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The Witnesses Are Gone

4.03 of 5 stars 4.03  ·  rating details  ·  30 ratings  ·  8 reviews
EDITION: Jacketed Hardcover COVER ART: Vincent Chong PRINT RUN: 100 signed by Joel Lane and Conrad Williams INTRODUCTION: Conrad Williams ISBN: 978-1-906301-26-2 SYNOPSIS: The Witnesses Are Gone is a first-hand account of a journey into the underworld in all the wrong places. Martin Swann, its narrator, moves into an old house and finds a box of videocassettes in the garde ...more
Hardcover, 80 pages
Published April 1st 2009 by PS Publishing (first published 2009)
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Stephen Theaker
Martin Swann finds a videotape of an old French film in his new house. He doesn't really enjoy it - it's depressing, miserable and repetitive - but he can't stop thinking about it. When he tries to discover more about the director, Jean Rien, he finds only dead ends. He makes the mistake of persisting.

Before saying how wonderful this book was, it's worth saying first that instead of spending hours searching for old magazines, Martin might have had more luck in his quest if he'd begun by looking
Joel's latest - he brought it along to the group, looks great.

It is excellent. I'm completely biased of course, but Joel has pulled out another creepy, wonderful read full of great images- I like them anyway (eg 'The sea was a grey scroll endlessly being wiped clean and re-written.' or 'Crows flapping overhead like scraps of burnt plastic').
A man, Swann, finds videotapes in the shed of his new (old and rundown) house, and discovers fragments of films from a French director Jean Rien (yes Joel li
Martin Swann has amassed little of what would be considered conventional material significance over forty years and therefore is perhaps inevitably drawn towards the seemingly nihilistic movies of director Jean Rien. I say seemingly, because these are movies which go way beyond the usual 'cult' status, being so obscure that they are almost impossible to trace, with the suggestion that Rien's ouvre is somehow limiting and/or deleting itself; frustrating attempts to obtain copies and only appearin ...more
G.R. Yeates
I was initially wary of this novella as the search for a lost film of supernatural significance has been tackled a number of times in the horror; one of the most powerful examples I can think of being Ramsey Campbell's Ancient Images. However, this novella completely floored me.

The narrative follows Martin Swann who becomes obsessed with finding the remaining films of Jean Rien after he views one on an old video cassette. It starts off bleak and melancholy and this mood permeats every page thro
Justin Steele
Last month I posted a review of Ramsey Campbell's novel The Grin of the Dark. I liked it, but felt that it would have been more effective if it was trimmed to be shorter. Otherwise, the book was an example of a "man researches lost art (in this case films) and ends up going down a rabbit hole of darkness" story . Readers of horror will have seen variations on this theme done before, and Campbell used silent film clowns and a world that is perceived to be increasingly hostile to create a book tha ...more
Tom Loock
The Witnesses Are Gone was the first book I read by Joel Lane and based on this novella alone, it was also the last. No doubt, he is a competent writer and the descriptions of the greater Birmingham area and of Paris at night are very good, and from my own experience very accurate. I just don't enjoy reading stories of miserable people who become even more miserable and paranoid.
Note: I did not actively buy this title, but received it as part of a 'book bag'-deal from PS Publishing.
Eliza Victoria
Read this novella in one sitting. Martin Swann finds an old videotape of an unsettling film by French director Jean Rien, and becomes obsessed in finding more about the auteur. Swann experiences an unnamed terror, a terrible unease, while overseas another kind of terror escalates as the US wages war against Iraq. Loved this. The language gave the story an ethereal quality, as though it were a dream.
Peter Riccio
This one's more of a 2.5, too bad we can't do half stars.
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“It's odd how much our perception of cities owes to stories and films.We talk about 'Dickensian' London as if it had some real existence beyond the page. Deep down, despite the evidence of our lives, we can't really believe that anything is ever made up.” 2 likes
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