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<book id="633981">
  <title><![CDATA[The Screenwriter's Bible: A Complete Guide to Writing, Formatting, and Selling Your Script]]></title>
  <isbn><![CDATA[1879505444]]></isbn>
  <isbn13><![CDATA[9781879505445]]></isbn13>
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  <default_description>How does a spec script differ from a shooting script? What kind of fasteners should one use to bind a script? How did the term &lt;i&gt;MOS&lt;/i&gt; come to mean &lt;i&gt;without sound&lt;/i&gt;? You'll find the answers to these pressing questions and much more in David Trottier's eminently usable &lt;I&gt;Screenwriter's Bible&lt;/I&gt;. The avuncular Trottier--a writer-producer, script consultant, and seminar leader--has written a friendly guide through the Hollywood morass. He touts it as six books in one: it's &quot;a screenwriting primer, a screenwriting workbook, a formatting guide, a spec writing guide, a sales and marketing guide, [and] a resource guide.&quot;&lt;p&gt;  Much of Trottier's advice is common sense: &quot;Don't write anything that cannot appear on the screen&quot;; to keep casting options open, don't make your physical descriptions too specific; &quot;don't say Ron Howard is looking at the project if he is not.&quot; But there are things to know about Hollywood that are, well, quirkier. Don't write the title of your script on the front cover or side binding; present action sequences using the &quot;stacking action&quot; style; in query letters and scripts alike, avoid &quot;big blocks of black ink.&quot; Trottier's guidance--from character development and revision to queries and pitches--is invaluable. Getting in the door can seem impossible, but it's not, necessarily. &quot;If you write a script that features a character who has a clear and specific goal,&quot; says Trottier, &quot;where there is strong opposition to that goal leading to a crisis and an emotionally satisfying ending, your script will automatically find itself in the upper five percent.&quot;&lt;p&gt;  (By the way, &lt;i&gt;MOS&lt;/i&gt; is said to have &quot;originated with German director Eric von Stroheim, who would tell his crew, 'Ve'll shoot dis mid out sound'&quot;). &lt;I&gt;--Jane Steinberg&lt;/I&gt;</default_description>
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  <original_publication_month type="integer">8</original_publication_month>
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  <original_title>The Screenwriter's Bible: A Complete Guide to Writing, Formatting, and Selling Your Script</original_title>
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      <name><![CDATA[David Trottier]]></name>
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    <body><![CDATA[this book is a good intro to screenwriting but it is very conformative to hollywood standards, and as such teaches very formulaic writing. still, its a good starter book and good for reference. but don't be afraid to think outside the box, something which the author is against]]></body>
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    <review id="27582862">
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  <read_at>Thu Jan 01 00:00:00 -0800 2004</read_at>
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    <body><![CDATA[I read this in my screenwriting class in my Masters Professional Writing program. An absolute must read for anyone interested in writing screenplays. ]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/27582862]]></url>
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    <review id="31432758">
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  <read_at>Sun Jan 01 00:00:00 -0800 2006</read_at>
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    <body><![CDATA[The holy grail for screenwriters. If you want to write for television or film, you should have this book open at all times.]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/31432758]]></url>
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