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The Moon and Sixpence

4.08 of 5 stars 4.08  ·  rating details  ·  10,119 ratings  ·  626 reviews
I confess that when first I made acquaintance with Charles Strickland I never for a moment discerned that there was in him anything out of the ordinary.
Paperback, Large Print, 456 pages
Published March 6th 2008 by Tutis Digital Pub (first published 1919)
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Rajat Ubhaykar
Fair warning, this is going to be a long review for this is a book that is close to my heart written by an author whom I deeply admire.

The Right Time

There are some books that walk into your life at an opportune time. I'm talking about the books that send a pleasant shiver down your spine laden with “Man, this is meant to be!” as you flip through its pages cursorily. Or those that upon completion, demand an exclamation from every book-reading fibre of your body to the effect of “There couldn't ha
We want the world. We want it all. We want the moon. And still it's not enough.

It's my long term goal to read everything Maguham wrote, a goal that I doubt will be very difficult to reach. He writes with such poignant observation and wit and in The Moon and Sixpence he captures the all encompassing, obsessive and brutal nature that perhaps it takes to be an artist.

Told by an unnamed narrator, we are introduced to Charles Strickland, a beastly yet seemingly ordinary man who one day leaves his wif
This novel is by far my favorite account of an artist's life in fiction.

The story of Charles Strickland is based on Paul Gauguin's life. To what extent, I don't know. What I do know is that there is something infinitely irresistible about how artistry is portrayed in this novel. I love the idea that a real artist creates art because he cannot not to. That all other aspects of his life - family, money, acclaim, food even - are secondary to his desire to create. Strickland is remarkable in his dri
my affection for this book may, in part, stem from the fact that it was one of those novels that i read at a period in my life when my tastes in both literature and life outlook were taking shape (that is, while playing hooky from high school) but its appeal has endured far more than the other usual suspects in that category (kerouac's meanderings, pirsig's pretentions, etc.)

apart from its romantic appeal to the Quiet and Solitary Youth demographic (of which i was a card-carrying member) i thin

Maugham's fictional biography of an artist whose life is based on that of Paul Gaughin, explores the nature of obsession and the creative urge. The central character, Charles Strickland, is a thoroughly unlikeable man: selfish, lacking in empathy and able to abandon his wife and children without a second thought. And yet, as unsympathetic as Maugham makes Strickland, his compulsive pursuit of beauty is understandable.

This is short, powerful and accessible, written in Maugham's beautifully clear
Someone would have had to physically pry this book out of my clutches last night to get me to eat dinner. Finished it in five hours flat without intending anything of the sort. I couldn’t put it down. I know I say this a lot but Maugham, goddamn.

“But who can fathom the subtleties of the human heart? Certainly not those who expect from it only decorous sentiments and normal emotions.”

And this:
I remember saying to him: “Look here, if everyone acted like you, the world couldn’t go on.”

“That’s a da
Mar 08, 2008 Khinna rated it 4 of 5 stars  ·  review of another edition
Recommends it for: artists
Shelves: favourites
It would be a mistake to read this novel as an inspiring tale of the triumph of the spirit. Strickland is an appalling human being--but the world itself, Maugham seems to say, is a cruel, forbidding place. The author toys with theidea that men like Charles Strickland may somehow be closer to the mad pulse of life, and cannot therefore be dismissed as mere egotists. The moralists among us, the book suggests, are simply shrinking violets if not outright hypocrites. It is not a very cheery concepti ...more
I thought this 1919 novel was amazing. W. Somerset Maugham’s use of language and his psychological insights fascinated me. Told by an anonymous narrator, a writer, it is the story of the life and personality of one Charles Strickland, a bland, steady, unremarkable London stockbroker who left his career and family, moved to Paris, and became a painter whose paintings were viewed by few people, most of whom thought they were awful. Eventually he moved to and died in Tahiti, achieving great posthum ...more
Maryam Hosseini
ایده داستان از زندگی ِ نقاش فرانسوی (پل گوگن) گرفته شده
و خـواسـت یک انسان از زندگی اش و چگونگی رسیدن او به هدف اش رو مطرح کرده
. و این دغدغه رو خیلی خوب به ذهن خواننده منتقل می کنه و به فـکـر وا می داره

روند داستان جذاب و پرکشـش هست و تحلیل شخصیت ها از جوانب مختلف خوب صورت گرفته
اگرچه شخصیتی مثل دیرک استروو و رفتار او برای من دور از ذهن و غیر قابل باور بود.
.بخش های گفتگوی راوی با استریکلند(نقاش) فوق العاده جذاب بود

کتاب "راهی به سوی بهشت"از ماریو بارگاس یوسا هم متاثر از زندگی همین نقاش *
نوشته شده

A book about genius and the artistic process. The story is told by a man who knew Strickland, years after the artist's death. (The format of the novel reminded me of Citizen Kane.) The narrator relates both first and second hand info about Strickland's life.

The novel is sort of divided into two parts, with the first part portraying Strickland from society's view (his behavior towards people, more than his painting), and the last part showing Strickland's psychology and artistic process (from th
I bought The Moon and Sixpence years ago. But looking back on it now, I'm not sure what first attracted me to the book. I've never been an especially ardent admirer of visual art, nor do I recall ever having heard the name "W. Somerset Maugham" brought up in conversion. Maybe I just liked the cover design: Penguin Black Classics standard, featuring a detail from Gauguin's Self-Portrait with Christ. Or maybe I was intrigued by the quaint and enigmatic and vaguely antiquated Englishness of the tit ...more
Don’t repeat my mistake. I chose this book because I thought it would give me a better understanding of Paul Gauguin’s life and inner thoughts. This is instead a book of fiction. Maugham creates a new story from a few of the well known facts about Paul Gauguin. Gauguin was a stockbroker who left his wife and family to paint. Maugham creates the fictional character Charles Strickland. He too is a stockbroker who leaves his family. Both go to Tahiti. Neither receives recognition for their artistic ...more
I can't imagine ever disliking a Maugham book. I may just like some more than I like others. I feel that he has to be the most quotable author of all time. When I read his work, I highlight so much that stands out for me. The enormity of this man's talent just leaves me in awe. His words flow like fluid from the pages. He gives you so much to reflect on.

This book is great, but I don't think I liked it quite as much as The Razor's Edge or Of Human Bondage, which I really thought were brilliant. B
Since I last read a full-length novel, at the end of August 2012*, I've watched c. 450 films - that's a quarter of the total number of films I've seen in my life. I think this has led to a new set of likes and dislikes in the way a story is communicated, which may be as much about written fiction per se as about this book in particular.

Quite my favourite thing was Maugham's authorial voice: wise, certain and given to bold idiosyncratic statements which not all will agree with, and not all of whi
I admire Maugham’s writing - & I loved The Razor’s Edge. But I didn’t enjoy this book. The extreme misogyny of most of the characters really bothered me - & don’t tell me it’s an accurate depiction of social mores of the time – else I shall have to throw some other books from 1919 at you!

In this book, Charles Strickland leaves his wife & children after 17 years of a conventional life & passionately pursues his art through starvation & being an utter prick in Paris; then goes
Maria  (Scratchbook)
Prendere e andare.
Senza certezze, senza destinazione.
Lasciare parenti e pareti e partire, alla ricerca di qualcosa che possa placare l'inquietudine, l'angoscia inspiegabile che prende alla bocca dello stomaco.
E cos'è quest'agitazione se non la consapevolezza di condurre una vita che non ci appartiene?

Prendere e andare.
Una ricorsa affannosa verso un obiettivo che non riusciamo ancora a distinguere.
Un pensiero per lo più, il dubbio che qualcos'altro ci stia aspettando al di là dell'abitudine.
A DJ acquaintance of mine recommended this book to me saying it better captured than anything else the artist's need to create art at any cost. Maybe there was something to it; said acquaintance has gone on to forge a successful DJ career.

Story is based on the life of painter Gauguin, but Maugham invents a lot of dramatic flourishes to make his artist character a bit more extreme than the real Gauguin was (not to say that Gauguin wasn't plenty extreme).

I always get suspicious when writers base t
What’s happened to Somerset Maugham’s reputation? In his lifetime he was a massively popular, bestselling author, and what’s more a critical darling. But now, nearly fifty years after his death, his books remain in print but he’s hardly a writer in fashion. Why is that? As although I’m fairly new to his fiction (this is only my second Maugham), I have to say that I’m deeply impressed by his work. These are sharp and observant novels with strong characters and excellent narrative. And yet their a ...more
"Se guardi a terra in cerca di una moneta da sei pence, non puoi guardare in alto, e così non vedi la luna"

Ecco spiegato, dalle parole di Maugham stesso, il significato del titolo del romanzo. In esse è riassunto il senso del racconto della vita di Charles Strickland, che di punto in bianco abbandona la vita agiata in una famiglia alto borghese londinese per seguire il demone che fino ad allora era stato in agguato dentro di lui e all’improvviso è esploso con la violenza di un uragano che travol
بسام عبد العزيز
بالرغم من كل مساوئ البطل فلم أستطع ان أكرهه..

إنها إشكالية العواطف البشرية.... نحن نقوم بتقييم الخير و الشر بناءا على عواطفنا البشرية.. ماذا لو فقدنا جميعا عواطفنا البشرية لتصبح جميع أفعالنا مبنية على العقل فقط؟؟؟ هل يظل الخير و الشر بنفس تعريفه؟

البطل استطاع بشكل ما.. سواء كانت هى شخصيته الأصلية أم حدث تغيير فيها في أثناء حياته .. استطاع بشخصيته تلك ان ينفي كل شعور انساني من حياته.. إنه لم يعد يشعر بالحب ولا بالعطف ولا بأي شعور انساني آخر.. لقد أصبح منفصلا تماما عن العالم .. لا يرى إلا قيم مجردة
Feb 10, 2009 Jonatron rated it 4 of 5 stars  ·  review of another edition
Recommended to Jonatron by: Alaina
"What makes you think you have any talent?"

He did not answer for a minute. His gaze rested on the passing throng, but I do not think he saw it. His answer was no answer.

"I've got to paint."

"Each one of us is alone in the world. He is shut in a tower of brass, and can communicate with his fellows only by signs, and the signs have no common value, so that their sense is vague and uncertain. We seek pitifully to convey to others the treasures of our heart, but they have not the power to accept them
Kaloyana Slavova
Най-накрая разбрах защо толкова много ми харесва С. У. Моъм. Голям разказвач на ужасно интересни истории, от чиито герои има какво да научиш за изкуството, за живота и най-вече за низостта и величието на човешката душа. Но най-много ни учи на това да живеем, без да се прекланяме сляпо на живота. Няма нужда да го възхваляваме и да се привързваме към него толкова, а просто да го живеем според собственото си верую. Страхотни прозрения, написани толкова лекичко, че чак се чудиш защо сам не си се сет ...more
Such an excellent story! My first experience with Somerset Maugham was The Razor's Edge, a book I had great difficulty putting down. The Moon and Sixpence is my second experience and I found this story much the same. It is based somewhat on the life of Paul Gauguin and follows one Charles Strickland, a London businessman, who in his '40s decides to leave his family, move to Paris and become a painter. The author of the tale meets up with Strickland throughout his time in Paris and follows him ul ...more
May 17, 2013 Laura rated it 4 of 5 stars  ·  review of another edition
Recommends it for: Kim, Jeannette, Wanda, Virginie
Opening lines:
I confess that when first I made acquaintance with Charles Strickland I never for a moment discerned that there was in him anything out of the ordinary.

A magnificent fictional biography of Paul Gauguin.

There are 4 movie versions of this book:

The Moon and Sixpence (1942) with George Sanders, Herbert Marshall, Doris Dudley.

The Moon and Sixpence (TV 1959) with Laurence Olivier, Judith Anderson, Hume Cronyn.

The Moon and Sixpence (BBC Play of the Month, 1967) with Charles Gray, Ronald
Well, Maugham does know how to write well. This book purports to be about a man driven to sacrifice all in pursuit of his Art (painting). However, looked at objectively, every obstacle in his way is a selfish, demanding woman; and he overcomes his obstacle by refusing to live up to his obligations to that woman (true whether the woman is his wife, his lover, or the unwed mother of his children). Other obstacles that an aspiring artist might have are not mentioned. Not a pleasant story.

I wondered
There are authors whose style of writing, whose thought-process makes such a profound impression, that one can't cease until one has read a great part of his/her works. Somerset Maugham has become one such writer for me. Somewhat like George Eliot, Maugham's writing also brims with beauty and elegance, offering timeless insights into the human condition, as only a penetrating mind like his can.

A Moon and Sixpence is a story that Maugham wrote inspired from post-impressionist painter Paul Gauguin
I thought this one should have ended about 100 pages before it did. I didn't feel the last portion of the book matched with the first portion. I love the way Somerset Maugham writes in the first person. There is something very intimate about his writing, and I'm not sure anyone can rival his descriptive ability. While I enjoyed it, it wasn't my favorite of his. Strickland is the most interesting character, and while I was fascinated by reading him, I couldn't quite buy how he turned out, so I re ...more
Romanzo biografia del pittore Strickland, mai esistito, ricavato mescolando tre quarti di Gauguin con un quarto di Van Gogh. Al centro di tutto, il demone della creazione artistica.

Ho letto da qualche parte che "Maugham è un grande scrittore perché scrive come l'erba cresce", perché scrive semplice.

Penso invece che non bisogna lasciarsi ingannare. La sua erba, così tanto bella da percorrere con lo sguardo, che invoglia così tanto a camminarci sopra rilassati e "a piedi nudi" ha radici profonde
Daniel Villines
Every aspect of life is saturated by an unseen force that's been formed out of our collective needs. The air we breathe and the water we drink have been shaped by the desire of millions people into the relatively clean and healthy stuff that we need. As we drill-down into this force, we find that it scales down with our efforts. We find that it is inescapable and that its bonds are ever-present, even between two perfect strangers passing each other on the street there are obligations.

The Moon an
Brilliantly crystallizes and humanizes the Romantic myth of the artist. With scintillatingly dry wit, Maugham skewers the everyday assumptions of his middle-class characters, but his deep feeling for both their foibles and their virtues saves them from caricature. Maugham's ability to distill passionate emotions into brief, telling phrases gives the book a spry, lively air, and the many passages in which he describes his main character's understanding of art are deeply moving. His portrait of Ch ...more
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William Somerset Maugham was born in Paris in 1874. He spoke French even before he spoke a word of English, a fact to which some critics attribute the purity of his style.

His parents died early and, after an unhappy boyhood, which he recorded poignantly in 'Of Human Bondage' , Maugham became a qualified physician. But writing was his true vocation. For ten years before his first success, he alm
More about W. Somerset Maugham...

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“Impropriety is the soul of wit.” 961 likes
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