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  <title><![CDATA[Microfictions (Latin American Women Writers)]]></title>
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  <description><![CDATA[&lt;DIV&gt;&lt;DIV&gt;Cinderella’s sisters surgically modify their feet to win the prince’s love. A werewolf gathers up enough courage to visit a dentist. A medium trying to reach the afterworld gets a recorded message. A fox and a badger compete to out-fool each other. Whether writing of insomnia from a mosquito’s point of view or showing us what happens <em>after</em> the princess kisses the frog, Ana María Shua, in these fleet and incandescent stories, is nothing if not pithy—except, of course, wildly entertaining. Some as short as a sentence, these microfictions have been selected and translated from four different books. Flashes of insight, cracks of wit, twists of logic, and quirks of language: these are fictions in the distinguished Argentinean tradition of Borges and Cortázar and Denevi, as powerful as they are brief.&lt;DIV&gt; &lt;DIV&gt;One of Argentina’s most prolific and distinguished writers, and acclaimed worldwide, Shua displays in these microfictions the epitome of her humor, riddling logic, and mastery over our imagination. Now, for the first time in English, the fox transforms itself into a fable, and “the reader is invited to find the tail.”&lt;/DIV&gt; (20090715)]]></description>
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        <name><![CDATA[Ana Maria Shua]]></name>
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    <![CDATA[Microfictions]]>
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    <![CDATA[&lt;DIV&gt;&lt;DIV&gt;Cinderella’s sisters surgically modify their feet to win the prince’s love. A werewolf gathers up enough courage to visit a dentist. A medium trying to reach the afterworld gets a recorded message. A fox and a badger compete to out-fool each other. Whether writing of insomnia from a mosquito’s point of view or showing us what happens <em>after</em> the princess kisses the frog, Ana María Shua, in these fleet and incandescent stories, is nothing if not pithy—except, of course, wildly entertaining. Some as short as a sentence, these microfictions have been selected and translated from four different books. Flashes of insight, cracks of wit, twists of logic, and quirks of language: these are fictions in the distinguished Argentinean tradition of Borges and Cortázar and Denevi, as powerful as they are brief.&lt;DIV&gt; &lt;DIV&gt;One of Argentina’s most prolific and distinguished writers, and acclaimed worldwide, Shua displays in these microfictions the epitome of her humor, riddling logic, and mastery over our imagination. Now, for the first time in English, the fox transforms itself into a fable, and “the reader is invited to find the tail.”&lt;/DIV&gt; (20090715)]]>
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  <read_at>Fri Jul 31 00:00:00 -0700 2009</read_at>
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    <body><![CDATA[These short short stories, little excerpts are mainly forays into the absurd with the occasional glimpse at the profound. Breezing through the nonesense you might cross paths with a passage like this which tie fables to common sense:<br/><br/>&quot;Two scoundrels sell a treasure map to a fool. The...<a href="http://www.goodreads.com/review/show/64778346">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/64778346]]></url>
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    <![CDATA[Microfictions]]>
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    <![CDATA[&lt;DIV&gt;&lt;DIV&gt;Cinderella’s sisters surgically modify their feet to win the prince’s love. A werewolf gathers up enough courage to visit a dentist. A medium trying to reach the afterworld gets a recorded message. A fox and a badger compete to out-fool each other. Whether writing of insomnia from a mosquito’s point of view or showing us what happens <em>after</em> the princess kisses the frog, Ana María Shua, in these fleet and incandescent stories, is nothing if not pithy—except, of course, wildly entertaining. Some as short as a sentence, these microfictions have been selected and translated from four different books. Flashes of insight, cracks of wit, twists of logic, and quirks of language: these are fictions in the distinguished Argentinean tradition of Borges and Cortázar and Denevi, as powerful as they are brief.&lt;DIV&gt; &lt;DIV&gt;One of Argentina’s most prolific and distinguished writers, and acclaimed worldwide, Shua displays in these microfictions the epitome of her humor, riddling logic, and mastery over our imagination. Now, for the first time in English, the fox transforms itself into a fable, and “the reader is invited to find the tail.”&lt;/DIV&gt; (20090715)]]>
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    <body><![CDATA[i should like this]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/76519899]]></url>
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      <review>
  <id>49704991</id>
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    <name><![CDATA[Sarah]]></name>
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  <title>
    <![CDATA[Microfictions]]>
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  <average_rating>3.20</average_rating>
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    <![CDATA[&lt;DIV&gt;&lt;DIV&gt;Cinderella’s sisters surgically modify their feet to win the prince’s love. A werewolf gathers up enough courage to visit a dentist. A medium trying to reach the afterworld gets a recorded message. A fox and a badger compete to out-fool each other. Whether writing of insomnia from a mosquito’s point of view or showing us what happens <em>after</em> the princess kisses the frog, Ana María Shua, in these fleet and incandescent stories, is nothing if not pithy—except, of course, wildly entertaining. Some as short as a sentence, these microfictions have been selected and translated from four different books. Flashes of insight, cracks of wit, twists of logic, and quirks of language: these are fictions in the distinguished Argentinean tradition of Borges and Cortázar and Denevi, as powerful as they are brief.&lt;DIV&gt; &lt;DIV&gt;One of Argentina’s most prolific and distinguished writers, and acclaimed worldwide, Shua displays in these microfictions the epitome of her humor, riddling logic, and mastery over our imagination. Now, for the first time in English, the fox transforms itself into a fable, and “the reader is invited to find the tail.”&lt;/DIV&gt; (20090715)]]>
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  <read_at>Wed Sep 09 00:00:00 -0700 2009</read_at>
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    <body><![CDATA[I love love loved this book.<br/>The little flashes of story were just great.<br/>I would read more of her work.]]></body>
    
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    <![CDATA[Microfictions]]>
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  <average_rating>3.20</average_rating>
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    <![CDATA[&lt;DIV&gt;&lt;DIV&gt;Cinderella’s sisters surgically modify their feet to win the prince’s love. A werewolf gathers up enough courage to visit a dentist. A medium trying to reach the afterworld gets a recorded message. A fox and a badger compete to out-fool each other. Whether writing of insomnia from a mosquito’s point of view or showing us what happens <em>after</em> the princess kisses the frog, Ana María Shua, in these fleet and incandescent stories, is nothing if not pithy—except, of course, wildly entertaining. Some as short as a sentence, these microfictions have been selected and translated from four different books. Flashes of insight, cracks of wit, twists of logic, and quirks of language: these are fictions in the distinguished Argentinean tradition of Borges and Cortázar and Denevi, as powerful as they are brief.&lt;DIV&gt; &lt;DIV&gt;One of Argentina’s most prolific and distinguished writers, and acclaimed worldwide, Shua displays in these microfictions the epitome of her humor, riddling logic, and mastery over our imagination. Now, for the first time in English, the fox transforms itself into a fable, and “the reader is invited to find the tail.”&lt;/DIV&gt; (20090715)]]>
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  <published>2009</published>
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  <date_added>Tue Dec 15 15:41:00 -0800 2009</date_added>
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    <![CDATA[&lt;DIV&gt;&lt;DIV&gt;Cinderella’s sisters surgically modify their feet to win the prince’s love. A werewolf gathers up enough courage to visit a dentist. A medium trying to reach the afterworld gets a recorded message. A fox and a badger compete to out-fool each other. Whether writing of insomnia from a mosquito’s point of view or showing us what happens <em>after</em> the princess kisses the frog, Ana María Shua, in these fleet and incandescent stories, is nothing if not pithy—except, of course, wildly entertaining. Some as short as a sentence, these microfictions have been selected and translated from four different books. Flashes of insight, cracks of wit, twists of logic, and quirks of language: these are fictions in the distinguished Argentinean tradition of Borges and Cortázar and Denevi, as powerful as they are brief.&lt;DIV&gt; &lt;DIV&gt;One of Argentina’s most prolific and distinguished writers, and acclaimed worldwide, Shua displays in these microfictions the epitome of her humor, riddling logic, and mastery over our imagination. Now, for the first time in English, the fox transforms itself into a fable, and “the reader is invited to find the tail.”&lt;/DIV&gt; (20090715)]]>
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    <![CDATA[Microfictions]]>
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  <average_rating>3.20</average_rating>
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    <![CDATA[&lt;DIV&gt;&lt;DIV&gt;Cinderella’s sisters surgically modify their feet to win the prince’s love. A werewolf gathers up enough courage to visit a dentist. A medium trying to reach the afterworld gets a recorded message. A fox and a badger compete to out-fool each other. Whether writing of insomnia from a mosquito’s point of view or showing us what happens <em>after</em> the princess kisses the frog, Ana María Shua, in these fleet and incandescent stories, is nothing if not pithy—except, of course, wildly entertaining. Some as short as a sentence, these microfictions have been selected and translated from four different books. Flashes of insight, cracks of wit, twists of logic, and quirks of language: these are fictions in the distinguished Argentinean tradition of Borges and Cortázar and Denevi, as powerful as they are brief.&lt;DIV&gt; &lt;DIV&gt;One of Argentina’s most prolific and distinguished writers, and acclaimed worldwide, Shua displays in these microfictions the epitome of her humor, riddling logic, and mastery over our imagination. Now, for the first time in English, the fox transforms itself into a fable, and “the reader is invited to find the tail.”&lt;/DIV&gt; (20090715)]]>
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