My rating:

add to my books

Mathilda Savitch

by Victor Lodato

3.16 · rating details · 1,079 ratings · 304 reviews

A fiercely funny and touching debut novel about a young girl trying to find out the truth behind her sister’s death

I have a sister who died. Did I tell you this already? I did but you don’t remember, you didn’t understand the code . . . She died a year ago, but in my mind sometimes it’s five minutes. In the morning sometimes it hasn’t even happened yet. For a second ...more

Hardcover, 304 pages

Published September 15th 2009 by Farrar, Straus and Giroux (first published January 1st 2009)

more details... edit details

Get a copy:

More…

There is a good chance some of your friends read this book. Sign in to see!

Friend Reviews

To see what your friends thought of this book, please sign up.

Lists with This Book

The Girl With the Dragon Tattoo by Stieg Larsson

amazing books that don't involve vampires

31st out of 105 books — 60 voters

More lists with this book...

Community Reviews

(showing 1-30 of 2,048)

filter | sort: default (?) | rating details

Apr 01, 2010

Gigi rated it

i should wait to comment. i know this...but here's what i figured. you sit down to a meal at a new restaurant. you take the first bite. the food is sublime, the taste is remarkable. that very moment is memorable in its own right. that first impression, that feeling of being introduced to something spectacular. irrelevant if you wind up hating the meal because you stumbled upon a rancid turnip six bites later or you got acid reflux three hours after paying the check. that first bite remains inta...morei should wait to comment. i know this...but here's what i figured. you sit down to a meal at a new restaurant. you take the first bite. the food is sublime, the taste is remarkable. that very moment is memorable in its own right. that first impression, that feeling of being introduced to something spectacular. irrelevant if you wind up hating the meal because you stumbled upon a rancid turnip six bites later or you got acid reflux three hours after paying the check. that first bite remains intact...this is how i feel about mathilda savitch 40 pages in. the book was a last grab on the way to check out at barnes and noble yesterday. i cracked it open this afternoon and couldn't believe my good fortune! mathilda is an enormously engaging, charismatic and quirky young lady. i cannot wait to see where she takes me!

AT NOVEL'S END: witnessing author victor lodato, parading through chapters as a 13 year old girl (precocious as she may be), wound up being an altogether unpleasant experience. where the beginning of the book is brightly lit with colorful neuroses and holden caulfield-esque descriptions of classmates and aging pets, it changes tone and you literally feel lodato struggle to maintain the voice of a young girl. after we learn that mathilda's 16 year old sister has died a year ago under the wheels of a train and her parents ("ma" and "da") are nowhere near coping, the protagonist becomes rather perverse and world weary. set on delving deep into her sister's private past and learning all there is to learn about her death and life immediately preceeding it, mathilda isn't a confused or traumatized teen. she's a mean spirited, sexually obsessed, jaded, bitter and caustic 30-something male, who can't help himself when he throws in terrorists, war vets missing limbs and an adolescent sex moment in a damp basement. where wally lamb WAS dolores in "she's come undone," lodato creates a near perfect character in mathilda savitch and then shoves her off the stage and steals her lines once the story gets cooking.
(less)

like 9 likes

· see review

Mar 25, 2010

Jane Ashley rated it

It's a very good book. Mathilda is a strong character who reflects her life after her sisters death. She comes to know her sister more, even when she is dead. Mathilda finds old emails of her sisters and tries to form an image of her sister. This book has some crude language, but it is very good. I reccamend it to all.

like 1 like

· see review

Jun 14, 2011

Chris Go rated it

I bought this book after reading the cover flap at Mrs. Dalloway's. It said something like, "my sister is dead, did I tell you that?" I felt like I had to read it. That was two years ago. It ended up in a box. Go figure.

Mathilda Savitch is a teenage girl whose older sister, Helene, died about a year ago. Her parents, both college professors, are not dealing with the loss well. But then again, neither is Mathilda, and honestly who really does deal with such a loss well?

...more

· see review

Jun 13, 2011

Lydia Presley rated it

· review of another edition

Shelves: 2011, coming-of-age, fiction, dark-fiction

This book made my heart hurt - and not necessarily in the good way that gives you a sense of understanding and hope through the pain. It was just a whole lot of pain.

But don't let me make you think that it wasn't a good book, because it was. It was dark, terrifying, filled with horror, heartache, pain and hurt - everything a coming-of-age story seems to need to reflect the current time. It dealt with heavy issues such as terrorism, suicide, alcoholism, neglect and sexuality, all t...more

· see review

Apr 09, 2011

Amy (SpedBug) rated it

· review of another edition

In this heartbreaking, darkly funny, and poignant novel, we are 'treated' to Mathilda Savitch's inner thoughts on the death of her older sister, her emotionally absent parents, and what it feels like to be trapped in that odd place between child and adulthood. Her thoughts are often fractured and dark, but then punctuated by a moment of exceptional beauty.

Mathilda wants to be awful, but all she accomplishes in showing us is just how vulnerable she truly is. She pinches the family do...more

like 1 like

· see review

Jan 11, 2011

Melana rated it

· review of another edition

Shelves: fiction

I wanted to love this story, especially after it had been compared to Catcher in the Rye. Like Holden, Mathilda — or "Lufwa" as she'd like to be known — has suffered the loss of a sibling, been emotionally starved by her parents, and communicates in fragments, but that's where the likeness ends.
Like many other reviewers, I felt that the voice in the first half of the book was young, precocious, and sharp but fell apart somewhere between uncovering a handful of emails belonging t...more

like 2 likes

· see review

Dec 21, 2010

Judy rated it

I actually think that I would rate this book a 3.5,but, unfortunately, that opportunity isn't available. Mathilda Savitch is a young teenager whose sister,Helene age 16, died almost exactly a year before. Mathilda believes that Helene was pushed in front of a train by an unknown man who easily got away from the station. Mathilda is trying to find the truth behind her sister's death, but her parents are emotionally locked down and unavailable to her. Mathilda has two goals--to find out about he...more

· see review

Apr 29, 2010

Elevate Difference rated it

Despite years of being told not to, I immediately judged Victor Lodato’s novel Mathilda Savitch by the cover. I opened it expecting to speed through a mature version of Harriet the Spy with a twist of Tim Burton’s eccentricity. The title suggested a fantastic world not unlike Coraline; however, the fantasy of Mathilda Savitch is of the saddest shade.

Young Mathilda Savitch is a teenager who introduces herself in the first line of the book by saying, “I want to be awful.” Disoriented by ...moreDespite years of being told not to, I immediately judged Victor Lodato’s novel Mathilda Savitch by the cover. I opened it expecting to speed through a mature version of Harriet the Spy with a twist of Tim Burton’s eccentricity. The title suggested a fantastic world not unlike Coraline; however, the fantasy of Mathilda Savitch is of the saddest shade.

Young Mathilda Savitch is a teenager who introduces herself in the first line of the book by saying, “I want to be awful.” Disoriented by the sudden death of her older sister Helene, Mathilda descends into an internal world of obsessive compulsive habits, nightmares, and delusion. Her home reflects her dark imagination, as her mother has succumbed to depression and alcoholism while her father weakly tries to maintain the family’s previous levity.

Mathilda Savitch is bitterly funny at times, reminiscent of The Catcher in the Rye or The Bell Jar. While it’s supposed to be a coming-of-age story—addressing menstruation, sexual experimentation, as well as basic rebellion—it feels more like a moment fixed in time.

While there are wonderful moments in the book, it isn’t flawless. A parallel theme of terrorism felt superficial and gratuitous. I also wasn’t completely convinced by Mathilda’s voice, especially when it came to puberty and sexuality. As a woman, I did not sense authenticity in these moments as I did when she was frustrated with her parents or missing her sister. Her thoughts, which compose the majority of the book, often sound more like staged monologues.

In fact, Lodato is a playwright and a poet, and this is his debut novel. Bits of the text read like poetry—“Window eyes, a window nose, and a door for a mouth”—while other parts sound like a play. Overall, however, Lodato has captured a painful stream of consciousness. I could imagine myself as a sometimes unhappy teenager wanting to find a dark place, alone, to obsess over Mathilda Savitch like a secret friend. This is a book worth reading, and although a fast read, it is not best suited for the beach.

Review by Claire Burrows(less)

· see review

Apr 05, 2010

bonnie rated it

Three stars is the highest I've ever rated a book I yanked off the shelf with no previous knowledge of it. I am very bad at picking out my own books cold.

Anyhow, this one was aight. Dude definitely could have come up with a better title than the girl's name, which is kind of an unnecessarily annoying name. She also calls her parents "Ma" and "Da." Have you heard of "Da" before?? Also highly annoying unless someone can convince me this is real. Also...more

· see review

Jan 24, 2010

Joanne rated it

The back cover blurb uses the Catcher comparison, and I'm usually drawn in by that.

The first chapters held promise. I didn't like the character but I hoped that as I read on, I would come to love her in the same way that I love Holden. Both are confused kids who don't communicate effectively with their parents; both have suffered the loss of a sibling; both do really stupid things in an effort to deal with the loss.

However, Mathilda doesn't change. While the inner workin...more

like 3 likes

· see review

Nov 16, 2009

Ken Vaughan rated it

· review of another edition

Shelves: mystery

Mathilda Savitch tells the story of her life so far in this odd but engaging and powerful novel. Though not specifically revealed, she would seem to be around 12 or 13, the remaining daughter of parents so grief stricken at the death of their older, 16 year old daughter a year earlier that they are almost dysfunctional, sleepwalking through life and still unable to deal with their loss, and certainly doing a poor job of parenting. Mathilda, one of the most precocious kids you will ever meet be...more

like 1 like

· see review

Oct 06, 2009

Libby rated it

Mathilda Savitch wants to be awful. Like so many adolescent girls, she lies to her parents; steals cigarettes; coerces her friends into illicit activity; riffles through her sibling’s belongings; and ponders that great teenaged imponderable: sex.
What casts her desire to be bad in more uncertain light, however, is the calamity that has produced it: the violent death, a year prior to the novel’s opening, of her older sister, Helene. Emotionally stranded by her parents—torpor-consumed in th...moreMathilda Savitch wants to be awful. Like so many adolescent girls, she lies to her parents; steals cigarettes; coerces her friends into illicit activity; riffles through her sibling’s belongings; and ponders that great teenaged imponderable: sex.
What casts her desire to be bad in more uncertain light, however, is the calamity that has produced it: the violent death, a year prior to the novel’s opening, of her older sister, Helene. Emotionally stranded by her parents—torpor-consumed in the wake of Helene’s death—Mathilda’s urgent need to be rescued from her “island of grief” fuels her misdeeds. About the island she wonders, “how large it is and how long it will take me to explore it [and:] how long I’ve been here without even knowing it.” Mathilda Savitch, playwright Victor Lodato’s debut novel, is the log of that exploration, narrated by its namesake in an attempt to navigate and then chart the territory of loss.
Since September 11th, the novel-of-loss-as-experienced-by-precocious-child-narrator has come into particular vogue, from Nicole Krauss’s The History of Love to Jonathan Safran Foer’s Extremely Loud and Incredibly Close (which deals explicitly with the World Trade Center attacks) to Marissa Peshl’s blockbuster Special Topics in Calamity Physics. These novels offer the possibility that the unsullied, slightly skewed vision of an innocent will recalibrate the vision of the adult reader—rendering incomprehensibly painful events less painful and more bittersweet via the transformative power of the child’s love and (loss of) innocence. These novels owe almost everything, of course, to Catcher in the Rye, from its originating plot mechanism—it is the death of his little brother, Allie, that is Holden’s undoing—to its supremely voice-driven narrative. And Mathilda Savitch fits neatly into the tradition.
Lodato has a particular gift for voice. As a dramatist (he’s received both a Guggenheim fellowship and NEA funding for his theater work, among other accolades and awards) this should be his métier—dialogue is the sine qua non of theater. And from moment one, Mathilda’s hungry voice, its rhythm and its logic, is the vital, animating force powering the book. “I want to be awful. I want to do awful things and why not?” she announces, and the reader can’t help but follow along. Whether or not a given reader will find much of thirteen-year-old Mathilda’s insights plausible seems a matter of taste; Lodato indulges with little restraint in observations and ruminations on Mathilda’s behalf—“I wondered why God would open a door only to show you emptiness”—that some may find overly precious, which others will undoubtedly delight in. (Kids do say the darndest things.)
While Mathilda’s ruminations on such diverse subjects as the nature of infinity, why people become terrorists, and the shape and texture of adult desire may grow tiresome, the real difficulty for the novel is not what Mathilda gives voice to but how controlling that voice is, and how little control Lodato has over it. Speaking to the Wall Street Journal about Mathilda, Lodato said that “for a long time I felt more like a secretary than a writer, I just let her babble and I wrote everything down that I heard.” Taking dictation from a character is one way for a writer way to enter a story, and one can see how that would be an especially useful method for a playwright. But Lodato, in writing a novel, is bereft of some of the theater’s other gifts: direction and staging; his infatuation with Mathilda’s voice has allowed it to subsume the other essential fictive elements that constitute a whole work.
The novel makes explicit that its events occur in a post-September 11th world, perhaps a very near future. “In our history book, there’s a picture of the burning towers. I was only a kid when it happened, but they don’t let you forget stuff like that,” Mathilda tells us. But beyond that, the novel’s setting is willfully nebulous and vague, both chronologically and geographically. Instead of universalizing the story, or lending it a timelessness that allows it to escape an expiration date, this vagueness flattens the novel, removes it a from a universe in which we might invest ourselves, without providing a compelling substitute. Lodato has lavished so much attention on Mathilda’s voice that he has forgotten the reader’s need to partake in some sensory experience of the novel—something the set would accomplish in a theater production. In Mathilda Savitch there is little to see, to taste, to hear.
This troubling flatness is pervasive in the action as well. The events at hand suffer from a quality of lazy melodrama: Helene meets her death under the wheels of a train; whether she’s been pushed or has killed herself is the novel’s central mystery, the solution to which is embarrassingly prosaic, especially given the overt quirkiness the book relishes in its narrator. The flabbiness of the action and the paucity of texture in the novel make the inclusion of a terrorism motif seem especially cheap. Conveniently for the story, a generalized terrorist attack takes place on the first anniversary of Helene’s death. The novel’s gesture toward a parallel between the two incidents of violence, its half-hearted attempt to comment on the intersection of the historical and the personal (or the political and the personal) is not only easy, but half-baked.
If grief and loss are an island, as Mathilda suggests, then it’s not a desert island, uncharted and undiscovered. If anything, it’s more like an Australia—an enormous continent of an island, its perimeter fairly mapped and populated, but its stark interior less easily inhabited or articulated, so expansive that new and updated information is always welcome. Mathilda Savitch, deprived of too many of the working parts that such an undertaking requires, can provide only a rough accounting of the journey.
(less)

like 3 likes

· see review

Apr 07, 2010

Chris rated it

Mathilda Savitch only knows September 11, 2001, from movies and old television footage. In her world, terrorist attacks are frequent and “wars in deserts” ongoing. Mattie faces her life with a level of fearlessness, speaking openly about the news and practicing what she would do in case of an attack. But Mattie and her parents have been traumatized by their own tragedy - the mysterious death of Mattie’s older sister, Helene, a year ago. With no one to turn to, Mattie obsesses over letters an...more

· see review

Apr 23, 2011

Stormmyy.. rated it

· review of another edition

Shelves: my-books

Mathilda Savitch is a creative and original read that brings its readers to the heart of its plot. This book was an amazing read that showed me the true depth of not only Victor Lodato's creative characterisation but also how a reader can interpret a character and see how real they are compared to our daily lives. The mind and thoughts of Mathilda Savitch are what makes this book a read unlike many others I have read before. The imagination and stream of confused yet sure thought of Mattie (Math...more

· see review

Apr 02, 2010

Kristin rated it

· review of another edition

Shelves: 2010

Victor Lodato's debut novel, Mathilda Savitch, is challenging to describe. Thankfully, I have plenty of experience with young teens, otherwise the stream of consciousness teen narration would have been incomprehensible.

Mathilda's older sister Helene has died in a horrible train accident. Her parents are barely surviving the loss of their eldest child. Mathilda has been lost in the shuffle. She decides the best way to get their attention is to behave badly. Mathilda is also...more

· see review

Jan 31, 2011

Cindy marked it as to-read

B&N Discovery winner

At once poignant and fiercely funny, poet and playwright Victor Lodato's debut novel tells the story of a young girl determined to find the key to the death of her older sister.

From the Judges
"In an era where so many voices speak purely to make profit or sense out of life, it is a refreshing deliverance to hear the voice of Mathilda Savitch, the adolescent narrator of Victor Lodato's fine novel, who seems purely to want to make beautiful trouble ...more

· see review

Mar 31, 2010

Gregg rated it

· review of another edition

Mathilda is a young teenage girl growing up in the shadow of her 16 year old sister's tragic death. Throw in some terrorist activity, teenage lust, family dysfunction, and unanswered questions about the sister's death, and you have the elements for an interesting read. The biggest problem I had was I just never liked Mathilda very much. She lies and manipulates---sometimes for no apparent reason. She tends to avoid reality by escaping into her own invented worlds and scenarios, which is unde...more

· see review

Dec 11, 2009

Mindy rated it

Shelves: fiction, library-book

My local library thinks this would be a good pick for Jodi Picoultfans. I disagree. Mathilda Savitch doesn't have that "tough moral choice" Picoult trademark. Lodato's writing is more clever, and the backdrop of a not-too-distant future in which terrorist attacks happen routinely, lends the book a rather dystopian vibe. Instead, I think this book, with its precocious, unreliable teen narrator, would be a better fit with fans of Curious incidents of the Dog in the Night-time, Lullabie...more

· see review

Aug 05, 2009

Heather rated it

Mathida's beautiful, vibrant, tempestuous older sister, Helene, died a year ago, having been pushed in front of a moving train, and no one in the Savitch family has recovered from the devastating loss. Yet, Mathilda (whose age is never explicitly stated, but whom I would guess is about thirteen) seems to be the only one willing or able to openly mourn. Conversely, her stricken mother, formerly a loving, attentive parent, is slowly disappearing into herself with the help of alcohol; her father, k...more

like 1 like

· see review

Jul 29, 2009

eb rated it

There's a weird contrast going on in this book: the narrator's voice is rapier sharp, tonally perfect, and highly memorable. But the events that take place seem vague, flabby, and a bit scattershot, and the central incident--the death of the narrator's sister--is handled melodramatically. Still, the keenness of Mathilda's observations and the truths she tells make this one more than worth reading.

like 3 likes

· see review

Mar 10, 2010

Alisha rated it

· review of another edition

Shelves: first-reads, books-i-own-that-i-ve-read, drama

Mathilda Savitch was a pretty unusual read. I thought it was going to be completely different from what it turned out to be. The summary in the back of the book states that Mathilda is trying to find the truth of her sister's death. It's less about her finding the truth than it is about her trying to cope with the grief brought on by her sister's death.

I've read a couple of reviews that mention that the voice of the Mathilda rang false for them. To me, Mathilda was like any other...more

like 1 like

· see review

Mar 01, 2010

Laura rated it

REALLY liked this one. Was an unusal read. I read that the author was a poet and I guess that is why, but the style was very stream of consciousness and was constantly sliding in and out of reality, fantasy and memory. It also felt like the narator was in a fugue state, like if you had to paint them, the image would be out of focus. No hard edges.

The title character is a bit odd, no doubt, but very sympathetic in what she is going through. Her sister died the previous year and...more

like 1 like

· see review

Apr 05, 2010

fennie rated it

· review of another edition

Shelves: things-that-make-you-go-hmm

i can't decide how i feel about this book. technically it can be categorized as a coming-of-age/mystery with a quirky, overthinking narrator that is trying to navigate growing up. but it's also a manifesto of mathilda, where you delve into her psyche and struggle along with her as she deals with friendship, death and family relationships. there is also the mystery aspect of the tale, which i unfortunately figured out much too early (although there is minimal foreshadowing). i guess i felt that s...more

· see review

Sep 07, 2010

Carol rated it

· review of another edition

Shelves: received-the-book-for-free-through

I recieved this book free through Goodreads First Reads.

This book is hard to describe...it's unlike anything I have ever read before. It is very intriguing and I really couldn't put it down. There are dark moments and lighter moments. It really gets into a young adults thoughts.

I highly recommend this book!!!!

like 1 like

· see review

Jan 11, 2010

Tara rated it

Shelves: young-adult

Of course this was one of those books I picked up because I loved the cover. At first, it was not what I expected... from the cover it looked like it was going to be a quirky little story about a girl. It was. It told a story about a family left behind after the oldest sister dies. A heartbreaking, yet darkly comedic coming of age story of a 13/14 year old trying to come to terms with her sister's death, while trying to shock her parents out of their grief.
It was a page-turner. I re...more

· see review

Oct 19, 2009

Holly rated it

Shelves: first-reads, fiction

Mathilda Savitch is a young girl (the book never specifies her ages, but I would guess it at around 14) who is living with ghosts. Her sister Helene's tragic death has ripped her family into pieces and she has lost more than just her big sister but also the solid foundations that every child craves. Her parents (and particularly her mother) have become shadows, completely wrapped up in their own personal hells, and shy from even the mention of Helene. Mathilda, as many children would do, acts...more

like 1 like

· see review

Sep 14, 2009

Kate rated it

Shelves: read-it-on-an-airplane

The narrative voice was so strong in the first couple of chapters that I found it hard to read, and almost put it down. But i was trapped on an airplane, and it was my only option besides SkyMall, so I kept reading, and I'm glad I did. The title character is messed up, but tough, and is struggling through a kind of nervous breakdown following her sister's death. She eventually finds a way to live with the crappy state of the world, the sad state of her family, and her own potentially overwhelmin...more

like 1 like

· see review

Nov 12, 2010

Nicholle rated it

I am usually pretty disappointed by the books that win the B&N Discover award, but this one really came thruough. The narrator, 13-year-old Mathilda, had a Holding Caufieldesque charm that helped keep the tone crisp and the perspectives fresh.

Mathilda is an extremely precocious girl, who is trying to cope with the death of her beautiful older sister. The word neglect doesn't even begin to describe her homelife, her parents too wrapped up in their own pain to think much about Mathild...more

· see review

Jul 23, 2011

Cher rated it

The protagonist of Victor Lodato's first novel, Mathilda Savitch, is an adolescent girl struggling to cope with the violent loss of her sister, a couple of grieving, essentially non-functioning parents, and the reality of growing up in a world where "terror drills" and suicide bombs are omnipresent- oh and let us not forget- adolescence in general (gee, tough enough for me). This book while told from a teen girl viewpoint, is by no means young adult fiction, this speaks sharply to rea...more

· see review

May 28, 2011

Kay Kay rated it

Initially as I was reading this book, I was like okay, this Mathilda seems quite mean spirited, but funny I'll persevere.
Much to my dismay, Mathilda got more so.
This book went all over the place in twisting with my mind.
THe way that she treats Anna, her friendship of sorts with Kevin and her ma and da, did my head in.

THe ending was the last straw.

It didn't make sense to me, I was sooo astonished! It wasn't because it was an awesome twist that you hate but you l...more

· see review

« previous 1 2 3 4 5 6 7 8 9 … 68 69 next »

new topic
Discuss This Book

topics	posts	views	last activity
Victor Lodato's Facebook Fan Page!	2	7	Sep 24, 2011 02:47pm

combine
Other Editions (20)

More editions...

Genres

Adult Fiction

10 users

Young Adult

9 users

Book Club

7 users

Contemporary

7 users

Young Adult > Coming Of Age

6 users

Mystery

5 users

Novels

4 users

Drama

4 users

Adult

4 users

Family

2 users

See top shelves...

Readers Also Enjoyed

About Victor Lodato

Victor Lodato is a playwright, poet, and novelist.

More about Victor Lodato...

Books by Victor Lodato

More…

Share This Book

Facebook Twitter Your website

Pin It

Trivia About Mathilda Savitch

3 trivia questions

More quizzes & trivia...

Quotes from Mathilda Savitch

“...not everything in your heart makes it to your mouth. A lot of it gets lost on the way.” — 8 people liked it

“Isn't language amazing? I can't get over it. Sometimes you can just say things and its like a bomb that blows all your clothes off and suddenly there you are naked. I don't know if its disgusting or beautiful.” — 8 people liked it

More quotes…

title link	preview: Mathilda Savitch
avg rating	preview: Mathilda Savitch Goodreads rating: 3.16 (1079 ratings)
small image	preview: click here [close]
med image	preview: click here [close]
BBCode	[url=http://www.goodreads.com/book/show/6417409-mathilda-savitch?utm_medium=api&utm_source=blog_book][img]http://photo.goodreads.com/books/1312059111m/6417409.jpg[/img][/url] [url=http://www.goodreads.com/book/show/6417409-mathilda-savitch?utm_medium=api&utm_source=blog_book]Mathilda Savitch by Victor Lodato[/url]

Mathilda Savitch

Friend Reviews

Community Reviews

Readers Also Enjoyed

Share This Book

Share This Book on Your Website