Hush, Hush (Hush, Hush #1)
A FALLEN ANGEL
A FORBIDDEN LOVE
Romance was not part of Nora Grey's plan. She's never been particularly attracted to the boys at her school, no matter how hard her best friend, Vee, pushes them at her. Not until Patch comes along. With his easy smile and eyes that seem to see inside her, Patch draws Nora to him against her better judgment.
But after a series of t...more A SACRED OATH
A FALLEN ANGEL
A FORBIDDEN LOVE
Romance was not part of Nora Grey's plan. She's never been particularly attracted to the boys at her school, no matter how hard her best friend, Vee, pushes them at her. Not until Patch comes along. With his easy smile and eyes that seem to see inside her, Patch draws Nora to him against her better judgment.
But after a series of terrifying encounters, Nora's not sure whom to trust. Patch seems to be everywhere she is and seems to know more about her than her closest friends. She can't decide whether she should fall into his arms or run and hide. And when she tries to seek some answers, she finds herself near a truth that is way more unsettling than anything Patch makes her feel.
For she is right in the middle of an ancient battle between the immortal and those that have fallen - and, when it comes to choosing sides, the wrong choice will cost Nora her life.(less)
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Hush, Hush is the story of Nora Grey, an average high school student going about her business as usual -- until her Biology teacher rearranges the class seating and places her next to the dangerous-looking new kid, Patch Cipriano. Nora gets a weird feeling from Patch, and things just keep going from bad to worse as Nora becomes convinced that she is being stalked, and may even be the target of murderous intentions. Add to the list Nora's strange feelings about the...more NOW WITH SPOILERY RANT @ BOTTOM!
Hush, Hush is the story of Nora Grey, an average high school student going about her business as usual -- until her Biology teacher rearranges the class seating and places her next to the dangerous-looking new kid, Patch Cipriano. Nora gets a weird feeling from Patch, and things just keep going from bad to worse as Nora becomes convinced that she is being stalked, and may even be the target of murderous intentions. Add to the list Nora's strange feelings about the Archangel ride at the amusement park and her constant near death experiences, and well, Nora's life is becoming anything but average.
When I finished reading Hush, Hush, I had to mull it over for awhile. I really wasn't sure what to say. I am absolutely enthralled by the cover (athletic looking, darkly mysterious fallen angel, contorted in mid-air in grayscale? What's not to like?). I had to have it because of that cover*. But I had a sneaking suspicion that a cover that good had to be masking something. Yep. It's a bright light to dazzle the eyes and make you *ahem* overlook any faults.
It didn't work.
Inside was the most confused, schizophrenic piece of writing I've read in some time. Becca Fitzpatrick didn't seem to know quite what she wanted, only that it had to be Ominous and Scary and Dangerous -- and Titillating, of course, and Mysterious and Sexy. So with those buzz words in mind, she threw a bunch of things together and let her narrator, Nora, sort them out. Nora, understandably, had some trouble with this, and the result is a thoroughly frustrating heroine who jumps to insane conclusions based on inane evidence one moment, and the next goes blithely along into obvious danger.
Patch is intriguing, and perhaps the most consistent character**, and I was fully prepared for an 'anti-hero as the hero' story. I wanted a little boundary-pushing and a not entirely likeable or trustworthy male lead who may or may not redeem himself, but who gives you the dangerous and alluring in spades. For the most part, Patch wasn't a let-down in this regard, and as screwed up as it is to like him, he was the stand-out character for me. (Not to say I didn't have issues with him, too.)
But it wasn't enough. Patch's bad boy antics couldn't save this book from itself. It was self-indulgent, cheesy, melodramatic in the worst sense, and confusing. I wanted to like it; I loved the fallen angel premise, the idea of an anti-hero, and bits and pieces of the writing throughout. But Hush, Hush suffered from too many villains and too much shock and awe, and not enough thought and follow-through. Maybe Fitzpatrick can pull it together for round two, and with some strong convincing by trusted, like-minded people,
*We all know how that whole so-pretty-I-just-had-to thing works out. See my guest post on Jo's blog about this.
**And by 'consistent' I mean he was consistently a douche. Vee was pretty consistent too, and was a lot of fun, but she started to get annoying and a little strange...
***You're still going to read it, aren't you? Damn you, James Porto and your beautiful, beautiful cover!
***HERE THAR BE SPOILERS***
If you haven't read Hush, Hush and intend to, or if you don't want me dissing the melodrama that is Patch and Nora, look away....NOW!
Commence rant:
You already know I had issues with this book. I think a lot of people are going to take offense to the idea of Patch as the hero, as teen girls' fantasy, just as they did with Edward in Twilight. Patch goes beyond the simple term "bad boy" in that yes, he does actually mean Nora harm. Consistently.
I'm not going to go into that, because frankly, I don't care. He can be an anti-hero all he wants, whatever. If that's where the story's going, fine. Most of my issues -- but not all -- lie with Nora.
Here's the thing:
Nora is that girl you yell at in the horror movie, the idiot that goes up the stairs instead of out the door, or reaches to turn over the downed bad guy just to make sure. We all know that's frustrating, but we've come to expect it in movies, and that dumb big-breasted, scantily clad girl normally gets killed off.
Nora is so much more frustrating than that.
The many sides of Nora: She continually suspects Patch (and Elliot, and just about everyone else in this story), and with good reason. However, she then continually ignores her instincts and puts herself in danger. In fact, she can't seem to agree with herself. She will think to herself that Patch is stalking her and trying to kill her, and then within pages think 'Oh, but he could never hurt me.' This just cycles and cycles throughout the story.
Also throughout the story, Nora makes insane jumps in logic -- whether they turn out to be true or not, it's not believable when she immediately jumps to the most bizarre conclusions and then acts on them. At the same time, she will be directly confronted with some piece of real evidence, something that would make a normal, non-fictional person take notice and say something's not right here -- and she will completely ignore it. It's like she's being willfully obtuse.
Examples:
* Early(ish) in the story, Nora hears a voice in her head and thinks Patch has "breached normal communication methods and could, at will, speak to me without ever opening his mouth." Naturally, she thinks she's delusional. Hearing your name and a few inane comments would make one think they are imagining things, and this I could buy. Even Nora not being exactly sure what happened and being creeped out I could buy. But she proceeds to ask Patch how he's able to speak directly to her mind, making her look like a loon.
I wouldn't be even all that bothered by this, if it was consistent throughout the story; if Nora either consistently thought that she was going crazy because of all the implausible things that are happening, I could buy it; if she wanted to prove she wasn't crazy and kept confronting Patch and sleuthing, I could buy it. It would be 1 solid choice on Becca Fitzpatrick's part. She could be the ultra-paranoid girl who thinks she's going crazy and jumps to conclusions about everything. Annoying, but doable. But to present this as if it's normal...and I'm out.
* Conversely, near the near the end of the story when the shit's really beginning to go down and nearly everyone has become a villain, Nora and Patch walk out of a movie theater to find that "...both the tires on the driver's side were flat: '"I can't believe it!" I said. "I drove over two nails?"'
O_O
???
She thinks she's being stalked, she thinks her best friend has been kidnapped by a teenaged murderer named Elliot, and by this point she thinks she's the target of not one but two murderous angels, and yet all she can come up with is that she ran over two nails? Come on! If Nora will jump to conclusions on the barest of evidence, how in hell does she not comprehend the obvious?
* Throughout the story, Nora thinks everyone's out to get her (she's right, but I'll get to that), especially Patch. Patch is Ominous, capital 'O', and yet...And yet, no matter how much Nora thinks he's badbadbad, she trusts him. Why?
Weirdest of all, when Nora confronts Patch about his intentions, he admits he wanted to kill her ; her reaction? 'I know Patch could never hurt me' -- and she trusts him implicitly from that point on. Really? The whole story, you've suspected him and been insistent that you should stay away on the barest of evidence, but once he's confessed his (albeit previous) intentions of murder, you trust him. Really . Her sudden bizarre trust of Patch comes too late for any real belief in their romance. Or her sanity.
There is no consistency in Nora's thinking. I just can't understand why Becca Fitzpatrick couldn't pick one Nora to write and stick with her.
She could have just always thought she was losing her mind; self-doubt would have been interesting, and made her root-forable.
If she had just been reckless and always convinced that yes, maybe something is a little off about Patch, but she still found herself attracted to him, it would have been interesting, and could have been used to slowly reveal the truth and up Nora's anxiety.
If Nora had just been naive and always convinced that everything was fine despite any indicators, it would have built tension.
But combining it all made Nora seem confused and a little off herself, and made the writing seem schizophrenic.
Too many villains: Fitzpatrick makes the rookie mistake of lack of restraint. Nora suspects everyone, and everyone does in fact seem to be a villain. This makes the book seem unfocused and sort of cheesy. When everyone is under suspicion, and everyone seems to be a bad guy, it makes it seem like no one really is. It's like if you use a really great word once or twice it's going to stand out. But if every word you use is some great, unusual word, none are going to stand out. There's no negative space, no background to make the focal point pop. Everywhere Nora turns, someone's trying to kill her. It just gets silly after awhile. Also, it has the added negative effect of making it hard for Fitzpatrick to "top" as it were. Where does she go from here? If there are 4 different people trying to kill Nora in book 1, how many people will there be out for blood in book 2? She didn't leave any room to grow the suspense.
Another bad thing about the amount of villains and Nora's instant suspicion (and the overall over-the-top nature of the book) was that there was precious little suspense. By giving everything away rather freely, Fitzpatrick deprived the reader of the slow build-up and the privilege of the mystery; we never got to have any suspicions of our own, or choose sides. There was too much in the way of ominous overtones, and not enough restraint.
On a side note, not that I'm calling Vee a villain, but even she became a little weird* as the story went on. It's one thing to be the wild and crazy girl in the best friends dynamic, but constantly trying to get your best friend alone with a guy who she says makes her uncomfortable, who she believes broke into her house and may be stalking her, and who she knows was a murder suspect is reckless beyond the pale, and shitty, shitty friendship.
*By which I mean she goes from being quirky and funny to a godawful, shitty friend. You know, for no other reason than apparently to help lure Nora into bad/ridiculous situations. Plot device: ☑
The writing overall: I saw glimpses in Fitzpatrick's writing that demonstrated how this could have been a good book. She does sexual tension and confrontation scenes fairly well, and there is some good humor. Vee -- in the beginning, at least, before she becomes a really reckless, really bad friend -- was pretty amusing as the traditional sidekick. Patch had great one-liners, both funny and smoldering.
But for all the occasional good, there was quite a bit in the way of bad. The dialogue was often stilted and weird. The analogies were completely out of left field. They were those turns of phrase that you can tell were used because they sounded cool, or because one was needed, but they don't mean anything, or they leave you thinking wtf? "His eyes looked like they didn't play by the rules." What does that even mean? What rules do eyes usually play by? Does he not blink? This is a mild example, but I got sick of making note of them. I got this really hit-and-miss feel about the writing and the language in the book. Pieces of literary crap mixed in with the really good bits blended to form a "throw it all in and something's bound to work" style. A total lack of finesse made it hard to want to keep reading -- and made me feel like if I kept rolling my eyeballs, they were going to roll right out of my head.
Rant complete.(less)
You guessed it. This is a dream story.
Now, I rarely remember my dreams. But last night's was so freaking pungent that I can reel it all off right now without missing any details. Also, bear in mind...more So the other night I was trying to force myself to finish writing a chapter, but I was on the verge of headdesking at about 12:30, so I packed up then and went off to bed. I read some nice fluffy paranormal crap, sung myself into a subconscious lull, and then eventually fell into deep, drooling sleep.
You guessed it. This is a dream story.
Now, I rarely remember my dreams. But last night's was so freaking pungent that I can reel it all off right now without missing any details. Also, bear in mind that absolutely everything I'm about to tell you is one hundred per cent true. I never lie on Goodreads, because telling the truth is just so much more fun.
So it starts off with me in some kind of medieval town. I'm blonde, which is a change. The "camera angle" is third person, but I know that's me in the blue dress. For some reason, it occurs to me that my name is Bess, and for some reason I'm carrying a weapon, like a knife. I don't actually see the knife; I'm just aware of it.
So I step up in front of this shop, and suddenly the place looks more wild west. Some guy goes to attack me, but I totally ninja him and then leap down off the verandah, into a waiting crowd. They all part and then the guy I supposedly killed stands up again and yells, "You're a Pagan!"
Then I yell, in my own voice (and accent), "Don't come after me! These children [points to a group of forlorn children in front of me, all wearing blue] will get you! There are more over there, in that crowd!"
Then I run away, there's all this rushing, and then for some reason I'm suddenly running along this farm track, like a muddy road. The viewpoint's in full first person now. Think Bioshock. The atmosphere is sort of chalky and dark, something like Sleepy Hollow, and I'm running and running, but it's dream running, so I'm not really getting anywhere. You know dream running; you need to move, and there's something really fucking horrible chasing you, but for the life of you you can't make your legs move any faster than they would if they were coated in tar.
So I'm dream running, and then suddenly the word, "Samhain*" pops into my head and then I think, "Wait a minute! My name is Samhain!"
No, I don't even bother to question this. I keep trying to run, and when I look behind me, I see a fork in the road, and men in American civil war uniforms on horses, parting down the fork in the road. I keep trying to dream run, but it's pretty fucking useless, because one of the guys catches up. I dart off the road, into a fir tree, but I'm terrible at hiding and I get caught. The guy yells, "Samhain!" and then an old guy comes riding down the road on this tiny little horse and carriage, from the opposite direction, and starts shooting me with what I imagine was a BB gun. He has the creepiest expression on his face, I'm flinching, because I think I'm going to get hit, but somehow I don't.
Yeah.
A second later I'm back in some town square, and I'm wearing a bright orange bonnet that's too tight. It's made of thick, glossy paper, and it crosses my mind to be careful that the edge of it doesn't slit my throat. Why am I so paranoid? I'm not restrained, but I don't make a run for it. Everyone's chanting "Samhain! Samhain!" and then I do the creepiest thing I have ever done in a dream, ever.
I laugh. But it's this really loud Joker laugh, except ten times crazier, and my voice is all masculine. I'm cackling, basically, as they lead me to this huge sandstone building that looks like the Volturi clock tower from the New Moon movie (yeah, I saw it. Castrate me). I'm still screaming with manic laughter as they take me down all these torchlit flights of stairs and I start getting pretty fucking scared, because I see all these shadows flitting around and little wispy lights and shit, and then I get locked in this cell, and we're back to medieval times with this one. I bang on the door, yelling in a girly voice again, apparently trying to laugh it off as I say, "Come on, man! This is like false imprisonment!"
So the door opens and the guy says something that I can't remember, then he randomly falls down the stairs. When he hits the bottom step, he's miraculously changed into a woman with long, braided hair, and this crazy look of astonishment. I'm apparently unfazed by watching someone die, and I step over him/her, and make my way back up all the winding twisty staircases. Yeah, the shadows and creepy things are back, and I'm pretty fucking freaked out by the time I reach this polished ballroom, that looks like it has laminate flooring, and big windows. I walk past it, up a flight of stairs that look like the moving staircases in the Harry Potter movies, and on to this loft area that has windows that look on to a huge abyss with floating platforms hanging over it. The windows have blue velvet curtains, and no glass. They're sandstone. Ever been to the Wallace Monument? That's what the windows are like. Except at the Wallace Monument, they don't have curtains. Whatever.
To my left are two people sitting on a bench. There's a smirking woman wearing modern clothes and a big leather handbag, and a man, but he's blurry. The woman stands up and stalks past me, and the man stays where he is. In front of the window nearest to me is a man in grey/brown clothes, reaching out to two women who sit on the nearest floating platform. One is this really, really pale little girl, with a chubby kind of face and scraped back white hair, and the other is an older woman who reminds me of Vittoria from Angels and Demons. I walk up to them and suddenly the curtain starts moving by itself, and it gets pulled out into the abyss by what I can only imagine is some kind of ghost, and then pale girl starts shrieking and her fingers go like claws and she clamps her hand over Vittoria-look-a-like's face. Vittoria screams silently, and then I approach, and the man says something, and the girl slumps forward, pouting her lips and crying a little. Vittoria seems suddenly fine, and we all crouch over the pale girl, trying to make her feel better.
Then I wake up. And when I do, "You Are My Sunshine" is playing on a loop in my head. I'm actually humming it.
Look, you can't make that shit up. And that statement is why Becca Fitzpatrick fascinates me: because Hush, Hush makes less sense than my dream, yet somehow, she managed to conjure it all up with her naked little mind.
Well, not naked. It hardly takes a YA aficionado to notice the glaringly obvious Twilight catch-and-releases. But look at my dream, then look at Hush, Hush. Okay, so my name was Samhain. Beck's hero's name is Patch. So I got locked in a tower, presumably for being a Pagan. Nora goes all Cagney-and-Lacey, and goes undercover to stalk her tormenter at his workplace. Her costume was in a 7-Eleven bag, for fuck's sake! This stuff is totally pumped up, man! How much weed did Becks smoke before she wrote this shit? Seriously!
Look, pretty much everything that needs to be said about Nora already has been. My flash-in-the-pan Bess was more badass than her, and she had a bunch of children watching her back. Honestly? Nora is so fucking stupid, I'm surprised she's even been allowed to live. I'm amazed her mother hasn't already taken a chainsaw to her. She's that frakkin' dense. I've been hard-pressed to find a protagonist that's as completely insufferable as her, and I've read Halo.
Yes. What does that say? It says that I have a pretty high shit threshold, and yet Hush, Hush managed to piss me off enough to warrant this review. Yuh-huh.
Now, on to my next slab of beef:
Not too long ago, my sister and I were exiting the supermarket, when some old dude reached out and slapped her ass. I screamed a bunch of swear words at him (I was about fourteen at the time) and hauled her away. She felt violated, and I was so angry I thought my jugular was going to pop.
Now, Patch is exactly the kind of guy who would do that. He'd pinch your ass when you weren't looking. He'd rub himself up against you on the subway. He'd bang you up against you own kitchen cabinets and dry-hump you when you barely knew him. He'd pin you down on a bed, tell you he wants nothing more than to kill you, then kiss you.
In short: Patch is a fucking lech, and a chauvinistic prick. He's disgusting.
*"in the making" was a stupid thing for me to say. Patch is not "in the making". He is made. He is a rapist, and though you've probably already read this post through a hundreds of links to it all over Goodreads, I'm going to relink it here just to catch the stragglers who didn't give it a glance.
Look, it's all been said. But this is YA rape culture at it's very worst. This is dressing up sexual harassment as love, then shoving it down the throats of young teens. A dangerous game, no?
Is simply putting up with sexual harassment in the classroom really something we want to teach today's teen population? Male or female? What begins in the classroom moves to the workplace, leisure time and eventually, more frighteningly, the home. Patch and Nora's relationship is built around her being terrifed of him, while he fantasizes about killing her. He outright TELLS her that he wants to kill her. On every level, this relationship is heinously unhealthy and extremely dangerous, and nothing anyone should ever aspire to. I see polls all over Goodreads where Patch is rated as the best hero, hottest love interest, best angel. Are you fucking serious? Really?
It is sexual harrassment and intimidation, sexual objectification, powerful misogyny and a clear prelude to rape.
If a lover, partner or spouse threatens your life, terrorizes you, humiliates you, belittles you, touches you when you do not wish to be touched, makes lewd/unwanted comments about your body, chases you around your car when you just want to go home, then that person is an immediate danger to you.
Or--no. Forget all those things, because it's as simple as this: If you say no, and a partner or spouse refuses to accept that, THEN THAT PERSON IS AN IMMEDIATE DANGER TO YOU.
Please. Don't EVER put up with behaviour like this. And don't EVER praise Patch as a character for displaying blatant traits of a psychopathic serial rapist/killer. Don't come here and try to convince me that Patch is perfect, a sexy bad boy, because I don't want to fucking hear it. I'm not interested in whatever praise anyone has for this horrifying rape fantasy.
Whenever I open this book and try desperately to see what everyone finds sexy, all I can think about is the man who grabbed at my sister, or the man who tried to dry-hump me at a concert while the people with him laughed, or the men who hang out of their car windows and honk at me when I'm walking down the street, panting about my body.
Women, do you think this is the way you deserve to be treated? I sincerely hope not.
Moving on!
Another area in which many authors fall down in: portrayal of school. Oh, we've had some wacky ones, like Lauren Kate's reform school shadow puppets and the perverted teachers of Forks High. But taking blood pressure in sex ed? Asking someone what they look for in a potential mate? Didn't Fitzpatrick ever go to high school? This is not what is taught in a biology lab - actually, it's not taught at school, period. Talking about what makes you horny is not appropriate subject matter for a classroom full of students looking to pass biology with a serious grade.
Talking about being horny is for locker rooms, children.
The main problem I have with the sex ed class in Hush, Hush is that a) sex ed is not taught in biology, but rather health class and b) the sex ed these kids receive is based around finding a mate, and sex is assumed to be solely for the purpose of reproduction. This is very ethically wrong, and here's why: GAY PEOPLE. Now, I have a serious problem with the fact that homosexual sex was NEVER discussed in either of my high schools, but this is a fictional world! In fiction, we can right the wrongs of society, if we so wish! We need not make them fucking worse when said fiction book is not based around a broken society! Oh my GOD!
Look, this is common practice today. People like to assume heterosexuality as a word of God because it makes it easier to fit everyone into the right little box. For instance:
Men, you go over here, and we'll call you masculine and expect you to pump iron and show no emotion or intelligence or hobbies outside fixing engines and mud sports, and sleep with everything and trash talk, because if you don't, you're not a man, and your penis is small. And in our thoroughly shallow and materialistic western world, we like to call your theoretically small penis degrading names and make you feel like you'll never, ever be good enough and must inject yourself so full of steroids that your heart threatens to give out every time you climb the stairs. If you do trash talk like you're supposed to and treat sex like it means nothing, you'll find yourself saddled with nicknames (invented mostly by females) like "jackass" or "man-whore" or, even worse, you'll be praised for it while these names are thrown at you from BEHIND. If you happen to be attracted to other males you'll be expected to look, talk and act in a non-traditionally-masculine way, and if you play sports or want to join the army or have male friends people will make an "oh, that's icky" face and expect you not to change in the locker rooms because of course, being a gay male means that your libido is completely OUT OF CONTROL and you want to nail every guy you lay eyes on, an attitude that stems from an age-old belief that homosexuality is some kind of "alternate" sexuality or a kink that is only practiced to sate deviant sexual desires, and not a trait wired into some people that is natural and undebatable and that should not be stigmatized because it is a sexuality like heterosexuality and no one debates heterosexuality, because as much as we'd like to think we're so liberal, we aren't. We are fucked in the head.
Women, you go over here, and we'll call you feminine and expect you to cry all the time and wear your hair long and cover yourself in white lace up to your neck, because if you express any kind of sexuality or promiscuity, we'll call you a WHORE or a SLUT or a SLAG and you might as well tattoo these names to yourself, because in high school, like in the middle ages, all a girl has is her reputation, regardless of whether or not it's true. Due to our right-wing society in which the only thing anyone cares about is a woman's vagina and how loose it is (myth) and of course intelligence or personality or beauty (inner or outer) is throwaway, since we've been conditioned by teen shows such as The OC or Gossip Girl or 90210 to only give a shit what someone does in their bed, even though that's their business and lucky for us in the north, the Canadian government agrees. If you wear revealing clothes you'll be slammed with the S, W and other S word, regardless of what it is that you do in your bedroom, because society is wired to zero in on a woman who attempts to break from the puritan box and express herself as female, and due to damaging purity myth indoctrination and the ancient belief of women as sexual deviants and "polluters", see Eve or Lilith, we are expected to assume that a woman who wears little wishes only to attract animal sexual attention from males - because no one ever considers lesbianism as an actual sexuality, just a smutty party game by sexy dangerous girls, RE: stoned deviants with no control, not women who just happen to be attracted to other women and may date and marry and build beautiful, healthy families, and deserve to without being stigmatized and accused of setting up a life based around sex and drugs and frivolity and being told that they are literally not fit to be parents because being lesbians (or gay men) of COURSE means that any child in their care will shrivel up and DIE immediately.
Basically, hand me that sledgehammer, and watch me beat the gender/sexuality box to death while screaming gratuitous insults.
...
Where the fuck was I?
I could go into Vee, but frankly I'd rather poke needles through my tongue than spend any time evaluating this worthless piece of stereotypical trash known as Nora's friend. Of course, being fat, Vee is the butt of all jokes, and Nora is constantly commenting on her weight, so maybe some slack should be cut. Not much, though. Vee could have gained my sympathy simply for the way Nora treats her, but I can't emotionally invest myself in someone so stupid, vapid, pointless, ridiculous and downright irritating as Vee Sky.
So no. Go die, Vee. Or, no. Don't die. I'd rather you lived to feel the burn of shame, because you're a shitty friend who enables rapists to treat your friend like shit. You tell Nora that Patch is sexy, that she should go for him, that she should STOP SAYING NO BECAUSE PATCH IS HOT.
Vee, I hate you. I hate you so much, because you are nothing but lousy-friend trash who would probably defend Patch's honor if Nora was found cut up in a dustbin behind his house, because he couldn't possibly have done it; he's too hot!
This book is also dreadfully written. I mean, really. Just because this is YA, doesn't mean it has to be stuffed full up purple prose, fucked-up metaphors, stupid dialogue, pointless descriptions and cheesy fight scenes. Honestly? A chimpanzee could have done a better job on this book's prose. An editor would have been a good help, too. It would have been nice to have avoided laundry-list character descriptions and "eyes that don't play by the rules".
What the fuck?
To conclude: I'll never Be Nice when it comes to your work, Becca. I just can't. A book that perpetuates rape culture and inflicts characters like Vee on the world of literature does not deserve my compassion. This is a great big steaming turd, end of. I'd rather eat all of my shoes than put myself through this torture again.
Basically? Fuck. You. Book.
The silver lining? Mine's paperback. Got it at Tesco cheapitty-cheap.
Booyah!
And now...
BONUS TIME!
Haw, yeah!

Why?
'Cause I can. That's why.
*Samhain is a Pagan harvest celebration that takes place on October 31st. Animal sacrifices are offered to gods and evil spirits are warded off by participants wearing frightening costumes and making jack-o-lanterns. It draws some elements from the Festival of the Dead, similar to the Day of the Dead, which is celebrated in Mexico. Basically, it's old-time halloween. (less)
May 15, 2013 07:07pm
I read this ON A DARE (a double-dog one, if you must know). And now I want to look it in the eye and ask - REALLY, BOOK? REALLY? Because it doesn't just cross the line into the uncomfortably creepy territory - it takes a cosmic leap over it.

Hush, Hush may have the dubious distinction of being the worst book I've ever read. (I assumed it's a book since that's what you'd call a bunch of printed and bound pages, but I'm really applying the term 'book' loosely here). Yes, I know I'm not the intended...more
I read this ON A DARE (a double-dog one, if you must know). And now I want to look it in the eye and ask - REALLY, BOOK? REALLY? Because it doesn't just cross the line into the uncomfortably creepy territory - it takes a cosmic leap over it.

Hush, Hush may have the dubious distinction of being the worst book I've ever read. (I assumed it's a book since that's what you'd call a bunch of printed and bound pages, but I'm really applying the term 'book' loosely here). Yes, I know I'm not the intended audience, but should terribly written books that can only aspire to reach the same literary heights as the word-of-the-day toilet paper even HAVE a target audience??? Yes, I'm being harsh. But I'm also being honest. Let me give you a sample of my complaints (all of them would be longer than the allowed review space).
This book reads as though someone read Twilight, appreciated the obviously marketable and profitable premise, and decided to rewrite it in an "edgier" way - which boiled down to clumsily asking a question, "What did Twilight lack?" and coming up with the answer, "Sexual creepiness bordering on sexual harrassment. That's it. LLLLLLadies."Meet Nora Grey, an 'average' high-schooler who meets a mysterious boy Patch in biology. By the way, my (future hypothetical) daughter will not be allowed to take high school biology since that's where all potential supernatural creeps appear to lurk, looking for gullible teenage-girl prey. The boy acts like a total jerk to her, and his sleazy innuendos are alarming and appalling but not charming or witty or sexy. The natural things to do would be: (a) tell him off, (b) tell the school officials, and (c) call the police if the d-bag does not stop harrassing you. Instead, Nora Grey decides to madly fall in love with the jerk. (*)
* Dear teenage girls! "He hates me - therefore it means he loves me" approach does not work in real life. While we're at it - PEOPLE WANTING TO KILL YOU IS NOT SEXY EITHER. Dear YA authors, please stop perpetuating this idiocy.Patch is a fallen angel (no spoilers, it was stated on page one or so) with a dark past. But basically he is an entitled arrogant jerk who appears to take immense pleasure in publicly humiliating Nora, physically forcing himself on her, physically intimidating her, ignoring her wishes, and gloating in his dripping douchebaggery approach while nearly sexually assaulting her in front of the class. “I make you uneasy?” he asks. The proper answer would be to scream, "YES! NOW BACK AWAY!!!!"
**
**But for some inexplicable reason Nora is in love with the creep. For some inexplicable reason, his appalling behavior is presented as alluring and seductive. For some inexplicable reason, he is presented as a "dark and dangerous" man of every girl's dream. WHYYYYYYYYYYY????? Oh nevermind, here's the answer:
"Yes, actually, he had that effect on me. He also had the tendency to wipe all logical thought from my mind."This may explain why we get pages and pages of this incoherent lovestruck bumbling masquerading as a book! Mystery solved, my job here is done.
"My brain couldn’t process one logical thought."
**********************************
While I'm on the soapbox, let me say this - STALKING IS NOT SEXY. STALKING IS NOT OKAY. STALKING IS NOT LOVE. VIOLATING PRIVACY IS NOT LOVE EITHER and should result in a restraining order You see, our wonderful Nora thinks it's perfectly okay to learn about the mysterious new boy by breaking into the students' records office to look at the confidential file (she does it by calling in a bomb threat - which is (a) awful, (b) promptly forgotten about and never followed up on), and spying at him at work, snooping for information from his coworkers. I hate the message this book is sending.
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I hate punctuation abuse. It's innocent, so stop torturing it. Please... leave... the... faux-dramatic-pause ... ellipses ... in ... your... fanfiction... please. Unless you're paid for each ellipsis used. End... the... ellipses... abuse...
... ... ... ...
... ... ... ... ***************************
What is up with the sloppy writing that assumes describing small insignificant and frankly boring details adds anything to the story? Why am I subjected to the endless details of what exactly the characters are ordering in a Mexican restaurant, what the specials are, and how long it takes a waitress to bring the order? Why should I care? Why do I need to know the details of the bra design that the girls are shopping for? How exactly does that enrich the story? Please stop the filler. It's awful.
*****************************
Hey, what with not having the slightest trust in the readers' ability to figure things out? What's with the dropping of anvil-sized hints every few pages? What happened to simple foreshadowing? Patch's identity, the villain's identity, Nora's identity - we can figure it out without the author SCREAMING hints into our faces. Really. Trust me.
*****************************
But in the end, despite the awfulness, I cannot be upset at Nora - mainly because I'm really worried about that girl's health. Here's why:
"My heart fumbled a beat [...]"Nora, you know what you need instead of a creepy boyfriend? A cardiology consult. Your heart sounds unhealthy to me.
"My heartbeat turned erratic, and I told myself to pull it together."
"My heart did an unexpected flip, startled by his bizarrely attractive smile."

-----------------------------------
Terrible book with lackluster annoying characters, ridiculous plot, and bad writing, but with overabundance of creepiness. 1 star because that's the lowest rating I can give. Reading it was a miserable experience.
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4.0 rating on Goodreads? Really? Sometimes I really wonder whether I'm reading the same book as everyone else.(less)
Mar 31, 2013 08:18pm
You are welcome. Yes, the expectation of being fine with abuse from a love interest just because he's so 'special' and 'hot' while the heroine is barely deserving of love from such a fine specimen (ugh!) is quite disturbing. The message is - as long as the boy you like is cute and dangerous, then he can do no wrong, apparently.(less)
Mar 31, 2013 08:41pm
*This post was inspired by the fantastic videos over at www.howitshouldhaveended.com. Italicized text is the original publicized text from the book and is entirely the work of Becca Fitzpatrick.
This rendition is entirely satire. It is not meant to offend and I mean no discourtesy. I recognize that authors put a lot of time and work into their novels and I am not trying to disrespect that. Writing a novel is hard work and is something I have never done...more How I Would Have Ended It
*This post was inspired by the fantastic videos over at www.howitshouldhaveended.com. Italicized text is the original publicized text from the book and is entirely the work of Becca Fitzpatrick.
This rendition is entirely satire. It is not meant to offend and I mean no discourtesy. I recognize that authors put a lot of time and work into their novels and I am not trying to disrespect that. Writing a novel is hard work and is something I have never done and I certainly don’t think I could do a better job. I am simply, with light-hearted intention, using humour and imagination to spark book discussion and fun and point out some issues I had with the novel.
And lastly, please don’t sue me. I have no money. And I have children to feed. And I have a cat to feed as well. You wouldn’t want a cat to go without food, would you? Also, pretty please with a cherry on top. I’ll be your friend?*
I was backed up against the counter, my palms digging into the edge. “You’re mad because I didn’t go to Delphic.” I raised one shaky shoulder. “Why Delphic, Patch? It’s Sunday night. Delphic will be closing soon. Any special reason you wanted me to drive to a dark, soon-to-be deserted amusement park?”
He walked toward me until he was standing close enough that I could see his black eyes beneath his ball cap.
“Dabria told me you have to sacrifice me to get a human body,” I said.
Patch was quiet a moment. “And you think I’d go through with it?”
I swallowed. “Then it’s true?”
Our eyes locked. “It has to be an intentional sacrifice. Simply killing you won’t do it.”
“Are you the only person who can do this to me?”
“No, but I’m probably the only person who knows the end result, and the only person who would attempt it. It’s the reason I came to school. I had to get close to you. I needed you. It’s the reason I walked into your life.”
I looked at him for a moment, his intense gaze shooting through me as I considered the information he’d just confirmed.
“Okay,” I said, straightening up and slipping out from his overbearing presence to put some space between us.
“Okay?”
“Okay, I’m out of here.”
“You can’t go!” Patch said, his face twisting into a confused expression.
“Well, you’ve pretty much admitted that you were going to kill me, in a very personal way, might I add. I think that justifies a quick and hasty exit,” I spat at him, straightening my outfit in indignation and standing up to him with more confidence than I felt.
Patch spluttered for a moment, blinking his eyes disbelievingly. “But… I wasn’t… I mean…” he looked lost for a moment before visibly collecting himself and slipping back into his usual, confident demeanor. “You want me to come clean, I will. I’ll tell you everything. Who I am and what I’ve done. Every last detail. I’ll dig it all up, but you have to ask. You have to want it. You can see who I was, or you can see who I am now. I’m not good,” he said, piercing me with eyes that absorbed all light but reflected none, “but I was worse.”
I arched an eyebrow and stared at him in disbelief. “Well, I have a different plan, Patch. Mainly revolving around the fact that you purposely entered my life in order to stalk, harass and murder me for your nefarious schemes. So I think this would be a pretty good time for you to quit the mysterious bullshit and be extremely transparent about everything I need to know. I mean, you haven’t even assured me, at this point, that you’re not actually going to kill me. And I don’t mean to harp on this point – but that’s a pretty important facet of this discussion for me.”
He stalked close to me again, affecting a brooding, intense expression and causing my heart to thud painfully in my chest. His boots were flush with the toes of my tennis shoes. “I’m not going to kill you, Nora. I don’t kill people who are important to me. And you top the list.”
I exerted considerable effort to contain an eyeroll, but it slipped through at the last minute. “You’re impinging on my private space,” I said, inching backward in distaste.
Patch gave a barely-there smile. “Impinging? This isn’t the SAT, Nora.”
I pressed my finger-tips to his chest. He glanced at the spot where we touched and then back up to my eyes. “If my vocabulary is causing you distress,” I whispered huskily, looking up to him with a wicked smile on my face, “then let me express my displeasure in the only way you seem to understand.”
Patch’s brow creased in confusion a moment before my heel came down hard on his instep. He hopped back in pain, looking at me with both hurt and bewilderment. “Personal boundaries, Patch. Respect them when I ask you to. See, I have this rule about letting would-be murderers within ten feet of my very stab-able body. Now, tell me. Is Dabria going to be coming after me.”
Patch, miraculously less interested in encroaching on my personal space, shrugged from where he was. “You could take her, Angel,” he said. “I’ve seen both of you in action,” he looked down at his injured foot and winked, “and my bet’s on you. You don’t need me for that.”
“I don’t think I need you for much of anything,” I sneered, turning on him and heading to the door.
“Door’s locked,” he said from behind me. “And we have unfinished business.”
“Listen, the only unfinished business we have is between my knee and your crotch if you come near me again.”
The cell phone in my pocket rang to life. “In fact,” I said as I pulled it out, “you’re going to go away and I don’t ever, EVER want to see your broody, mopey face again. You have forever cured me of badboys. When this is over, it’s strictly accounting nerds and banking types for me! This was absolutely the WORST way to punish my mother for her absence, assert my independence and act out my grief from losing my father. I should have just stolen money from my mother’s purse and bought alcohol like a NORMAL teenager!” I pressed the accept button on my cell. “What?!”
“Babe!” Vee said. We had a bad connection, the crackled of static cutting across her voice. “Where are you?”
“Where are you? Are you still with Elliot and Jules?” I flattened a hand against my free ear to hear better.
“I’m at school. We broke in,” she said in a voice that was naughty to perfection. “We want to play hide-and-seek but don’t have enough people for two teams. So… do you know of a fourth person who could come play with us?”
An incoherent voice mumbled in the background.
“Elliot wants me to tell you that if you don’t come be his partner –hang on- what?” Vee said into the background.
Elliot’s voice came on. “Nora? Come play with us. Otherwise, there’s a tree in the common area with Vee’s name on it.”
I groaned in disbelief and promised myself that if I survived this, I’d choose friends who weren’t complete and utter dumbasses.
“Who was that?” Patch asked.
I sighed heavily. “That was my brainless, dropkick friend phoning me to pass along the message that Elliot and Jules are going to murder her violently unless I go meet up with them.”
“What was that you were saying about never again seeing my broody, moping face?” Patch asked, his confidence returned trifold and an enormous grin spread across his face.
I resisted the urge to smash my face into the tiled wall repeatedly. “Oh, shut up and come on. I’ll probably end up nobly sacrificing myself and saving your ass anyway, so cut the shit, Patch.”
He unlocked and opened the door, letting me out ahead of him.
“Still going to settle for an accountant or banker?”
“You had better be so damn awesome in bed or I am going to stab you through the eye with your own literalized ego.”
“I have ninety-nine problems, Nora, but performance in the sack is NOT one of them.”
The end.
(less)
I actually think it would have been much better if this happened, but of course because its YA, there has to be a hot, stalkeri...more LOL this was so funny!
I actually think it would have been much better if this happened, but of course because its YA, there has to be a hot, stalkerish love interest(less)
Apr 03, 2013 12:46am
First, that Hush, Hush was, without a doubt, one of the worst Twilight rip-offs I've ever had the misfortune to read.
Second, there was a part of me -- and I didn't realize how dominant that part actually was -- that insisted on reading Hush, Hush to the bitter end in the hope it would redeem itself.
And third, I was unconditionally and irrevocably wrong in that decision.
Well...more deleted user wrote: "Ellen wrote: "How can you compare the boring, tedious beginning of Twilight and atrocious writing of Stephanie Myer to this?"
Well, I'll make a list
Edward:Patch
Bella:Nora
Elliot:Jacob
James:Jule..."
Yeah well, there will be many similarties in all books eventually as at least one plot line is created at some time or another. I just feel that Stephanie's writing was boring, I couldn't even get past the first few pages, with this I was at least intrigued.(less)
Mar 02, 2013 06:00pm
"If you don’t like me, I’ll force myself on you until you do. We see this all the time and it’s even romanticized. Everything from romance novels to sitcoms we see women who aren’t interested in a man and we see those men determined to catch her. To pursue her, to convince her that she’ll like me eventually. If I try hard enough, if I harass her long enough... she’s sure to cave in eventually. She can’t say no. And if she does I’ll just assume it’s code for “tr...more Read this. Don't argue: just do it:
"If you don’t like me, I’ll force myself on you until you do. We see this all the time and it’s even romanticized. Everything from romance novels to sitcoms we see women who aren’t interested in a man and we see those men determined to catch her. To pursue her, to convince her that she’ll like me eventually. If I try hard enough, if I harass her long enough... she’s sure to cave in eventually. She can’t say no. And if she does I’ll just assume it’s code for “try harder."
Before you read the rest of this review you should really go and read this post and this post on rape culture. Please read them, especially if you don’t like the word feminist, especially if you think Patch is ‘hot’ or ‘romantic’, and especially if you’re thinking about trolling this review. Learn what’s really acceptable before you bash someone for saying Patch isn’t. It seemed so often that the only reason Nora was saying no to Patch was so that she could later relent, thereby confirming the fact that when women say no they really mean yes, especially to hot guys they’re attracted to and frightened of at the same time.

Oh, Ms Fitzpatrick, you’re a crafty one. But 30 pages of non-shittiness at the end of a 400 page book can’t redeem all the shittiness from the earlier pages.
So, here’s what happens in this book.
Nora: Some creepy transfer student is sexually harassing me.
Patch: LOL, you know you want me.
Nora: Fuck off, creep.
Elliot: Hi Nora, I’m the complete opposite of Patch, and I’m your only alternative.
Nora: I better go out with you so I don’t think about Patch.
Patch: Come leave your perfectly normal date and ride on a rollercoaster with me even though you hate me.
Nora: Okay.
New school counsellor: Stay away from Patch
Nora: Okay. But he’s following me anyway so I better confront him.
Patch: You’re so sexy I want to bone you. /threatens rape/
Nora: Even though you just threatened to rape me, I’m going to accept a ride home with you because I’m pathetic and I can’t call my mum or a cab or catch a bus.
Patch: Wielding a knife makes me sexy and I’m going to almost kiss you.
Nora: Fuck off. You terrify me.
Patch: Loosen up, babe. You love it. By the way, I was planning on killing you. /sexual assault/
Nora: You’re right, I do love it /facenoms/
I have to credit Fitzpatrick for her red herrings. I wasn’t sure who to trust or who the antagonist really was until it was revealed. So kudos to her for that. And the other thing I have to say is that Fitzpatrick actually seems to have a grasp of the English language. It’s not her writing technique that I hate, it’s the characters and their attitudes and the messages hidden in this book that disgust me. Fitzpatrick’s clearly written her own teenage fantasy here: to be sexually assaulted by a hot guy who’s so hot the sexual assault is forgiven because the girl really wants it but just pretends she doesn’t to preserve her feminine modesty. Although – I must remind everyone – this book would have had at least five different editors to help her get the basics of grammar and punctuation correct. Also – she’s not afraid of writing fight scenes, unlike several other YA PNR authors who build up and build up and threaten with a war and then fizzle out with nothing.
I was beyond prepared for this book. I still believe that it should not have been published because it glorifies rape culture, the women are complete bitches and the blokes are complete twats. I read this book with my trusty Post It notes beside me and marked the page every time I found something, offensive, stupid, or downright shitty:

Um… if I write something about all of these tags, this review will probably take forever… SIGH. Okay, I’ll do it.
(view spoiler)[
Coach continued, “Since the dawn of time, women have been attracted to mates with strong survival skills—like intelligence and physical prowess—because men with these qualities are more likely to bring home dinner at the end of the day.”
What about lesbians? Seriously. Do lesbians even exist in this world? This is so fucking sexist it makes me want to vomit. This is around the time Nora’s being openly sexually harassed in the classroom, which pisses me off. I won’t go into how stupid it is that a sports coach is teaching biology, because there are plenty of other reviews that delve into that (yes, some sports teachers do have degrees in biology blah blah blah but it’s not very common and this Coach doesn’t know anything about reproduction: he thinks it means the students have to find a mate RIGHT NOW). This entire class revolves around how women want strong men to protect them and bring home the bacon and men want attractive women because ugly women don’t get laid. Which is pretty funny, because the two biggest slags in my city are both ugly as fuck yet between them have slept with nearly every male I know. I also have to mention that if Patch wasn’t a hottie patottie, there is no way anyone would support all that sexual harassment to Nora. Coach laughs it off because Nora’s being a hysterical woman: a man showing unwanted sexual attraction is a compliment, and nothing to get all worked up about – besides, the point of the class was to teach those strapping young lads when a girl is aroused. Stop having a woman’s period and suck up the fact that a guy wants to bone you. In fact, maybe you should spend more time with him and his unwelcome sexual advances. In fact, Nora should tutor Patch! (Which, actually, is only mentioned once more in the entire novel.) I was pretty offended by this whole thing.
As little as I knew about [Patch], I sensed his aversion to Vee as if it were concrete enough to touch.”
Patch has never met Vee. How can Nora know how he would feel about her best friend? Fitzpatrick is very desperately trying to show us here that Nora is the only thing Patch is interested in, even more than her ‘sexy’ non-virginal best friend.
I took a moment to think over his offer. I was pretty sure that if I turned Elliot down, Vee would kill me. Besides, going out with Elliot seemed like a good way to escape my uncomfortable attraction to Patch.
So you want to go out with Elliot not because you like him or he’s nice or you want to get to know him better, but because your best friend will kill you if you say no and you think it’ll help you get over Patch? What a bitch!
“Every woman needs to reinvent her sexy side—I like that. My daughter got implants. She said she did it for herself, but what woman gets boobs for herself? They are a burden. She got the boobs for a man.”
Please excuse me while I let my inner feminist rant and rage about how sexist and demeaning that is.
“Boys like girls who look like … girls.”
Fuck you, Vee, and your anti-feminist agenda! Girls do not need to dress up to impress boys! Some boys like other boys! Some boys like girls with a bit of meat on them! Some boys like petite dark girls while others like Scandinavian Amazons! What right have YOU to say what girls should look like? My whole young adult life I was taught that the right boys will like you for you, not what you look like! What were you taught? That spreading your legs is the only way to get a guy’s attention?
I dug in my heels. “You want to help? Stay away from me.”
He brushed a curl off my face. “Love the hair. Love when it’s out of control. It’s like seeing a side of you that needs to come out more often.”
Every time Nora tells him to fuck off, he comes back with a compliment on her physical appearance that’s loaded with innuendo. This reinforces the rape culture of the book. Nora’s saying no, but she’s being reasonably polite and Patch is ignoring her rejections.
“You sound worked up. Really worked up. No, that’s not it. You sound agitated … flustered … aroused.” I could feel her eyes widen. “He kissed you, didn’t he?”
What the fuck, Vee? First of all, it’s none of your business. Second of all, kisses do not always lead to arousal. Third, it’s none of your fucking business. Fourth, how the fuck do you tell if someone is aroused over the phone? Fifth, it is none of your fucking business. And sixth: how do you know when your best friend is aroused when she’s never been around anyone she’s found attractive before? Did you two watch porn together one time? Do you discuss what makes you horny and how your voices sound when that happens? Or are you secretly in love with Nora?
Every other time I’d felt that way, it was because Patch was near.
The voice of reason quickly extinguished Patch’s involvement.
If every other time you’d felt that way, Patch was involved, how can you logically rule out his involvement? How does this literally work? How does your brain work, Nora? “When I’d punched myself in the face it hurt. But the voice of reason told me my face didn’t hurt because I’d punched it.” MALARKY! Cause and effect. Causation and correlation. Fucking dumbass. How the hell are you fit for an Ivy-league school?
“You’re an attractive girl. I imagine there must be some interest from the opposite sex.”
This counts as sexual harassment from yet another adult. How is this appropriate? Yes, I do know who Miss Greene turns out to be but still, if my councillor asked me this question I’d put in a formal fucking complaint.
Not one part of me felt comfortable with the idea of Vee spending time alone with Jules… [because he] was close friends with Elliot.
Oh Nora, you are so fucking lucky people don’t judge you because of who you hang around with you shallow fucking bitch.
In fact, I was pretty sure Australia had no diamonds. Period.
BAHAHAHAHAHA!
And you think you deserve an Ivy-league scholarship?
Deep inside, I didn’t believe Patch was the guy behind the ski mask. Maybe he had dark, disturbing secrets, but running around in a ski mask wasn’t one of them.
How the fuck do you know? You don’t know him at all! Or maybe it’s just because he’s so hot that he couldn’t possibly attack you – except the he does! Over and over and over again! Nora, you really are fucking stupid.
“We need to ask you both a few questions,” he continued. He pointed for me to take a seat on my bed, but I shook my head numbly. “Have you recently broken up with a boyfriend?”
Fuck! Why are all the adults so interested in Nora’s romantic/sex life? This is not normal. She’s sixteen. Adults prefer to pretend sixteen year olds don’t have sex at all.
“I’m sorry, but Elliot? A murderer? He’s, like, the nicest guy I’ve ever met.”
And you, Vee Sky, are the most selfish, ignorant, stupid bitchiest dumbass characters I’ve ever read in the history of YA.
I was feeling a lot more relaxed. Patch was warm and solid, and he smelled fantastic. Like mint and rich, dark earth. Nobody had jumped out at us on the ride home... For the first time all day I felt safe.
Except that Patch had cornered me in a dark tunnel and was possibly stalking me. Maybe not so safe.
This is an actual quote. It’s like Nora’ schizophrenic or something. “Patch is SO hot, except he might be stalking me and I’m not safe and he’s SO dangerous, but that just makes him even hotter!” I have never in my whole life ever known a girl to find a guy she’s afraid of attractive.
“When I was in high school, I only offered rides to girls I was interested in. Let’s carry that a step further. What’s your relationship with your bio partner … outside the classroom?”
Yet another example of all the adults’ inappropriate interest in Nora’s sexuality, sexual history, romantic life and sex life.
I could not accept that Patch would hurt Marcie. Marcie wasn’t the nicest person, and she’d acquired more than a handful of enemies. A few of those enemies might be capable of brutality, but Patch wasn’t one of them. Senseless beating wasn’t his style.
WHAT?! It’s EXACTLY his style. He’s a creepy stalker who sexually harasses and assaults you (and you LIKE it, you crazy bitch) and then you get all up on your high horse because you think he’s too good to beat someone up? YOU DON’T EVEN KNOW HIM.
“Sorry, I already have plans.”
“Let me change your mind.”
Yet another one of the very numerous examples where a male assumes Nora’s very definite ‘no’ means ‘take me, I’m yours’.
“He dragged me out the front door and shoved me against the house.”
“But he was drunk, right?”
Ladies and gentlefolk: Vee Sky! Official worst best friend ever. Defending a guy she doesn’t even know against assaulting her best friend because he’s drunk. Oh, well that’s okay then! Maybe if Elliot happened to be driving drunk and killed a toddler and its mother because he ran onto the pavement Vee would forgive him as well, because he has issues and was drunk!
He leaned close and spoke in confidential tones. “We get a lot of folks who don’t want their extracurricular activities traced, if you know what I mean.”
Yet ANOTHER example of an inappropriate comment made by an adult to a minor! What planet is Fitzpatrick from?
My head spun faster, and I could feel my pulse beating in my temples. I’d felt this heart pounding panic before. I needed my iron pills.
All this malarky with the iron pills. Nora has anaemia. She has to take iron pills or she’s in danger of, like, fainting… or something. Prescription iron pills. This is complete bullshit. I have anaemia. I buy my iron tablets off the shelf. If I forget to take them, I get a bit lethargic, tired, lose energy and concentration, and as a personal side effect my lips get very dry, broken and unkissable (which is why I always use lip balm). There is only danger of fainting from low iron if it’s chronically low, and Nora doesn’t show any other symptoms like shortness of breath, lethargy, chest pain, palpitations, fatigue, or cold skin. It’s not even essential that I take my iron tablets, and I certainly don’t feel the lowness of iron in my blood the way experienced diabetics can feel low blood sugar. Anaemia is not going to kill me if I forget to take a couple of tablets: it’s simply inconvenient. Fitzpatrick has given Nora an inconvenient ‘illness’ in the hopes that it makes her weak in her time of greatest need. And it fails. (And now, just because I’m being especially picky: iron tablets are best taken with vitamin C which helps to absorb it, not ‘whenever I feel like the iron count in my blood is low’. Which, by the way, we totally can’t tell.)
In the kitchen I saw my bottle of iron pills on the counter, and I immediately went for them, popping the cap and swallowing two with a glass of chocolate milk. I stood in place a moment, letting the iron work into my system, feeling my breathing deepen and slow.
What the fuck? Just what the actual fuck? You can’t feel the iron working its way into your blood. Just NO. That’s NOT how it works. You don’t feel any different at all. This is complete bullshit.
Jules was dead. Elliot was almost dead. Who had killed them? Who was left? I tried to make sense of what was happening, but all reason had left me.
Nora, you never had any reason. Let’s think about this. Jules is dead. Elliot is almost dead. Only Patch and Vee are still wandering the school. Logically it’s gotta be one of them. Unless it was secretly you. Why can’t you just admit that you think Patch is capable of this violence? Look, I know Jules is screwing with you, but really. You can’t even consider for one moment that maybe Patch, the psycho stalking sexual harasser and assaulter is responsible for such violence? Cos the moment you outright accuse him and then find out he’s not would be AWESOME.
All the knots in my body seemed to come undone. My eyes moved out of focus. Jules’s face was like an Impressionist painting—blurred around the edges, lacking detail. Blood drained from my head, and I felt myself start to slip off the chair. I’d felt this way enough times before to know I needed iron. Soon.
That has never happened to me, and I have gone weeks without taking any iron supplements. You know what? This book makes me want to punch myself in the face. Nora should be diabetic, not anaemic. One of my best mates is diabetic and when she was learning to read her own body she’d do stuff like that on the way to a coma from low blood sugar. (We made her drink this special glucose syrupy thing and she was fine, BTW. We’re not horrible friends who just let our best mate go into a coma before our eyes.) Iron does not magically fix the body when you think you’re going to faint.
“I’m still in there, a prisoner inside my own body, living every moment of it,” he said in a grinding tone. “Do you know what that feels like? Do you?” he shouted.

What the heck is up with this dialogue tag? Tacked on to the end like a bad apology. Although Fitzpatrick had generally a fine technique, I’m inclined to believe that came about solely because of the multitude of edits this book would have gone through. And they missed this clumsy piece of writing. I absolutely hate it when authors write, “Blah blah blah,” he said. “Blah blah?” he shouted. It just doesn’t work. For the love of god, I’d prefer a bloody interrobang to an extra dialogue tag. This may be one of the only times I have an issue with Fitzpatrick’s technique, but it still bothers me.
(hide spoiler)]
I don’t really want to try Crescendo but I’m going to… the only problem I have before reading is that the books go from Hush, Hush to Crescendo to Silence. Now, first of all I have no idea why this book is called Hush, Hush. Unless it’s telling women who complain about unwanted sexual attention to shut up. But to get from hushing to silence you need a diminuendo, not a crescendo. I suppose once I read it I’ll be able to comment on how appropriate the title is.
You know what’s kept 'hush hush'? Sexual assault.
I just had an epiphany. Maybe Ms Fitzpatrick is really trolling us all because she knows she’s written a book about sexual harassment and ironically named it Hush, Hush.
No, wait. That would be giving her more credit than she deserves.(less)
Oct 25, 2012 10:24am
Dec 30, 2012 04:06pm
Nora’s sex ed class begins with the teacher stating, “Human reproduction…requires mature handling. And like all science, the best approach is to learn by sleuthing. For the rest of the class, practice this technique by finding out as much as you can about your new (seating assignment) partner. Tomorrow, bring your write-up of your discoveries, and believe me, I’m going to check for authenticity…I want to see real interaction and teamwork.” This is a biolog...more Top Ten Irrational Points in hush, hush
Nora’s sex ed class begins with the teacher stating, “Human reproduction…requires mature handling. And like all science, the best approach is to learn by sleuthing. For the rest of the class, practice this technique by finding out as much as you can about your new (seating assignment) partner. Tomorrow, bring your write-up of your discoveries, and believe me, I’m going to check for authenticity…I want to see real interaction and teamwork.” This is a biology class! Teaching kids how to get to know one another reflects the teaching of the science of human reproduction how???? The next day, class focuses on what qualities each student looks for in a “potential mate” and the nuances of body language when hitting on someone. Again, this is Bio! Not health, not ~ well I don’t know what cause I never took a class this ridiculous. But I took a lot of sciences, and this ain’t it.
Later on in the book, the Bio class is “running a lab on blood pressure.” Uh… that has nothing to do with high school biology! And even less to do with human reproduction. WTF? Furthermore, in the blood pressure lab, “Vee is lying faceup on a table.” Argh! Those lab tables are filthy. Chemicals, dissections… kids are not allowed to sit on them, much less lay on them. And, really unless you are checking orthostatic BP, there is really no need to lie down for five minutes before hand! All I can say is that Becca Fitzpatrick must have been homeschooled.
Later, Nora approaches her Bio teacher about switching her seat away from Patch because he makes her feel uncomfortable. The teacher not only ignores her plea, but enlists her to tutor Patch. This all takes place right after Patch is seriously sexually harassing Nora in class, in front of the teacher and seemingly with the teacher’s encouragement. More support for the homeschooled theory!
Nora is driving home one night, and approaches a traffic light. The light turns yellow and Nora, ”…rolled to a stop, checked to see that traffic was clear, then pulled into the intersection.” What the hell? Who stops at a yellow light to see if traffic is clear?? Why wouldn’t it be when the other side still has a red light? I’m guessing that Fitzpatrick has never owned a driver’s license. Ever.
A rollercoaster called The Archangel. Do people at a park really give a crap about biblical lore? Furthermore, the car Nora & Patch ride in has a “grouping of four paintings” depicting an angels’ fall from grace. Don’t all rollercoasters have large flashy graphics that can be seen from a distance & look cool when speeding around the track? Since when do they sport fairly intricate and thoughtful artwork?
A local paper reported that Elliot Saunders, a 16yr old kid, was the last person to be seen with a girl before her body was found, and therefore was held & questioned for her murder. So, in addition to being a non-driving, homeschooled, amusement park avoider… Fitzpatrick is clearly unaware of laws protecting minors in this country.
The article continues to state that Elliot was released after a suicide note was found in the victim’s apartment. There are no further news stories regarding this matter. Nevertheless, Nora persists in believing that there is a “murder investigation surrounding Elliot.” And this girl has hopes of getting into an Ivy league school????
Nora has the police at her house for a 911 call, and again to question her about an attack on a fellow student. Nora’s mother is never informed of the police visits, despite the fact that Nora is a minor. I shouldn’t be surprised, because it has already been established that Fitzpatrick has no understanding of laws pertaining to minors.
Nora sees Patch’s bare back and notices that, ”Two thick gashes ran the length of it. They started near his kidneys, and ended at his shoulder blades, widening to form an upside down V.” Is it just me?!?! If an upside down V extends from the kidneys to the shoulder blades, it will NARROW not widen!!!!! Right? Fitzpatrick could have written that the gashes started at his shoulder blades, and extended to his kidneys as they widened to form an upside down V. But the way it’s written? It doesn’t make sense! Furthermore, the kidneys are pretty much right below the shoulder blades, not further out from them. Yeah, I’m nitpicking.
The final irrational aspect of hush, hush is Nora herself .She is naïve, spineless, and a horrible and chronic liar. When she doesn’t want to do something, she will make up lame excuse after lame excuse… even when she gets called out for her excuses, she never has the balls to simply say, “I am not interested in having dinner/date/whatever with you.” She just continues to make up excuses ~ never comes clean or sticks up for herself. When Patch is attempting to corner & kiss her, Nora tells him to go. When he doesn’t, she says, “My legs are falling asleep” What? Who says that?! Lord, if you want him to go and he doesn’t then TELL HIM AGAIN! BUT DON’T MAKE UP SOME LAME ASS EXCUSE! No wonder people walk all over Nora and take advantage of her! Nora is so frightened of Patch, that there is even a scene where he is playing cat and mouse with her ~ chasing her around a parked car, until she breaks out in a run, only to be caught by him in a matter of seconds. But despite her fear, she never tells him NO.
I don’t take issue with Patch. Really. He is thousands of years old (presumably), isn’t human, and for some reason has developed a crush on a very immature teen. So I actually expect him to mess with her a little bit. But dumbass Nora actually allows him to manipulate her. Not that she deserves it (although, really she does!) but Nora does nothing to defend herself against Patch, Elliot, Vee… anyone! She loses control of every conversation and interaction she participates in. And still manages to come out the “heroine.” Whatever! Had Nora grown or changed as a result of her experiences, I could have forgiven her. Or if Nora had suffered some severe consequences as a result of her stupidity, I could have forgiven Fitzpatrick. As it is…I’m considering destroying this library book and facing the repurcussions of a library black mark (or god forbid ban!) all in the name of saving young, impressionable teen girls from thinking Nora is the sort of protagonist to look up to. Even Bella Swan is more admirable. And that’s saying something!
(less)
Yes, because it's fiction no one has to actually think about what they're reading? Check your intelligence at the door? Sorry, some of us can't do that. We don't enjoy any old grouping of words crapped out on a page. So, if I go to your profile everything will be five stars? Because in your world view no one is allowed to not like a book, right? You'd be surprised at the amount of disturbing crap you're reading if you'd engage some brain cells once in awhile.
Amazing you came in here to be a complete and total dick to a stranger for her opinion and you didn't even like this idiot book enough to write a review for it. Megan kept her opinion to her space, grow up and keep to yours.(less)
Mar 17, 2013 09:32am
And i was about to fall for her word and start it... But you saved me. Thank you.
Now i have your review (along with a few more) to convince her that this book is not the "perfect relationships model" she should be following or looking for.(less)
May 06, 2013 08:31am
Funny thing: I want to do the same thing every time I think about this book.
It's 6 PM on a Friday night, I'm not in a reading mood and don't want to write my FSU application essay, and I think it's high time I rewrite this review. The old version/H.Y.P.E. review can be found here.
This only good Hush is this Hush Hush. And perhaps this Hush Hush, though this comes with two extra Hushes. It depends on your musical...more "I shut my eyes and envisioned banging my head against the wall (Hush, Hush, p. 99)."
Funny thing: I want to do the same thing every time I think about this book.
It's 6 PM on a Friday night, I'm not in a reading mood and don't want to write my FSU application essay, and I think it's high time I rewrite this review. The old version/H.Y.P.E. review can be found here.
This only good Hush is this Hush Hush. And perhaps this Hush Hush, though this comes with two extra Hushes. It depends on your musical tastes.
The first page of this abominable novel starts off with a bang and I don't mean the good kind; I mean the bang of me slamming my head into something. This sentence:
"Chauncey was with a farmer's daughter on the grassy banks of the Loire River when the storm rolled in, and having let his gelding wander in the meadow, was left to his own two feet to carry him back to the chateau." (p. 1)
is terrible, an overwritten and cumbersome mess to even move the eyes across. All that is lost by rewriting it to read "Chauncey was on the grassy banks of the Loire River when the storm rolled in. Having let his gelding wander in the meadow, he was forced to walk back to the chateau" are useless words.
I should have taken such a terribly written sentence as a sign that this book was goiing to be hell on me, but I paid it little mind. Oh, fifteen-year-old me. You were so naive then, unable to properly harness your perceptive abilities with novels. Then again, seventeen-year-old me isn't much better for getting another copy, reading it again, and marking it up in red all to hell.
The characters alone could give me an essay of material to criticize. Let's start with Nora Grey, our
But Patch and Vee still beat out Nora in the Outlandish Character category. Vee is the (it's not even a competition because she beats any opponents in a landslide) worst best friend in the history of fiction and real life, and I've had a terrible best friend of my own (but that's another story). She makes excuses for a guy who threatened her "best friend" Nora, abandons Nora, and pressures Nora to be with a guy she does not like, among other things.
Then we have Patch. Oh, Patch. I would like to take a little dagger and cut out his organs one by one. First come the eyes, beady and dark; next comes his larynx, to stop him from making come-ons while I remove the other organs because he probably gets off on that; then his penis because he obvious loves his little man; then various other organs depending on my mood.
I sounds psychotic, no? That's what this book does to me. It makes me want to kill things.
Really, I can respect a bad boy/anti-hero. Patch is not one because bad boys have redeeming traits. Meanwhile, Patch is just a disrespectful, borderline abusive douchebag who should be locked up and tortured as listed above. This is the kind of man parents tell their children to watch out for because a relationship with him will go nowhere fast. A heroine should not be genuinely afraid that her love interest is going to rape her!
The behavior of Nora, other characters, and the mechanics of the novel as a whole led me to fully support this theory about the series: it's all in Nora's head. A young woman named Nora Grey is incarcerated in an insane asylum and the world of Hush, Hush and its sequels are the daydreams of a sociopathic young woman in a straitjacket who does not know how people work and what healthy is. The one-dimensional and unbelievable characters, why a character would think biology would be axed over sex ed, the way a teacher allowed Patch to humiliate Nora, Patch's and Nora's behavior--it explains everything.
The only person I can stand is Marcie Millar, the classic mean girl, but she is busy being slut-shamed and made the butt of a thousand jokes. Being mean makes her a bad person, not being flirtatious or sexual. Got that, book? No? Well, I'll just have to make you see things my way. Is there a lighter around here I can use?
Long stretches of nothing happen in the novel, and then there's ooh, something! No wait, false alarm, more long stretches of nothing, and OMFG, there's really something this time ! No wait, there is goes again. More nothing until the end of the book, where there is some somethings going on, but we give so few shits by this point that it means nothing.
I think the only book in competition with Hush, Hush for horrible themes is Halo. According to this book, it is okay for a boy to humiliate, threaten, dismiss, and treat a girl badly because that just makes him a sexy bad boy. This is probably only okay when the guy is as insanely hot as Patch is supposed to be (I don't find him hot; I find that when a guy has a personality as pleasant as the smell of dog crap, it becomes impossible to appreciate how hot they are) because if it were a plain or ugly guy doing it, it would be Not Okay.
What I hate most about this book is how it glorifies creepy, pseudo-rapist behavior through Nora's initial weak rejection and ultimate unconditional acceptance of the way Patch treats her. His behavior is horrifying and the people who instead call it flattering are often the people who say I should be flattered that someone molested me in my sleep, someone else grabbed my butt, and three guys spent part of seventh grade shvoing their phones at my breasts so they could get close-up photos.
Oh yes, this book reminds me of those people all the time. All the more reason this book should suffer: because I can't make those people suffer. One of them is in a submarine right now and the other three are long gone.
There are simply so many offensive ideas and phrases within the book, such as the heavy reinforcing of rape culture, but I don't have the space or time to cover them all.
I thought I knew painful writing. I really, really did. Nope! Not even! It's repetitive, outlandish ("his smile spelled trouble--with a promise"), and subtlety is a foreign art because all hints are like bags of bricks to the head. The book expecially loves to creepy around wht it really thinks of Vee. When you read "twenty pounds too voluptuous," what do you really read? Twenty pounds too overweight. Or as Nora would probably say, twenty pounds too fat.
You heard me clearly, right? No? Again, then! FAT! FAT! FAT! Honestly, the way the author and Nora creep around saying it is more offensive than actually coming out and saying it.
Then the book gets lazy for plot convenience by ignoring the side effects of concussions and surgeries so Vee can talk about stuff and get out of the hospital in time to continue being a plot device. I don't need to be a three-year journalism student to know no news service would identify a minor if they had only been questioned. Charged or convicted? Often, yes. Questioned? No. Someone should suffer for this too.
Don't get me started on Nora's mom, just don't . What kind of mother would, just a year after her husband's murder, take a job that takes her far away from her daughter for long periods of time and keep in so little contact? Shouldn't she be getting closer, not farther away? I speak from personal experience on that.
I just don't have the energy for more. I don't, man. Thinking about it angers me and exhausts me and... -sigh- Pretty much, I can't come up with the proper snark because I have a short circuit concerning Hush, Hush. If you haven't read it yet, save yourselves! Don't make the same mistakes I did and trap yourself into reading the rest of the series! These books are so disgusting that I have to read the others and raise my voice to say, "This is not okay!" It's my obligation as a fan of healthy YA.
And so we finally approach what the average young woman should take away from this book:

Because if you think with your brain instead of your vagina, women will know they need to stay away from guys like Patch. No wait, this applies to everyone because ignoring many groups of people by saying "people attract mates with the goal of reproduction" the way the book does is wrong: think with your brains, not your libidos. It can save you a lot of grief.
--Quotes--
"Chauncey commanded his throat to laugh harshly [...]" (p. 3)
What the--? No! Just say "He tried to laugh harshly [...]" and you're good. The mental image is idiotic and as far as I know, that's not what you're going for at this particular moment. In other scenes, maybe you intend for the mental image to make one say "WTF?" based on what I remember. I don't think this is one of them.
--
"Call me Patch. I mean it. Call me." (p. 13)
My response: "Not if all your pick-up lines are that terrible." Nora has no wit. How boring!
--
"And those black eyes were getting to me. They were like magnets clinging to my every move. I swallowed discreetly and tried to ignore the queasy tap dance in my stomach. I couldn't quite put my finger on it, but something about Patch wasn't right. Something about him wasn't normal. Something wasn't... safe." (p. 25)
Lovely imagery there, what with the queasy tap dances in stomachs. Just say she feels queasy. Less is more, m'kay? (Great, now I sound like that horrible girl I used to know. Look what you're doing to me, DJ Becky Fitz!) Maybe what's wrong with him is that he's among this sort of crowd playing pool on a school night.
Also, if a guy is making you feel very uncomfortable or unsafe? That's when you run, girl, run!
--
"As it turns out, I'm in need of a healthy female sacrifice. I'd planned on luring her into trusting me, but if you're ready now..." (p. 27)
...How does she fall in love with this guy? How is he charming? All I see is a creepy douchebag.
--
"So what if there was private information inside? As Patch's biology partner, I had a right to know these things." (p.72)
Evidence of Nora's own mental instablility is everywhere. I stand by my theory that everything is in Nora's head and she is locked up in an insane asylum. It's the only way to excuse these characters being so one-dimensional and Patch's horrid behavior. He could never get away with acting like that in real life. This being a YA paranormal and him being a fallen angel changes nothing. No one, human or not, should be able to get away with acting like this.
--
"Vee is voluptuous, Scandinavian fair, and in an unorthodox way, incredibly sexy." (p. 74)
We know. You already told us that. And quit creeping around the word "fat." We know exactly what you mean and the manner in which you creep around the forbidden word tells us both what you mean and your true opinion of Vee. With the way she treats you and the way you talk about her, I have no clue why you two are best friends.
--
"Up until this moment, I'd been telling myself I didn't care what Patch thought of me. But right now, I knew it was a lie. Even though it would probably come back to haunt me, I was curious enough about Patch to go anywhere with him." (p. 77)
Why do you care what he thinks about you? Why is your curiosity enough to risk your life for? Think about it. Find the answers. If you can't find any, maybe it's because there is something very wrong here and you should do whatever you can not to be involved with Patch. Think about the kind of person you know Patch as and ask yourself if this is the person you want to approve of you and that you want to be alone with.
You know that saying "curiosity killed the cat"? I wish curiosity would kill the Nora.
--
"[Elliot] finished with an uppercut that stopped just short of my chin." (p. 82)
Charming, Elliot. Really charming. (I hate this guy's character a little bit extra because he ruined the name "Elliot" for me. I liked that name, damn it!)
--
"She said she did it for herself, but what woman gets boobs for herself? They are a burden. She got the boobs for a man." (p. 92)
Surprise hateable character: Dorothea.
--
"When I was a little girl in Germany, I had to choose between two boys. One was a very wicked boy. The other was my Henry. We are happily married for forty-one years." (p. 92)
Hm, think there's something you should be learning here, Nora?
--
Before my reread
This book is definitely in the top five of the worst books I've ever read and probably takes second or third in the contest of books that made me the angriest. On the bright side, I always tell myself when I run across an asshole male lead, "At least he's not like Patch--an ass AND someone who doen't know what 'no' means when he's sexually harrassing a girl." It pisses me off that such a beautiful cover got stuck on such a horrible book.
I gave this away to a used bookstore and I feel bad for whoever may have bought it. I would have buried it in the front yard to save others from the torture, but having such a poisonous book in my yard would kill all the grass.(less)
Dec 27, 2012 03:00pm
Dec 27, 2012 03:09pm
Hush, Hush is one of those addicting reads. There is something about it, you can't quite place your finger on it, but all you know is that you need more, right now!
Most surprising for me was liking Nora. Usually I can't stand her type of character. But for some reason she reminded me of my sister! Completely book smart, but doesn't have the common sense that god gave a goose. (Yes, Lace, I'm talking about you!) Patch on the other hand, where do I even start....more Three words; hot, mysterious, heavenly
Hush, Hush is one of those addicting reads. There is something about it, you can't quite place your finger on it, but all you know is that you need more, right now!
Most surprising for me was liking Nora. Usually I can't stand her type of character. But for some reason she reminded me of my sister! Completely book smart, but doesn't have the common sense that god gave a goose. (Yes, Lace, I'm talking about you!) Patch on the other hand, where do I even start. You'll either love him, hate him, or hate him so much you love him. He's the epitome of the "bad boy".... hot, dark, mysterious and cocky as hell. Characterization was awesome. I love when I have such strong emotions toward characters, it's a compliment to the authors ability to make such a three dimensional character, and Fitzpatrick is right on!
The plot was insane, twist upon twist, up until the final pages. I could not put down. The pages inside are just as hot as the cover. Loved the history and explanation of the lore as well. The plot was just really well executed.
The writing itself was fantastic as well. Fitzpatrick has a distinct story telling ability. It seems she's able to tell the story effortlessly and all the while keeping the readers interest profoundly intact.
I can't wait to read the next installment in this series!(less)
thank you!(less)
Apr 03, 2013 04:32pm
The book is well...more I'm having a hard time deciding exactly what I think about this book. On one hand I read it in under 12 hours, so it definitely caught my attention, but on the other hand it almost repulsed me, because the "hero" was so unpleasant. It's obviously aimed at teenage girls, but I'm not sure I'd feel comfortable letting a (hypothetical) daughter of mine read it until she was quite a bit older, precisely because the hero throughout the most of the book is threatening and manipulative.
The book is well written however, and the characters real enough that you want to reach in and shake them for making such bad decisions. Turns out there's a reason for it all though, and the author manages to tie all threads together very nicely in the end.(less)
I agree with you =) Patch is the kind of guy that girls like me enjoy reading about but in real life just roll their eyes at and completely ignore haha.(less)
updated Sep 28, 2010 04:12pm
Sep 08, 2012 12:46am
I won't lie, my expectations going in about this book were pretty low. But even so, "Hush, Hush" managed to disappoint me.
First, there are many similarities with "Twilight" - you have a regular average girl here, absent parents, a love affair with a dangerous supernatural boyfriend, a final showdown with a villain of his own kind. The mythology, while somewhat unusual (I haven't read anything about fallen angels in YA so far), is paper thin. The characters are shal...more This book is simply appalling.
I won't lie, my expectations going in about this book were pretty low. But even so, "Hush, Hush" managed to disappoint me.
First, there are many similarities with "Twilight" - you have a regular average girl here, absent parents, a love affair with a dangerous supernatural boyfriend, a final showdown with a villain of his own kind. The mythology, while somewhat unusual (I haven't read anything about fallen angels in YA so far), is paper thin. The characters are shallow and undeveloped (BTW, Vee is the dumbest character I've read about maybe ever).
But this is not even what makes this book a barely tolerable read. This book is just plain silly, and silly not in a cute-and-funny way, but more in it's-pretty-dumb-and-dangerous-to-fall-for-this-crap way. Many things are just so contrived about the story, I got a headache rolling my eyes while reading it. For instance: a bomb threat to steal an empty personal file that nobody investigates later? a biology class which is centered on discussing one uncomfortable and almost harassed student's sexual attractiveness? why would a mother whose husband was murdered leave her 16-year old daughter alone in a remote house for weeks at a time? why would parents of another teenage girl let her go out NEXT DAY after she had surgery following a violent attack on her? dressing up like a hooker to get some dirt on a guy you are investigating? why would an angel fall for loving a human and then get his wings back while loving another human?
And finally, why exactly Patch and Nora are in love? They know nothing about each other. Even more, Nora spends most of the book calling Patch creepy, being scared of him, being roughly pinned by him to various walls in dark places or being at his knife's point, and yet she is full of desire for him? It just makes no sense. As for Patch, I don't know one thing about him or why he loves Nora. My list can go on and on...
But surely enough, teenage girls will eat this story up. You have everything for success here: a fabulous cover and font, and pages and pages of flirtatious banter filled with sexual innuendos (very often bordering on sexual harassment) fit for 30-year olds and not 10-graders.
I am rarely for any kind of censorship of books, but reading nonsense like "Hush, Hush" makes me wonder: what are these writers thinking? In my opinion, YA writers should be held to a higher standard than your usual writers of adults fiction. Why would they want to promote such outright disturbing relationships as normal to impressionable and silly teenage girls? In my book, the relationship between Patch and Nora is not simply shallow, but dangerous. I wish some of the authors exercised better judgment writing their books, otherwise they are setting up many-many girls for a lot of disappointment, because whatever is presented in this book as romantic is disturbing at best in real life.
Well, to sum this tirade up, "Hush, Hush" is pretty much a book that gives YA literature a bad name. Naturally, the sequel is in works, but surely enough, I won't be reading it. I'd rather dedicate my time to something better written and less contrived and misguided.
Reading challenge: #1 - F(less)
I don't understand how it made its way into all of these goodreads "best books ever" and "you MUST read these books" lists. Ugh.(less)
Feb 25, 2013 01:48pm
You do know that I could take offence from that, not all teenage girls these days are like that :)
But I must admit that I DID pick this up because of the cover and hype :X Bad idea...
To me pretty much all of YA paranormal romance is generic, but what I've learnt is never trust a book with a cover rec from Stephanie Meyer/Becca Fitzpatrick/Mellisa Marr/etc because it probably means that the standard of the book is as bad as theirs.(less)
Apr 03, 2013 12:43am
After reading this
If I ever met Nora Grey in person (God help me if I do, I may beat her bloody), and if I could sense auras, her's would be a dark murky brown. According to the Internetz, a brown aura mea...more Everyone has an aura. Everyone. Even if you're the spawn of Satan, you still have this mist of invisible energy floating around your head. See, I usually don't believe in spiritual things. Meditation, chakras, rituals... I just find it cheesy or whatever.
After reading this
If I ever met Nora Grey in person (God help me if I do, I may beat her bloody), and if I could sense auras, her's would be a dark murky brown. According to the Internetz, a brown aura means greed, self involvement, and opinionated.
If anyone is greedy and self-involved, it's Nora. Or Patch. One of the two.
Nora is a psychotic bitch. I mean absolutely, undeniably insane. She's nosy, short-tempered, paranoid, whiny, scary, and just flat out bat-shit crazy. I don't think I've ever hated a heroine so much in my entire life.
Oh, and we've had some bad ones---Ever, Bethany, Avery. None of them even begin to compare, I promise you.
First of all, she has no respect for people's privacy whatsoever. If you have a drawer with a lock on it, you can guarantee the very second you turn your back that she'll try to open it. In Nora's eyes, it's perfectly acceptable to raid people's personal belongings. Nothing should be secret. Nothing should be hidden. She has to know everything about everyone and goes all conspiracy-apocalypse on them.
She's like the friggin' Mark Zuckerberg of the fictional world.
In the duration of this "novel" Nora manages to:
�• Look in Patch's confidential student profile
• Call in a fake bomb threat to cover her sorry ass
• Look in Patch's glove compartment
• Accuse him of murder because he owns a flashlight
• Interrogate Patch's coworkers on his day off
• Interrogate Elliot's old acquaintances
• Accuse Elliot of being a murderer
And the list goes on.
She's quite the conspiracy theorist too! This is coming from another conspiracy theorist. In Nora's eyes, everyone is plotting against her. Seriously. If you take a simple everyday problem, then magnify it by two thousand, that's how she views the world.
Oh no, the piece of paper missed the trash can! Am I bad thrower? Did a ghost repel it? Why did it go left instead of right? Why does God hate me? This must mean something. I have a bad feeling about that trash can. Is it planning something? Are trash cans going to take over the world? Maybe I should put a few cameras in Patch's locker and see if it ever happens to him. I won't get caught...
JUST SHUT UP, NORA! JUST SHUT THE HELL UP!!
Oh, and Patch isn't innocent either. He's almost as screwed in the head as Nora. He's the creepiest, most perverted YA boy ever. He all but raped Nora in the hotel room! He tells her that he wants to kill her (which is understandable) and then forcefully makes out with her against the wall.
There are a few warning signs in a relationship:
• Constant fighting
• Never spending time with each other
• Being nonnegotiable
• Telling your partner you wish to slaughter them and then making out
Patch scares me. Not in the intimidating kind of way; in the please-don't-grope-me-when-I-walk-by kind of way. The perv. What does Nora even see in him? How is he attractive? Sure, he's hot, but really?
Speaking of attraction, what is up with their science class? Naked Barbie dolls, talking about what turns you on with your teacher in front of the entire class---What the hell? In my biology class, we just learn the mechanics and don't go into details about sex. And why in God's name does her teacher condone this? Why does her teacher allow Patch to harass Nora? She's clearly uncomfortable with Patch practically spelling out that Nora has the hots for him, so why doesn't the teacher DO SOMETHING ABOUT IT!??!

Congratulations, Patch/Biology-teacher-I-can't-remember-the-name-of. You deserve this more than you know.
The stereotypes in this book are absolutely terrible. I mean really---Nora's worst enemy is a slutty, blonde, rich, popular cheerleader. Oh, because that's not at all the exact same situation as every other YA novel in creation! What is up with all the hating on cheerleaders, anyway? Sure, most cheerleaders are total bitches. Great. So are most non-cheerleaders. Does it really make a difference? You know, one of my closest friends is a cheerleader, and she is just awesome. Really, they're not all that bad.
The plot and climax are just as awful. They were predictable and it was way too easy to guess who the villain-in-disguise was. As soon as he entered the story, I knew he'd be the killer.
Plus, there are some gaping holes in the intentions and sense. For instance, when Patch possessed Nora, why the kickboxing? Why didn't he just kill Chauncey as soon as he got the chance? He's just going to get back up again if you kick him---SO KILL HIM, DAMMIT!
Long story short, I wanted beat Nora over the head with a spiked brick and slap some sense into Patch. This book is disgusting. Patch is a rake and a pervert and is quite honestly terrifying. Nora is TSTL. End of story.
Unfortunately for me, I'm going to have to finish this stupid series, just to laugh my ass off and have some great reviewing material.
Fanfriggintabulous.
Nora's Valentine's Day card to Patch:
http://i.crackedcdn.com/phpimages/pho...(less)
I've heard a lot of good things about this book, from the fallen angels theme to Patch's teasing charm and finally to the story itself. So help me, I really wanted to love this book. This is a book I'd want on my shelf and re-read over before I actually read it because the story sounds amazing and the cover is awesome. But like another reviewer said, I couldn't. For a debut novel, the writing was smooth till the end. The transition and detail of the story was wonderfully written and makes you want to also slap/smile/roll your eyes at the scene; I know I have. The author carefully leaves hints and the character herself gives thought and questions the details of what's happening to her life and the attraction to Patch. He's a fresh kind of hero that you just either love or hate. No gentle hero cooing sweet nothings (God, would some YA authors just stop spending more time on that already) or proclaiming his love every chapter. None from Patch and made me think it was nice reading a hero like this every once in a while as long as it was done nicely. She knows just enough detail to leave at and make so it wouldn't clatter the entire book. Now what got me hooked - aside from the title and cover - was NOT the love story, but the fallen angels. The author hints at an epic battle, the history, how it came to be. Now that's what I couldn't wait to read and how Nora would react. Nora is independent and sometimes has a personality to match Patch when he makes a move. She had just enough to make her think rationally in certain situations.
Unfortunately, Patch's backstory fell short. That was it, really? Um okay, that took away a little of his charm. His attitude isn't always like the beginning, Patch became major creepy when he appears everywhere she's at in a stalkerish behavior (links with story) but his jerky attitude sometimes made me think what the hell is Nora thinking falling for this kind of guy? And HOW?! Oh Nora, I thought you might have more self-respect for yourself than let Patch *beep* *beep* and you still fall in love with him. I'll never understand that in your circumstance - I'd probably bitch slap him once or twice. I guess this is the way Ms. Fitzpatrick intentionally wrote him, but damn, at least give them the next book to get together. I sometimes hated their interaction with each other, seriously, is there a trend going with girls falling for guys who are total assholes to them? Stalking you, interferring with your friends, acting mysteriously/arrogant and annoyed as she gets, she finds that damn attractive?! With Patch, it's a toss up, 50/50, of either liking or hating him. Sneaky, jerky, manipulative Patch. The characters are the problems for me, and if I don't like them, it's a struggle to finish the book. Reading from Nora's narrative, sometimes I wanted to skim because she became less likeable to me. She didn't have any drive to other characters at times and it got annoying. Why does every girl who falls in love with their first have to act like that?! 'Losing control, haven't felt this way, couldn't stop heart from pounding, stare at him, don't now why excited in his presence," Oh screw it, shoot me already. I liked Nora's "keep distance" attitude while finding him attractive and now they practically mold their mouths and body together. Develop a freaking personality, chica, its fine to get into fights with your boyfriend and make up instead of "one word/touch and I forgive you."
Other side characters are stereotypical and I kept waiting for somebody that equals Patch's bad boy persona excluding his jerky attitude. I didn't buy Nora and Patch's attraction to each other and just wanted to skim. Argh, it wasn't handled properly that I didn't invest too much in the characters anymore. Hell, I'm just a few years older than Nora and I went WTF several times in the book because that wouldn't be the way I would act. The pacing was slowed down a few chapters, but not that bad. ETA: Re-read again and damn it, I'm starting to hate Nora. Not good. The ending was so cliched that normally, I wouldn't mind, but Nora's sudden change made me gag and shut the book and toss it across my dorm. Forget what I said about "proclaiming their love every chapter", it's now "lip-locking" Oh gads, please not to much about that. Nora and Patch always doing that or getting lost with each other's damn body heat is so not the reason of the entire book. I kinda like their partnership together, sure, hope to see more of that in the next book maybe. Write enough of affection to each other, not the over-the-top physical touches. Realized all this thoughts when reading again.
Aside from the characters who you may or may not like, it's still an okay enough read. Here's hoping to some characters getting a backbone and a change in mental maturity and break out of their shells. It's a good story that she weaves and I might read CRESCENDO in the library instead when it comes out. I just hope the characters will pull me back into the book with them too, not just the story.
P.S - The romance is slightly dark in a good way. The titles (HUSH HUSH - CRESCENDO) are way too cool to ignore. The cover is FTW. Fallen angels, war, angels, sacrifice, mortal human. Enough said. Just don't have high expectations.(less)
So why do I keep coming back? I don't know. I suppose there's some entertainment to be had, and if you want to write a book of your own some day, it shows you all the hallmarks of bad writing and clichés to avoid. This is going to be the last book I read this year that has a bad reputation, because...more Let it be said that I, Vanessa Hendersen, am a huge glutton for punishment. Why else would I put myself through so many terrible books? This year alone I've read Evermore, Halo and Hades, even Marked.
So why do I keep coming back? I don't know. I suppose there's some entertainment to be had, and if you want to write a book of your own some day, it shows you all the hallmarks of bad writing and clichés to avoid. This is going to be the last book I read this year that has a bad reputation, because I don't know if I can take anymore, having just read Hush, Hush.
The novel begins with some graveyard confrontation between some pretty boys in France. It's pretty anti-climactic and boring. In fact, all I remember is one being accused of being a bastard son of a duke, and... meh. Well, to be honest, I didn't give much of a shit about the prologue in Fallen either.
We then start off in a biology class. Oh god. I'm sorry, but ever since Twilight, I've been very wary of biology classes. It seems they're full of creepy guys who want you to fall irrevocably in love with them. Our main character is called Nora, and her teacher makes her move seats to be with a tall, dark, and handsome stranger.
Said tall, dark and handsome stranger is called Patch.
I have a question for you all. What would you do if a complete stranger leaned over, dragged your chair closer to him (page 13), and told you that he's been keeping photographs of you, and he knows quite a lot about you, even though you've never met him before in your life? I suppose it's one way to make an impression, but goddamn. Even Edward Cullen at least tried to get to know Bella before getting straight to the point.
(Also, I really don't think the author has ever actually been in a biology class. I think the teacher would be swiftly fired if he called on one of the boys to tell him what they would do to seduce a girl and the boy then used this poor girl who clearly doesn't want to be used as an example of one of his 'conquests'.)
Patch is without a doubt, one of the creepiest YA guys I have ever come across. Having read through the whole book, I suppose he's sitting a notch below Edward Cullen on the wall of shame, since some of those aforementioned creepy acts turned out not to be his doing at all, but still. Patch is a good old man of mystery. So much so that when Nora's friend Vee makes up a story that there's a bomb in the school grounds, she finds nothing in his student folder. You'd hope Nora and Vee would be expelled for this (as kids were at my high school if they pulled on the fire alarm for no reason) after the teachers noticed their absence, but nope. La la la, off we go to a restaurant where Patch waits tables, so we can get to know more about him.
The only problem is, I don't want to know about Patch. What I want to know is why Nora is so attracted to him. Well, it's explained roughly part of the way into the book:
When I was little, Lionel shattered one of the kitchen glasses. He swept up all the shards of glass except for one, and dared me to lick it. I imagined falling for Patch was a little like that. I knew it was stupid. I knew I'd get hurt. After all these years, one thing hadn't changed: I was still lured by danger.
Yes, you see? Our poor, silly heroine is just attracted to danger, and thus, bad boys like Patch. She can't help it, it's just one of these feminine wiles that causes her to gravitate towards a bevy of bad decisions.
In fact, if I had been in Nora's position, you know what I would have done? Just not try to investigate Patch at all. Don't use his phone number, don't look in his student files, just sit it out until the end of the term, and make sure to show your disinterest.
Note to Nora: Feigning disinterest (as she does sometimes do in the story, to her credit) whilst stalking and investigating everything about your lab partner's life does not work. To Bella Swan's credit, all she did was type 'vampire' into Google and buy a few books on the subject.
I think we can all agree that Nora could have just ignored Patch, but eh, I suppose we've got to get the story moving along somehow. Two characters smouldering against each other in their biology class wouldn't create quite as much romantic tension. (Oh, hello again, Twilight.)
Okay, okay. Enough with the Twilight comparison. It's one of the YA novels with a Supernatural Boyfriend and a Boring Girl Who Constantly Does Stupid Things But Is Shown To Be Able To Get Into High-Ranking Universities Without Much Effort On Her Part.
The side-characters are awful too. Nora's best friend is a tall, chubby girl called Vee, who is not only stupid, but constantly hungry. Oh yay. Just wonderful.
There's also this blonde cheerleader girl called Marcie who comes in every once in a while. Now, Marcie is supposed to play a bigger part in the sequels, but she's just awfully written here. She really is just the catty cheerleader who rivals puddles for shallowness, and bullies Vee because 'hur hur, she's fat'. She's also supposed to have slept with basically everyone at school, and is so stick-thin Nora gets to call her an 'anorexic pig' while defending Vee one time. Ugh.
I'd also like to add that the reveal of the villain (who is one of the side-characters) was awful. For most of the novel, we're strung along thing it's this other guy, then all of a sudden, it's this guy who's only had about four lines of dialogue and no character development whatsoever. Because that's a sign of great writing!
Now, let's go back to our mains.
So, you ask: what's so supernatural about Patch? Well, he's a fallen angel. He came down to earth, fell in love with a woman who grew old and died, then some other angels found him, ripped off his wings, and left him completely hollow, cursed with a need to possess human bodies. Aww, he's like a woobie Pazuzu!
However, Patch also has a vengeful angel girlfriend on the loose called Dabria. Even though there's no mention of her at all until the end of the second act, we're suddenly supposed to view her as a legitimate threat, this scorned, petty woman who tries to set fire to Nora's house because Patch has now fallen in love with her.
Dabria is eventually taken out, then Nora dashes off to a club, then her school, and the final confrontation basically works out like this.
Nora: [pants in exhaustion as she finally gets up onto the rafters of the school gym] I sure hope escaping from this bad guy by climbing up high enough to splatter my brains across the basketball court works in my favour!
Evil dude: Boo.
Nora: Eek!
Evil dude: Blah blah blah fallen angels. Blah blah blah Nephilim. Blah blah blah you're a descendant of a Nephilim. Blah blah blah Book of Enoch. Blah blah blah Patch wants you dead. Blah blah blah I'm a lazily-developed, last-minute villain. Blah blah blah Patch can become a guardian angel if you shed blood and he saves you.
Nora: If I shed blood? LOL OKAY! [she throws herself off the rafters]
Patch: NOOOO! [the power of love turns him into Nora's guardian angel and he saves Nora, much to the groaning of girls like Vanessa here]
The ending act of the novel is also incredibly overstuffed with villains. Patch pins Nora down to a bed and threatens her life (isn't that sexy?), hell hath no fury like a Dabria scorned, as well as Jules, Elliot, Barnabas/Chauncey... The list goes on and on.
Now we know the ending, here's something incredibly weird and stupid: in the same chapter where Patch pins Nora down to the bed (in a crappy motel room, no less), he tells her nobody will be able to hear her if she screams. Charming. Then we have one of the bona-fide, weirdest scenes I have ever come across in a modern YA novel.
Nora touches the scars where Patch's wings used to be... and immediately gets to see his memories, sort of like an astral projection. Wow. Does that also work if you pat him on the back, like if you're saying: “Good job?” Answers on a postcard, please.
So yes, Patch's memories basically involve him and this other guy (who sounds more like a clucking mother from Yorkshire than an Irishman) sitting around a cemetery like the demons at the beginning of Good Omens.
They exposit information that we should have been privy to ages ago (seriously, this is dragged out beyond belief), then Nora gasps, Patch gets angry, and then the ending fully kicks off.
Wow. What the hell. No seriously, what the hell was that all about? Why did Patch need to be so angry in that chapter? Rather than touching his wing scars (which she recognised by typing 'wing scars' into Google, I kid you not), Nora could have just sat down with him and asked for the truth. Maybe Patch could have let his guard down a little after he got hurt or concerned for Nora's safety. Either way, it's much better than: “Oh no, how will I get Nora to see into Patch's tragic past? I know! She touches his scars and sees that he's such a poor, tortured soul!”
This novel was completely awful. Maybe not as terrible as Halo or Hades or Marked, or even Fallen, but the characters are completely unlikable, the writing and dialogue is dreadful, and the decisions the characters make are completely ridiculous. 1/5.
(This review is also available on my blog: http://book-wyrm.blogspot.co.uk/2012/...)(less)
Jul 31, 2012 05:55am
I'm actually glad I didn't buy it and I really won't be checking it out now! I just don't think I could bring myself to read it or if I did, I'd want to read it to laugh at how freaky and controlling this Patch guy sounds.(less)
Aug 12, 2012 07:10am
The half is there for the sole reason that Hush, Hush did not irk me as much as Halo did. I’m a little confused by that but whatevs.
Wow.
Just wow.
No, this is not a good wow.
This is a “Holy shit, you really did that didn’t you? I can’t fucking believe that” kind of wow.
A wow that just destroys my very soul and forces me to wonder WHY someone could possibly like a book such as this. But don’t worry, I have an explanation as to why someone could enjoy these honey bunches of pages because I...more 1.5 Stars
The half is there for the sole reason that Hush, Hush did not irk me as much as Halo did. I’m a little confused by that but whatevs.
Wow.
Just wow.
No, this is not a good wow.
This is a “Holy shit, you really did that didn’t you? I can’t fucking believe that” kind of wow.
A wow that just destroys my very soul and forces me to wonder WHY someone could possibly like a book such as this. But don’t worry, I have an explanation as to why someone could enjoy these honey bunches of pages because I too was feeling the tug that Fitzpatrick was trying to put on me. More on that later in the review.
But let’s get started with my first statement on this subject matter. This is my first taste into the world of YA’s terrifying epidemic. The tragic disease known as “rape culture”, the new culture of Young Adult books focusing on physical abuse and awkward closeness and “No means Yes” as A-okay for a healthy, sparkly, loving relationship! Because it’s so real and relatable or something.
Honestly, is anyone that much of a masochist, to allow themselves to get beat up and say, “Ohh yeah baby you got it”? What deranged demon possessed these authors to create such beastly, horrid books that encourage this utter nonsense? I’ll tell you what demon: Raphy the Rape Devil (the “h” is silent). Raphy goes and poisons the mind of these PNR authors that were apparently all there when they wrote these damn books. I call shenanigans on that, by the by.
Oh right, I have to talk about the book.
Hush, Hush is a book with a title that sounds interesting but has no meaning to whatever story was in this book. Actually, if I think of it by Raphy and the Rape Culture View, Hush, Hush is what Patch always to shut up Nora so he could abuse her. That’s my thought anyway. Normally I’d feel bad for someone in Nora’s position, but 10 times out of 9, she just takes it and gets turned on and shit. It’s disgusting.
But let’s get to the breakdown we’re all waiting for, yes?
There were too many times that the style Fitzpatrick used bothered me. The upside was that we were definitely in Nora’s head, but it was SO MUCH SO that I wanted out of Nora’s head. I must also say that even though the characters themselves were horrible stupid people, I could still tell who said what in quotes. The characters had voices of their own, as similar as they were.
But lemme get to what I mentioned earlier about how people could enjoy this. I’m a fan of shoujo manga, like the stupid nonsensical, “the hell is even happening?” shoujo manga. It’s this kind of nonsense that Hush, Hush must have based itself off of. If I had first seen this is a manga format, and I kid you not, I might have enjoyed it. Because it’s dumb and isn’t supposed to make sense, and pictures!
Instead, Becca Fitzpatrick was honestly trying for a serious story with serious bad boy tones and stalkers! Patch is supposed to be our bad boy love interest. A tortured soul or whatever. And she pulls it off with phrases like:
"Call me Patch. I mean it. Call me."
"Soap. Shampoo. Hot water.”
“Naked. I know the drill.”

This isn’t remotely cute or endearing!! Becca, do you hear me? WHAT IS CUTE AND ENTICING ABOUT THIS DUMB KID? Even if he’s a bad boy, we should find something that draws us to him. But no, we just watch Nora draw him in like, “Ohmigawd he so bad and yet so good! ME WANT, ME WANT.” And yet we don’t even know why the fuck she wants him and his ass.
But yes, this is why I was feeling Fitzpatz’s tug on getting me to like this book. I saw it as a stupid shoujo and I was actually enjoying myself for a time. As fucked up and strange as that is...it’s how I saw it. Also the wonderful advice from Karen (I think? I’m sure it was Karen), to treat Hush, Hush as a big fat joke really helped me out through this. I’m not as enraged as I was when I finished Halo.
She also said fairly stupid things like:
“I affected a yawn.”--How does one affect a yawn?
“Because other angels were good. Patch was not.”-- YOU FIGURED IT OUT!!

It was so STUPID for a girl who was supposedly Harvard-smart to think like this. Lololol this was such a dumb book.
Oh right there were characters in here, weren’t there?
Let’s tear them up.
Nora “I’M DRAWN TO UNREAL ATTRIBUTES OF THE OPPOSITE SEX” Grey
This girl is dumb. Really dumb. HOWEVER, she is smarter than Bethany Church. She is smarter than a rock (even if it’s just a little bit). She does take initiative when she’s trying to keep from Patch. But of course, that has to be short lived because c’mon, when is a book about something other than romance interesting? Nora has to fall in lust with Patch and hunt down his past! That is the only way Young Adult works derrr.
Oh what’s that? You want to know how Nora tries to figure out Patch’s past before molesting his scar?
WELL, instead of the rational thing and just sitting him down and chatting, Nora makes this big deal about going to his private file (you know, private records that are private for a REASON?), and digging more about him.
Actual quote on the matter: “So what if there was private information inside? As Patch's biology partner, I had a right to know these things.”

No one has a right to anyone’s files but their own. It’s common sense, common courtesy, and Im sure she’d get kicked out of school or suspended or something if caught. So to avoid getting caught, Tweedle Nora and Tweedle Vee CALL IN A BOMB THREAT. Because that’ll get everyone out of the school and get the whole police force IN the school and completely defeat the purpose.
Also, I want to elaborate on a particular point in this book where Nora gets his record and finds nothing on immunization and finds it wrong. I am not immunized. I had to sign legal papers to be accepted into a New York college, etc etc, it’s a difficult process.
Moving on to why this moment really pissed me off. Nora thought it “wasn’t right” for Patch to have no immunization record. This is as if Fitzpatrick is relaying her beliefs on me that “anyone is weird and not right if they’ve never been immunized”. Doing that on top of rape culture? Fuck you to hell. I don’t have an immunization record, but you don’t see me losing it, or being ‘not quite there’. I get legitimately sick a total of 2-3 days a year. I’m a healthy kid.
Nora really isn’t a person, or a cutout of an archetype. She’s a puppy to Patch’s will, and that in itself simply infuriated me. But like this immunization biz, Nora just can’t wrap her head around simple concepts. Like there are indeed people in this world without a Facebook, blog, or Myspace, and they still exist. You don’t need access to a social site to exist, just a beating heart.
She also finds it A-okay to talk about her dead father. Now that’s one thing. I’m more than glad that Nora is not trying to hide him like Vanessa Sands did with her sister in goddamn Siren. But when she does talk about him, she talks about how he was murdered like it’s casual conversation. She isn’t even FAZED by it. What? I still choke up when I talk about my dead dog! I’m so confused.
Enough about that Nora chick. I don’t like her.
PATCH “IMMA BAD BOY” CIPRIANO OR WHATEVER
This is a boy that makes girls squeal apparently by saying things such as:
“I wanna do a lot of things to your body.”
“Well I’m in need of a healthy female sacrifice. I’d planned on luring her into trusting me first...”
“I like vulnerable woman.”
“I did plan on killing you.”
EVERYONE’S NORMAL REACTIONS WOULD BE THIS




But Patch will always be there to getcha. Alllllllwaaaaayssssssss....

*shudder*
Patch is a rapist. He is abusive, strange, and an asshole. A HUGE asshole, even more asshole than the lovable assholes of every shoujo manga I ever read. He wears a baseball cap and tends to get shirtless and has an awkward lambda-like scar on his back. Patch is a bad dude. Not the lovable bad boy, but the “YOU SHOULD BE RUNNING” bad boy.
Not once did I find Patch reassuring, kind, helpful, respectful, funny, or interesting. It was a steaming pile of shit and rape. All he wants is Nora’s legs, preferably open me thinks. God I just can’t express my hatred for Patch. I’m too tired to think about it.
Vee was a dumb friend, somehow feeling happy and go-lucky while on PAINKILLERS (they don’t work that way). She was helpless and stupid. I’m surprised that even Nora had a brain cell or two more than her.
Why was Elliot so evil? Why was he just killed and what not? Are we ever diving into Papa Grey’s murder orrr...?
I’m sick of these characters, let’s move on.
DAT STRUCTURE
What structure? Oh the usually Twilight structure of LOVE LOVE LOVE then last 15% of book can be plot I guess. Nora was Bella, Patch was a worse version of Eddiekins, and the whole clusterfuck called Hush, Hush was just an introduction into the world of rape culture.
The littler tykes gotta know this: ABUSIVE RELATIONSHIPS ARE BAD. There is nothing healthy or life-changing about an abusive boyfriend and “He hurts me cuz he loves me”. It’s sick, degrading, and horrifying. There is NOTHING RIGHT ABOUT IT SO STOP PRAISING IT AS RIGHT. WHAT ARE YOU DOING TO ME, FITZPATZ AND SMALLER TEENAGE GIRLS OF THE WORLD.
This is glorifying abuse. This is glorifying terrible things that are frowned upon in today’s society. What is this book.
Moving on, there was no structure in this book, but I didn’t need to tell you all that since I’m a little late to the Snark Party. Nothing was happening in a decent order. Jules/Chauncey was a stupid villain because he wasn’t even around enough to be considered as such in my eyes. Fitzpatz cleverly avoided characterization.
Overall, why are you picking this up and trying to enjoy it? If you MUST enjoy it, enjoy it as a stupid shoujo manga. You might get some entertainment out of it. Other than that, this book is just fucking horrible. TERRIBLE. You don’t care about anyone in here. Nothing life-changing happens, and nothing is even remotely exciting.
Too many times did I sit and go, “Nora’s gone get raped isn’t she? WHY ISN’T SHE RUNNING. WHY IS SHE SO DEAD PAN I DON’T GET IT.” I was utterly appalled.
This is a really really dumb book. So dumb that I had a hard time getting my snark out. You can tell by all the gifs I used herpderp. Whatever.
Never pick up this book.
Hide it if you can.
(less)
Nov 04, 2011 06:24pm
Too bad no one listens to me when I try to talk them out...more Oh, I plan to. Your review talked me out of that a long time ago and I have never looked back.
Too bad no one listens to me when I try to talk them out of terrible books. I try to tell them but meh, I am just being a hater or I'm just a kid and my opinion doesn't matter. My influence on others' reading choices is strictly online.(less)
updated Nov 04, 2011 06:56pm
Note : No offense yah buat penggemar seri ini ;)
Tadinya mau nulis ripiunya tapi agak males.Sekarang udah oke lah bikinnya. BTW, kenapa sih GR ga ada sistem setengah bintang? :P
Aku terus terang terombang ambing untuk kasih ripiu buku ini. Pertamanya 4 bintang deh, oke Nora cukup menarik di awal2, dy cerewet, ga lemah seperti Bella (sorry for Bella's fans), Patch cukup misterius dan dy bad boy ( I love bad boy than nice guy ;) )
Ta...more Read the translated version and write review in my own languange
Note : No offense yah buat penggemar seri ini ;)
Tadinya mau nulis ripiunya tapi agak males.Sekarang udah oke lah bikinnya. BTW, kenapa sih GR ga ada sistem setengah bintang? :P
Aku terus terang terombang ambing untuk kasih ripiu buku ini. Pertamanya 4 bintang deh, oke Nora cukup menarik di awal2, dy cerewet, ga lemah seperti Bella (sorry for Bella's fans), Patch cukup misterius dan dy bad boy ( I love bad boy than nice guy ;) )
Tapiiiiiiiii....
Seiring jalannya cerita, makin menyusut lah bintangnya.Mulai dari sikap Nora yang, oh so annoying, remaja yang ababil, yang tau kalo Pacth tu dangerous, tapi anehnya tetep aja dideketin. Ini bisa jadi contoh yang ga bagus, begitu terobesinya kita pada seseorang, akhirnya akal sehat diabaikan?
Tanya : Ada pembelaan?
Jawab : Nora kan masih remaja...
So WHY???? Remaja pun harus bisa berpikir sehat kan? Nora Grey adalah contoh buruk yang ga patut ditiru buat remaja2 jaman sekarang, dan bukankah seharusnya suatu penulis itu menyampaikan pesan yang baik pada pembaca melalui buku2nya??
Sekarang tentang Patch...
Entah kenapa, bagiku, dy ga begitu diceritakan disini. Ya, ya, misterius, tapi jadinya malah berasa seperti tempelan....
Aku mengharapkan adanya interaksi yang menarik dari Nora-Patch, tapi sayangnya, GA ADA!!
Daritadi menghina2 bukunya, hahaha :D :D
Sekarang aku liat apa yang menarik dari buku ini...
Hmmm, unsur suspensenya udah dapet (ga heran Sandra Brown muji buku ini, yang bikin aku heran tumben SB baca YA :)) ). Tapiiiii , sayangnya lagi2 di akhir cerita, suspensenya jadi berasa lembek
Dan endingnya ga banget...
Cerita Hush Hush lebih berfokus pada Nora, Nora, dan Nora. Ga dijelasin tentang pertempuran antara Fallen Angel ma Nephilim. Padahal di blurbnya dibilang ada pertempurannya
Mana? Mana? =_=
Banyak juga beberapa bagian ga penting disini, dan kemiripan sama Twilight
Seperti :
- Bella ketemu Ed di kelas Biologi ===> Nora berpartner dengan Patch di kelas Biologi
- Bella tau Ed vampir dari google ===> Nora tau Patch Fallen Angel juga dari google
- Bella terobsesi pada Ed, walo tau dia vampir ===> Nora terobsesi pada Patch walo tau dia "berbahaya"
HALOOOO... bisakah bikin YA yang ga pake Twilight theme??? Apa ga ada ide lain yang lebih bagus??
Anyway, ni buku berlanjut di Crescendo, dan aku sih berharap semoga aja Becca bisa lebih bagus di buku selanjutnya. :)
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Jan 28, 2013 04:25am
My step by step review-It started out as interesting,then it became confusing,then halfway through it was irritating,after that I was almost desperate for it to end and by the time it ended I was literally banging my head on the wall.
Nora Grey is a (sane!!) 16 year old.Normally in her biology class, she sits with her best friend.Nora is a good student.No boyfriend.Attractive.Attends session with the school psycologist Dr. Hendrickson because her father had passed away a year before.One day, her...more
My step by step review-It started out as interesting,then it became confusing,then halfway through it was irritating,after that I was almost desperate for it to end and by the time it ended I was literally banging my head on the wall.
Nora Grey is a (sane!!) 16 year old.Normally in her biology class, she sits with her best friend.Nora is a good student.No boyfriend.Attractive.Attends session with the school psycologist Dr. Hendrickson because her father had passed away a year before.One day, her biology teacher changes the seating arrangement and the new partner she ends up with is Patch,the transfer.Everything's normal...
And then starts the whirlpool-Patch knows a lot of personal things about her.She feels creepy.He tells her to call.She says that she definitely won't call.She calls.She hunts him down.He gets on her nerve.She thinks he might be stalking her.Strange accidents occur.She's confused.Suspects Patch.But also is drawn towards him.Enter Elliot and Jules newly transferred to her school.Meanwhile,Patch keeps turning up at unexpected places.She keeps meeting with him and also fears him.Murder attemps start occuring.Might be Elliot.Or it may be her imagination.Enter angels,fallen,not fallen.There's suspicion,a pschyco-ex-angel-girlfriend,revelations.Suddenly a love so strong that each can sacrifice anything for another,an so on....
**sigh** Not for me!!(less)
Yes, Nora, our heroine, is little more than the traditional victim/cheerleader in a slasher movie. She's both bubble-headed and paranoid, and she alternately co...more I've been mulling over my review for Becca Fitzpatrick's debut, the paranormal thrillermance Hush, Hush for about a week now. It's difficult to talk about a book as controversial as this one without at least touching on the politics. But there's little I can say about the politics that hasn't already been said before, and probably better.
Yes, Nora, our heroine, is little more than the traditional victim/cheerleader in a slasher movie. She's both bubble-headed and paranoid, and she alternately cowers and stumbles through our ramshackle plot--a story about how, after she gets a new lab partner in bio (yes, this is a new YA cliche that's already becoming old hat), her life is repeatedly threatened by not only her hot, but creepy, partner Patch but also a bevy of other parties in her small Maine town. And though, yes, Nora has plenty of justification for resisting Patch--he's condescending and smarmy, he threatens her repeatedly, he doesn't even seem to like her most of the time--it does indeed seem like Nora resists Patch only so that she can later relent to him, illustrating once again (ick) how when a teenage girl says no, she really means yes.
The truth is, though, that after about a hundred pages of this sort of thing, I fear I started to become immune to it. Because, while my jaw literally dropped during an early scene where Nora is sexually harassed during her biology class by both her classmates and teacher, and while a few flies probably swarmed in after Nora goes to her teacher and protests, but is rebuffed, by the novel's middle I just didn't care any more what happened to Nora, good or bad. I was really just that bored.
Hush, Hush's biggest problem, I would say, isn't in its quaintly outdated abhorrent sexual politics but rather in its pacing. There's a vague cloud of "suspense" that hangs over the novel's first two thirds, and Nora is, apparently, endangered by almost every one she encounters. But nothing happens--really, nothing. For two hundred and fifty pages--and though the reader is clued in to Patch's supernatural origins through the cover and the prologue and the blurb, there's really no logical connection between the nebulous dangers she faces and Patch's identity as an angel. This means that the revelations about the book's angelic mythology fall into place with as much grace as a sack of wet laundry. Nora sees scars on Patch's back, thinks "angel!", investigates fallen angels on teh Google (and if you've read my reviews, you know how much I hate internet research scenes; writers, knowing that kids google shit does not equal being hip to the technology of young people), and decides that Patch must be an angel. This requires some logical leaps that would never work this neatly in real life.
And then we get about fifty pages of really muddled angel mythology. It's incredibly convoluted and all wedged into such a small space that there's no time for the reader to digest the "rules" of angeldom. I'll put it this way: I have a terminal graduate degree, and I won't pretend for a second that I understood what was happening at the end of this book.
The worst bit of this, for me, was the revelation that our anti-hero Patch couldn't feel anything, in a tactile sense. Because I'll say this for Hush, Hush: for all that I thought Patch and Nora's relationship was fucked up, I believed their sexual chemistry. Now I know that quite a few objections to this book have centered upon the adage that sex does not equal love, and that young adult writers shouldn't imply that it does. And I sort of agree with this, but I think it's an attitude that's not entirely tied to reality. Because sex--for teens and adults--very much makes up the foundation of most romantic relationships. And it can certainly draw people together who would--or should--otherwise despise one another. So I bought that Patch lusted after Nora, and vice versa, even if it wasn't necessarily a good match. But when Patch tells us that his feelings for Nora are chaste and entirely pure and all about love, my belief in the relationship flew right out the window. What do they have, if not sex? Not even biology class--because their sexual attraction to one another was all that was ever discussed there.
Anyway, I really consider all of this a shame because, despite the above, Becca Fitzpatrick's stylistics are fairly solid. Her writing is readable, even if occasionally silly, even if the content is sometimes squicky. And she does setting extremely well. This foggy little Maine town is the perfect place for a thriller like this . . . if only it was a bit more, well, thrilling.(less)
Hush, Hush -- I finally finished the book after months of waffling, and I’m still as conflicted about it as I was from day one. My feelings, at this point, are very iffy.
My first thought, though, when I started reading was: “This book reads like a schizophrenic version of Twilight.”
There are all the points of the...more (Update in 2011: My rating has fluctuated from three stars (probably 2.5) to 2 stars and finally to 1 star. Just thinking about this book and its characters leave me with sour thoughts.)
Hush, Hush -- I finally finished the book after months of waffling, and I’m still as conflicted about it as I was from day one. My feelings, at this point, are very iffy.
My first thought, though, when I started reading was: “This book reads like a schizophrenic version of Twilight.”
There are all the points of the Twilight formula at work, after all: a meeting between a good girl and a questionable boy in a classroom, the boy is odd in a way that the girl cannot put her finger on, mysteries and questions abound as the girl finds out that the boy is rather fond of flaunting the “I’ve-got-a-deep-dark-secret” card, girl gets curious and starts digging in business where she likely doesn’t belong, chaos ensues in some dark form, romance sprouts, rinse, repeat, etc. The only glitch to the scenario is that Patch ("the boy") -- we learn early on in whopping innuendos of all sorts aimed at the heroine Nora -- is not a good, wholesome boy; he is, in fact, very much a bad boy.
(The cover is a dead giveaway as to Patch’s “identity,” but I will not spoil it, even so.)
After finishing the book through and through, though, I have to say that Hush, Hush falls more in line with Evermore by Alyson Nöel or Swoon by Nina Malkin -- and that’s not a bad thing -- if only the romance read more like love than lust (for all novels mentioned). Early on, you can tell that Hush, Hush is very much keyed on lust -- but, sadly, the relationship between Nora and Patch never develops much beyond that (at least in my opinion). I‘m left with more questions about the couple than about the supernatural lore and mythology fueling the plot. Why do they Nora and Patch love each other? When exactly in the novel did they start falling in love? After reading a novel whose plot is focused at least partially on a “couple,” I should come away knowing the answers to these questions. Instead, I’m still really not sure if they even really love each other. I was told, sure, but was I shown it? Not really.
Another problem was the cast of characters themselves. Oh, goodness, I did not latch onto a single one of them! For me, characters are the driving force of a story. No matter how intriguing a plot is, I will not care for it if it does not have characters who vie for my heart and sympathies. I did not feel sorry for any of the characters in this book, no matter what befell them, since most of them seemed to have had whatever disaster/crisis coming to them.
Becca Fitzpatrick’s novel really shines, however, when it comes to the mystery portion of the book. Though I have to say that Nora was a pretty dumb detective (Hasn’t she ever heard the saying, “Curiosity killed the cat”?), I appreciated the red herrings that Fitzpatrick threw into the novel. (I was never big on Nancy Drew, but I can tell Fitzpatrick grew up loving Nancy Drew novels -- as her author bio subtly mentions.) If only the romance portion of this book hadn’t fallen so flat for me, I would have given the book more stars for the mystery/intrigue parts of the book. :)
The best part of the novel is probably the last third of the book -- especially “the climax” (or, as I like to say, the “big reveal“). It brings the novel full-circle in a way I rather liked.
In the end, however, even a good ending cannot always save a book. I was disappointed by this book very much. I had expected to be gripped, engrossed, twisted, and turned -- but, instead, I felt as if I were gently rocking in a boat going slowly downstream. I wanted big crashing waves in the plot, but sadly it was mostly more of the same boat ride that most YA novels have been selling lately. Therefore, this book would get probably two-and-a-half stars from me (it gets three on the Goodreads scale because it was more towards the “I liked it” spectrum than the “It was OK” spectrum for me). It wasn’t to my taste entirely, but I’m interested enough to see what the sequel, Crescendo, will hold in store. I hope it will continue to build on the good things (the mysterious aspects) and hammer out the kinks in the character-driven areas. If so, then I will be very pleased indeed.
(Note: If you think I was harsh with this review, you should have seen the one I was writing notes for while I was READING the book. The last third softened my blows, however -- though I kept the "schizophrenic Twilight" comment since I still feel that is a good way of describing Hush, Hush.)(less)
Apr 06, 2012 07:55pm
A brilliant description.
Sep 14, 2012 08:59am
I also love Nora- She is such a refreshing and intriguing heroin. Her and Patch suit each other perfectly. They bounce off each other and really made me laugh with their witty and sarcy sense of humour! They bicker like hell and it's so much fun to read.
I loved the twist in the end, it turned everything I thought was going to happen into something entirely different. I never knew what was going to happen next.
I thoroughly enjoyed an...more I fell in love with Patch instantly I mean what's not to love?
I also love Nora- She is such a refreshing and intriguing heroin. Her and Patch suit each other perfectly. They bounce off each other and really made me laugh with their witty and sarcy sense of humour! They bicker like hell and it's so much fun to read.
I loved the twist in the end, it turned everything I thought was going to happen into something entirely different. I never knew what was going to happen next.
I thoroughly enjoyed and loved this book and I certainly cannot wait to read the next.! Well deserved 5 stars! (less)
Jan 31, 2013 03:51pm
I am most certain that the enigmatic, assholish character that is Patch...more Time has a way of changing things. Sadly for Hush Hush, time has not been kind to my view of it. A three star review once resided here, but it was too shamed to remain posted. Having said that, I think nothing less of those who enjoy such stories, as I once was one. But I've read too many good, even great books, to suggest that someone spend their time with this never ending plot that is essentially a whole lot of non-sense.
I am most certain that the enigmatic, assholish character that is Patch would still eek out a sly smile or two from me. Yet, I can't help but notice that his deviant ways fail miserably at measuring up to my most beloved heroes. As for Nora, she is a Bella Swan clone if ever there was one, just with a smarter mouth. I can't even discuss the skanky side-kick best friend as my mind has done it's best to divest her from my memory.
Read if you can't get your mitts on anything better. But you may want to be prepared for the remorse that will plague you.
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This book turned out to be a big disappointment for me. For one thing, Nora was a complete idiot. She was indecisive, confused, cried about every little thing & for someone who supposedly is bad a lying, she lied about almost everything. Over half of the book was dedicated to her lusting after Patch & her determination to find out who & what he was. The big reveal was that he was an angel. Not hard to realize when your constantly getting hit over the head with it, with th...more My thoughts:
This book turned out to be a big disappointment for me. For one thing, Nora was a complete idiot. She was indecisive, confused, cried about every little thing & for someone who supposedly is bad a lying, she lied about almost everything. Over half of the book was dedicated to her lusting after Patch & her determination to find out who & what he was. The big reveal was that he was an angel. Not hard to realize when your constantly getting hit over the head with it, with the amusement park ride, the scars on his back, and oh, the COVER. I almost threw the book at the wall when in an attempt to figure out his identity, she Googled "angel wings". Seriously?
Then there's Patch. I'm all for bad boys but he was rude,condescending, selfish & his major goal was to kill & have sex with our heroine. There was not one redeeming quality about him, yet Nora lapped him up like milk. Her thought process was "I know he's probably stalking me, is dangerous, & may or may not have tried to kill me a few dozen times but he's just so hot, I can't resist!" It may have took Nora over half the book to figure out he was an angel, but it took me less than 20 pages to realize something is seriously damaged about our heroine. I don't understand how any of this could be considered "lurve". Maybe Twilight has warped young teenage minds to think that if the guy treats you like crap, stalks & wants to kill you, it's gotta be love & you must hop on this crazy train right now! And even Edward was decent in the way he treated Bella. He treated her like a queen. Whereas Patch is commended as a hero just because he (view spoiler)[ decided to not kill Nora at the end. (hide spoiler)]I guess raging lust counts for something after all. I really wanted to like this novel, & it WAS an easy read, but the whole situation was just FUBAR. Will not be reading Crescendo. This was painful enough.(less)
I think I'll be reading books with ugly covers only for now on. Ugly covers and smart girls who avoid buttholes like Patch like the plague.(less)
Jul 26, 2010 06:58am
Well, forty nine, I suppose, since I use the little white backing thing too. They're quite nice sticky notes, designed not to be written on but as bookmarks; at some year in the past they magically appeared in my Christmas stocking, and I haven't really used them since. I suspect there were originally fifty, so I've used two elsewhere.
Anyhow. Forty nine sticky notes was what I started with when I commenced reading Hush, Hush a little after 9 AM on August 25.
Less t...more I have forty eight sticky notes.
Well, forty nine, I suppose, since I use the little white backing thing too. They're quite nice sticky notes, designed not to be written on but as bookmarks; at some year in the past they magically appeared in my Christmas stocking, and I haven't really used them since. I suspect there were originally fifty, so I've used two elsewhere.
Anyhow. Forty nine sticky notes was what I started with when I commenced reading Hush, Hush a little after 9 AM on August 25.
Less than fifteen hours and over a hundred pages later, I ran out of sticky notes. I used the notes to mark particularly horrendous parts of the book- and frankly, I'm surprised they lasted this long.
In the interest of not broaching another set of sticky notes which I may want from school, I'm going to deal with this book segment by segment; when I finish one round of sticky notes, I review and then continue. 'Course, since I won't post this until it's finished you'll just get the complete version. No perspective analysis, unless I really feel like it. All I'm going to do is quote Fitzpatrick, comment on the quote briefly, and move on.
EDIT: Before I even got through Section 1, I was over Goodreads' character limit by 978 characters. I still have more than 9 pages (counting one side of a sheet of lined paper as a page) of handwritten notes to type up- and those aren't even including responses, they're just quotes. So I'm going to cut this review down to the maximum accepted size (and do some formatting too) and post the rest in comments. Lengthy ranting? Heck yes.
Section 1: 0-113
Chauncey was with a farmer's daughter on the grassy banks of the Loire River when the storm rolled in, and having let his gelding wander in the meadow, was left to his own two feet to carry him back to the chateau.
- Book begins, very first sentence, with sex. BAD SIGN.
-Is this going to be relevant? Do the doings of one randy duke in Sixteenth Century France really concern the later plot?
Kneeling there, blinking up through the rain, he saw two thick scars on the back of the boy's naked torso. They narrowed to form an upside-down V.
- Is it the scar tissue that narrows? Because that's how it seems.
- I'm no expert on anatomy, but the V thing seems odd. Wouldn't having flight muscles attached to your latissimus dorsi (I believe that's the name, but the ones that wrap from the front of your ribcage to the back) be awfully strenous? Wouldn't you build up those muscles to unrealistic and bizarre-looking proportions?
'Welcome to Human Reproduction (Sex)'
At my side Vee Sky said, "This is exactly why the school outlaws camera phones. Pictures of this in the e-Zine would be all the evidence I'd need to get the board of education to ax biology."
- Is it really necessary to introduce Vee with first and last name, especially as this is written from Nora's perspective?
- Odds of a BoE getting rid of biology in any school curriculum are next to nil. Odds of BoE firing idiot teacher or changing the curriculum are pretty good, though.
Coach considered teaching tenth-grade biology a side assignment to his job as varsity basketball coach, and we all knew it.
- The frick? No. Biology is an ENORMOUS subject. Anyone who teaches it and can get a job teaching it has to, by definition almost, be devoted primarily to it.
- For future reference, Vee and Nora are sophomores, which means they'll be between fourteen and sixteen, probably sixteen.
"Science is an investigation," Coach said, sanding his hands together. "Science requires us to transform into spies."
- I will not digress into my own academic scientific background, but this is wrong. Science is an investigation, yes. Science requires observing things in a way which may be spy-like, yes. But it's not espionage. Deviate how you will from the scientific method, but most science is going to require experiments at one point, not just observation and certainly not just 'sleuthing'.
Vee is my un-twin. She's green-eyed, minky blond, and a few pounds over curvy. I'm a smoky-eyed brunette with volumes of curly hair that holds its own against even the best flatirn. And I'm all legs, like a bar stool.
- Descriptioninfodump not appreciated. Bits and pieces, Ms. Fitzpatz, bits and pieces. Your readers are smart enough to 'patch' together a description from fragments scattered here and there where relevant. This spoon-feeding paragraph is distracting from the 'action' of the story and just slightly insulting to my intelligence.
My heart fumbled a beat and in that pause, a feeling of gloomy darkness seemed to slide like a shadow over me. It vanished in an instant, but I was still staring at him. His smile wasn't friendly. It was a smile that spelled trouble. With a promise.
- Does darkness slide over something like anything but a shadow? Superflous description.
- If this is her first impression of Patch, it bodes ill...
Coach said, "Human reproduction can be a sticky subject."
"Ewww!" groaned a chorus of students.
"It requires mature handling. And like all science, the best approach is to learn by sleuthing. For the rest of the class, practice this technique by finding out as much as you can about your new partner."
- Yes, it does require mature handling- which neither Fitzpatz or her character displays. Immature puns? Not amused.
- SLDKJFLAJ: EXPERIMENTS GODDAMMIT. Not ****ing SLEUTHING, EXPERIMENTS.
- 'Technique'? What technique? Word implies that he's taught them some kind of technique to use in 'sleuthing', but he clearly has not.
- What's with Fitzpatz's love of this word 'sleuthing' anyhow? Did she just learn what it means or something? Is she trying to show off?
I sat perfectly still. The ball was in his court- I'd smiled, and look how well that turned out.
- We find out later that Nora wants to get into an Ivy-League school, or at least that she's capable of it. So why is someone who must have been going after her grades nigh-on aggressively her entire highschool career content to sit back passively and let someone else control the fate of an assignment? She has no drive and no persistence, obviously.
Great. At this rate I would fail.
- SO DO SOMETHING ABOUT IT YOU TWIT.
"Call me Patch. I mean it. Call me."
- Horrible pick-up line. Does Fitzpatz really think teenagers speak like this?
- Useless pick-up line. 'Call me' doesn't work unless you give the subject a relevant phone number.
"I wasn't finished," he said. "I've got quite a collection going of an eZine columnist who believes there's truth in eating organic, who writes poetry in secret, and who shudders at the thought of having to choose between Stanford, Yale, and... what's that big one with the H?"
- GINORMOUS RED FLAGS. He's stalking you and taking pictures, Nora, you airhead. He's at the very least a voyeur, at the most a sexual predator. REPORT THIS SHIT. That's what the police are there for.
- This is Fitzpatz trying to characterize Nora through someone else's exposition- we are told she is all of these things, but never shown any of them.
The hair at the nape of my neck stood on end, and the temperature in the room seemed to chill. Ordinarily I would have gone straight to Coach's desk and requested a new seating chart.
- I cannot believe it. She just basically ACKNOWLEDGED changing her viewpoint character's personality becausse of (what will become) TWOO WUVE FOEVAH AN EVAH. Under ordinary circumstances she would have requested a change, but because it's PATCH THE SUPER SPESHUL MAN she doesn't. Bullshit.
He was a dark-Levi's-dark-henley-dark-boots kind of guy.
- Boots? Jeans? Henley? Agh. I pictured this and it looked horrible. Ominous maybe, fashionable definitely not.
"Go for it. I could use a hook for my next eZine article. 'Tenth Grader Fights Back.' Better yet, 'Seating Chart Takes Slap in the Face.' Mmm. I like it."
- And from this we learn that Vee can't write for jack. Seriously lame, both of these; pompous and not in the least bit clever.
"How was school?" Dorothea asked with a slight German accent.
- Poor description. This makes it sound like she's assuming the accent, not that it's natural.
- Why is the housekeeper always accented? What, people born in the USA don't need to take such jobs?
On the line beneath it I added, Smokes cigars. Will die of lung cancer. Hopefullly soon. Excellent physical shape.
- You do realize that 'will die of lung cancer' and 'excellent physical shape' shouldn't normally go together?
- Why did she scribble the last comment out? He's creepy about her; she should be creepy right back. Besides, it's the most Biology-related thing she's done yet.
I couldn't quite put my finger on it, but something about Patch wasn't right. Something about him wasn't normal. Something wasn't... safe.
- And yet you still descend into the depths of a bar that you're too young to be in to find him. Brilliant. Stanford is drooling over that.
"As it turns out, I'm in need of a healthy female sacrifice. I'd planned on luring her into trusting me first, but if you're ready now..."
- This would make a fine joke, if it was said in a lighthearted situation, a joking tone, and to someone who wasn't already scared of Patch. As is, it just shows that he's an insensitive bastard.
Patch casually but noticeably slid his sleeve down over his wrist. "You'd prefer it someplace more private?"
- And he officially has the Magical Ability to Turn Any Situation Into Something Perverted. Just fantastic, eh?
"Intelligent. Attractive. Vulnerable."
- PREDATOR. Singles out those who are on the outside edges, the weakest, and then takes them down. Basic predator/prey interaction. Nora is the deer with the broken leg in this one.
"I'm starting a petition to have Coach fired," Vee said, coming to my table.
- Why the hell is everyone referring to him as Coach? Is that his given first name? Or is he just such a whackjob that he prefers it even off the field? And besides, aren't there many coaches at this school? Vee could be referring to any of them!
"Let's give the seating chart a few more weeks. Oh, and I was serious about tutoring Patch. I'll count you in."
- WHAT. THE. FUCK. What kind of screwed-up school did you go to, Fitzpatz, that you think teachers are like this. They're NOT. Especially not to the good students, as Nora seems to be. Teachers aren't there for the money, they're there because teaching is what they want to do. No teacher will condone, facilitate, or even allow the abuse Patch dishes out to Nora, and no teacher would not only refuse to make a simple change to ease a studen's mind but also lassoo said student into tutoring someone she is afraid of.
Vee unlocked the doors to her 1995 purple Dodge Neon.
- What is it with Fitzpatz and the year, model, and make of these beat-up old cars? At the very least drop the year; NO ONE CARES. Hate to stereotype but your book will be read primarily by hormonal teenage girls. You don't need to appeal to the inner car mechanic in most of them, trust me.
I had never been seriously interested in anyone. How wierd was I? "It isn't about the boys, it's about... love. I haven't found it."
- WHAT THE FUCK. AGAIN. NOT HAVING INTENSE CRUSHES DOESN'T MAKE YOU A FREAKSHOW. GOD. (and I don't use that lightly, as an atheist.) Seriously, talk to a couple of teenagers. I personally am DAMN FUCKING PROUD to have made it to sixteen years old without a first kiss. No, I'm not shitting you. Sometimes high school boys are just stupid and not worth your time; there's no shame in that. Hell, I can name someone who shares my 'romantic state' and is two years older than I am. Assuming that all teenagers are horny little idiots and that high school 'romance' is the center of their universe makes no one look worse than the IDIOT AUTHOR.
- Now, keeping in mind that I have little romantic experience, point two. Saving yourself for your One Twoo Wuv is all well and good in fairy tales, but in real life is impractical. Like anything you pin all your hopes on, the potential for disaster is enormous. You know the saying 'the bigger they are, the harder they fall'? Applies double to expectations. Build yourself up and it'll just be worse if/when it goes wrong. And let's face it, Nora's idiot enough that it's GONNA GO WRONG.
"Someday this is going to be us. Ravished by half-dressed cowboys. I wonder what it's like to kiss a pair of sunbaked, mud-crusted lips?"
- MEMO TO VEE AND ALL ROMANCE WRITERS: 'Ravished' does not mean wild, passionate, consensual, kinky sex on a rug. It. MEANS. RAPE. I don't need to go on and on about how Rape Is Wrong. I think review readers understand that. I wish authors did. This word makes me so incredibly angry I can't even- I just can't.
My sixth sense graduated to high alert.
- I swear, 'alert' should be replaced by 'school'. At least then it would be funny. As it is, SENTENCEFAIL.
At first I couldn't distinguish any facial features, and then I realized he was wearing a ski mask.
- First off, one word: CLICHE. (This is the Review Of Much Caps.)
- 'At first' she couldn't distinguish facial features... and then she realized she couldn't distinguish facial features due to the ski mask. Okay, so why the 'at first'?
I watched with horror as the door began to bow. He was tearing- it- off.
- How much will you bet me this turns out to be Patch?
- Dramatic- dashes- do- not- achieve- effect.
Lifting my eyes just high enough to get a look at him without appearing that I was, I took in his fine-boned, handsome face. Blond hair hung at his shoulders. Eyes the color of chrome. Unshaven. Impeccably dressed in a tailored jacket over his green sweater and dark designer jeans.
- Tried to picture outfit; failed. Asked friend Fashion Maven to picture outfit; she rejected it. Conclude that 'Impeccably' doesn't mean what Fitzpatz thinks it means.
- Brought this scene up to other friend and she made good point. Why are they having breakfast at a bistro on a school morning? I could understand Vee doing this, as she doesn't give a crap for her grades, but Nora's suppsed to be Ivy-League caliber. Also, Wikipedia will tell you that bistros are defined by their food- namely things which are cooked SLOWLY. Like, say, exactly the kind of thing you really don't want to be eating when you have to be in class on time? Yeah, precisely like that.
"Mmm, check it out," said Vee. "Mr. Green Sweater is getting out of his seat. Now that's a body that hits the gym regularly. He is definitely making his way toward us, his eyes pursuing the real estate, your real estate, that is."
- Run-on sentence; the last comma should be a period.
- Editorfail: Pursuing? Or did you mean 'perusing'? Though I wouldn't put it past any of these characters to get the two mixed up... if they know the word 'perusing' in the first place...
- I have officially joined the Veehaters.
When he didn't answer, I turned sideways. "Soap. Shampoo. Hot water."
"Naked. I know the drill."
- How does this supposed supernatural creature have the exact same Awkwardness Summon abilities as a regular hormonal human teenage boy?
- SQUICK PATCH. SQUICK.
"Nora." The warning in Coach's voice pulled me back to my quiz, but I couldn't help speculating about what Patch's answer might have been, and it had me wanting to slide far away from him.
- This would have been an excellent point for Fitzpatz to show us that Nora is smart and a good student, the kind of person who would have to choose between Ivies for college. Instead, she leaves us with the telling of this we got earlier and shows us Nora as a hormonal idiot who is distracted by a guy she finds creepy. Sorry if I don't believe the characterization I was told and instead go with what I was shown.
My voice caught on the word, and I wondered if after today I would ever feel like calling Vee my friend again.
- Pity this didn't occur to Nora earlier.
- And yet this comment doesn't come into play later. Where's the ongoing doubt in Vee's trustworthiness or the value of her friendship? At the Delphic Amusement Park, for instance?
I was all alone, free do to as I pleased.
I came to a stop at the third door on the left. I sucked in a breath and knocked, but it was obvious from the darkened window that the room was empty. I pushed on the door.
- This may seem a minor nitpick, but SENTENCE VARIATION, DAMMIT. Four sentences in a row that start with 'I (past tense verb)' are amateur. Seriously, I used to pull this formulaic shit to get out of required writing assignments when I was in elementary school. Any close-reading editor should have caught this and made Fitzpatz rewrite this little section so that it was smoother and, oh, MATURE.
He jerked his chin out the door. "I need you to exit the building immediately."
- Mental image: chin flies out the door. Hilarious, but stupid.
- I dunno about Fitzpatz, but I've actually been at school during a bomb threat. And you know what they do? THEY MAKE YOU STAY PUT. You don't leave the building or even the room, especially if you're in someplace where a student shouldn't be. This reaction is ridiculous.
"All the seats here are taken," I said. When he didn't answer, I grabbed my glass back and took a sip of water, accidentally swallowing an ice cube. It burned the whole way down. "Shouldn't you be working instead of fraternizing with customers?"
- Where's the choking 'Gaaaack, gaaack' that is normal aftermath of swallowing an ice cube? Maybe it's a nitpick, but if you're going to make your main character do something like that, use all aspects of it- wouldn't it be interesting to have her embarass herself this way in front of Patch?
Even though it would probably come back to haunt me, I was curious enough about Patch to go almost anywhere with him.
"I want to get you alone," Patch said.
- Do I even have to make the comment here? Good. Because I can't compose myself enough to get past the DLSKJF; STUPID CHARACTER rant stage. So it's nice that this one speaks for itself.
He was dressed in knee-length basketball shorts and a white Nike sweatshirt.
- What kind of imbecile wears a sweatshirt to PE, when you know you'll be sweating buckets and giving off heat like nobody's business?
"Run!" my team shouted from the dugout. "Run, Nora!"
I ran.
"Drop the bat!" they screamed.
I flung it aside.
"Stay on first base!"
I didn't.
- The hell? Someone who doesn't do well in sports and doesn't like them much isn't going to go for the gusto. You take first base and you stick with it, because it's better than getting struck out. So either Nora has no strategic/logical brain at all (possible) or Patch being there completely screwed it up. (possible).
- Choppy writing supposed to be dramatic? Because it's not.
"Trust me, Dorth, there are no boys in my life." Okay, maybe there were two lurking on the fringe, circling from afar, but since I didn't know either very well, and one outright frightened me, it felt safer to close my eyes and pretend they weren't there.
- Patch OUTRIGHT FRIGHTENS HER. Feh. Warning sign much, you airhead?
- The imagery here makes both boys sound like sharks. Eeew. Not a healthy image if you expect her to fall in love with one of them.
Dorothea had moved down the hall to the powder room.
- No teenager in their right minds would seriously use the words 'powder room' in place of 'bathroom'. Sorry, no dice, Fitzpatz.
(To Be Continued in comments)(less)
It amazes me that people would be so... incompetent. Not necessarily in the sense that they can't do things, but that they seem to be incapable of realizing that things will work better if they do them, high-ranking or not.(less)
Dec 21, 2011 12:43pm
Apr 23, 2012 12:27am
Vee was totally right to try to push Nora into the arms of Patch as a man who is trying to kill you is the sort of man you need to have! A manly man!
But if you ever want feedback, I'll show you mine if you show me yours... I've got a novella coming out soon, if that gives any weight to my critiquing skills...(less)
Aug 13, 2010 06:49pm
I like when violent...more Women should go for a man who stalks her and they in turn should stalk him and chase after him even if he chases them with a knife.
I like when violent, stalkerish types find one another; keeps them out of the dating pool (i.e away from the rest of us). And with any luck they may kill each other before reproducing.(less)
May 07, 2012 10:26am
I am harsh in this review and I totally feel justified in being harsh. If you dislike that, read at your own risk.
So... there were many, many things wrong with Hush, Hush by Becca Fitzpatrick. For one, it took me a while to finish because I found most of it to be boring. Even during the "thrilling" ending, I kept finding myself putting it down. I can honestly say there was one moment in the book where I was compelled to keep reading, but that fizzled out very fast.
But to star...more NEGATIVE TEN STARS
I am harsh in this review and I totally feel justified in being harsh. If you dislike that, read at your own risk.
So... there were many, many things wrong with Hush, Hush by Becca Fitzpatrick. For one, it took me a while to finish because I found most of it to be boring. Even during the "thrilling" ending, I kept finding myself putting it down. I can honestly say there was one moment in the book where I was compelled to keep reading, but that fizzled out very fast.
But to start with, I have to bring up the very first chapter in which Nora and Patch meet. I have never met a chapter as contrived and ridiculous in my life. That chapter alone left me pining for Bella and Edward's biology scene because even though that scene was utterly ridiculous I wasn't left wanting to scream at the protagonist by the end of it. This first one with Patch and Nora would not actually have gone this way in real life (assuming the angel thing is real and all that) because any rational girl would've stopped talking to an asshole like Patch regardless of his looks. Fictional girls, it seems, are incredibly forgiving of psychotic behavior if the guy is totally hot. If he were hideous his behavior would be received very, very differently.
But since Patch is indeed hot, he's forgiven for a heck of a lot of things. Starting off there's a lot of invasion of personal space and a lot of uncomfortable innuendo within minutes of meeting him. Then we find out he knows a lot about Nora that he shouldn't know, so it's then safe to promote Patch to Creepy Stalker level. Later everything kind of flips out and Nora herself wonders if Patch is going to rape her or murder her. So this guy escalates to insane levels of Crazy very fast in this book, AND YET he is the guy the protagonist ends up falling for. Ladies, if there's ever a point in time when you genuinely fear that a guy you're into might actually rape and kill you, I think that's definitely a red flag that you might want to listen to and not entirely ignore.
Honestly, the creation of this character makes me want to stop and consider the author for a moment. Fitzpatrick seems like a genuinely lovely person. I met her once at a bookstore while I was getting a book signed by Lisa McMann. She read an excerpt of Hush, Hush and I remember thinking it sounded silly but nothing else. Little did I know I'd end up wondering what in God's name was wrong with Becca Fitzpatrick. I know, plenty of people are going to be like, "Aww don't pick on the author, it's just a story!" Except that it's a story that came out of Fitzpatrick's mind with the main guy constantly being presented as possibly being a stalker, a rapist, a murderer, and several other equally horrible things. Worse, it's never pointed out that it's totally wrong for Nora to be attracted to him. In fact the simple truth of her being attracted to him despite wondering if he's about to kill her while they're alone in an underground parking lot is already Fitzpatrick's way of validating Patch's behavior. He's psycho, but it's okay because he's hot and therefore he's a total bad boy and we all love a bad boy, so that's totally great! I... I just can't get over what an absolutely disgusting creation Patch is, and by extension how utterly disgusting his relationship with Nora is. The word "perverse" keeps coming to mind.
As for Nora, my God Nora is an idiot. I mean she's as dumb as dirt. Also she seems to be totally lacking survival instincts. Does the author know that it's not actually possible to fall in love with a guy while you genuinely fear he might kill you? The closest thing to a relationship like that is an abusive one, and usually the guy starts out pretty normal, or as a total sweetheart, and then brings on the crazy when the girl is already in a relationship with him. I have never heard of a girl falling in love with a guy after he's already freaked her out by making it clear he's wrong in the head. People don't actually function like this. Ladies, tell me, when's the last time you dealt with a boyfriend that turned out to be cray-cray? I'm guessing the deal was that he started out fine and then showed his true colors so y'all probably had to take a step back and say, "Whoaa, this ain't right". Now tell me, when's the last time you met a man that seriously made you fear for your safety but then gave you an intense urge to swoon without ever removing that sense of fearing for your safety? These feelings don't ever mix, not when they're genuine, it makes no sense for them to do so. You can't actually feel attraction to someone while you're worrying about your life. Your brain can't function to first say, "Oh god he's got me cornered in a parking lot and he's blocking the only exit" and then say, "I'd love to make out with him!" It doesn't make sense, and since this is Nora's behavior throughout the book, that's pretty much why I've labeled her an idiot.
Let me give you more examples on this. She finds out about Dabria, right? Patch's ex, so she asks him if they dated, and look:
I wasn't sure I wanted to hear his answer. Not that it mattered. Now that I knew Patch wanted to kill me, it was ridiculous that I even cared. (p.300)
Why do you care? WHY ARE YOU SITTING WITH HIM TALKING ABOUT EX-GIRLFRIENDS IF YOU KNOW HE WANTS TO KILL YOU? Oh, oh and then she's given a guarantee that Patch is an angel, so she moves on to thinking, Oh man you're a bad boy and So was that Miss Greene chick your ex? I don't know about you guys, but if I met a fallen angel I'd flip my shit asking about God and heaven and other angels and the history of mankind from their view, etc. I would NOT be worrying about this dude's ex-girlfriend and how jealous that might make me feel.
And finally, the cherry on top:
Patch was far below on the gym floor, still as death. Right then, I wanted to go back in time and relive every moment with him. (p. 378)
So she wants to relive the moment in which he chased her around a car in an underground parking lot knowing she was afraid he might kill or rape her. She wants to relive the moment they were in a hotel room and he pinned her to the bed and talked about wanting to kill her. Doesn't this all just make you want to sob for these two poor lovers?
Moving on. As far as Vee goes, she's a useless friend that didn't even really need to be in this story except to function as proof that someone wanted to harm Nora and then as bait for Nora to actually be harmed. In the role of actually being a friend, she totally failed every chance she got.
Oh, and the villains. Man, they sucked. Also, they were kind of cheesy. Also, they sucked. You know that one moment I mentioned above that I felt compelled to read? It was when there was the possibility of a murder mystery happening, with us readers wondering if Elliott killed his girlfriend. Well, I personally love murder mysteries, they are complete crack to me, so I was starting to enjoy this until Nora got sidetracked again by the temptation of making out with Patch-- you know, the guy she thinks might want to murder her?-- Anyway, Jules and Elliott were underwhelming, I think they should've had more screen time and more development. As it is they felt tacked on to a story line that didn't have much of a plot. (Same for Dabria, I totally forgot she was in this book for a moment there.) If anything, they were particularly laughable at times:
"The plan was to kill you on the camping trip, but Elliott failed to convince you to come," Jules said. "Earlier today, I followed you out of Blind Joe's and shot you. Imagine my surprise when I found I'd killed a bag lady dressed in your coat." (p.365)
Seriously, worst villains ever. It's like Fitzpatrick realized she had to throw some bad guys in or else she'd have nothing but scenes in which Nora thinks Patch might kill her and scenes in which Nora really wants to make out with Patch.
The writing in general was bad. Fitzpatrick makes awkward, silly sentences. For example:
His smile wasn't friendly. It was a smile that spelled trouble. With a promise. (p.11)
I mean what the hell kind of description of a smile is that? Also:
"What exactly did she tell you when you met with her?"
"To stay away from you. She hinted at your dark and dangerous past." (p.315)
When I read that part I laughed so hard. Who actually says that? It would be more natural to say, "She hinted you've had some issues in the past", but she decided to go the more cheesy way with "dark and dangerous". This author's sentences were so often awkward and unintentionally funny that it makes me wonder if she ever took a critical writing course.
There was so much more that was wrong with this book, but I've think I made it clear that I completely hated it. I would recommend it to absolutely no one. (less)
Thank you!
Mar 12, 2013 10:32am
There was once a girl who was always judged by her body. First, it was the comments about her breasts and butt in second and third grade by her own mom and aunts. She didn't mind that, because, you know, her aunts were just being constructive. There's no harm on being constructive. Their comments were easy to brush away with a smile and with a "Yes, I know I'm developing". Her mom was extremely skinny so it was very easy to see the "difference". Then, some middle school...more Actual rating: 1.5/5 stars
There was once a girl who was always judged by her body. First, it was the comments about her breasts and butt in second and third grade by her own mom and aunts. She didn't mind that, because, you know, her aunts were just being constructive. There's no harm on being constructive. Their comments were easy to brush away with a smile and with a "Yes, I know I'm developing". Her mom was extremely skinny so it was very easy to see the "difference". Then, some middle schoolers (at that time) started to bully her. Most of them were comments about her "growing up to be a whore" because, according to them, a girl developing breasts wants to have sex. They took advantage of that. When she was walking down the halls, they pushed her down to see her underwear (it was inevitable; her uniform is supposed to be consisted with a skirt). The "games" turned more violent: Throwing salt directly to her eyes was one of them. The girl try to explain to her teachers what was going on, but the guys always denied the acts and sometimes told them they were "just kidding around". The teachers believed them over her. It all ended, when, at the playground, she made them trip with a branch from a tree while they were playing soccer. They told the teachers what she did, but she denied it all. The teacher believed her this time. They learned to never mess with her again.
A few years later, she enter middle school (Middle school being 7th grade for her). She thought that middle school was going to be the best years of her life.
She was wrong.
It all started when a fat, arrogant-looking guy asked her to be his girlfriend. She said no.
The next day, everyone was backing away from her.
Apparently, there were rumors about her being promiscuous with teachers, some other students, and the notorious ugly guys. Her male classmates were smirking at her, even go as far as saying out loud that they had a great time with her "that night". Boys, she thought. Nobody is going to listen to them. Unfortunately, everyone listened. Whispers about her being a "slut", "whore," and "easy" were everywhere. A wannabe girl-posse insulted her daily. And let's not forget that the guy who started all this was part of the bullying. When she tried to tell someone about it, some told her that she should be flattered that guys are actually considering sleeping with her. Even if those were lies. She felt that she didn't have any hope; her self-esteem was really low. She felt that she was worth nothing. She actually put up with all of it for a year and a half.
Middle school ended and she entered high school. Her bullies weren't at the same high school as hers, so everything was extremely better. She got a little stronger and wittier and realized there was hope.
That girl was me.
Before you start getting angry at me for adding a personal event in this review, I'm going to ask you this: What if this was happening to your sister? Or your cousin? Or a very close friend of yours?
What if someone you know was being victimized because of the way they were dressed, their sex life, or even by false rumors?
Think about it.
What's does this have to do with Hush,Hush?
I'm glad you asked me that. Hush, Hush is the perfect example on why our society is going in ruins. This book promotes the events mentioned as something romantic.

For real?
Unfortunately, I am. According to Becca Fitzpatrick, if a guy wants to rape you, victimize you, make you feel uncomfortable with cat-calls and sexual harassment, it means that you should stop being a wuss and love him. Blimey! So that means I'd been doing it wrong all this time?!

You don't believe me? Okay. You asked for it. Nora Grey is our heroine. Said heroine feels uncomfortable when certain guy named Patch (Not kidding) starts sexually harassing her. She complains about it to her teacher (Who took it as nothing more than nagging) and to her best friend, Vee (Who told her that she was exaggerating). No hope for Nora. Then, things are starting to happen (murder and shit) and somehow it is related to Patch. Nora stalks him--and he does as well--to uncover his secrets. Apparently stalking is still romantic! She falls for him (even though he has insulted her, acted like a pig towards her, almost raped her, and wanted to murder her) and he falls for her as well.
What the flying fuck?
Why do authors keep on insisting on doing the "mysterious, bad boy"--who is really nothing more than a sexist asshole--as a romantic interest? It's not making me swoon, it's not making me want him. It's only making me furious and murderous. Is that what sells? An unhealthy co-dependent, lustful, shallow relationship? Clearly. You see Twilight, Halo, The Immortals and Hush, Hush on the New York Times Best-Selling list for many weeks. Of course it sells!
Books are very powerful and subliminal. The messages in those books can influence the young adult mind and make them think that the relationship from these books are healthy because they're portrayed as romantic and sweet.
Words are powerful. Never forget that.
Moving on. . .
The writing was alright, but when I come across with sentences like "eyes that don't play by the rules", I actually question the quality of it, and I conclude that it is mediocre. There were no grammar mistakes, as far as I'm concern.
Nora Grey is one of the most flat, whiny characters I'd ever read. She's nosy, hypocrite, and annoying. She wants to know everybody's business, especially Patch's. She calls Vee "curvy" when it's obvious she wants to call her "fat". There's nothing wrong with being honest. Say with me now! Fat. FAT. FAT! That wasn't so hard, was it? There's a possibility that Nora suffers from psychosis, paranoia and schizophrenia. She's extremely delusional and crazy. First, she wants to kill Patch, then she thinks he's hot, then she thinks he is an asshole, but then SHE WANTS TO KISS HIM!! And that happens in just 1-2 pages. And apparently, Nora suffers from geophagy. She tends to talk about Patch's "dark earth" smell. Ew! Who wants to smell like dirt? Who even likes the smell of dark dirt? Well, you know who . . .
Thanks a lot for the images, Fitzpatrick.
The only way I can believe the chain of events happening in this book was if Nora Grey was actually declared batshit crazy. That's it. A sane person does not narrate like that.
She actually reminds me of this guy:

Yeah.
Vee was funny. At the beginning. Then, she turned into a vapid parody of shallow girls and I loathed her from that moment. Your best friend is in danger? Who cares! Someone wants to kill your best friend! Who cares! I'm going to party with the people that are stalking my friend. Patch Cipriano might be the one doing the murders? Um, what are you talking about? Everybody knows that hot guys do no wrong!
UUUUUUUUUUUUUUUUGH.
And Patch? Ha! I want to say one thing to him:

I don't care how hot he is, he is a disgusting, sexist pig. I don't care if he is a fallen angel, he is still awful.
I'll never understand the people swooning over him.
And Coach McConaughy? UGH, I hated him more than anyone else. Who gave that guy a teaching job? The only thing he cares about is his students getting laid. And getting sexually harassed because something is something, right? NO. I wanted that guy fired!! And he even said this:
"Men are attracted to beauty because it indicates health and youth--no point mating with a sickly woman who won't be around to raise the children." Pg. 36
Rage. RAGE. RAGE.
And why in the hell is sex education doing in biology class? This is nothing more than an excuse to be a Twilight rip-off and to talk about SEX.
Misogyny, rape culture, and faking bombs to check the files of someone else, and more are in this book. You're very, very, very fucked Becca Fitzpatrick. I don't care if i'm not "Being Nice", I'm saying my own honest opinion.
But, I am going to say a few good things:
Fitzpatrick can tell a story. It had great suspense and was unpredictable at times. Even though, I could predict most of the plot events, the twists jumped at me! And holy shit! I never saw the real villain coming! I was like:

AAAAAAAAAAAAAHHHHHHH!!!!!
Even though that was good, the book really, really sucked very HARD.
Then, why did you bought it? Because of this:

Just look at it! It was $4.99!! I couldn't resist!!
Damn you, temptations. Damn you very much.
I suffered because I didn't listen. My curiosity got the best of me . . .and I suffered.

Why do I do this to myself?!
"More?" he asked.
More."

I DON'T WANT MORE!! But I have to.
I already started it.

UPDATE 7/09/12: Click here for my review of the graphic novel version.(less)

In all seriousness, though, yeah. I. Hated. Patch.
Aug 13, 2012 02:36pm
Patch is the definition of those annoying boys who think cat-calling and sexual harassment is the way to get girls.
Once again, what's so hot...more Ugh, yeah.
Patch is the definition of those annoying boys who think cat-calling and sexual harassment is the way to get girls.
Once again, what's so hot about him?
And a GOODREADS BESTIE? :O YAY! ^-^(less)
updated Aug 13, 2012 02:46pm
Nora Gray is the typical over-achieving high school girl in the sense that she aims to go Yale, has a best friend, and has a somew...more *Important update, 8/13/2011: I read this book a year and a half ago and gave it five stars. Like Evermore, I don't feel like rereading the book to assign it a rating more akin to my current tastes. If I did I would probably give it three or four stars. You can read my review from a long time ago below, though I would recommend reading other more cultivated reviews...
Nora Gray is the typical over-achieving high school girl in the sense that she aims to go Yale, has a best friend, and has a somewhat dysfunctional family. Even her name seems synonymous with plain and simple. However, the reasons that Nora isn't the typical high school girl are many: she is independent, even at her age, because her mom travels a lot after her dad passed away. Her best friend Vee is obsessed with all the things Nora chooses to ignore - boys, shopping, and drama. And Nora is about to experience her first taste of real danger in the delectable Patch Cipriano, the sexy, mysterious boy she finds herself sitting next to in biology class one morning. Patch radiates tall, dark, and handsome, and the following day Nora realizes that she seems to be seeing him... everywhere.
Hush, Hush deserved a much better synopsis than that. However, it's difficult to entail all the things in the plot that make the book magnificent without spoilers appearing. So that will have to do. Even though the multiple summaries of the book and maybe even the book jacket allude to this book being the typical "girl meets dangerous boy" type or ordeal, it isn't. It really isn't.
I have to gush about Patch. Once again I don't want to give anything a way so my description might be vague but he's the type that would make any teenage girl or maybe even questioning boy swoon and blush along with Nora. He was the epitome of sexy and mysterious without overdoing it, he never became too much like other guys in other YA fiction, he was always dark and throughout the book questionable in a mysteriously appealing way. Patch Cipriano is just... wow. Definitely in my top 10 male characters of all time.
Also, I really enjoyed Nora and Vee's friendship. Everything they did together, whether is was arguing about boys or skipping out on their diets together was just so real, and never forced. As a teenager I could easily distinguish between an author trying to hard to create a friendship, and an author who really hits the nail on the head. Fitzpatrick did just that - I always looked forward to and enjoyed their shared dialogue. Actually, all the characters in this book were great and more than just one-dimensional archetypes. Even the antagonist, who is sure to surprise readers by the end of the novel.
The plot... wow, it was amazing. The story hooked me in and never let me go. I've said this about other novels but Hush, Hush was absolutely terrific. Even the most simple scenes were described with an underlying sense of terror and intrigue, the whole book flowed together smoothly and there were never dull moments or overstated moments.
So taking all things into consideration I would recommend this book to... everyone. I think it's important to get the point across that this book isn't a typical girl meets boy love story with a dark edge, it's much more than that. It has all the elements that make reading a book worthwhile - fascinating descriptions of scenery, terrific writing, intriguing characters, and an addicting plot that includes a modern civilization intertwined with a supernatural world. (less)
Jun 17, 2012 07:57am
Jun 28, 2012 01:17pm
I won't lie to you, it was minorly enjoyable when I read this book, but the more I read, the more the problems seemed to laugh in my face.
I've read the reviews so I wasn't expecting much from this book. but still, I was surprised. There were so many things wrong with it. One of my main problems is Nora. I can't understand why she lets patch(and everyone else that walks the earth) walk all over her, despite the reviews, I held onto hope. I was waiting throughout the book for the groin...more OH.HOT.DAMN.
I won't lie to you, it was minorly enjoyable when I read this book, but the more I read, the more the problems seemed to laugh in my face.
I've read the reviews so I wasn't expecting much from this book. but still, I was surprised. There were so many things wrong with it. One of my main problems is Nora. I can't understand why she lets patch(and everyone else that walks the earth) walk all over her, despite the reviews, I held onto hope. I was waiting throughout the book for the groin kicking, the karate kicking, the "Get the fuck away from me you sick freak!" Alas, it NEVER happened. She still allowed that bastard to walk all over her. It ws annoying because if someone kept cornering me, sexually harrassing me, and treating me like I was dirt, I would NOT be turned on. I would be learning karate and be ready to open a can of whopass. I would be packing mace, guardogs, and a switchblade. Because Patch is singlehandedly the worst loveinterest I have read about. However, Nora simply gets more turned on because of how hot and "bad" Patch is. but mostly how hot he is because that makes up for everything.

Isn't that the truth. Because of how hot Patch is, Nora continues to take his shit.
My next problem the grammar. Now don't think for one second that grammar flaws are my pet peeve. They're not. I don't give a shit about grammar because in my manuscript i have a lot of errors. Get that fitzpatrick? IN MY MANUSCRIPT. The uncorrected version of my book. However, in fitzpatrick's darling piece of shit where sexual abuse flies as long as the abuser is hot, grammar is completly ignored. I've said it before and I'll say it again. I don't give a shit about grammar but this was so bad that I spent more time mentally correcting sentences than consciously reading. Yeah, it was that bad. Bad enough it has you thinking "how did this get past a fucking editor?" I am so not shitting you. I was rereading sentences just to understand what was going on. Now I could go on and on about what a complete and utter fail this book is but I'd just be wasting valuble time. And I've wasted enough of it reading this poorly edited novel. (less)
Even though this book has been lumped into the YA category, it definitely felt more like an adult-minded para romance to me.
I love a good vampire story as much as the next para-junkie, but I have to say I now have a major weakness for fallen angels as well.
While I can understand some people making comparisons between this book and Twilight (dark, brooding hero, and a heroine who, against her better judgment, can't keep herself from being drawn into the hero's mysterious world). But, i...more 5+++ Stars
Even though this book has been lumped into the YA category, it definitely felt more like an adult-minded para romance to me.
I love a good vampire story as much as the next para-junkie, but I have to say I now have a major weakness for fallen angels as well.
While I can understand some people making comparisons between this book and Twilight (dark, brooding hero, and a heroine who, against her better judgment, can't keep herself from being drawn into the hero's mysterious world). But, in my own humble opinion, Hush Hush is a far superior book. Yes this book has a few faults (the bad guy is far too easy to figure out, and there are a few continuity issues that pop up), but they obviously didn't bother me that much since i basically read this book in one sitting.
And finally, let me just say this...Patch is one helluva hero. He's a full-on sexy badass, and I loved him to pieces.
Here's hoping November comes quickly, so i can devour the 2nd book in the series. (less)
Sounded pretty hostile to me...but thanks for...more Zeja wrote: "I just have a few thigs to say here, since I won't be hostile about someone else's review. "
Sounded pretty hostile to me...but thanks for sharing. *eye roll*(less)
Sep 05, 2011 01:09pm
Sounded pretty hostile to me......more Holly wrote: "Zeja wrote: "I just have a few thigs to say here, since I won't be hostile about someone else's review. "
Sounded pretty hostile to me...but thanks for sharing. *eye roll*"
Looking back on it, my comment was pretty hostile, and for that I apologize. I wrote that before I understood the Goodreads concept of "trolling".(less)
Sep 06, 2011 08:00am
The thing about the angel lore that weirded me out the most was how Patch acted (view spoiler)[becomi...more Don't mind me, just chiming in two years later...
The thing about the angel lore that weirded me out the most was how Patch acted (view spoiler)[becoming a guardian angel- that he still was using sexual innuendos with Nora seemed really off to me. Just doesn't seem like very angelic behavior. (hide spoiler)] It felt like the author was more capitalizing on the popularity of the paranormal genre than trying to construct an intelligent, complex system.(less)
Apr 06, 2012 08:50pm
:).
I agree. It bugs me all these angelic characters who act very un-angelic like. What...more Erin wrote: "Don't mind me, just chiming in two years later..."
:).
I agree. It bugs me all these angelic characters who act very un-angelic like. What disappoints me about Fitzgerald is that she is religious so I expect more from her.(less)
Apr 06, 2012 09:38pm
| topics | posts | views | last activity | |
|---|---|---|---|---|
| HUSH HUSH WORD GAME | 9862 | 1265 | 53 minutes ago | |
| shud i read this series?? | 7 | 12 | 8 hours, 0 min ago | |
| Hush Hush Playlist | 52 | 276 | 13 hours, 37 min ago | |
| Who would play Patch in a movie? | 478 | 1156 | 16 hours, 8 min ago | |
| Patch's innuendos | 4 | 38 | May 19, 2013 11:47pm | |
| Is it just me or did Patch's bad boy attitude automatically make him sexy even if you hadn't seen him? | 9 | 28 | May 19, 2013 11:44pm | |
| When do you think that Patch really started to love Nora? | 15 | 109 | May 19, 2013 11:38pm |
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27 quizzes
It’s called a shower.” I was staring straight ahead. When he didn’t answer, I turned sideways. “Soap. Shampoo. Hot water.”
Naked. I know the drill.”

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May 16, 2013 03:10pm
May 16, 2013 05:40pm