How to Paint a Dead Man
Despite the melancholic to sadness of the book, it made me want to head outside and walk in the park, in the woods, past the neighborhood school and hear the life bubbling out from the young kids gamboling there. A desire to go ...more
I loved this. The writing is fabulous - full of sentences that make you sit back and marvel at their ingenuity and the images that they conjure up.
The chapters of the book flip between four different viewpoints. Each is set in a different place and time stays tightly with a single character and each is very individually written with no chance of a reader muddling up the writing - the headings announcing which character was in this chapter were totally superfluous. The distinctive voices were in...more
The writer's remarkably fine style fits and evokes the art of still-life painting to reveal each character's life. And their differing stories all focus ...more
However, I found that I couldn't like the grief stricken and destructive main female character (whose name escapes me) but that didn't matter as the other three were warmer and had more interesting back stories.
This is a book about art and artists, about life and grief. It is about "how we investigate our existence and make meaning and teach one another in small and large ways". The book is like a chorale woven of four parts, each part a ...more
After learning about How to Paint a Dead Man in the Booker Longlist, its cover and blurb attracted me so I bought it on publication day here in the US last week and I read it soon after, this being a novel that once you immerse in you cannot leave and read anything else, at least fiction, once it ends you are sad that it did so and want more, so you have to reread it at least once...
"How to Paint a Dead Man" is a deceptively short n ...more
The style is ver ...more
I was completely absorbed, read it over the Bank Holiday weekend and it has left me with lots to think about.
It brings together four different stories over a period of about 40 years, all involving artists in one way of ...more
Four characters whose lives interconnect relate their stories in four separate voices. An elderly artist in Italy, a young blind girl, also in Italy, a landscape artist in England, and an art curator in England who is mourning the death of her twin brother. The stories are very moving and there is some majestic prose.
But the novel lost power for me in the scattershot jumping around between ...more
"Playgroup was a minefield. Nobody could really tell who you were talking about: yourself or Danny. The subjects of your speech were often confused and you and your brother babbled privately together, making up names for spiders, stomach aches and r ...more
Dar ce se întâmplă atunci când ești nevoit să pictezi un mort, cum te apropii de esența și înțelegerea faptului real și material întruchipat de Moarte? Upanișadele indiene văd moartea ca esență a întregii existențe, ca forță motrice, ea creează pentru a avea ce mânca, ce distruge, ce transforma. Europenii pe de altă parte, văd moartea ca pe o pierdere, o asimilează fricii, întunericului, lipsei. Astfel, cum pictezi lipsa și întunericul? Cum, crescut într-o ...more
here's the Daily Dose stuff:
""How to Paint a Dead Man" was amazing on so many levels. Sarah Hall skillfully connects disparate characters across continents and times, using her handle on point of view as the breadcrumbs that keep the reader from getting lost. I'm still amazed at how easily she brings yo ...more
Here was my take in the conversation:
I waited until this morning, until I turned the final page in How to Paint a Dead Man, to take in your perspectives on the novel. Thank you for sharing your thoughts on it, especially because in many ways they seem to differ from mine. For example, I seem to be unusual in that I very much enjoyed Sarah Hall’s book, without qualification.
Here’s why. ...more
Vertaalde passage uit de flesdagboeken vertelt over hoe Giorgio terugkijkt en zijn laatste dagen bewust probeert te maken. Over zijn herinneringen aan het lesgeven aan Annette en het ontvangen van brieven van Peter. P ...more
Sarah Hall took a degree in English and Art History at Aberystwyth University, and began to take writing seriously from the age of twenty, first as a poet, several of her poems appearing in poetry magazines, then as a fiction-writer. She took an M Litt in Creative Writing at St Andrew's University and stayed on ...more