Suite française

Sep 07, 2007 Lord Beardsley rated it 4 of 5 stars · review of another edition Recommends it for: those interested in the human experience during war

Shelves: read2007

This book jolted me. It's rare when I read a book literally from cover to cover...and close it nearly in tears. This was witten as France was being occupied by the Nazis during the Second World War, thus, this may well be the first fictional account of World War Two as it was happening. Needless to say, this is an immensely important book and in my opinion should be required reading in history classes. This is an unfinished work by a Russian-French author who died in Auschwitz before she could c...more This book jolted me. It's rare when I read a book literally from cover to cover...and close it nearly in tears. This was witten as France was being occupied by the Nazis during the Second World War, thus, this may well be the first fictional account of World War Two as it was happening. Needless to say, this is an immensely important book and in my opinion should be required reading in history classes. This is an unfinished work by a Russian-French author who died in Auschwitz before she could complete what she was hoping would be a novel-opus written in the style of a piece of music. This is definately an ambitious and frustrating read. But the readers must take in mind that this is an incomplete draft. As a writer, I enjoyed reading something unfinished. It was wonderful to be able to crawl into someone's imaginative workings as they are happening with all the frayed bits left strung out. It helped me in assessing my own approach to the creative process and I think I'll be referring back to this novel time and again to get some pointers on plot devices and flow.

As a story, this is flawed. If I was just giving points for the story itself I would only alot it three stars. The fourth is for the fact that the appendix's in the back as well as the forword to the French addition are utterly fascinating. This is a highly forgotten author and I'm looking forward to reading more of her work. It pains me that this was never completed.

*On a side note, I experienced a strange realization while reading this by finding out that the suburb of Paris where my girlfriend's grandmother lives, Drancy, is the site of a former concentration camp.*

This gives a fascinatingly detailed account of life during the French Occupation as it was happening through the eyes of a formerly (but that has never been known to stop Nazis) Jewish woman. She has a keen knack for expressing the human experience. The lives of those she describes are lives interrupted during war, whether it be French peasants or young, highly incompetent German soldiers in way over their heads. She described the young German soldiers with a tenderness and empathy I thought incredible. Thus, subverting their "power" by describing them as young boys caught up in something they have marginal understanding of. The most poignant scenes for me where those in which she described what happens to young people during wartime. How all the young French boys are away and the young girls secretly idolize their captors and their captors in turn court the young girls...after all they're still teenagers. That to me, was heart-breaking. Reading this, over sixty years after it was written and in another pseudo "war", makes me realize how useless the power displays of men playing king of the hill really are...especially when the lives of everyday people are involved.(less)

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Apr 02, 2008 Lucy rated it 5 of 5 stars · review of another edition

A masterpiece. And this is the rough draft.

I've spent the last day trying to decide if I loved this book because I'm sentimental. The author, Irene Nemirovsky, was a Russian Jew who wrote this while living in occupied France. A respected author, she had married Micheal Epstein who had also fled Russia when the Bolsheviks revolted. They had sincerely adopted France as their home country, converted to Catholicism and were the parents of two daughters. She began writing this novel while simultaneou...more A masterpiece. And this is the rough draft.

I've spent the last day trying to decide if I loved this book because I'm sentimental. The author, Irene Nemirovsky, was a Russian Jew who wrote this while living in occupied France. A respected author, she had married Micheal Epstein who had also fled Russia when the Bolsheviks revolted. They had sincerely adopted France as their home country, converted to Catholicism and were the parents of two daughters. She began writing this novel while simultaneously experiencing it. She and her family had lived in Paris but had fled when German troops invaded the city. While most of the country was occupied, she moved to a French village and tried to survive amidst the new harsh laws concerning anyone of Jewish decent. She could no longer publish her works, could not cash checks, could not travel freely. Her life and freedom, as well as those of her husband and daughters were threatened daily. She had every excuse to be as frightened and as hysteric as anyone.

Yet, she managed to write an unbelievably candid look at Frenchmen in their hour of need. Her intention was to write a five part novella in the idea of a musical symphony much like Beethoven's Fifth examining the behavior of people from different classes of society. She succeeded in writing two of the five parts: Storm in June and Dolce. Storm in June begins as rumors of a German invasion into Paris reach a frenzied level and characters decide whether or not evacuate their homes. The attitude, priorities and expectations vary greatly between the elite and working class. Desperation brings out the very worst in most, but not all. Food, gas, shelter - the basic needs of any person, become scarce and the desire to survive seems to super cede any desire to help a neighbor. Nemirovsky is an expert at exposing this without focusing on the misery. Instead, in her own words, she shows "the prosperity that contrasts with it. . . one word for misery, ten for egotism, cowardice, closing ranks, crime. But it's true that it's this very atmosphere I'm breathing. It is easy to imagine it: the obsession with food." Writing about the contrast is very effective. `What impresses me more is that Nemirovsky was part of this aristocrat class. She was privileged. To have the ability to understand at all the confusion and need of those without shows great compassion, I think.

The second part of the novel, Dolce, is quite different. Rather than following several loosely related characters, she focuses on a small village adjusting to life with the German troop based there. Most of the upper class members of the village, farmers, land owners etc., had to house the officers of the German army at the same time their husbands, sons, and brothers were being held as prisoners of war someplace else. Nemirovsky manages to weave in a few of the characters from Storm into the story but the overall pace and feeling is much slower and calmer (ah....dolce!) The slower tempo and close proximity force many of the French to look at the Germans as humans rather than simply soldiers. Boredom resulting from the restrictions placed on the villagers, jealousy and greed as supplies and food are scarce for many cause tensions to run high. The most interesting part of this story to me was the relationship between Lucille and the German officer staying at their chateau all the while under the persecution of an unforgiving and pompous mother-in-law. How disappointing when this story ended and there was no more.

Following the two stories are the handwritten notes written by the author. Plans for the third part to be titled "Captivity" were outlined and different story lines attempted. The realization that this was all a rough draft boggles my mind. They seem so....done and flawless. What a loss. After the appendix showing Nemirovsky's plans for the novel is another with the letters recovered from her and her family, acquaintances, editors etc. during this time period. The tone in these letters is so different from the tone in her notes for the novel. It's as if she was somehow push away her fear and trepidation while writing and thinking. Her personal correspondence, however, reveals that she was very aware of the danger facing her. Her last letter is written to her husband as she is being taken to a concentration camp. Following letters show the desperation of her husband, trying to find out where she has been taken and how she can be saved. then those stop as he is arrested and also taken to a concentration camp. They were both killed at Auschwitz.

Her daughters were hid by a close friend for years until the war was over. Her eldest daughter carried around this manuscript in a suitcase wherever they traveled as a link to her mother and finally had it published and translated sixty years later.

I don't think I loved this just because I am sentimental although I love it for that very reason. Independent of the author's tragic parallel story is the creation of something unique and special. It is as if someone was holding a mirror up to the French during the war but this mirror is alluring and beautiful, so much so that you can't help but pick it up and just gaze. But it's more than just a look at the French people during a specific period of time. It is also a timeless portrait of humanity. Highly, highly recommended.(less)

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Sep 06, 2011 Matt rated it 4 of 5 stars · review of another edition

Unless you’re reading a memoir or autobiography, you usually aren’t conscious of an author’s presence in a book. I’m not talking about style. Obviously, there are times you can tell the provenance of a book, and know its creator, by skimming a few paragraphs. Short, punchy sentences, hyper-masculinity, and casual misogyny mean I’m reading Hemingway; if I can’t understand what I’m reading, it’s because I’m trying Faulkner; and if I’ve fallen asleep, I know I’ve got something by Melville in my han...more

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Aug 20, 2011 AC rated it 3 of 5 stars · review of another edition

Shelves: fascism, novels-french-writers

Némirovsky was a Russian Jew who emigrated as a child to France. There, she became a popular and successful writer, converted to Roman Catholicism, became an anti-semite who associated with right-wing (fascist) writers and editors, but who by 1942 was deported to Auschwitz and gassed. Her husband was murdered soon afterwards. She left a lengthy manuscript in a diary that was in the possession of her daughter, who refused to look at it all her life -- thinking it was only a diary and that reading...more Némirovsky was a Russian Jew who emigrated as a child to France. There, she became a popular and successful writer, converted to Roman Catholicism, became an anti-semite who associated with right-wing (fascist) writers and editors, but who by 1942 was deported to Auschwitz and gassed. Her husband was murdered soon afterwards. She left a lengthy manuscript in a diary that was in the possession of her daughter, who refused to look at it all her life -- thinking it was only a diary and that reading it would be upsetting. When she finally did look at it and discovered it actually contained a manuscript, she had it published. The backstory is quite interesting: http://en.wikipedia.org/wiki/Irène_Né...

The book was conceived as 1,000 page Magnum Opus -- the author was very conscious that she was writing her manuscript -- a War and Peace for the Modern Era. But in fact, only two of the five parts (Storm in June and Dolce) were more or less completed; and a third part Captivity (about the concentration camps) apparently is still in manuscript form. What we have here, Storm and Dolce, amount to two novellas.

What is interesting about these books is that they are written by someone living the events almost in real time, but they are not a diary, but a very well structured fictional work. In other words, there is detachment, as well as passion to it.

Storm consists of a series of interlocking vignettes, as Némirovsky follows a set of characters fleeing Paris in the tumultuous week of the invasion. It is very moving and, apart from one or two false notes (one can see the seams, as it were), quite brilliant (5-stars). The immortality that Némirovsky wanted will have to rest on this slender little novel.

Dolce is extremely mediocre - it is about the lusts of some sexually frustrated frenchwomen who are falling in love with these hypermasculine blond Nazis. The Nazis are glorified, their muscles are described many times, they are all poets and musicians, highly cultivated, invariably polite, and seductive -- only the French men in the story seem to be not too thrilled with them -- but those men are boorish peasants, so WTF do they know...

The story drips with fascist sympathies -- the anti-German patriotism of the characters is the patriotism that loves "le Marèchal!" (i.e., Petain)..... What is worse, the story is melodramatic and -- nobody even goes to bed. They don't even get around to kissing. 3 stars. And this, remember, was being written by a woman who was months away from the gas-chamber....

If you read this book, be sure to read the short Appendix I - which contains notes by the author on events and on her plotted of the novel. It contains some gems. E.g.:

"The French grew tired of the Republic as if she were an old wife. For them, the dictatorship was a brief affair, adultery. But they intended to cheat on their wife, not to kill her. Now they realize she's dead, their Republic, their freedom. They're mourning her."

Or...

"The most hated men in France in 1942: Philippe Henriot and Pierre Laval. The first as the Tiger, the second as the Hyena: around Henriot you can smell fresh blood, and around Laval the stench of rotting flesh."

The translation, as you can see from this, is wonderful.

Anyway - a mixed bag -- find the good in it, chuck the dross. A good companion piece to Wescott's Apartment (also about the Occupation), though not to be compared with Wescott in quality.(less)

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Mar 02, 2008 Seth Hahne rated it 3 of 5 stars · review of another edition Recommends it for: People interested in the affects of war on the conquered

Shelves: bookclub

Recognizing beforehand that this wouldn't be a complete story arc, I had to try to approach the book without any prejudice toward it for having a weak ending (i.e., no ending). Unfinished books can be interesting to read to view the storytelling process in the midst of its evolution, but are rarely satisfying as stories in their own right. Némirovsky's work here is perhaps more polished than a simple draft, but even her notes suggest that the finished chapters and two volumes that *were* publish...more Recognizing beforehand that this wouldn't be a complete story arc, I had to try to approach the book without any prejudice toward it for having a weak ending (i.e., no ending). Unfinished books can be interesting to read to view the storytelling process in the midst of its evolution, but are rarely satisfying as stories in their own right. Némirovsky's work here is perhaps more polished than a simple draft, but even her notes suggest that the finished chapters and two volumes that *were* published are not likely how they would appear in her final product.

So then, what about what we are given?

It's, well, pretty good. It's not riveting by any means. There is no climax to her first act ("Storm in June") and her second act plays out pretty softly (appropriately enough for a section entitled "Dolce"). While each segment picks up interest in later chapters, both start off at such a slowburn that many readers won't make it past a hundred pages. Character-wise, Némirovsky doesn't provide the reader with many sympathetic characters either. Not only are almost all the inhabitants of her story arrogant hypocrites, but they are almost universally uninteresting as well.

The first book is a pile of vignettes describing the circumstances of several families and individuals as they flee Paris on the eve of its fall into German hands on 14 June 1940. The narrative is as disorganized and haphazard, perhaps, as was the exodus it chronicles. There are flourishes of course and moments of interest (notably a chapter written from the perspective of a cat in heat), but on the whole it functions better as documentary than as story. The second book is easily superior, but much slower paced. There are more sympathetic characters and much more time for introspection. In a way, book two ("Dolce") could function as some sort of Jane Austen work, only with Nazis and crap.

Back to characters. Reading, Suite Française, I first thought that Némirovsky was an out-and-out misanthrope, despising all humanity, no matter its form or station. Gradually, I came to see that there is a certain class of person whom Némirovsky bears little ill will and seems to believe at least capable of being both genuine and rational. Those people seem to fit in the lower middle class and be young enough to still see beauty in the world (the Michaud couple are only in their early forties or so, and are an exception to the youthfulness qualification). Her sympathetic characters are the Michauds, Jean-Marie Michaud, Lucile, the young engaged couple fleeing from Paris on their wedding day, Bruno (the German soldier staying with Lucille's family), Madeleine (to some extent), and Hubert (after he rejects the hypocrisy and privilege of his class).

I should note I really did appreciate Némirovsky's ability to describe the hypocrisies of her characters through the various perspectives of her other characters. This actually makes it a little more difficult to pin down the author's own feelings toward others.

I'd be curious to read Némirovsky's other works to see how she paints the classes as a general rule, but if they're not more interesting books than Suite Française, I think I'll skip.(less)

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Jan 11, 2012 Noce rated it 4 of 5 stars · review of another edition

Shelves: narrativa-francese

Un dipinto a olio in formato digitale

Ci sono libri che ricordano quei pomeriggi invernali in cui guardi la città piovosa, attraverso i vetri della finestra. Guardi le strade, e la gente ti sembra diversa. Uguale nella loro destinazione, ma diversa nel modo di sentire che le attribuisci. Il tutto mentre sorseggi il tuo caffè, con le gambe calde dal contatto col termosifone.

Irène Némirovsky ci regala uno spaccato di mondo eterogeneo e completo, attraverso le parole del suo romanzo, che noi beatame...more

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Jun 29, 2008 Marigold rated it 4 of 5 stars · review of another edition Recommends it for: everyone

What a fabulous book. Thought-provoking, beautifully written, sad and yet oddly hopeful. Romantic, violent and unflinching. Irene Nemirovsky was a Russian Jew who became exiled from Russia at a young age & had lived in France for many years by the outbreak of the Second World War. Despite being a well-known writer, she was never granted French citizenship. She started Suite Francaise after the outbreak of the war in Europe, wanting to document what she saw going on around her. She planned to...more What a fabulous book. Thought-provoking, beautifully written, sad and yet oddly hopeful. Romantic, violent and unflinching. Irene Nemirovsky was a Russian Jew who became exiled from Russia at a young age & had lived in France for many years by the outbreak of the Second World War. Despite being a well-known writer, she was never granted French citizenship. She started Suite Francaise after the outbreak of the war in Europe, wanting to document what she saw going on around her. She planned to write the novel in five parts, as a symphony would be written, and with Beethoven’s Fifth Symphony in mind, with each part of the novel echoing or evoking a particular mood or state of being. She wrote the first two parts, Storm in June and Dolce, and made extensive notes for the third part, plus outline notes about the rest. The notes she made about the book and about what was going on in France at the time, are included in the book & are required reading to appreciate her achievement and the circumstances surrounding it. (Also the heartbreaking letters she & her husband wrote between 1936 & 1945.) In June 1942 Irene felt she would not be able to finish the book, as she became convinced that she would be arrested. She made a will & left detailed instructions with the governess of her two daughters, asking her to care for them if needed. In July 1942 Irene was arrested and deported to Auschwitz, where she died. At the time of her arrest, her husband Michel Epstein, didn’t understand that to be arrested & deported meant only one thing. He wrote a series of letters to everyone he could think of in a position of influence, trying to find out where Irene had been taken (which he didn’t know) & volunteering to take her place in the concentration camp, because of her delicate health. He got no response, & in October 1942 he was also arrested & taken to Auschwitz where he was sent immediately to the gas chamber. After that, the police actually hunted for the daughters – who were hidden by their governess & a series of teachers. The older daughter, Denise, hid the manuscript of Suite Francaise in a suitcase as they were fleeing the village where they’d lived before her father’s arrest. She didn’t realize it was a novel & thought it was a diary of her mother’s. After the war, she kept it but she & her sister never read it, finding it too painful. Many years later, they decided to give the manuscript to an organization dedicated to preserving & documenting the memories of those who died in WWII. Before giving it up, Denise decided to translate & type it out, & only then discovered the novel Suite Francaise, which she then gave to a publisher.

Irene had planned to edit and revise the novel after she had written the five parts, so the two parts contained in the published version are unfinished, but it’s difficult to see how it could have been better, though it’s obvious that the remaining sections would have tied it all together. Storm in June simply tells the stories of a series of loosely connected people fleeing Paris at the start of the German occupation. Some of them are good people, some not so good, many selfish, many ready to do or say anything to the Germans just to get some food, all of them exhausted, hungry and suddenly homeless. It’s a telling picture of what happens to people under the very worst of circumstances, particularly when they’ve had no time to prepare for what’s happening. The second section, Dolce, is a story about a small village where each home and farm has to take in a German occupying soldier. What happens when an attractive, charming, intelligent German officer comes to live with Lucile, whose husband is a prisoner of war but Lucile didn’t like him much to begin with, and Lucile’s mother-in-law? This is a story that makes you think about how you might react in similar circumstances. If your country has been defeated in war, & the victors are coming to live in your village, what can you do besides live with them? Do you become an outlaw, a fighter? Do you resolve to be nice on the outside but continue hating on the inside? Do you wait for an opportunity to kill one if you can? Or, like Lucile’s mother-in-law, would you spend your days shut up in your room to avoid talking to them, in hatred & suspicion & a state of suspended animation until something shakes you out of it. Do you try to find the good in the individual soldiers who are suddenly living in your town, maybe in your own home? If your village in general finds a way to get along with the outsiders, if things are friendly on the outside, is there always a kernel of something on the inside, something that will keep you apart forever? If you were the Germans in the situation, would you try to be kind to the people you had to live with? Would you share your life with them? Could you ever be comfortable and trusting? Or would you always be looking over your shoulder? It was fascinating to learn more about how young people responded to the French occupation, compared to older people who had been through World War I, many of them losing family members to the Germans in that war.

Where Storm is a series of hard-hitting little vignettes, Dolce is a story that builds slowly, using the details of each day – the weather, meals, the life of the farm & village, the books that Lucile reads, the music she listens to – to convey not only the sense of life going on despite horrible circumstances, but also the different ways of responding, & how things are not usually black or white – even in war, people have different & conflicting feelings, sometimes within the course of the same day. Nemirovsky is brilliant at creating two entirely different moods in the two sections. It would have been fascinating to read the other planned sections – if she had carried out her intention of modeling the narrative after a symphonic structure, & had succeeded as well as the first two sections do, I’m sure this would have been one of the masterpieces of the 20th century. What a loss for all of us.
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Nov 13, 2007 Ryan rated it 3 of 5 stars · review of another edition

Part I ("Storm in June") - Follow the lives of average Parisians as they evacuate the chaotic and dangerous French countryside during the German invasion of World War II.

Part II ("Dolce") - A German regiment settles in a small French town, and the villagers must learn to live with their new occupiers, for better or worse.

The descriptions in this novel were rich and beautiful; the author brilliantly wove striking metaphorical images into the scenes to illustrate the emotions of the characters and...more

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Sep 14, 2008 Elizabeth rated it 4 of 5 stars · review of another edition

Shelves: france, fiction, historicalnovels

I liked this book. I thought the writing was sweeping and vibrant. "Dolce" in particular was sad and moving for me. It was also interesting to view WWII through the eyes of the women left behind. However, when I read the appendixes, I was appalled.

*We later went to a book club meeting about this Suite Francaise and it was startling to hear such a broad array of reactions to this book. For example, some people thought that the book was written as a "get out of jail pass" to give to the Germans i...more

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Jun 06, 2007 Becky rated it 5 of 5 stars · review of another edition Recommends it for: ANYONE

this book was reccommended to me by my dear friend and avid reader, kimi. For literary mastery I would have given this book four stars, but given the history and circumstances for which this book endured to be written -and published 50 years later, well...its phenomenal! Irene Nemirovsky had intended the book to be five mini-books within one binding. She didn't live to write the final three and ironically titled the final two with (question marks at the end) battle? peace?. She wrote this extrao...more this book was reccommended to me by my dear friend and avid reader, kimi. For literary mastery I would have given this book four stars, but given the history and circumstances for which this book endured to be written -and published 50 years later, well...its phenomenal! Irene Nemirovsky had intended the book to be five mini-books within one binding. She didn't live to write the final three and ironically titled the final two with (question marks at the end) battle? peace?. She wrote this extraordinary novel during fall of France and Nazi occupation. The depth of detail, humanity of characters, and depiction of cruelty/evil and compassion/justice places the reader in the midst of French humiliation.

As the citizens of France struggle to reconcile their current defeat, German soldiers invade their town and lives. Nemirovsky does not villify the Nazi regime, but rather shows them as they were, young men, soldiers, some cruel, others kind. In reading it, I have to wonder if she would have changed her characters had she known the bredth of Nazi atrocities/cruelty/inhumanity. Or if she had lived to see the Americans liberate France and had the ability to reflect on the time period considering all of the horror of Nazi cruelty. There is very little mentioned about the Jews, only fleeting references of characters that worry/wonder about the fate of the Jewish French.

In a twist of irony this acclaimed Catholic author was later arrested and eventually died in Auchwitz in 1942. Her Jewish ancestry ultimately led to her arrest and in her husbands desperate attempts to free her, he condemmed himself by showing he too had Jewish ancestry but was a devote Catholic. He believed her arrest was mostly due to a misunderstanding about her Russian heritage. How could he have known they would murder her for a bloodline she didn't even claim? Or that he too would be sent to the same camp and gassed for having a similar ancestry? When Irene was writing this amazing novel, she could not have known of the camps, the millions who would die, the horror of a madman's vision. Who, other then those who lived it and those who were in Germany and later Poland, could have known what evil was capable of?

She wrote this novel as a current events. She never lived to see the depth of French struggle, the thousands hunted and killed, the battles between the Allies and Germany, the liberation of France, PEACE. She would never know of Hitlers genocide, the rise of communism, or the rebuilding of Europe. She would never get the chance to polish up her novel. But this work, in its purity is so well illustrated, so beautiful. It is a novel, through the eyes of one who was LIVING it.

**a side note her daughters, hid in cellars during the end of the war bc they were being hunted by the French police (commissioned by the SS), saved her notebook containing this novel. Neither had the heart to read it- thinking it notes and journal, until a few years ago. when she discovered it was a novel, she had is published immediately.(less)

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Jun 19, 2012 S©aP rated it 4 of 5 stars · review of another edition

Shelves: 1900, favorites, letteratura-francese

Francia. Giugno 1940. Le truppe tedesche sono alle porte di Parigi, e domani la occuperanno. Nel disastro totale, che travolge tutti e sovverte ogni valore, si rappresenta "la lotta tra il destino individuale e il destino collettivo". I fatti eccezionali e destabilizzanti, come le grandi catastrofi, svelano la vera natura degli uomini. Sollevano ogni maschera. Sbriciolano ogni convenzione e ogni postura sociale. Pongono l'individuo di fronte a sé stesso, e il Sé Stesso a confronto con gli altri,...more Francia. Giugno 1940. Le truppe tedesche sono alle porte di Parigi, e domani la occuperanno. Nel disastro totale, che travolge tutti e sovverte ogni valore, si rappresenta "la lotta tra il destino individuale e il destino collettivo". I fatti eccezionali e destabilizzanti, come le grandi catastrofi, svelano la vera natura degli uomini. Sollevano ogni maschera. Sbriciolano ogni convenzione e ogni postura sociale. Pongono l'individuo di fronte a sé stesso, e il Sé Stesso a confronto con gli altri, tutti; nell'anarchia imprevedibile che segna ogni sopravvivenza. Fino alla scoperta di profondità insospettabili; o di sentimenti acuti e inattesi, ma finalmente liberi. Una lucidità sorprendente, quella della Némirovsky. Costruisce; lega; svolge, analizza e narra, con respiro sapiente, ampio. La sua lingua educata, resa da una traduzione eccellente, suona di una semplicità signorile; avvolge, con il tratto dei grandi narratori, senza apparire; senza distrarre. Prende per mano, con un garbo assassino, e conduce in una sorta di "ogni tempo", comune ai grandi romanzi. La sorpresa è il migliore commento a qualsiasi forma di arte. Scriverne dopo è solo un tentativo di prolungare il piacere. Questo bellissimo libro va letto. E goduto. Che è poi il modo migliore di premiarlo.

Post Scriptum L'edizione, eccellente, comprende un'appendice interessantissima, che merita quanto i romanzi. Pagine di diario dell'autrice; note a margine della composizione; epistolario, e una nitida postfazione, raccontano della vita sfortunata e intensa di questa donna europea del '900; dei destini rocamboleschi del manoscritto (pubblicato solo nel 2004 e divenuto, subito, un grande successo editoriale); di una pagina inqualificabile della storia del '900, quale quella del nazismo. Ma soprattutto lasciano entrare nell'officina del racconto dell'autrice. Un affascinante "dietro le quinte", che suggerisce "a chi volesse" il metro con cui pesare la fatica e il lavoro che sorreggono ogni grande romanzo.(less)

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Feb 12, 2012 Kate rated it 5 of 5 stars · review of another edition

Shelves: found-in-translation, world-war-ii, 20th-century-classics, france, some-awesome-ladies, the-stacks, award-winner

Suite Française debuted in English in 2006,and i was immediately drawn to the tragedy of the author's story: Irene Nemirovsky, a talented and prolific author, editor and mover/shaker of the Parisian literary world, was murdered at Auschwitz before finishing her magnum opus. I was so drawn by this tragedy, by the historical import, by the romance of the manuscript discovered in a trunk sixty years after the authors death that bears witness to her remarkable life, that I was sure that it couldn't

...more

Suite Française debuted in English in 2006,and i was immediately drawn to the tragedy of the author's story: Irene Nemirovsky, a talented and prolific author, editor and mover/shaker of the Parisian literary world, was murdered at Auschwitz before finishing her magnum opus. I was so drawn by this tragedy, by the historical import, by the romance of the manuscript discovered in a trunk sixty years after the authors death that bears witness to her remarkable life, that I was sure that it couldn't actually be a good book.

I was wrong. Suite Française is not only a good book it is amazing, all the more so for being a first and incomplete draft.

The first quality of the novel apparent was Nemirovsky's ability to convey the environment. The first movement of the novel, "A Storm in June", details the exodus from Paris that occured immediately prior to the arrival of the German army. Many different families are portrayed so as to give a cross section of the Parisian society fleeing the bombings. This act of the novel is not driven by characters or their development, but their movement and their stasis during the evacuation: to a village, where there are no rooms to stay, to the train station, which is locked, walking down dusty roads, driving until their cars break down, and the reader is there with them. Nemirovsky was able to sustain this illusion by offering contrasting details: "you sometimes hear the whole orchestra, sometimes the violin."

Much of the writing here reminds me of the opening of George Eliot's The Mill on the Floss in that I could not only 'see' the surroundings but feel them. Many authors write moving depictions of color and light and scent, many can lay out a landscape, but few can make you feel the air on your skin the way Eliot does in this passage:

The stream is brim full now, and lies high in this little withy plantation, and half drowns the grassy fringe of the croft in front of the house. As I look at the full stream, the vivid grass, the delicate bright-green powder softening the outline of the great trunks and branches that gleam from under the bare purple boughs, I am in love with moistness, and envy the white ducks that are dipping their heads far into the water here among the withes - unmindful of the awkward appearance they make in the drier world above.(The Mill on the Floss, "Outside Dorlcote Mill", pg. 54.

And here is Nemirovsky, in the bit that brought Eliot to mind:

The windows and shutters were both open. The moon lit up the rooftops in the village; the tiles glistened like the scales on a fish. The garden was fragrant, peaceful, and the silvery light seemed to shimmer like clear water, gently rising and falling over the fruit trees. . . The short June night was fading. The stars grew paler, he air smelled of milk and moist grass; now, half-hidden behind the forest, only the pink tip of the moon could be seen, growing dimmer and dimmer in the mist. Suite Francaise, pg.98

"What interests me here is the history of the world," Nemirovsky wrote in her journal while composing Suite Française, and most of "Storm in June" is not typical of the opening act of a novel: this is fiction for the sake of posterity. Nemirovsky captures the moods of the evacuees: fear, certainly, but also vicious self-preservation, indifference, greed, and exhaustion. These 'moods' are developed further in the characters of the Angelliers and Sabaries and the German officers who billet with them in 'Dolce', the second and last completed movement. One mood that stood out to me, possibly because of my interest in the Great War (more so than the Second World War), and possibly because of the recent death of Florence Green, the last surviving veteran of the Great War (and also possibly because of the influence of Downton Abbey), is the sense of betrayal by fate so many of them feel and express. There is a sense of determinism in their response: as though this war could not have been prevented by men, that somehow their plight was a overdose of bad luck. Here is Lucille Angellier:

The individual or society? she thought. Well, Good Lord! Nothing new there, they hardly invented that idea. Our two million dead in the last war were also sacrificed to the "spirit of the hive." They died . . .and twenty-five years later . . What trickery! What vanity! There are laws that regulate the fate of beehives and of people that's all there is to it. (pg. 263)

This two-fifths of a novel was not only beautifully written but provides essential insight and first-hand observation of the German invasion of France and the occupation, as well as bearing witness to the struggles of an occupied people.

This is the ~~second~~ ~~third~~ [holy cow!] FOURTH novel I've read recently by authors who lived through the second world war as civilians and wrote to bear witness to it: Every Man Dies Alone by Hans Fallada, a fictionalized account of the true story of a German couple who made protest against the war; All Our Yesterdays by Natalia Ginzburg, which told the story of an Italian family who loses their paterfamilias just as Italy allies itself with Hitler, and The Path to the Spiders' Nests by Italo Calvino, about a young boy who joins the partisans in their war against the Nazis set in the mountains of Northern Italy were the others. I'm looking for more novels written from first-hand perspectives of this war (or other wars, for that matter. ) Suite Française is highly recommended. If you have any other recommendations in this arena, please let me know!

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Apr 04, 2008 Sarah rated it 3 of 5 stars · review of another edition

I really really wanted to love this book... Instead I'm having a hard time deciding what I really think about it, other than that I pushed through it to finish.

WWII is a somber subject, no way around it and so, of course, the book is somber. But even somber subjects can be compelling and I had a hard time finding a reason to be compelled...

There are two "books" within the cover and I feel like I need to review each quickly but separately. (perhaps this is part of my struggle - it felt almost lik...more

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Jan 21, 2009 Ginette rated it 5 of 5 stars · review of another edition

Shelves: historical-fiction, all-time-favorites, french-authors, russian-authors

Suite Francaise is brilliant in its simple and masterful prose, its candid look into the lives of mostly upper-class French during the invasion and then occupation of France by the Nazis, and its almost clairvoyant predictions of what was yet to come.

Nemirovsky actually intended to write this story in five parts, as in the five musical parts of a symphony. Tragically, the Russian Jewish author living in France at the time was seized and taken by the Nazis to a concentration camp where she eventu...more Suite Francaise is brilliant in its simple and masterful prose, its candid look into the lives of mostly upper-class French during the invasion and then occupation of France by the Nazis, and its almost clairvoyant predictions of what was yet to come.

Nemirovsky actually intended to write this story in five parts, as in the five musical parts of a symphony. Tragically, the Russian Jewish author living in France at the time was seized and taken by the Nazis to a concentration camp where she eventually died. She only completed the first two parts, in which the lives of several families and individuals, (including that of a German soldier,) forever changed by the war, begin to intertwine and affect each other in ways even they aren't aware of. It ends abruptly and with many plotlines left incomplete. The author's notes offer her delineation of the last three parts and give a small sense of closure. Still, the reader is left with a bittersweet taste knowing the savage reason the book was not completed, yet relishing this newly discovered masterpiece.

This should not discourage anyone from reading Suite Francaise. This little piece of history gives a direct look into the souls, minds, and hearts of French people in the wake of a humiliating and catastrophic defeat. It is written from the point of view of an upper-class French woman, and much of it is autobiographical. Nemirovsky is often brutally honest about the shameless convictions and actions of some of her French characters, and most likely herself, but she also recognizes the humanity and even the humor in this terrible plight that has overcome the French and their beloved country; she even takes an almost maternal stance when writing about the Nazi invaders, the enemy, making her tale all the more poignant and ironic in light of knowing that Nemirovsky herself will be hunted down and murdered.

Pick up this book with the knowledge of its sober and tragic history, but also with the appreciation and excitement that you are about to read a real gem.
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May 01, 2007 Jan rated it 5 of 5 stars · review of another edition

A heartbreaking masterpiece--especially considering the horrible convergence of fiction and reality. Nemirov was a Russian-Jewish novelist living in France during the Nazi occupation. She wrote about the occupation with a keen and unflinching eye, particularly about how the French responded to German occupation. As with the classic film "The Sorrow and the Pity," this book documents how most of the French did anything to survive, including accomodation with the Germans at the very least and enth...more

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Apr 07, 2008 Qt rated it 5 of 5 stars · review of another edition Recommends it for: those interested in history, or simply fans of good books

Recommended to Qt by: KW

Shelves: history, drama, world-war-ii

An amazing book--wholly engrossing, and completely gripping. The writing is beautiful, fluid, and descriptive; the book itself is a very moving portrait of the events in France, as seen through the eyes of several very different characters. In Book One, Parisians flee Paris and take refuge in the countryside, and Book Two describes the occupation of a French village.
There are only a few scenes of violence; the focus of the book is more on people--their emotions, their actions, what they do to s...more

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Oct 03, 2012 arcobaleno rated it 4 of 5 stars · review of another edition

Shelves: letteraturastraniera, guerraedintorni

Una sinfonia
Impossibile per me cercare di formulare un giudizio che riesca ad esprimere in minima parte quanto è stato espresso egregiamente nel commento di Ginny 1807 e nel commento di ScaP.

Condivido (quasi) tutto. Davvero una bella lettura: la scrittura è curata, a... tutto tondo, i pensieri si dipanano con chiarezza e ricchezza di similitudini e immagini. Si distingue dal piattume letterario cui oggi rischiamo di adeguarci e di cui Irène Némirovsky ci permette di dare una misura.
Aggiungo solo...more

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Sep 22, 2008 Otis Chandler rated it 4 of 5 stars · review of another edition

Shelves: history

A great snapshot of history. It's about the experiences of ordinary French people as they flee Paris in 1940 when the Germans are invading. The second part is about after the Germans occupy France, how people in the towns get along with their hosts.

I loved the class breakdowns that occur. When the rules of society are no longer being enforced, having money or being a famous writer no longer make you more special than the next person. The descriptions of the characters prejudices, which were mos...more

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Feb 28, 2009 Shannon (Giraffe Days) rated it 4 of 5 stars · review of another edition

Shelves: historical-fiction, 2009, cover-love

Paris, June 1940. Word is spreading like a stain that the Germans are only days away from invading the city. It takes a while for the people to believe it, and still longer for them to pack - slinging mattresses on top of their cars, storing linens and tableware in trunks - but when the exodus occurs it clogs the streets and the railway and thousands are left to walk the country roads while those in motorcars honk and swear at them for taking up all the road.

The Germans are everywhere, it seems....more

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May 08, 2008 Melissa rated it 2 of 5 stars · review of another edition

The story of the author and how the book came to be published so many years after her death is a much more compelling story than this, although if Nemirovsky had the chance to complete the book to her vision I may think differently. As it is, the book was well-done in its portrayal of the many facets of human nature that show themselves in times of crises. Nemirovsky shows a sympathy for basic human responses, even if those reactions are abhorrent to common values and sentiments.

The book also po...more

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Mar 18, 2008 Jamie is rated it 4 of 5 stars · review of another edition

i'm nearly finished with this book, and would like to discuss it with someone. it has an extremely interesting dynamic. it is written about internally displaced persons fleeing the Nazi invasion of france, by a person in that same situation. the author ultimately was not able to finish the book as she died in a concentration camp... apparently, she was born into a Jewish family, but she converted to Catholicism. she might have authored some anti-semitic works during her hey-day as a famous write...more i'm nearly finished with this book, and would like to discuss it with someone. it has an extremely interesting dynamic. it is written about internally displaced persons fleeing the Nazi invasion of france, by a person in that same situation. the author ultimately was not able to finish the book as she died in a concentration camp... apparently, she was born into a Jewish family, but she converted to Catholicism. she might have authored some anti-semitic works during her hey-day as a famous writer before the war, and there is speculation whether she did this as a cover to save her children, or if she really bought into this racism, etc.. suite francaise is not among that category of writing. it is a very interesting portrayal of the daily interactions of french with their occupiers, giving everyone a human view. most works about racism and war often fail to create a humanistic vision, a realistic context. this sort of blanket stereotyping of people who commit crimes against humanity actually helps to perpetuate situations in which people do this. its much easier to believe that people who are racist, etc. are "all bad" and that people who are not "all bad" (which in reality is no one) have more leeway when it comes to committing crimes... maybe they think that its wrong, but they can be excused because its not typical for them and theyre not that type... etc. it makes you realize that people who commit horrific acts are often caught up in a system, and perhaps they can be reasoned with. that idea offers hope for rebuilding lives and links after conflicts. another interesting aspect of the book are the similarities to other conflicts. many of the things that happen in the book could describe the israel-palestine conflict, just with a different language. (quartering of troops, seizure of property, the necessity of interacting with your occupier on a daily basis and sometimes forging friendships with them while being int he awkward position of still fighting for freedom and life). it is incredibly eerie to read this book and know that this very perceptive writer was put to death at the hands of the people whose emotions she tried to rationalize... because they failed to rationalize hers.
any of my friends interested in discussing this book, please let me know! i cansend you my copy when i am done reading it.
***update after reading-
the end of the book contains appendices which are just as, if not more, interesting than the fiction. the first appendix contains the author's diary, during the period of writing the book. she plans the remainder of the book, and makes plans to actually re-write the first 2 parts that she actually wrote (i think some of these changes she managed to make before internment, others not). she also writes a bit about her feelings, the rumors, daily life while living in Nazi-occupied France. The second appendix contains correspondence between Irene, her husband, Irene's publisher and others. This also documents the trials Irene went through- unable to find employment because Jews became banned from many types of work; even the royalties from her writing under Nazi law had to be sent to a blocked bank account. Whenever new deals were discussed such as films or publication of her work, clients would actually write in to ask if she were Aryan or Jewish in order o verify if they could go ahead with the project. In spite of all this, it doesn't seem like Irene and any of the letter writers, as well as the characters in Irene's book, fully comprehended the magnitude of the destruction this war would cause. This section of the book is particularly interesting these days, when our world seems so far removed from that time, and it offers such an intimate view into the life of a person who was impacted so much by the Holocaust that she eventually lost her life to it. This point of view I can relate to even more now as an adult, to an adult perspective that worried about husband/livelihood/morals/posterity/children,etc. (added responsbility of care-taking) than to a child's perspective (a la Anne Frank).
Anyways, I am still interested in discussing both the style and context of the book with any of my friends who has read it or would like to. Drop me a line! (less)

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Mar 20, 2008 Kristin rated it 5 of 5 stars · review of another edition

I LOVE this book!! It is absolutely amazing. Definitely one of the best I have ever read. If you are looking for a fantastic book...please please please read this one.

The author, Irene Nemirovsky, was a Russian Jew who fled the Bolsheviks in 1919 during the Russian Revolution. Her family emigrated to France when she was a teenager. Irene attended the Sorbonne, became a best-selling author, got married, and had two little girls. Irene, her husband, and children fled Paris during WWII during the G...more I LOVE this book!! It is absolutely amazing. Definitely one of the best I have ever read. If you are looking for a fantastic book...please please please read this one.

The author, Irene Nemirovsky, was a Russian Jew who fled the Bolsheviks in 1919 during the Russian Revolution. Her family emigrated to France when she was a teenager. Irene attended the Sorbonne, became a best-selling author, got married, and had two little girls. Irene, her husband, and children fled Paris during WWII during the German invasion and took refuge in a small village in France. During the occupation by the Nazis life as she knew it ended. Although she had lived in France for over twenty years, her children were French citizens, and the family had converted to Catholicism she was labeled a Jew and was subjected to the all the humiliations and restrictions enforced by the Nazi regime. She no longer had any freedom. She could not publish her writing, nor be paid for any writing she that she had done, she could not travel etc.

This book was written after her family had fled Paris and were living in the country. It was intended to be a five-part novella, constructed like a symphony, and modeled after Beethoven's Fifth. Irene Nemirovsky was only able to complete the first two parts. During the writing of this book she was arrested sent to Auschwitz where she died at the age of thirty-nine. The two parts of this book that were completed where hidden in a suitcase by her ten year-old daughter, Denise. Her daughters kept with them as they moved from place to place hiding from the Nazis. They decided to have the manuscript published sixty plus years after their mother's death.

The first part of the book is called "Storm in June" and introduces us to several different characters from all walks of life and tells their stories as they flee Paris during the German invasion. I particularly loved the Pericand Family with their large and boisterous family and the sweet middle-aged couple the Michauds. It was beautifully written with touches of humor and glimpses of humanity and horror as the masses fled Paris with bombs falling all around them.

The second part of the book is called "Dolce" and focuses mainly on one family in a rural village during the occupation. All households had to take in German soldiers and house them during the occupation. I loved the friendship and budding romance between Lucile, whose adulterous husband was a prisoner of war, and Bruno, a German soldier, who ends up living with Lucile and her ornery mother-in-law.

The next three parts of the book were meant to integrate the characters from the first two parts and how their lives intertwined. Sadly...they were never written. In Appendix I are the notes from Irene Nemirovsky's notebook with character and plot sketches and outlines and we are given a glimpse of how she intended the storyline to progress...so you aren't left completely hanging...but what a tragedy.

In Appendix II it shows letter after letter of the correspondence between Irene and her publisher and then heart-wrenchingly after her arrest it is the correspondence of her husband as he frantically writes to influential people trying to find out her location and any information on her. He tirelessly tries to find someone who can intercede on her behalf. At one point he writes to the government officials asking to trade places with her...

But what truly broke my heart were the last two letters from Irene to her family...one quickly written at the police station shortly after her arrest and a final one hastily scribbled at the train station as she was boarding the train headed to the concentration camp. Just a few lines but unbelievably moving.

Also included is a biographical sketch of her life and what happens to her family. Her husband was arrested a few months after she was and sent to the gas chamber. They left behind two daughter ages 5 and 10 who were taken in by a family friend. It amazes me that a ten year-old had the foresight to preserve her mother's manuscript.

This book was absolutely stunning. I marveled that she was writing about history while living it...and yet had such perspective on the events that were unfolding. Amazing. The characters are colorful, vivid, and will stay deeply-etched in my heart. The writing is beautiful, captivating and gripping. I truly couldn't put it down.

I HIGHLY recommend this book. It was beautiful and touching. A MUST read.

I rate it: EXCELLENT!! (less)

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Aug 09, 2007 Joyce rated it 5 of 5 stars · review of another edition Recommends it for: Everyone

I can't imagine what the other novellas would have read like since this wonderful 2 part novella remained hidden due to the author Irene Nemirov's unfortunate demise in Auschwitz. The book was originally intended to be written in 5 parts, but only two were completed. Nimerov's daughters recently found this manuscript and hence a wonderful, honest, insightful, and wonderfully written novel was given life.
Nemirov's lush prose brings the reader back to early 1940's when the French were invaded by...more

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Aug 14, 2007 Sam rated it 5 of 5 stars · review of another edition Recommends it for: everyone

When I finished this astonishing book of the shattering lives of Parisians as the Nazis invade, I knew that we readers will not see the likes of this for a long time, if ever. It's brilliant, it's a miracle, and it's incomplete.

"Suite Francaise" was discovered 45 years after it was written. The last half was written in very tiny script to conserve paper during the war shortage. It has been a long time since I wanted to memorize passages from a novel: "To them it all began as a long breath, like...more

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Jan 28, 2008 aarthi rated it 1 of 5 stars · review of another edition

Recent article about Nemirovsky: http://www.nytimes.com/2010/04/26/boo...

this is not my review, but a piece that appeared in the new republic about irene nemirovsky. turns out, her other novels are shockingly anti-semitic, viz., "Némirovsky's stories of corrupt Jews--some of them even have hooked noses, no less!--appeared in right-wing periodicals and won her the friendship of her editors, many of whom held positions of power in extreme-right political circles. When the racial laws in 1940 and 1...more

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Apr 23, 2008 Christine rated it 2 of 5 stars · review of another edition

i had trouble getting into/enjoying the book for about the first 1/3 of it...but i have a feeling that had more to do with distractions in my own life than the quality of the book. i enjoyed reading about a side of WWII i've never learned about (i.e. occupation of france). however, what i appreciated most about the novel was the author's strikingly candid observations about events as simple as nature occurring simultaneously with such devastating human events. for example, at one point she gives...more

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Mar 11, 2008 Bonnie rated it 3 of 5 stars · review of another edition

Shelves: historical-fiction

I had a hard time getting through this book because I was only able to sit down with it for a few minute at a time. Maybe that's why it was hard for me to follow all the characters and keep their stories straight. Plus, I felt like the story was a bit disjointed, but that's probably because of the circumstnces in which it was written. I think I would have preferred to have the author's own eye-witness account of France's occupation by German troops and her imprisonment in a concentration camp. A...more

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Mar 04, 2009 Susan rated it 5 of 5 stars · review of another edition

This is a book about people. Stereotypes and what they did during the sudden evacuation of Paris when they were told the Germans were coming to occupy it. I loved Nemirovsky's style. She wrote the characters' thoughts so well I really enjoyed her ironic way of showing both foibles and strengths. Some of the stereotypes are poor, rich, educated, French, German, religious, etc. and I think she made the actions so very believable. She wrote this during the war itself and in the notes in the appendi...more

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Apr 06, 2009 Marika Gillis rated it 4 of 5 stars · review of another edition

Shelves: historical-fiction

"I must create something great and stop wondering if there's any point."
-Irene Nemirovsky

Irene Nemirovsky, a famous writer living in Paris, intended to write a novel containing five distinct sections about World War II. The first two novellas were written as the war evolved in the early 1940s. But, the rest she never finished.

Storms in June tells the amazing journey of men and women as they fled from Paris the night before the Germans occupied the city. The frenzied perspective of this historic...more "I must create something great and stop wondering if there's any point."
-Irene Nemirovsky

Irene Nemirovsky, a famous writer living in Paris, intended to write a novel containing five distinct sections about World War II. The first two novellas were written as the war evolved in the early 1940s. But, the rest she never finished.

Storms in June tells the amazing journey of men and women as they fled from Paris the night before the Germans occupied the city. The frenzied perspective of this historic event flutters from one character to another the way a leaf is carried by the wind. The panic and fragmented stories of a vast number of characters reflects the shattered disconnection the people felt as they fled in fear. While many of these characters are selfish and unlikeable, Nemirovsky writes their stories with intense humanity.

The second quieter novella, Dolce, tells about the German occupation of a small French village. Many of the soldiers lived in the homes of the villagers, where their meals were shared and their lives became intertwined. Lucile, one of the villagers, is living in her mother-in-law's home while her husband is a prisoner of the war. A German soldier comes to live with them and, despite the tense wariness the presence of the enemy derives, Lucile finds herself inappropriately drawn to him. Amazingly, Nemirovsky wrote these stories with contemplative reflection while they were occurring around her.

While Suite Francaise is intense and beautifully written, Storms in June is a bit disjointed and Dolce moves rather slowly. It is a rough draft. In fact, the story behind the book may be slightly more interesting than the book itself. Irene Nemirovsky was writing this book when she was sent to Auschwitz. The book includes two appendices that are quite fascinating. The first includes her plans for the remaining three parts of the book. This appendix shows the inner workings of her writing process and gives the reader an idea of the direction she was taking the book and it's apparent in her notes that revisions would have been made to the Storms in June and Dolce as well. The second appendix includes correspondence between Nemirovsky's husband and friends after she was taken to Auschwitz. They clearly illustrate the panicked anguish her husband felt before he, too, was taken to concentration camp. Both Irene and her husband were killed. If you pick this book up, do not skip the appendices. They are quite compelling.

Irene Nemirovsky's daughters didn't read the unfinished manuscript of Suite Francaise, believing it to be a journal and thus too painful to read. When it was discovered to be a manuscript, some 60 years later, it was subsequently published and has been a national bestseller. It's worth reading.(less)

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Aug 16, 2012 Edward rated it 4 of 5 stars · review of another edition

This is my second reading of the novel within a year – this time for a book group, and it’s as rewarding as the first time. It’s a fine novel about the tragic disruptions that war causes in human lives.

A friend, though, began reading it, and complained about the first section, the chaotic flight from Paris being full of sketchy characters, none of whom was developed in any depth. I don’t agree with that assessment but thought about what would prompt such a reaction. Nemirovsky answers the objec...more This is my second reading of the novel within a year – this time for a book group, and it’s as rewarding as the first time. It’s a fine novel about the tragic disruptions that war causes in human lives.

A friend, though, began reading it, and complained about the first section, the chaotic flight from Paris being full of sketchy characters, none of whom was developed in any depth. I don’t agree with that assessment but thought about what would prompt such a reaction. Nemirovsky answers the objection herself in having the effete novelist, Corte, comment to his mistress, “A novel should be like a street full of strangers, where no more than two or three people are known to us in depth. Look at writers like Proust. They knew how to use minor characters to belittle their protagonists. In a novel, there is nothing more valuable than teaching the lesson of humility to the heroes.” Corte, it develops, is a “”minor” character and the war is a “shrill, brutal trumpet shattering the crystal walls he’d taken such pains to build in order to shut out the rest of the world.”

It’s ironic, though, and a contrast with the other characters in the novel who genuinely suffer, that Corte who ends his flight from Paris in a luxury hotel in the south of France complains of a lack of his usual comforts, and babbles, “It is not just France that is dying, it is Art as well.” The war has disrupted lives far more profoundly than Corte will ever know in his sheltered world. Among them is the priest, Philippe, who is brutally killed by his orphans, released from their inhibitions by the war. There are the Michauds, a middle-class couple who end by returning to Paris but without any financial means. There is their wounded soldier son, Jean-Marie who tells the young woman, Madeleine, who has been nursing him in a small village, that he will never forget her. Of course, they’ll both go on with their lives and will be forgotten. There is the elderly father, confined to a wheel chair whose family in the stress of war forget all about him and unintentionally abandon him. In his dementia he makes out a meaningless will.

The point of all including all of these admittedly fragmentary (in that we don’t learn what happens to most of them) is to stress the irrational wiping out of the continuity of normal human relationships. Whatever happened to . . .? We don’t know and we’ll never find out. This collection of admittedly “minor” characters takes up roughly half of the book, one that has only two parts, “War”, and “Occupation”. Nemirovsky originally had planned a “suite” of four or five sections, but her death in a concentration camp wiped out her plans, a painful real life counterpoint to what happens in the novel.

The second part of the book, to return to Corte’s dictum on the novel, does concentrate on two characters and we know them in the depth that is purposefully lacking in the first section. But even here, the ending is abrupt. The German regiment that had been occupying a small French village was ordered to the Russian front, and “Soon the road was empty. All that remained of the German regiment was a little cloud of dust.”

But while the regiment was there, (there is a link with the first section, a chance one, in that several characters show up in both) a relationship grows between a German officer and Lucile, a young French woman whose husband is away at war. It develops slowly, not a necessarily physical one, and in their way, each grows to love the other. The war separates them, of course, but if a reader anticipates a clichéd notion of a great doomed love developing, Nemirovky dashes this anticipation with a betrayal scene in which Lucile takes advantage of the officer’s trust in her. It’s done for a good cause, but is undercut by her having to ally herself with a very disagreeable minor character, her mother-in-law, hypocritical and cruel. In fact, the genuine affection that develops between Lucile and the officer, is seen against a background of many village factions. They were always there, but the war and German occupation stretch tension to new stress levels. The best and worst in human behavior emerge, echoing the same concerns in the first part,

Anyone who reads this novel has to regret that Nimeroksy was unable to finish the outline of what she had in mind for two or three more sections. But even in its truncated form, it’s an outstanding novel. It’s not just a war novel, but a novel in which war magnifies recognizable human impulses.
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Goodreads Italia: Suite francese di Irène Némirovsky - Commenti e discussione	55	65	Feb 03, 2012 02:35am
Around the World ...: Louise recommends Suite Francaise	3	20	Dec 21, 2011 07:53pm
anti-semitism and Irene Nemirovsky's writing	9	177	Jun 25, 2011 12:38am

title link	preview: Suite française
avg rating	preview: Suite française Goodreads rating: 3.75 (29891 ratings)
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BBCode	[url=http://www.goodreads.com/book/show/6413375-suite-franc-aise?utm_medium=api&utm_source=blog_book][img]http://d.gr-assets.com/books/1327743821l/6413375.jpg[/img][/url] [url=http://www.goodreads.com/book/show/6413375-suite-franc-aise?utm_medium=api&utm_source=blog_book]Suite française by Irène Némirovsky[/url]

Suite française

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