oh, yes. I remember reading Thomas Hardy as a teenager, and being fascinated by the way that the house or the pond or the moor was always brooding over the action. Here, I had in effect two "physical" characters, the house itself, and the mountains that surround both Stone Heights and the town of Bethel. By the way, the town of Bethel is fictitious, but of course bears a biblical relation to Jericho.
Question: In your previous books characters from earlier novels have gone on to appear in future novels. Will we see more of any of the characters from this novel?
Stephen L. Carter: If I keep writing short thrillers like this one, we will certainly see some of these characters again. By the way, one of the minor characters in Jericho's Fall, a law professor named Tish Kirschbaum, was also a minor character in The Emperor of Ocean Park. So I have kept the connections going.
(Photo © Elena Seibert)
]]>Stephen L. Carter’s brilliant debut, The Emperor of Ocean Park, spent eleven week son the New York Times best-seller list. Now, in Jericho’s Fall, Carter turns his formidable talents to the shadowy world of spies, official secrecy, and financial fraud in a thriller that rivets the reader’s attention until the very last page.
In an imposing house in the Colorado Rockies, Jericho Ainsley, former head of the Central Intelligence Agency and a Wall Street titan, lies dying. He summons to his beside Beck DeForde, the younger woman for whom he threw away his career years ago, miring them both in scandal. Beck believes she is visiting to say farewell. Instead, she is drawn into a battle over an explosive secret that foreign governments and powerful corporations alike want to wrest from Jericho before he dies.
An intricate and timely thriller that plumbs the emotional depths of a failed love affair and a family torn apart by mistrust, Jericho’s Fall takes us on a fast-moving journey through the secretive world of intelligence operations and the meltdown of the financial markets. And it creates, in Beck DeForde, an unforgettable heroine for our turbulent age.<span class="h1">
A Q&A with Stephen L. Carter</span><span class="ptBrand"></span>
Question: Jericho's Fall is a departure from your previous novels. What made you decide to turn your attention to a spy thriller?Stephen L. Carter: I was ready for a change of pace. My other novels have been large—as the reviewers like to say, multi-layered. I wanted to try a short, straightforward page turner, a book to be read for the sheer pleasure of the story. Thrillers are fun to read, and, as I discovered, they are also lots of fun to write. If readers like Jericho's Fall, I expect I will write more of them.
Question: In your "Author's Note" you write that "the problem of mental illness among intelligence professionals is often said to be endemic." This link between intelligence work and madness is certainly born out in your character Jericho Ainsley. Why do you think this link exists and is this what drew you to Jericho's story?
Stephen L. Carter: In researching my previous novel, Palace Council, I became fascinated by the problem of mental illness in the intelligence community, an issue much-commented on in the 1960s and 1970s, mainly because of James Jesus Angleton, whose paranoia when he ran counter-intelligence at the CIA nearly tore the place apart. I thought that structuring a story around an ex-spy who was losing his mind might provide a nice hook, and the rest just followed.
Question: Jericho is former Director of the CIA, former Secretary of Defense, former White House National Security Advisor ("former everything" as you refer to him). You seem equally interested in how his career affected not only him but his family and in particular his ex-lover Rebecca DeForde ("Beck"). Why did you decide to make Beck the center of the story?
Stephen L. Carter: My first novel, The Emperor of Ocean Park, dealt in part with what happens to the family of a man who is embittered after losing a tough confirmation battle for the Supreme Court. Here, I thought about the men in public life who have been brought down (or nearly brought down) by their relationships with women. We always find out what happened to the men, but rarely what happened to the women. In Beck DeForde, I wrote a character who was once "the other woman" to a famous man, and has had to rebuild her life after their tempestuous relationship ended. The idea of drawing her into the conspiratorial web surrounding her ex-lover was irresistible.
Question: Have you always been fascinated with the idea of spies and secrets?
Stephen L. Carter: It is not spying itself that interests me, it is the people who do it. I have done some reading about the toll that intelligence work takes on families, and here I have tried to imagine it fictionally.
As to secrets, I teach a course at Yale Law School on secrets and the law. We build powerful walls to keep secrets, and most of them are probably not worth keeping. Those that are, sooner or later tend to leak through the wall. No doubt there are some secrets that should be kept, but classification and national security tempt those in power to keep in the darkness acts and words that should be dragged into the light. One rule of thumb I wish all officials would follow is this: Don't do anything you're not willing to defend in your memoirs.
Question: What sort of research did this novel require? Did you have to investigate the history of the CIA? What it's like to work in the intelligence community? Interrogation techniques? Did your research into the intelligence community unearth any surprises?
Stephen L. Carter: I did a lot of research about the CIA, its history, its structure, its personalities, as well as about various mental illnesses. One thing that struck me was how much mental illness there has been, historically, near the top of the Agency. I mentioned Angleton. Frank Wisner, the father of the clandestine services, had a nervous breakdown while on the job. There are other, smaller stories, as well.
Stephen L. Carter: The CIA has had its share of financial scandals, but the larger problem, I think, is the way that people parlay government service into multi-million dollar stints lobbying and litigating against the very agencies they used to run. Such conduct is not, nor should it be, illegal; but it does not look good either.
Question: Can people who dedicate their lives to keeping secrets and trading in conspiracies, ever really retire from that kind of work?
Stephen L. Carter: Of course one can retire, but this line of work has to have a lasting effect. If you live your life not talking about your work, it can be difficult to settle into a life where you can talk about everything. And people who have been on the inside often suffer when forced to sit on the outside instead.
Question: Jericho's Fall is set mainly in a small town in the Colorado Rockies. How and why did you choose this particular setting for the novel?
Stephen L. Carter: I have spent a lot of time in the Colorado Rockies over the past thirty years, and it is a region of the country I dearly love. There are, moreover, many places in the mountains where cell phone service is iffy or non-existence. Being cut off from the outside world is of course red meat to the thriller writer...
Question: Jericho's house, Stone Heights, is itself a character in this novel, one with its own secrets and surprises. It harks back to such stories as Wuthering Heights or Rebecca or an Agatha Christie mystery where the physical setting is as much a character as the people. Did you have any of those stories in mind as you wrote this?
Stephen L. Carter: Oh, yes. I remember reading Thomas Hardy as a teenager, and being fascinated by the way that the house or the pond or the moor was always brooding over the action. Here, I had in effect two "physical" characters, the house itself, and the mountains that surround both Stone Heights and the town of Bethel. By the way, the town of Bethel is fictitious, but of course bears a biblical relation to Jericho.
Question: In your previous books characters from earlier novels have gone on to appear in future novels. Will we see more of any of the characters from this novel?
Stephen L. Carter: If I keep writing short thrillers like this one, we will certainly see some of these characters again. By the way, one of the minor characters in Jericho's Fall, a law professor named Tish Kirschbaum, was also a minor character in The Emperor of Ocean Park. So I have kept the connections going.
(Photo © Elena Seibert)
]]>I had decided not to read anymore of Stephen L Carter because he was in desperate need of a good editor. And then I found this book which was shorter in length than his previous issues and I thought he had finally found ...more...]]>
Stephen L. Carter’s brilliant debut, The Emperor of Ocean Park, spent eleven week son the New York Times best-seller list. Now, in Jericho’s Fall, Carter turns his formidable talents to the shadowy world of spies, official secrecy, and financial fraud in a thriller that rivets the reader’s attention until the very last page.
In an imposing house in the Colorado Rockies, Jericho Ainsley, former head of the Central Intelligence Agency and a Wall Street titan, lies dying. He summons to his beside Beck DeForde, the younger woman for whom he threw away his career years ago, miring them both in scandal. Beck believes she is visiting to say farewell. Instead, she is drawn into a battle over an explosive secret that foreign governments and powerful corporations alike want to wrest from Jericho before he dies.
An intricate and timely thriller that plumbs the emotional depths of a failed love affair and a family torn apart by mistrust, Jericho’s Fall takes us on a fast-moving journey through the secretive world of intelligence operations and the meltdown of the financial markets. And it creates, in Beck DeForde, an unforgettable heroine for our turbulent age.<span class="h1">
A Q&A with Stephen L. Carter</span><span class="ptBrand"></span>
Question: Jericho's Fall is a departure from your previous novels. What made you decide to turn your attention to a spy thriller?Stephen L. Carter: I was ready for a change of pace. My other novels have been large—as the reviewers like to say, multi-layered. I wanted to try a short, straightforward page turner, a book to be read for the sheer pleasure of the story. Thrillers are fun to read, and, as I discovered, they are also lots of fun to write. If readers like Jericho's Fall, I expect I will write more of them.
Question: In your "Author's Note" you write that "the problem of mental illness among intelligence professionals is often said to be endemic." This link between intelligence work and madness is certainly born out in your character Jericho Ainsley. Why do you think this link exists and is this what drew you to Jericho's story?
Stephen L. Carter: In researching my previous novel, Palace Council, I became fascinated by the problem of mental illness in the intelligence community, an issue much-commented on in the 1960s and 1970s, mainly because of James Jesus Angleton, whose paranoia when he ran counter-intelligence at the CIA nearly tore the place apart. I thought that structuring a story around an ex-spy who was losing his mind might provide a nice hook, and the rest just followed.
Question: Jericho is former Director of the CIA, former Secretary of Defense, former White House National Security Advisor ("former everything" as you refer to him). You seem equally interested in how his career affected not only him but his family and in particular his ex-lover Rebecca DeForde ("Beck"). Why did you decide to make Beck the center of the story?
Stephen L. Carter: My first novel, The Emperor of Ocean Park, dealt in part with what happens to the family of a man who is embittered after losing a tough confirmation battle for the Supreme Court. Here, I thought about the men in public life who have been brought down (or nearly brought down) by their relationships with women. We always find out what happened to the men, but rarely what happened to the women. In Beck DeForde, I wrote a character who was once "the other woman" to a famous man, and has had to rebuild her life after their tempestuous relationship ended. The idea of drawing her into the conspiratorial web surrounding her ex-lover was irresistible.
Question: Have you always been fascinated with the idea of spies and secrets?
Stephen L. Carter: It is not spying itself that interests me, it is the people who do it. I have done some reading about the toll that intelligence work takes on families, and here I have tried to imagine it fictionally.
As to secrets, I teach a course at Yale Law School on secrets and the law. We build powerful walls to keep secrets, and most of them are probably not worth keeping. Those that are, sooner or later tend to leak through the wall. No doubt there are some secrets that should be kept, but classification and national security tempt those in power to keep in the darkness acts and words that should be dragged into the light. One rule of thumb I wish all officials would follow is this: Don't do anything you're not willing to defend in your memoirs.
Question: What sort of research did this novel require? Did you have to investigate the history of the CIA? What it's like to work in the intelligence community? Interrogation techniques? Did your research into the intelligence community unearth any surprises?
Stephen L. Carter: I did a lot of research about the CIA, its history, its structure, its personalities, as well as about various mental illnesses. One thing that struck me was how much mental illness there has been, historically, near the top of the Agency. I mentioned Angleton. Frank Wisner, the father of the clandestine services, had a nervous breakdown while on the job. There are other, smaller stories, as well.
Stephen L. Carter: The CIA has had its share of financial scandals, but the larger problem, I think, is the way that people parlay government service into multi-million dollar stints lobbying and litigating against the very agencies they used to run. Such conduct is not, nor should it be, illegal; but it does not look good either.
Question: Can people who dedicate their lives to keeping secrets and trading in conspiracies, ever really retire from that kind of work?
Stephen L. Carter: Of course one can retire, but this line of work has to have a lasting effect. If you live your life not talking about your work, it can be difficult to settle into a life where you can talk about everything. And people who have been on the inside often suffer when forced to sit on the outside instead.
Question: Jericho's Fall is set mainly in a small town in the Colorado Rockies. How and why did you choose this particular setting for the novel?
Stephen L. Carter: I have spent a lot of time in the Colorado Rockies over the past thirty years, and it is a region of the country I dearly love. There are, moreover, many places in the mountains where cell phone service is iffy or non-existence. Being cut off from the outside world is of course red meat to the thriller writer...
Question: Jericho's house, Stone Heights, is itself a character in this novel, one with its own secrets and surprises. It harks back to such stories as Wuthering Heights or Rebecca or an Agatha Christie mystery where the physical setting is as much a character as the people. Did you have any of those stories in mind as you wrote this?
Stephen L. Carter: Oh, yes. I remember reading Thomas Hardy as a teenager, and being fascinated by the way that the house or the pond or the moor was always brooding over the action. Here, I had in effect two "physical" characters, the house itself, and the mountains that surround both Stone Heights and the town of Bethel. By the way, the town of Bethel is fictitious, but of course bears a biblical relation to Jericho.
Question: In your previous books characters from earlier novels have gone on to appear in future novels. Will we see more of any of the characters from this novel?
Stephen L. Carter: If I keep writing short thrillers like this one, we will certainly see some of these characters again. By the way, one of the minor characters in Jericho's Fall, a law professor named Tish Kirschbaum, was also a minor character in The Emperor of Ocean Park. So I have kept the connections going.
(Photo © Elena Seibert)
]]>Stephen L. Carter’s brilliant debut, The Emperor of Ocean Park, spent eleven week son the New York Times best-seller list. Now, in Jericho’s Fall, Carter turns his formidable talents to the shadowy world of spies, official secrecy, and financial fraud in a thriller that rivets the reader’s attention until the very last page.
In an imposing house in the Colorado Rockies, Jericho Ainsley, former head of the Central Intelligence Agency and a Wall Street titan, lies dying. He summons to his beside Beck DeForde, the younger woman for whom he threw away his career years ago, miring them both in scandal. Beck believes she is visiting to say farewell. Instead, she is drawn into a battle over an explosive secret that foreign governments and powerful corporations alike want to wrest from Jericho before he dies.
An intricate and timely thriller that plumbs the emotional depths of a failed love affair and a family torn apart by mistrust, Jericho’s Fall takes us on a fast-moving journey through the secretive world of intelligence operations and the meltdown of the financial markets. And it creates, in Beck DeForde, an unforgettable heroine for our turbulent age.<span class="h1">
A Q&A with Stephen L. Carter</span><span class="ptBrand"></span>
Question: Jericho's Fall is a departure from your previous novels. What made you decide to turn your attention to a spy thriller?Stephen L. Carter: I was ready for a change of pace. My other novels have been large—as the reviewers like to say, multi-layered. I wanted to try a short, straightforward page turner, a book to be read for the sheer pleasure of the story. Thrillers are fun to read, and, as I discovered, they are also lots of fun to write. If readers like Jericho's Fall, I expect I will write more of them.
Question: In your "Author's Note" you write that "the problem of mental illness among intelligence professionals is often said to be endemic." This link between intelligence work and madness is certainly born out in your character Jericho Ainsley. Why do you think this link exists and is this what drew you to Jericho's story?
Stephen L. Carter: In researching my previous novel, Palace Council, I became fascinated by the problem of mental illness in the intelligence community, an issue much-commented on in the 1960s and 1970s, mainly because of James Jesus Angleton, whose paranoia when he ran counter-intelligence at the CIA nearly tore the place apart. I thought that structuring a story around an ex-spy who was losing his mind might provide a nice hook, and the rest just followed.
Question: Jericho is former Director of the CIA, former Secretary of Defense, former White House National Security Advisor ("former everything" as you refer to him). You seem equally interested in how his career affected not only him but his family and in particular his ex-lover Rebecca DeForde ("Beck"). Why did you decide to make Beck the center of the story?
Stephen L. Carter: My first novel, The Emperor of Ocean Park, dealt in part with what happens to the family of a man who is embittered after losing a tough confirmation battle for the Supreme Court. Here, I thought about the men in public life who have been brought down (or nearly brought down) by their relationships with women. We always find out what happened to the men, but rarely what happened to the women. In Beck DeForde, I wrote a character who was once "the other woman" to a famous man, and has had to rebuild her life after their tempestuous relationship ended. The idea of drawing her into the conspiratorial web surrounding her ex-lover was irresistible.
Question: Have you always been fascinated with the idea of spies and secrets?
Stephen L. Carter: It is not spying itself that interests me, it is the people who do it. I have done some reading about the toll that intelligence work takes on families, and here I have tried to imagine it fictionally.
As to secrets, I teach a course at Yale Law School on secrets and the law. We build powerful walls to keep secrets, and most of them are probably not worth keeping. Those that are, sooner or later tend to leak through the wall. No doubt there are some secrets that should be kept, but classification and national security tempt those in power to keep in the darkness acts and words that should be dragged into the light. One rule of thumb I wish all officials would follow is this: Don't do anything you're not willing to defend in your memoirs.
Question: What sort of research did this novel require? Did you have to investigate the history of the CIA? What it's like to work in the intelligence community? Interrogation techniques? Did your research into the intelligence community unearth any surprises?
Stephen L. Carter: I did a lot of research about the CIA, its history, its structure, its personalities, as well as about various mental illnesses. One thing that struck me was how much mental illness there has been, historically, near the top of the Agency. I mentioned Angleton. Frank Wisner, the father of the clandestine services, had a nervous breakdown while on the job. There are other, smaller stories, as well.
Stephen L. Carter: The CIA has had its share of financial scandals, but the larger problem, I think, is the way that people parlay government service into multi-million dollar stints lobbying and litigating against the very agencies they used to run. Such conduct is not, nor should it be, illegal; but it does not look good either.
Question: Can people who dedicate their lives to keeping secrets and trading in conspiracies, ever really retire from that kind of work?
Stephen L. Carter: Of course one can retire, but this line of work has to have a lasting effect. If you live your life not talking about your work, it can be difficult to settle into a life where you can talk about everything. And people who have been on the inside often suffer when forced to sit on the outside instead.
Question: Jericho's Fall is set mainly in a small town in the Colorado Rockies. How and why did you choose this particular setting for the novel?
Stephen L. Carter: I have spent a lot of time in the Colorado Rockies over the past thirty years, and it is a region of the country I dearly love. There are, moreover, many places in the mountains where cell phone service is iffy or non-existence. Being cut off from the outside world is of course red meat to the thriller writer...
Question: Jericho's house, Stone Heights, is itself a character in this novel, one with its own secrets and surprises. It harks back to such stories as Wuthering Heights or Rebecca or an Agatha Christie mystery where the physical setting is as much a character as the people. Did you have any of those stories in mind as you wrote this?
Stephen L. Carter: Oh, yes. I remember reading Thomas Hardy as a teenager, and being fascinated by the way that the house or the pond or the moor was always brooding over the action. Here, I had in effect two "physical" characters, the house itself, and the mountains that surround both Stone Heights and the town of Bethel. By the way, the town of Bethel is fictitious, but of course bears a biblical relation to Jericho.
Question: In your previous books characters from earlier novels have gone on to appear in future novels. Will we see more of any of the characters from this novel?
Stephen L. Carter: If I keep writing short thrillers like this one, we will certainly see some of these characters again. By the way, one of the minor characters in Jericho's Fall, a law professor named Tish Kirschbaum, was also a minor character in The Emperor of Ocean Park. So I have kept the connections going.
(Photo © Elena Seibert)
]]>Stephen L. Carter’s brilliant debut, The Emperor of Ocean Park, spent eleven week son the New York Times best-seller list. Now, in Jericho’s Fall, Carter turns his formidable talents to the shadowy world of spies, official secrecy, and financial fraud in a thriller that rivets the reader’s attention until the very last page.
In an imposing house in the Colorado Rockies, Jericho Ainsley, former head of the Central Intelligence Agency and a Wall Street titan, lies dying. He summons to his beside Beck DeForde, the younger woman for whom he threw away his career years ago, miring them both in scandal. Beck believes she is visiting to say farewell. Instead, she is drawn into a battle over an explosive secret that foreign governments and powerful corporations alike want to wrest from Jericho before he dies.
An intricate and timely thriller that plumbs the emotional depths of a failed love affair and a family torn apart by mistrust, Jericho’s Fall takes us on a fast-moving journey through the secretive world of intelligence operations and the meltdown of the financial markets. And it creates, in Beck DeForde, an unforgettable heroine for our turbulent age.<span class="h1">
A Q&A with Stephen L. Carter</span><span class="ptBrand"></span>
Question: Jericho's Fall is a departure from your previous novels. What made you decide to turn your attention to a spy thriller?Stephen L. Carter: I was ready for a change of pace. My other novels have been large—as the reviewers like to say, multi-layered. I wanted to try a short, straightforward page turner, a book to be read for the sheer pleasure of the story. Thrillers are fun to read, and, as I discovered, they are also lots of fun to write. If readers like Jericho's Fall, I expect I will write more of them.
Question: In your "Author's Note" you write that "the problem of mental illness among intelligence professionals is often said to be endemic." This link between intelligence work and madness is certainly born out in your character Jericho Ainsley. Why do you think this link exists and is this what drew you to Jericho's story?
Stephen L. Carter: In researching my previous novel, Palace Council, I became fascinated by the problem of mental illness in the intelligence community, an issue much-commented on in the 1960s and 1970s, mainly because of James Jesus Angleton, whose paranoia when he ran counter-intelligence at the CIA nearly tore the place apart. I thought that structuring a story around an ex-spy who was losing his mind might provide a nice hook, and the rest just followed.
Question: Jericho is former Director of the CIA, former Secretary of Defense, former White House National Security Advisor ("former everything" as you refer to him). You seem equally interested in how his career affected not only him but his family and in particular his ex-lover Rebecca DeForde ("Beck"). Why did you decide to make Beck the center of the story?
Stephen L. Carter: My first novel, The Emperor of Ocean Park, dealt in part with what happens to the family of a man who is embittered after losing a tough confirmation battle for the Supreme Court. Here, I thought about the men in public life who have been brought down (or nearly brought down) by their relationships with women. We always find out what happened to the men, but rarely what happened to the women. In Beck DeForde, I wrote a character who was once "the other woman" to a famous man, and has had to rebuild her life after their tempestuous relationship ended. The idea of drawing her into the conspiratorial web surrounding her ex-lover was irresistible.
Question: Have you always been fascinated with the idea of spies and secrets?
Stephen L. Carter: It is not spying itself that interests me, it is the people who do it. I have done some reading about the toll that intelligence work takes on families, and here I have tried to imagine it fictionally.
As to secrets, I teach a course at Yale Law School on secrets and the law. We build powerful walls to keep secrets, and most of them are probably not worth keeping. Those that are, sooner or later tend to leak through the wall. No doubt there are some secrets that should be kept, but classification and national security tempt those in power to keep in the darkness acts and words that should be dragged into the light. One rule of thumb I wish all officials would follow is this: Don't do anything you're not willing to defend in your memoirs.
Question: What sort of research did this novel require? Did you have to investigate the history of the CIA? What it's like to work in the intelligence community? Interrogation techniques? Did your research into the intelligence community unearth any surprises?
Stephen L. Carter: I did a lot of research about the CIA, its history, its structure, its personalities, as well as about various mental illnesses. One thing that struck me was how much mental illness there has been, historically, near the top of the Agency. I mentioned Angleton. Frank Wisner, the father of the clandestine services, had a nervous breakdown while on the job. There are other, smaller stories, as well.
Stephen L. Carter: The CIA has had its share of financial scandals, but the larger problem, I think, is the way that people parlay government service into multi-million dollar stints lobbying and litigating against the very agencies they used to run. Such conduct is not, nor should it be, illegal; but it does not look good either.
Question: Can people who dedicate their lives to keeping secrets and trading in conspiracies, ever really retire from that kind of work?
Stephen L. Carter: Of course one can retire, but this line of work has to have a lasting effect. If you live your life not talking about your work, it can be difficult to settle into a life where you can talk about everything. And people who have been on the inside often suffer when forced to sit on the outside instead.
Question: Jericho's Fall is set mainly in a small town in the Colorado Rockies. How and why did you choose this particular setting for the novel?
Stephen L. Carter: I have spent a lot of time in the Colorado Rockies over the past thirty years, and it is a region of the country I dearly love. There are, moreover, many places in the mountains where cell phone service is iffy or non-existence. Being cut off from the outside world is of course red meat to the thriller writer...
Question: Jericho's house, Stone Heights, is itself a character in this novel, one with its own secrets and surprises. It harks back to such stories as Wuthering Heights or Rebecca or an Agatha Christie mystery where the physical setting is as much a character as the people. Did you have any of those stories in mind as you wrote this?
Stephen L. Carter: Oh, yes. I remember reading Thomas Hardy as a teenager, and being fascinated by the way that the house or the pond or the moor was always brooding over the action. Here, I had in effect two "physical" characters, the house itself, and the mountains that surround both Stone Heights and the town of Bethel. By the way, the town of Bethel is fictitious, but of course bears a biblical relation to Jericho.
Question: In your previous books characters from earlier novels have gone on to appear in future novels. Will we see more of any of the characters from this novel?
Stephen L. Carter: If I keep writing short thrillers like this one, we will certainly see some of these characters again. By the way, one of the minor characters in Jericho's Fall, a law professor named Tish Kirschbaum, was also a minor character in The Emperor of Ocean Park. So I have kept the connections going.
(Photo © Elena Seibert)
]]>Stephen L. Carter’s brilliant debut, The Emperor of Ocean Park, spent eleven week son the New York Times best-seller list. Now, in Jericho’s Fall, Carter turns his formidable talents to the shadowy world of spies, official secrecy, and financial fraud in a thriller that rivets the reader’s attention until the very last page.
In an imposing house in the Colorado Rockies, Jericho Ainsley, former head of the Central Intelligence Agency and a Wall Street titan, lies dying. He summons to his beside Beck DeForde, the younger woman for whom he threw away his career years ago, miring them both in scandal. Beck believes she is visiting to say farewell. Instead, she is drawn into a battle over an explosive secret that foreign governments and powerful corporations alike want to wrest from Jericho before he dies.
An intricate and timely thriller that plumbs the emotional depths of a failed love affair and a family torn apart by mistrust, Jericho’s Fall takes us on a fast-moving journey through the secretive world of intelligence operations and the meltdown of the financial markets. And it creates, in Beck DeForde, an unforgettable heroine for our turbulent age.<span class="h1">
A Q&A with Stephen L. Carter</span><span class="ptBrand"></span>
Question: Jericho's Fall is a departure from your previous novels. What made you decide to turn your attention to a spy thriller?Stephen L. Carter: I was ready for a change of pace. My other novels have been large—as the reviewers like to say, multi-layered. I wanted to try a short, straightforward page turner, a book to be read for the sheer pleasure of the story. Thrillers are fun to read, and, as I discovered, they are also lots of fun to write. If readers like Jericho's Fall, I expect I will write more of them.
Question: In your "Author's Note" you write that "the problem of mental illness among intelligence professionals is often said to be endemic." This link between intelligence work and madness is certainly born out in your character Jericho Ainsley. Why do you think this link exists and is this what drew you to Jericho's story?
Stephen L. Carter: In researching my previous novel, Palace Council, I became fascinated by the problem of mental illness in the intelligence community, an issue much-commented on in the 1960s and 1970s, mainly because of James Jesus Angleton, whose paranoia when he ran counter-intelligence at the CIA nearly tore the place apart. I thought that structuring a story around an ex-spy who was losing his mind might provide a nice hook, and the rest just followed.
Question: Jericho is former Director of the CIA, former Secretary of Defense, former White House National Security Advisor ("former everything" as you refer to him). You seem equally interested in how his career affected not only him but his family and in particular his ex-lover Rebecca DeForde ("Beck"). Why did you decide to make Beck the center of the story?
Stephen L. Carter: My first novel, The Emperor of Ocean Park, dealt in part with what happens to the family of a man who is embittered after losing a tough confirmation battle for the Supreme Court. Here, I thought about the men in public life who have been brought down (or nearly brought down) by their relationships with women. We always find out what happened to the men, but rarely what happened to the women. In Beck DeForde, I wrote a character who was once "the other woman" to a famous man, and has had to rebuild her life after their tempestuous relationship ended. The idea of drawing her into the conspiratorial web surrounding her ex-lover was irresistible.
Question: Have you always been fascinated with the idea of spies and secrets?
Stephen L. Carter: It is not spying itself that interests me, it is the people who do it. I have done some reading about the toll that intelligence work takes on families, and here I have tried to imagine it fictionally.
As to secrets, I teach a course at Yale Law School on secrets and the law. We build powerful walls to keep secrets, and most of them are probably not worth keeping. Those that are, sooner or later tend to leak through the wall. No doubt there are some secrets that should be kept, but classification and national security tempt those in power to keep in the darkness acts and words that should be dragged into the light. One rule of thumb I wish all officials would follow is this: Don't do anything you're not willing to defend in your memoirs.
Question: What sort of research did this novel require? Did you have to investigate the history of the CIA? What it's like to work in the intelligence community? Interrogation techniques? Did your research into the intelligence community unearth any surprises?
Stephen L. Carter: I did a lot of research about the CIA, its history, its structure, its personalities, as well as about various mental illnesses. One thing that struck me was how much mental illness there has been, historically, near the top of the Agency. I mentioned Angleton. Frank Wisner, the father of the clandestine services, had a nervous breakdown while on the job. There are other, smaller stories, as well.
Stephen L. Carter: The CIA has had its share of financial scandals, but the larger problem, I think, is the way that people parlay government service into multi-million dollar stints lobbying and litigating against the very agencies they used to run. Such conduct is not, nor should it be, illegal; but it does not look good either.
Question: Can people who dedicate their lives to keeping secrets and trading in conspiracies, ever really retire from that kind of work?
Stephen L. Carter: Of course one can retire, but this line of work has to have a lasting effect. If you live your life not talking about your work, it can be difficult to settle into a life where you can talk about everything. And people who have been on the inside often suffer when forced to sit on the outside instead.
Question: Jericho's Fall is set mainly in a small town in the Colorado Rockies. How and why did you choose this particular setting for the novel?
Stephen L. Carter: I have spent a lot of time in the Colorado Rockies over the past thirty years, and it is a region of the country I dearly love. There are, moreover, many places in the mountains where cell phone service is iffy or non-existence. Being cut off from the outside world is of course red meat to the thriller writer...
Question: Jericho's house, Stone Heights, is itself a character in this novel, one with its own secrets and surprises. It harks back to such stories as Wuthering Heights or Rebecca or an Agatha Christie mystery where the physical setting is as much a character as the people. Did you have any of those stories in mind as you wrote this?
Stephen L. Carter: Oh, yes. I remember reading Thomas Hardy as a teenager, and being fascinated by the way that the house or the pond or the moor was always brooding over the action. Here, I had in effect two "physical" characters, the house itself, and the mountains that surround both Stone Heights and the town of Bethel. By the way, the town of Bethel is fictitious, but of course bears a biblical relation to Jericho.
Question: In your previous books characters from earlier novels have gone on to appear in future novels. Will we see more of any of the characters from this novel?
Stephen L. Carter: If I keep writing short thrillers like this one, we will certainly see some of these characters again. By the way, one of the minor characters in Jericho's Fall, a law professor named Tish Kirschbaum, was also a minor character in The Emperor of Ocean Park. So I have kept the connections going.
(Photo © Elena Seibert)
]]>Stephen L. Carter’s brilliant debut, The Emperor of Ocean Park, spent eleven week son the New York Times best-seller list. Now, in Jericho’s Fall, Carter turns his formidable talents to the shadowy world of spies, official secrecy, and financial fraud in a thriller that rivets the reader’s attention until the very last page.
In an imposing house in the Colorado Rockies, Jericho Ainsley, former head of the Central Intelligence Agency and a Wall Street titan, lies dying. He summons to his beside Beck DeForde, the younger woman for whom he threw away his career years ago, miring them both in scandal. Beck believes she is visiting to say farewell. Instead, she is drawn into a battle over an explosive secret that foreign governments and powerful corporations alike want to wrest from Jericho before he dies.
An intricate and timely thriller that plumbs the emotional depths of a failed love affair and a family torn apart by mistrust, Jericho’s Fall takes us on a fast-moving journey through the secretive world of intelligence operations and the meltdown of the financial markets. And it creates, in Beck DeForde, an unforgettable heroine for our turbulent age.<span class="h1">
A Q&A with Stephen L. Carter</span><span class="ptBrand"></span>
Question: Jericho's Fall is a departure from your previous novels. What made you decide to turn your attention to a spy thriller?Stephen L. Carter: I was ready for a change of pace. My other novels have been large—as the reviewers like to say, multi-layered. I wanted to try a short, straightforward page turner, a book to be read for the sheer pleasure of the story. Thrillers are fun to read, and, as I discovered, they are also lots of fun to write. If readers like Jericho's Fall, I expect I will write more of them.
Question: In your "Author's Note" you write that "the problem of mental illness among intelligence professionals is often said to be endemic." This link between intelligence work and madness is certainly born out in your character Jericho Ainsley. Why do you think this link exists and is this what drew you to Jericho's story?
Stephen L. Carter: In researching my previous novel, Palace Council, I became fascinated by the problem of mental illness in the intelligence community, an issue much-commented on in the 1960s and 1970s, mainly because of James Jesus Angleton, whose paranoia when he ran counter-intelligence at the CIA nearly tore the place apart. I thought that structuring a story around an ex-spy who was losing his mind might provide a nice hook, and the rest just followed.
Question: Jericho is former Director of the CIA, former Secretary of Defense, former White House National Security Advisor ("former everything" as you refer to him). You seem equally interested in how his career affected not only him but his family and in particular his ex-lover Rebecca DeForde ("Beck"). Why did you decide to make Beck the center of the story?
Stephen L. Carter: My first novel, The Emperor of Ocean Park, dealt in part with what happens to the family of a man who is embittered after losing a tough confirmation battle for the Supreme Court. Here, I thought about the men in public life who have been brought down (or nearly brought down) by their relationships with women. We always find out what happened to the men, but rarely what happened to the women. In Beck DeForde, I wrote a character who was once "the other woman" to a famous man, and has had to rebuild her life after their tempestuous relationship ended. The idea of drawing her into the conspiratorial web surrounding her ex-lover was irresistible.
Question: Have you always been fascinated with the idea of spies and secrets?
Stephen L. Carter: It is not spying itself that interests me, it is the people who do it. I have done some reading about the toll that intelligence work takes on families, and here I have tried to imagine it fictionally.
As to secrets, I teach a course at Yale Law School on secrets and the law. We build powerful walls to keep secrets, and most of them are probably not worth keeping. Those that are, sooner or later tend to leak through the wall. No doubt there are some secrets that should be kept, but classification and national security tempt those in power to keep in the darkness acts and words that should be dragged into the light. One rule of thumb I wish all officials would follow is this: Don't do anything you're not willing to defend in your memoirs.
Question: What sort of research did this novel require? Did you have to investigate the history of the CIA? What it's like to work in the intelligence community? Interrogation techniques? Did your research into the intelligence community unearth any surprises?
Stephen L. Carter: I did a lot of research about the CIA, its history, its structure, its personalities, as well as about various mental illnesses. One thing that struck me was how much mental illness there has been, historically, near the top of the Agency. I mentioned Angleton. Frank Wisner, the father of the clandestine services, had a nervous breakdown while on the job. There are other, smaller stories, as well.
Stephen L. Carter: The CIA has had its share of financial scandals, but the larger problem, I think, is the way that people parlay government service into multi-million dollar stints lobbying and litigating against the very agencies they used to run. Such conduct is not, nor should it be, illegal; but it does not look good either.
Question: Can people who dedicate their lives to keeping secrets and trading in conspiracies, ever really retire from that kind of work?
Stephen L. Carter: Of course one can retire, but this line of work has to have a lasting effect. If you live your life not talking about your work, it can be difficult to settle into a life where you can talk about everything. And people who have been on the inside often suffer when forced to sit on the outside instead.
Question: Jericho's Fall is set mainly in a small town in the Colorado Rockies. How and why did you choose this particular setting for the novel?
Stephen L. Carter: I have spent a lot of time in the Colorado Rockies over the past thirty years, and it is a region of the country I dearly love. There are, moreover, many places in the mountains where cell phone service is iffy or non-existence. Being cut off from the outside world is of course red meat to the thriller writer...
Question: Jericho's house, Stone Heights, is itself a character in this novel, one with its own secrets and surprises. It harks back to such stories as Wuthering Heights or Rebecca or an Agatha Christie mystery where the physical setting is as much a character as the people. Did you have any of those stories in mind as you wrote this?
Stephen L. Carter: Oh, yes. I remember reading Thomas Hardy as a teenager, and being fascinated by the way that the house or the pond or the moor was always brooding over the action. Here, I had in effect two "physical" characters, the house itself, and the mountains that surround both Stone Heights and the town of Bethel. By the way, the town of Bethel is fictitious, but of course bears a biblical relation to Jericho.
Question: In your previous books characters from earlier novels have gone on to appear in future novels. Will we see more of any of the characters from this novel?
Stephen L. Carter: If I keep writing short thrillers like this one, we will certainly see some of these characters again. By the way, one of the minor characters in Jericho's Fall, a law professor named Tish Kirschbaum, was also a minor character in The Emperor of Ocean Park. So I have kept the connections going.
(Photo © Elena Seibert)
]]>Stephen L. Carter’s brilliant debut, The Emperor of Ocean Park, spent eleven week son the New York Times best-seller list. Now, in Jericho’s Fall, Carter turns his formidable talents to the shadowy world of spies, official secrecy, and financial fraud in a thriller that rivets the reader’s attention until the very last page.
In an imposing house in the Colorado Rockies, Jericho Ainsley, former head of the Central Intelligence Agency and a Wall Street titan, lies dying. He summons to his beside Beck DeForde, the younger woman for whom he threw away his career years ago, miring them both in scandal. Beck believes she is visiting to say farewell. Instead, she is drawn into a battle over an explosive secret that foreign governments and powerful corporations alike want to wrest from Jericho before he dies.
An intricate and timely thriller that plumbs the emotional depths of a failed love affair and a family torn apart by mistrust, Jericho’s Fall takes us on a fast-moving journey through the secretive world of intelligence operations and the meltdown of the financial markets. And it creates, in Beck DeForde, an unforgettable heroine for our turbulent age.<span class="h1">
A Q&A with Stephen L. Carter</span><span class="ptBrand"></span>
Question: Jericho's Fall is a departure from your previous novels. What made you decide to turn your attention to a spy thriller?Stephen L. Carter: I was ready for a change of pace. My other novels have been large—as the reviewers like to say, multi-layered. I wanted to try a short, straightforward page turner, a book to be read for the sheer pleasure of the story. Thrillers are fun to read, and, as I discovered, they are also lots of fun to write. If readers like Jericho's Fall, I expect I will write more of them.
Question: In your "Author's Note" you write that "the problem of mental illness among intelligence professionals is often said to be endemic." This link between intelligence work and madness is certainly born out in your character Jericho Ainsley. Why do you think this link exists and is this what drew you to Jericho's story?
Stephen L. Carter: In researching my previous novel, Palace Council, I became fascinated by the problem of mental illness in the intelligence community, an issue much-commented on in the 1960s and 1970s, mainly because of James Jesus Angleton, whose paranoia when he ran counter-intelligence at the CIA nearly tore the place apart. I thought that structuring a story around an ex-spy who was losing his mind might provide a nice hook, and the rest just followed.
Question: Jericho is former Director of the CIA, former Secretary of Defense, former White House National Security Advisor ("former everything" as you refer to him). You seem equally interested in how his career affected not only him but his family and in particular his ex-lover Rebecca DeForde ("Beck"). Why did you decide to make Beck the center of the story?
Stephen L. Carter: My first novel, The Emperor of Ocean Park, dealt in part with what happens to the family of a man who is embittered after losing a tough confirmation battle for the Supreme Court. Here, I thought about the men in public life who have been brought down (or nearly brought down) by their relationships with women. We always find out what happened to the men, but rarely what happened to the women. In Beck DeForde, I wrote a character who was once "the other woman" to a famous man, and has had to rebuild her life after their tempestuous relationship ended. The idea of drawing her into the conspiratorial web surrounding her ex-lover was irresistible.
Question: Have you always been fascinated with the idea of spies and secrets?
Stephen L. Carter: It is not spying itself that interests me, it is the people who do it. I have done some reading about the toll that intelligence work takes on families, and here I have tried to imagine it fictionally.
As to secrets, I teach a course at Yale Law School on secrets and the law. We build powerful walls to keep secrets, and most of them are probably not worth keeping. Those that are, sooner or later tend to leak through the wall. No doubt there are some secrets that should be kept, but classification and national security tempt those in power to keep in the darkness acts and words that should be dragged into the light. One rule of thumb I wish all officials would follow is this: Don't do anything you're not willing to defend in your memoirs.
Question: What sort of research did this novel require? Did you have to investigate the history of the CIA? What it's like to work in the intelligence community? Interrogation techniques? Did your research into the intelligence community unearth any surprises?
Stephen L. Carter: I did a lot of research about the CIA, its history, its structure, its personalities, as well as about various mental illnesses. One thing that struck me was how much mental illness there has been, historically, near the top of the Agency. I mentioned Angleton. Frank Wisner, the father of the clandestine services, had a nervous breakdown while on the job. There are other, smaller stories, as well.
Stephen L. Carter: The CIA has had its share of financial scandals, but the larger problem, I think, is the way that people parlay government service into multi-million dollar stints lobbying and litigating against the very agencies they used to run. Such conduct is not, nor should it be, illegal; but it does not look good either.
Question: Can people who dedicate their lives to keeping secrets and trading in conspiracies, ever really retire from that kind of work?
Stephen L. Carter: Of course one can retire, but this line of work has to have a lasting effect. If you live your life not talking about your work, it can be difficult to settle into a life where you can talk about everything. And people who have been on the inside often suffer when forced to sit on the outside instead.
Question: Jericho's Fall is set mainly in a small town in the Colorado Rockies. How and why did you choose this particular setting for the novel?
Stephen L. Carter: I have spent a lot of time in the Colorado Rockies over the past thirty years, and it is a region of the country I dearly love. There are, moreover, many places in the mountains where cell phone service is iffy or non-existence. Being cut off from the outside world is of course red meat to the thriller writer...
Question: Jericho's house, Stone Heights, is itself a character in this novel, one with its own secrets and surprises. It harks back to such stories as Wuthering Heights or Rebecca or an Agatha Christie mystery where the physical setting is as much a character as the people. Did you have any of those stories in mind as you wrote this?
Stephen L. Carter: Oh, yes. I remember reading Thomas Hardy as a teenager, and being fascinated by the way that the house or the pond or the moor was always brooding over the action. Here, I had in effect two "physical" characters, the house itself, and the mountains that surround both Stone Heights and the town of Bethel. By the way, the town of Bethel is fictitious, but of course bears a biblical relation to Jericho.
Question: In your previous books characters from earlier novels have gone on to appear in future novels. Will we see more of any of the characters from this novel?
Stephen L. Carter: If I keep writing short thrillers like this one, we will certainly see some of these characters again. By the way, one of the minor characters in Jericho's Fall, a law professor named Tish Kirschbaum, was also a minor character in The Emperor of Ocean Park. So I have kept the connections going.
(Photo © Elena Seibert)
]]>Stephen L. Carter’s brilliant debut, The Emperor of Ocean Park, spent eleven week son the New York Times best-seller list. Now, in Jericho’s Fall, Carter turns his formidable talents to the shadowy world of spies, official secrecy, and financial fraud in a thriller that rivets the reader’s attention until the very last page.
In an imposing house in the Colorado Rockies, Jericho Ainsley, former head of the Central Intelligence Agency and a Wall Street titan, lies dying. He summons to his beside Beck DeForde, the younger woman for whom he threw away his career years ago, miring them both in scandal. Beck believes she is visiting to say farewell. Instead, she is drawn into a battle over an explosive secret that foreign governments and powerful corporations alike want to wrest from Jericho before he dies.
An intricate and timely thriller that plumbs the emotional depths of a failed love affair and a family torn apart by mistrust, Jericho’s Fall takes us on a fast-moving journey through the secretive world of intelligence operations and the meltdown of the financial markets. And it creates, in Beck DeForde, an unforgettable heroine for our turbulent age.<span class="h1">
A Q&A with Stephen L. Carter</span><span class="ptBrand"></span>
Question: Jericho's Fall is a departure from your previous novels. What made you decide to turn your attention to a spy thriller?Stephen L. Carter: I was ready for a change of pace. My other novels have been large—as the reviewers like to say, multi-layered. I wanted to try a short, straightforward page turner, a book to be read for the sheer pleasure of the story. Thrillers are fun to read, and, as I discovered, they are also lots of fun to write. If readers like Jericho's Fall, I expect I will write more of them.
Question: In your "Author's Note" you write that "the problem of mental illness among intelligence professionals is often said to be endemic." This link between intelligence work and madness is certainly born out in your character Jericho Ainsley. Why do you think this link exists and is this what drew you to Jericho's story?
Stephen L. Carter: In researching my previous novel, Palace Council, I became fascinated by the problem of mental illness in the intelligence community, an issue much-commented on in the 1960s and 1970s, mainly because of James Jesus Angleton, whose paranoia when he ran counter-intelligence at the CIA nearly tore the place apart. I thought that structuring a story around an ex-spy who was losing his mind might provide a nice hook, and the rest just followed.
Question: Jericho is former Director of the CIA, former Secretary of Defense, former White House National Security Advisor ("former everything" as you refer to him). You seem equally interested in how his career affected not only him but his family and in particular his ex-lover Rebecca DeForde ("Beck"). Why did you decide to make Beck the center of the story?
Stephen L. Carter: My first novel, The Emperor of Ocean Park, dealt in part with what happens to the family of a man who is embittered after losing a tough confirmation battle for the Supreme Court. Here, I thought about the men in public life who have been brought down (or nearly brought down) by their relationships with women. We always find out what happened to the men, but rarely what happened to the women. In Beck DeForde, I wrote a character who was once "the other woman" to a famous man, and has had to rebuild her life after their tempestuous relationship ended. The idea of drawing her into the conspiratorial web surrounding her ex-lover was irresistible.
Question: Have you always been fascinated with the idea of spies and secrets?
Stephen L. Carter: It is not spying itself that interests me, it is the people who do it. I have done some reading about the toll that intelligence work takes on families, and here I have tried to imagine it fictionally.
As to secrets, I teach a course at Yale Law School on secrets and the law. We build powerful walls to keep secrets, and most of them are probably not worth keeping. Those that are, sooner or later tend to leak through the wall. No doubt there are some secrets that should be kept, but classification and national security tempt those in power to keep in the darkness acts and words that should be dragged into the light. One rule of thumb I wish all officials would follow is this: Don't do anything you're not willing to defend in your memoirs.
Question: What sort of research did this novel require? Did you have to investigate the history of the CIA? What it's like to work in the intelligence community? Interrogation techniques? Did your research into the intelligence community unearth any surprises?
Stephen L. Carter: I did a lot of research about the CIA, its history, its structure, its personalities, as well as about various mental illnesses. One thing that struck me was how much mental illness there has been, historically, near the top of the Agency. I mentioned Angleton. Frank Wisner, the father of the clandestine services, had a nervous breakdown while on the job. There are other, smaller stories, as well.
Stephen L. Carter: The CIA has had its share of financial scandals, but the larger problem, I think, is the way that people parlay government service into multi-million dollar stints lobbying and litigating against the very agencies they used to run. Such conduct is not, nor should it be, illegal; but it does not look good either.
Question: Can people who dedicate their lives to keeping secrets and trading in conspiracies, ever really retire from that kind of work?
Stephen L. Carter: Of course one can retire, but this line of work has to have a lasting effect. If you live your life not talking about your work, it can be difficult to settle into a life where you can talk about everything. And people who have been on the inside often suffer when forced to sit on the outside instead.
Question: Jericho's Fall is set mainly in a small town in the Colorado Rockies. How and why did you choose this particular setting for the novel?
Stephen L. Carter: I have spent a lot of time in the Colorado Rockies over the past thirty years, and it is a region of the country I dearly love. There are, moreover, many places in the mountains where cell phone service is iffy or non-existence. Being cut off from the outside world is of course red meat to the thriller writer...
Question: Jericho's house, Stone Heights, is itself a character in this novel, one with its own secrets and surprises. It harks back to such stories as Wuthering Heights or Rebecca or an Agatha Christie mystery where the physical setting is as much a character as the people. Did you have any of those stories in mind as you wrote this?
Stephen L. Carter: Oh, yes. I remember reading Thomas Hardy as a teenager, and being fascinated by the way that the house or the pond or the moor was always brooding over the action. Here, I had in effect two "physical" characters, the house itself, and the mountains that surround both Stone Heights and the town of Bethel. By the way, the town of Bethel is fictitious, but of course bears a biblical relation to Jericho.
Question: In your previous books characters from earlier novels have gone on to appear in future novels. Will we see more of any of the characters from this novel?
Stephen L. Carter: If I keep writing short thrillers like this one, we will certainly see some of these characters again. By the way, one of the minor characters in Jericho's Fall, a law professor named Tish Kirschbaum, was also a minor character in The Emperor of Ocean Park. So I have kept the connections going.
(Photo © Elena Seibert)
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