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Emma Bee Bernstein was born in 1985 and grew up on the upper west side of Manhattan. She graduated in June 2007 from the University of Chicago with a BA with honors in Visual Arts & Art History. She wrote her senior thesis on feminism and fashion in contemporary photography, and showed her Masquerade series as part of her senior thesis show. She also exhibited her photographs at A.I.R. Gallery in NYC, the Smart Museum in Chicago, and in numerous student exhibitions at the University of Chicago. She was featured in the New York Times for her work in Vita Excolatur, a University of Chicago erotica magazine and wrote an article on feminist art for M/E/A/N/I/N/G Online #4. Emma was the star of the film Emma's Dilemma, directed by Henry Hills, in which she interviews dozens of artists from the downtown NYC scene. She worked as a curatorial assistant in the Photography, Contemporary Art, and Prints & Drawings departments at the Art Institute of Chicago, at the Renaissance Society, and was a docent at the Smart Museum, the Metropolitan Museum of Art, and the Brooklyn Museum. She worked as a Teaching Artist at the Museum of Contemporary Art in Chicago, and was an involved mentor and teacher for Step Up Women's Network. With Nona Willis Aronowitz, Emma conceived the GIRLdrive project: a cross-country trip to interview and photograph a multitude of diverse women, reflecting on the present state of feminism and social activism. GIRLdrive has a blog and is a forthcoming book from Seal Press. Emma died in December 2008 at the Peggy Guggenheim Collection in Venice, Italy, where she had an internship. Emma is survived by her parents Susan Bee and Charles Bernstein and her brother Felix.

Susan Bee is a painter, editor, and book artist living in NYC. She has a solo show of paintings at A.I.R. Gallery in Dumbo, Brooklyn, from Feb. 4-March 1, 2009. She is co-editor of M/E/A/N/I/N/G: An Anthology of Artists Writings, Theory, and Criticism (Duke, 2000) and co-edits M/E/A/N/I/N/G Online. Granary Books has published six of her artist's books. She teaches in the School of Visual Arts MFA in Art Criticism and Writing program. Click here for her website.

Marjorie Perloff is Sadie D. Patek Professor Emerita of Humanities at Stanford University and currently Scholar-in-Residence at the University of Southern California. She teaches courses and writes on twentieth—and now twenty-first—century poetry and poetics, both Anglo-American and from a Comparatist perspective, as well as on intermedia and the visual arts. Her first three books dealt with individual poets—Yeats, Robert Lowell, and Frank O’Hara; she then published The Poetics of Indeterminacy: Rimbaud to Cage (1981), a book that has gone through a number of editions, and led to her extensive exploration of avant-garde art movements in The Futurist Moment: Avant-Garde, Avant-Guerre, and the Language of Rupture (1986, new edition, 1994), and subsequent books (13 in all), the most recent of which is Differentials: Poetry, Poetics, Pedagogy (2005). Radical Artifice: Writing Poetry in the Age of Media (1992) has been used in classrooms studying the “new” digital poetics, and 21st Century Modernism (Blackwell 2002) is a manifesto of Modernist Survival. Wittgenstein’s Ladder brought philosophy into the mix and Perloff has recently published her cultural memoir The Vienna Paradox (2004), which has been widely discussed. She has been a frequent reviewer for periodicals from TLS and The Washington Post to all the major scholarly journals, and she has lectured at most major universities in the U.S. and at European, Asian, and Latin American universities and festivals. Perloff has held Guggenheim, NEH, and Huntington fellowships, served on the Advisory Board of the Stanford Humanities Center, and has just completed her year as President of the Modern Language Association. She is a member of the American Academy of Arts and Sciences and recently was named Honorary Foreign Professor at the Beijing Modern Languages University. She received an Honorary Degree from Bard College in May 2008.

This is the fourth book in The Elders Series and the 121st book in the overall Belladonna reading series.]]> 6294024 1 6478397 1 3 2009 The Belladonna Elders Series #4 total:9|5:9| 9 45 15 0 2776942 4.62 21 3 136674 4.42 31 2 53632 4.07 379 17 80354336 1756075 6294024 0976485796 9780976485797 0 http://photo.goodreads.com/books/1235660452m/6294024.jpg http://photo.goodreads.com/books/1235660452s/6294024.jpg http://www.goodreads.com/book/show/6294024.The_Belladonna_Elders_Series_4 5.00 9
Emma Bee Bernstein was born in 1985 and grew up on the upper west side of Manhattan. She graduated in June 2007 from the University of Chicago with a BA with honors in Visual Arts & Art History. She wrote her senior thesis on feminism and fashion in contemporary photography, and showed her Masquerade series as part of her senior thesis show. She also exhibited her photographs at A.I.R. Gallery in NYC, the Smart Museum in Chicago, and in numerous student exhibitions at the University of Chicago. She was featured in the New York Times for her work in Vita Excolatur, a University of Chicago erotica magazine and wrote an article on feminist art for M/E/A/N/I/N/G Online #4. Emma was the star of the film Emma's Dilemma, directed by Henry Hills, in which she interviews dozens of artists from the downtown NYC scene. She worked as a curatorial assistant in the Photography, Contemporary Art, and Prints & Drawings departments at the Art Institute of Chicago, at the Renaissance Society, and was a docent at the Smart Museum, the Metropolitan Museum of Art, and the Brooklyn Museum. She worked as a Teaching Artist at the Museum of Contemporary Art in Chicago, and was an involved mentor and teacher for Step Up Women's Network. With Nona Willis Aronowitz, Emma conceived the GIRLdrive project: a cross-country trip to interview and photograph a multitude of diverse women, reflecting on the present state of feminism and social activism. GIRLdrive has a blog and is a forthcoming book from Seal Press. Emma died in December 2008 at the Peggy Guggenheim Collection in Venice, Italy, where she had an internship. Emma is survived by her parents Susan Bee and Charles Bernstein and her brother Felix.

Susan Bee is a painter, editor, and book artist living in NYC. She has a solo show of paintings at A.I.R. Gallery in Dumbo, Brooklyn, from Feb. 4-March 1, 2009. She is co-editor of M/E/A/N/I/N/G: An Anthology of Artists Writings, Theory, and Criticism (Duke, 2000) and co-edits M/E/A/N/I/N/G Online. Granary Books has published six of her artist's books. She teaches in the School of Visual Arts MFA in Art Criticism and Writing program. Click here for her website.

Marjorie Perloff is Sadie D. Patek Professor Emerita of Humanities at Stanford University and currently Scholar-in-Residence at the University of Southern California. She teaches courses and writes on twentieth—and now twenty-first—century poetry and poetics, both Anglo-American and from a Comparatist perspective, as well as on intermedia and the visual arts. Her first three books dealt with individual poets—Yeats, Robert Lowell, and Frank O’Hara; she then published The Poetics of Indeterminacy: Rimbaud to Cage (1981), a book that has gone through a number of editions, and led to her extensive exploration of avant-garde art movements in The Futurist Moment: Avant-Garde, Avant-Guerre, and the Language of Rupture (1986, new edition, 1994), and subsequent books (13 in all), the most recent of which is Differentials: Poetry, Poetics, Pedagogy (2005). Radical Artifice: Writing Poetry in the Age of Media (1992) has been used in classrooms studying the “new” digital poetics, and 21st Century Modernism (Blackwell 2002) is a manifesto of Modernist Survival. Wittgenstein’s Ladder brought philosophy into the mix and Perloff has recently published her cultural memoir The Vienna Paradox (2004), which has been widely discussed. She has been a frequent reviewer for periodicals from TLS and The Washington Post to all the major scholarly journals, and she has lectured at most major universities in the U.S. and at European, Asian, and Latin American universities and festivals. Perloff has held Guggenheim, NEH, and Huntington fellowships, served on the Advisory Board of the Stanford Humanities Center, and has just completed her year as President of the Modern Language Association. She is a member of the American Academy of Arts and Sciences and recently was named Honorary Foreign Professor at the Beijing Modern Languages University. She received an Honorary Degree from Bard College in May 2008.

This is the fourth book in The Elders Series and the 121st book in the overall Belladonna reading series.]]> 2009 0 0 false Tue Dec 08 17:54:21 -0800 2009 Tue Dec 08 17:54:21 -0800 2009 67836888 135122 6294024 0976485796 9780976485797 0 http://photo.goodreads.com/books/1235660452m/6294024.jpg http://photo.goodreads.com/books/1235660452s/6294024.jpg http://www.goodreads.com/book/show/6294024.The_Belladonna_Elders_Series_4 5.00 9
Emma Bee Bernstein was born in 1985 and grew up on the upper west side of Manhattan. She graduated in June 2007 from the University of Chicago with a BA with honors in Visual Arts & Art History. She wrote her senior thesis on feminism and fashion in contemporary photography, and showed her Masquerade series as part of her senior thesis show. She also exhibited her photographs at A.I.R. Gallery in NYC, the Smart Museum in Chicago, and in numerous student exhibitions at the University of Chicago. She was featured in the New York Times for her work in Vita Excolatur, a University of Chicago erotica magazine and wrote an article on feminist art for M/E/A/N/I/N/G Online #4. Emma was the star of the film Emma's Dilemma, directed by Henry Hills, in which she interviews dozens of artists from the downtown NYC scene. She worked as a curatorial assistant in the Photography, Contemporary Art, and Prints & Drawings departments at the Art Institute of Chicago, at the Renaissance Society, and was a docent at the Smart Museum, the Metropolitan Museum of Art, and the Brooklyn Museum. She worked as a Teaching Artist at the Museum of Contemporary Art in Chicago, and was an involved mentor and teacher for Step Up Women's Network. With Nona Willis Aronowitz, Emma conceived the GIRLdrive project: a cross-country trip to interview and photograph a multitude of diverse women, reflecting on the present state of feminism and social activism. GIRLdrive has a blog and is a forthcoming book from Seal Press. Emma died in December 2008 at the Peggy Guggenheim Collection in Venice, Italy, where she had an internship. Emma is survived by her parents Susan Bee and Charles Bernstein and her brother Felix.

Susan Bee is a painter, editor, and book artist living in NYC. She has a solo show of paintings at A.I.R. Gallery in Dumbo, Brooklyn, from Feb. 4-March 1, 2009. She is co-editor of M/E/A/N/I/N/G: An Anthology of Artists Writings, Theory, and Criticism (Duke, 2000) and co-edits M/E/A/N/I/N/G Online. Granary Books has published six of her artist's books. She teaches in the School of Visual Arts MFA in Art Criticism and Writing program. Click here for her website.

Marjorie Perloff is Sadie D. Patek Professor Emerita of Humanities at Stanford University and currently Scholar-in-Residence at the University of Southern California. She teaches courses and writes on twentieth—and now twenty-first—century poetry and poetics, both Anglo-American and from a Comparatist perspective, as well as on intermedia and the visual arts. Her first three books dealt with individual poets—Yeats, Robert Lowell, and Frank O’Hara; she then published The Poetics of Indeterminacy: Rimbaud to Cage (1981), a book that has gone through a number of editions, and led to her extensive exploration of avant-garde art movements in The Futurist Moment: Avant-Garde, Avant-Guerre, and the Language of Rupture (1986, new edition, 1994), and subsequent books (13 in all), the most recent of which is Differentials: Poetry, Poetics, Pedagogy (2005). Radical Artifice: Writing Poetry in the Age of Media (1992) has been used in classrooms studying the “new” digital poetics, and 21st Century Modernism (Blackwell 2002) is a manifesto of Modernist Survival. Wittgenstein’s Ladder brought philosophy into the mix and Perloff has recently published her cultural memoir The Vienna Paradox (2004), which has been widely discussed. She has been a frequent reviewer for periodicals from TLS and The Washington Post to all the major scholarly journals, and she has lectured at most major universities in the U.S. and at European, Asian, and Latin American universities and festivals. Perloff has held Guggenheim, NEH, and Huntington fellowships, served on the Advisory Board of the Stanford Humanities Center, and has just completed her year as President of the Modern Language Association. She is a member of the American Academy of Arts and Sciences and recently was named Honorary Foreign Professor at the Beijing Modern Languages University. She received an Honorary Degree from Bard College in May 2008.

This is the fourth book in The Elders Series and the 121st book in the overall Belladonna reading series.]]> 2009 5 0 false Mon Aug 17 21:04:26 -0700 2009 Mon Aug 17 21:04:26 -0700 2009 67655969 689449 6294024 0976485796 9780976485797 0 http://photo.goodreads.com/books/1235660452m/6294024.jpg http://photo.goodreads.com/books/1235660452s/6294024.jpg http://www.goodreads.com/book/show/6294024.The_Belladonna_Elders_Series_4 5.00 9
Emma Bee Bernstein was born in 1985 and grew up on the upper west side of Manhattan. She graduated in June 2007 from the University of Chicago with a BA with honors in Visual Arts & Art History. She wrote her senior thesis on feminism and fashion in contemporary photography, and showed her Masquerade series as part of her senior thesis show. She also exhibited her photographs at A.I.R. Gallery in NYC, the Smart Museum in Chicago, and in numerous student exhibitions at the University of Chicago. She was featured in the New York Times for her work in Vita Excolatur, a University of Chicago erotica magazine and wrote an article on feminist art for M/E/A/N/I/N/G Online #4. Emma was the star of the film Emma's Dilemma, directed by Henry Hills, in which she interviews dozens of artists from the downtown NYC scene. She worked as a curatorial assistant in the Photography, Contemporary Art, and Prints & Drawings departments at the Art Institute of Chicago, at the Renaissance Society, and was a docent at the Smart Museum, the Metropolitan Museum of Art, and the Brooklyn Museum. She worked as a Teaching Artist at the Museum of Contemporary Art in Chicago, and was an involved mentor and teacher for Step Up Women's Network. With Nona Willis Aronowitz, Emma conceived the GIRLdrive project: a cross-country trip to interview and photograph a multitude of diverse women, reflecting on the present state of feminism and social activism. GIRLdrive has a blog and is a forthcoming book from Seal Press. Emma died in December 2008 at the Peggy Guggenheim Collection in Venice, Italy, where she had an internship. Emma is survived by her parents Susan Bee and Charles Bernstein and her brother Felix.

Susan Bee is a painter, editor, and book artist living in NYC. She has a solo show of paintings at A.I.R. Gallery in Dumbo, Brooklyn, from Feb. 4-March 1, 2009. She is co-editor of M/E/A/N/I/N/G: An Anthology of Artists Writings, Theory, and Criticism (Duke, 2000) and co-edits M/E/A/N/I/N/G Online. Granary Books has published six of her artist's books. She teaches in the School of Visual Arts MFA in Art Criticism and Writing program. Click here for her website.

Marjorie Perloff is Sadie D. Patek Professor Emerita of Humanities at Stanford University and currently Scholar-in-Residence at the University of Southern California. She teaches courses and writes on twentieth—and now twenty-first—century poetry and poetics, both Anglo-American and from a Comparatist perspective, as well as on intermedia and the visual arts. Her first three books dealt with individual poets—Yeats, Robert Lowell, and Frank O’Hara; she then published The Poetics of Indeterminacy: Rimbaud to Cage (1981), a book that has gone through a number of editions, and led to her extensive exploration of avant-garde art movements in The Futurist Moment: Avant-Garde, Avant-Guerre, and the Language of Rupture (1986, new edition, 1994), and subsequent books (13 in all), the most recent of which is Differentials: Poetry, Poetics, Pedagogy (2005). Radical Artifice: Writing Poetry in the Age of Media (1992) has been used in classrooms studying the “new” digital poetics, and 21st Century Modernism (Blackwell 2002) is a manifesto of Modernist Survival. Wittgenstein’s Ladder brought philosophy into the mix and Perloff has recently published her cultural memoir The Vienna Paradox (2004), which has been widely discussed. She has been a frequent reviewer for periodicals from TLS and The Washington Post to all the major scholarly journals, and she has lectured at most major universities in the U.S. and at European, Asian, and Latin American universities and festivals. Perloff has held Guggenheim, NEH, and Huntington fellowships, served on the Advisory Board of the Stanford Humanities Center, and has just completed her year as President of the Modern Language Association. She is a member of the American Academy of Arts and Sciences and recently was named Honorary Foreign Professor at the Beijing Modern Languages University. She received an Honorary Degree from Bard College in May 2008.

This is the fourth book in The Elders Series and the 121st book in the overall Belladonna reading series.]]> 2009 5 0 false Sun Aug 16 16:50:31 -0700 2009 Sun Aug 16 16:50:31 -0700 2009 65563121 595835 6294024 0976485796 9780976485797 0 http://photo.goodreads.com/books/1235660452m/6294024.jpg http://photo.goodreads.com/books/1235660452s/6294024.jpg http://www.goodreads.com/book/show/6294024.The_Belladonna_Elders_Series_4 5.00 9
Emma Bee Bernstein was born in 1985 and grew up on the upper west side of Manhattan. She graduated in June 2007 from the University of Chicago with a BA with honors in Visual Arts & Art History. She wrote her senior thesis on feminism and fashion in contemporary photography, and showed her Masquerade series as part of her senior thesis show. She also exhibited her photographs at A.I.R. Gallery in NYC, the Smart Museum in Chicago, and in numerous student exhibitions at the University of Chicago. She was featured in the New York Times for her work in Vita Excolatur, a University of Chicago erotica magazine and wrote an article on feminist art for M/E/A/N/I/N/G Online #4. Emma was the star of the film Emma's Dilemma, directed by Henry Hills, in which she interviews dozens of artists from the downtown NYC scene. She worked as a curatorial assistant in the Photography, Contemporary Art, and Prints & Drawings departments at the Art Institute of Chicago, at the Renaissance Society, and was a docent at the Smart Museum, the Metropolitan Museum of Art, and the Brooklyn Museum. She worked as a Teaching Artist at the Museum of Contemporary Art in Chicago, and was an involved mentor and teacher for Step Up Women's Network. With Nona Willis Aronowitz, Emma conceived the GIRLdrive project: a cross-country trip to interview and photograph a multitude of diverse women, reflecting on the present state of feminism and social activism. GIRLdrive has a blog and is a forthcoming book from Seal Press. Emma died in December 2008 at the Peggy Guggenheim Collection in Venice, Italy, where she had an internship. Emma is survived by her parents Susan Bee and Charles Bernstein and her brother Felix.

Susan Bee is a painter, editor, and book artist living in NYC. She has a solo show of paintings at A.I.R. Gallery in Dumbo, Brooklyn, from Feb. 4-March 1, 2009. She is co-editor of M/E/A/N/I/N/G: An Anthology of Artists Writings, Theory, and Criticism (Duke, 2000) and co-edits M/E/A/N/I/N/G Online. Granary Books has published six of her artist's books. She teaches in the School of Visual Arts MFA in Art Criticism and Writing program. Click here for her website.

Marjorie Perloff is Sadie D. Patek Professor Emerita of Humanities at Stanford University and currently Scholar-in-Residence at the University of Southern California. She teaches courses and writes on twentieth—and now twenty-first—century poetry and poetics, both Anglo-American and from a Comparatist perspective, as well as on intermedia and the visual arts. Her first three books dealt with individual poets—Yeats, Robert Lowell, and Frank O’Hara; she then published The Poetics of Indeterminacy: Rimbaud to Cage (1981), a book that has gone through a number of editions, and led to her extensive exploration of avant-garde art movements in The Futurist Moment: Avant-Garde, Avant-Guerre, and the Language of Rupture (1986, new edition, 1994), and subsequent books (13 in all), the most recent of which is Differentials: Poetry, Poetics, Pedagogy (2005). Radical Artifice: Writing Poetry in the Age of Media (1992) has been used in classrooms studying the “new” digital poetics, and 21st Century Modernism (Blackwell 2002) is a manifesto of Modernist Survival. Wittgenstein’s Ladder brought philosophy into the mix and Perloff has recently published her cultural memoir The Vienna Paradox (2004), which has been widely discussed. She has been a frequent reviewer for periodicals from TLS and The Washington Post to all the major scholarly journals, and she has lectured at most major universities in the U.S. and at European, Asian, and Latin American universities and festivals. Perloff has held Guggenheim, NEH, and Huntington fellowships, served on the Advisory Board of the Stanford Humanities Center, and has just completed her year as President of the Modern Language Association. She is a member of the American Academy of Arts and Sciences and recently was named Honorary Foreign Professor at the Beijing Modern Languages University. She received an Honorary Degree from Bard College in May 2008.

This is the fourth book in The Elders Series and the 121st book in the overall Belladonna reading series.]]> 2009 0 0 false Thu Jul 30 13:03:14 -0700 2009 Thu Jul 30 13:03:16 -0700 2009 58124662 257792 6294024 0976485796 9780976485797 0 http://photo.goodreads.com/books/1235660452m/6294024.jpg http://photo.goodreads.com/books/1235660452s/6294024.jpg http://www.goodreads.com/book/show/6294024.The_Belladonna_Elders_Series_4 5.00 9
Emma Bee Bernstein was born in 1985 and grew up on the upper west side of Manhattan. She graduated in June 2007 from the University of Chicago with a BA with honors in Visual Arts & Art History. She wrote her senior thesis on feminism and fashion in contemporary photography, and showed her Masquerade series as part of her senior thesis show. She also exhibited her photographs at A.I.R. Gallery in NYC, the Smart Museum in Chicago, and in numerous student exhibitions at the University of Chicago. She was featured in the New York Times for her work in Vita Excolatur, a University of Chicago erotica magazine and wrote an article on feminist art for M/E/A/N/I/N/G Online #4. Emma was the star of the film Emma's Dilemma, directed by Henry Hills, in which she interviews dozens of artists from the downtown NYC scene. She worked as a curatorial assistant in the Photography, Contemporary Art, and Prints & Drawings departments at the Art Institute of Chicago, at the Renaissance Society, and was a docent at the Smart Museum, the Metropolitan Museum of Art, and the Brooklyn Museum. She worked as a Teaching Artist at the Museum of Contemporary Art in Chicago, and was an involved mentor and teacher for Step Up Women's Network. With Nona Willis Aronowitz, Emma conceived the GIRLdrive project: a cross-country trip to interview and photograph a multitude of diverse women, reflecting on the present state of feminism and social activism. GIRLdrive has a blog and is a forthcoming book from Seal Press. Emma died in December 2008 at the Peggy Guggenheim Collection in Venice, Italy, where she had an internship. Emma is survived by her parents Susan Bee and Charles Bernstein and her brother Felix.

Susan Bee is a painter, editor, and book artist living in NYC. She has a solo show of paintings at A.I.R. Gallery in Dumbo, Brooklyn, from Feb. 4-March 1, 2009. She is co-editor of M/E/A/N/I/N/G: An Anthology of Artists Writings, Theory, and Criticism (Duke, 2000) and co-edits M/E/A/N/I/N/G Online. Granary Books has published six of her artist's books. She teaches in the School of Visual Arts MFA in Art Criticism and Writing program. Click here for her website.

Marjorie Perloff is Sadie D. Patek Professor Emerita of Humanities at Stanford University and currently Scholar-in-Residence at the University of Southern California. She teaches courses and writes on twentieth—and now twenty-first—century poetry and poetics, both Anglo-American and from a Comparatist perspective, as well as on intermedia and the visual arts. Her first three books dealt with individual poets—Yeats, Robert Lowell, and Frank O’Hara; she then published The Poetics of Indeterminacy: Rimbaud to Cage (1981), a book that has gone through a number of editions, and led to her extensive exploration of avant-garde art movements in The Futurist Moment: Avant-Garde, Avant-Guerre, and the Language of Rupture (1986, new edition, 1994), and subsequent books (13 in all), the most recent of which is Differentials: Poetry, Poetics, Pedagogy (2005). Radical Artifice: Writing Poetry in the Age of Media (1992) has been used in classrooms studying the “new” digital poetics, and 21st Century Modernism (Blackwell 2002) is a manifesto of Modernist Survival. Wittgenstein’s Ladder brought philosophy into the mix and Perloff has recently published her cultural memoir The Vienna Paradox (2004), which has been widely discussed. She has been a frequent reviewer for periodicals from TLS and The Washington Post to all the major scholarly journals, and she has lectured at most major universities in the U.S. and at European, Asian, and Latin American universities and festivals. Perloff has held Guggenheim, NEH, and Huntington fellowships, served on the Advisory Board of the Stanford Humanities Center, and has just completed her year as President of the Modern Language Association. She is a member of the American Academy of Arts and Sciences and recently was named Honorary Foreign Professor at the Beijing Modern Languages University. She received an Honorary Degree from Bard College in May 2008.

This is the fourth book in The Elders Series and the 121st book in the overall Belladonna reading series.]]> 2009 0 0 false Mon Jun 01 19:02:38 -0700 2009 Mon Jun 01 19:02:52 -0700 2009 58106659 2290155 6294024 0976485796 9780976485797 0 http://photo.goodreads.com/books/1235660452m/6294024.jpg http://photo.goodreads.com/books/1235660452s/6294024.jpg http://www.goodreads.com/book/show/6294024.The_Belladonna_Elders_Series_4 5.00 9
Emma Bee Bernstein was born in 1985 and grew up on the upper west side of Manhattan. She graduated in June 2007 from the University of Chicago with a BA with honors in Visual Arts & Art History. She wrote her senior thesis on feminism and fashion in contemporary photography, and showed her Masquerade series as part of her senior thesis show. She also exhibited her photographs at A.I.R. Gallery in NYC, the Smart Museum in Chicago, and in numerous student exhibitions at the University of Chicago. She was featured in the New York Times for her work in Vita Excolatur, a University of Chicago erotica magazine and wrote an article on feminist art for M/E/A/N/I/N/G Online #4. Emma was the star of the film Emma's Dilemma, directed by Henry Hills, in which she interviews dozens of artists from the downtown NYC scene. She worked as a curatorial assistant in the Photography, Contemporary Art, and Prints & Drawings departments at the Art Institute of Chicago, at the Renaissance Society, and was a docent at the Smart Museum, the Metropolitan Museum of Art, and the Brooklyn Museum. She worked as a Teaching Artist at the Museum of Contemporary Art in Chicago, and was an involved mentor and teacher for Step Up Women's Network. With Nona Willis Aronowitz, Emma conceived the GIRLdrive project: a cross-country trip to interview and photograph a multitude of diverse women, reflecting on the present state of feminism and social activism. GIRLdrive has a blog and is a forthcoming book from Seal Press. Emma died in December 2008 at the Peggy Guggenheim Collection in Venice, Italy, where she had an internship. Emma is survived by her parents Susan Bee and Charles Bernstein and her brother Felix.

Susan Bee is a painter, editor, and book artist living in NYC. She has a solo show of paintings at A.I.R. Gallery in Dumbo, Brooklyn, from Feb. 4-March 1, 2009. She is co-editor of M/E/A/N/I/N/G: An Anthology of Artists Writings, Theory, and Criticism (Duke, 2000) and co-edits M/E/A/N/I/N/G Online. Granary Books has published six of her artist's books. She teaches in the School of Visual Arts MFA in Art Criticism and Writing program. Click here for her website.

Marjorie Perloff is Sadie D. Patek Professor Emerita of Humanities at Stanford University and currently Scholar-in-Residence at the University of Southern California. She teaches courses and writes on twentieth—and now twenty-first—century poetry and poetics, both Anglo-American and from a Comparatist perspective, as well as on intermedia and the visual arts. Her first three books dealt with individual poets—Yeats, Robert Lowell, and Frank O’Hara; she then published The Poetics of Indeterminacy: Rimbaud to Cage (1981), a book that has gone through a number of editions, and led to her extensive exploration of avant-garde art movements in The Futurist Moment: Avant-Garde, Avant-Guerre, and the Language of Rupture (1986, new edition, 1994), and subsequent books (13 in all), the most recent of which is Differentials: Poetry, Poetics, Pedagogy (2005). Radical Artifice: Writing Poetry in the Age of Media (1992) has been used in classrooms studying the “new” digital poetics, and 21st Century Modernism (Blackwell 2002) is a manifesto of Modernist Survival. Wittgenstein’s Ladder brought philosophy into the mix and Perloff has recently published her cultural memoir The Vienna Paradox (2004), which has been widely discussed. She has been a frequent reviewer for periodicals from TLS and The Washington Post to all the major scholarly journals, and she has lectured at most major universities in the U.S. and at European, Asian, and Latin American universities and festivals. Perloff has held Guggenheim, NEH, and Huntington fellowships, served on the Advisory Board of the Stanford Humanities Center, and has just completed her year as President of the Modern Language Association. She is a member of the American Academy of Arts and Sciences and recently was named Honorary Foreign Professor at the Beijing Modern Languages University. She received an Honorary Degree from Bard College in May 2008.

This is the fourth book in The Elders Series and the 121st book in the overall Belladonna reading series.]]> 2009 0 0 false Mon Jun 01 16:31:21 -0700 2009 Mon Jun 01 16:31:21 -0700 2009 56527987 1710952 6294024 0976485796 9780976485797 0 http://photo.goodreads.com/books/1235660452m/6294024.jpg http://photo.goodreads.com/books/1235660452s/6294024.jpg http://www.goodreads.com/book/show/6294024.The_Belladonna_Elders_Series_4 5.00 9
Emma Bee Bernstein was born in 1985 and grew up on the upper west side of Manhattan. She graduated in June 2007 from the University of Chicago with a BA with honors in Visual Arts & Art History. She wrote her senior thesis on feminism and fashion in contemporary photography, and showed her Masquerade series as part of her senior thesis show. She also exhibited her photographs at A.I.R. Gallery in NYC, the Smart Museum in Chicago, and in numerous student exhibitions at the University of Chicago. She was featured in the New York Times for her work in Vita Excolatur, a University of Chicago erotica magazine and wrote an article on feminist art for M/E/A/N/I/N/G Online #4. Emma was the star of the film Emma's Dilemma, directed by Henry Hills, in which she interviews dozens of artists from the downtown NYC scene. She worked as a curatorial assistant in the Photography, Contemporary Art, and Prints & Drawings departments at the Art Institute of Chicago, at the Renaissance Society, and was a docent at the Smart Museum, the Metropolitan Museum of Art, and the Brooklyn Museum. She worked as a Teaching Artist at the Museum of Contemporary Art in Chicago, and was an involved mentor and teacher for Step Up Women's Network. With Nona Willis Aronowitz, Emma conceived the GIRLdrive project: a cross-country trip to interview and photograph a multitude of diverse women, reflecting on the present state of feminism and social activism. GIRLdrive has a blog and is a forthcoming book from Seal Press. Emma died in December 2008 at the Peggy Guggenheim Collection in Venice, Italy, where she had an internship. Emma is survived by her parents Susan Bee and Charles Bernstein and her brother Felix.

Susan Bee is a painter, editor, and book artist living in NYC. She has a solo show of paintings at A.I.R. Gallery in Dumbo, Brooklyn, from Feb. 4-March 1, 2009. She is co-editor of M/E/A/N/I/N/G: An Anthology of Artists Writings, Theory, and Criticism (Duke, 2000) and co-edits M/E/A/N/I/N/G Online. Granary Books has published six of her artist's books. She teaches in the School of Visual Arts MFA in Art Criticism and Writing program. Click here for her website.

Marjorie Perloff is Sadie D. Patek Professor Emerita of Humanities at Stanford University and currently Scholar-in-Residence at the University of Southern California. She teaches courses and writes on twentieth—and now twenty-first—century poetry and poetics, both Anglo-American and from a Comparatist perspective, as well as on intermedia and the visual arts. Her first three books dealt with individual poets—Yeats, Robert Lowell, and Frank O’Hara; she then published The Poetics of Indeterminacy: Rimbaud to Cage (1981), a book that has gone through a number of editions, and led to her extensive exploration of avant-garde art movements in The Futurist Moment: Avant-Garde, Avant-Guerre, and the Language of Rupture (1986, new edition, 1994), and subsequent books (13 in all), the most recent of which is Differentials: Poetry, Poetics, Pedagogy (2005). Radical Artifice: Writing Poetry in the Age of Media (1992) has been used in classrooms studying the “new” digital poetics, and 21st Century Modernism (Blackwell 2002) is a manifesto of Modernist Survival. Wittgenstein’s Ladder brought philosophy into the mix and Perloff has recently published her cultural memoir The Vienna Paradox (2004), which has been widely discussed. She has been a frequent reviewer for periodicals from TLS and The Washington Post to all the major scholarly journals, and she has lectured at most major universities in the U.S. and at European, Asian, and Latin American universities and festivals. Perloff has held Guggenheim, NEH, and Huntington fellowships, served on the Advisory Board of the Stanford Humanities Center, and has just completed her year as President of the Modern Language Association. She is a member of the American Academy of Arts and Sciences and recently was named Honorary Foreign Professor at the Beijing Modern Languages University. She received an Honorary Degree from Bard College in May 2008.

This is the fourth book in The Elders Series and the 121st book in the overall Belladonna reading series.]]> 2009 5 0 false Mon May 18 15:11:34 -0700 2009 Mon May 18 15:11:34 -0700 2009 56126489 2317457 6294024 0976485796 9780976485797 0 http://photo.goodreads.com/books/1235660452m/6294024.jpg http://photo.goodreads.com/books/1235660452s/6294024.jpg http://www.goodreads.com/book/show/6294024.The_Belladonna_Elders_Series_4 5.00 9
Emma Bee Bernstein was born in 1985 and grew up on the upper west side of Manhattan. She graduated in June 2007 from the University of Chicago with a BA with honors in Visual Arts & Art History. She wrote her senior thesis on feminism and fashion in contemporary photography, and showed her Masquerade series as part of her senior thesis show. She also exhibited her photographs at A.I.R. Gallery in NYC, the Smart Museum in Chicago, and in numerous student exhibitions at the University of Chicago. She was featured in the New York Times for her work in Vita Excolatur, a University of Chicago erotica magazine and wrote an article on feminist art for M/E/A/N/I/N/G Online #4. Emma was the star of the film Emma's Dilemma, directed by Henry Hills, in which she interviews dozens of artists from the downtown NYC scene. She worked as a curatorial assistant in the Photography, Contemporary Art, and Prints & Drawings departments at the Art Institute of Chicago, at the Renaissance Society, and was a docent at the Smart Museum, the Metropolitan Museum of Art, and the Brooklyn Museum. She worked as a Teaching Artist at the Museum of Contemporary Art in Chicago, and was an involved mentor and teacher for Step Up Women's Network. With Nona Willis Aronowitz, Emma conceived the GIRLdrive project: a cross-country trip to interview and photograph a multitude of diverse women, reflecting on the present state of feminism and social activism. GIRLdrive has a blog and is a forthcoming book from Seal Press. Emma died in December 2008 at the Peggy Guggenheim Collection in Venice, Italy, where she had an internship. Emma is survived by her parents Susan Bee and Charles Bernstein and her brother Felix.

Susan Bee is a painter, editor, and book artist living in NYC. She has a solo show of paintings at A.I.R. Gallery in Dumbo, Brooklyn, from Feb. 4-March 1, 2009. She is co-editor of M/E/A/N/I/N/G: An Anthology of Artists Writings, Theory, and Criticism (Duke, 2000) and co-edits M/E/A/N/I/N/G Online. Granary Books has published six of her artist's books. She teaches in the School of Visual Arts MFA in Art Criticism and Writing program. Click here for her website.

Marjorie Perloff is Sadie D. Patek Professor Emerita of Humanities at Stanford University and currently Scholar-in-Residence at the University of Southern California. She teaches courses and writes on twentieth—and now twenty-first—century poetry and poetics, both Anglo-American and from a Comparatist perspective, as well as on intermedia and the visual arts. Her first three books dealt with individual poets—Yeats, Robert Lowell, and Frank O’Hara; she then published The Poetics of Indeterminacy: Rimbaud to Cage (1981), a book that has gone through a number of editions, and led to her extensive exploration of avant-garde art movements in The Futurist Moment: Avant-Garde, Avant-Guerre, and the Language of Rupture (1986, new edition, 1994), and subsequent books (13 in all), the most recent of which is Differentials: Poetry, Poetics, Pedagogy (2005). Radical Artifice: Writing Poetry in the Age of Media (1992) has been used in classrooms studying the “new” digital poetics, and 21st Century Modernism (Blackwell 2002) is a manifesto of Modernist Survival. Wittgenstein’s Ladder brought philosophy into the mix and Perloff has recently published her cultural memoir The Vienna Paradox (2004), which has been widely discussed. She has been a frequent reviewer for periodicals from TLS and The Washington Post to all the major scholarly journals, and she has lectured at most major universities in the U.S. and at European, Asian, and Latin American universities and festivals. Perloff has held Guggenheim, NEH, and Huntington fellowships, served on the Advisory Board of the Stanford Humanities Center, and has just completed her year as President of the Modern Language Association. She is a member of the American Academy of Arts and Sciences and recently was named Honorary Foreign Professor at the Beijing Modern Languages University. She received an Honorary Degree from Bard College in May 2008.

This is the fourth book in The Elders Series and the 121st book in the overall Belladonna reading series.]]> 2009 5 0 false Sun Mar 01 00:00:00 -0800 2009 Thu May 14 18:51:20 -0700 2009 Thu May 14 18:52:14 -0700 2009 56020582 201220 6294024 0976485796 9780976485797 0 http://photo.goodreads.com/books/1235660452m/6294024.jpg http://photo.goodreads.com/books/1235660452s/6294024.jpg http://www.goodreads.com/book/show/6294024.The_Belladonna_Elders_Series_4 5.00 9
Emma Bee Bernstein was born in 1985 and grew up on the upper west side of Manhattan. She graduated in June 2007 from the University of Chicago with a BA with honors in Visual Arts & Art History. She wrote her senior thesis on feminism and fashion in contemporary photography, and showed her Masquerade series as part of her senior thesis show. She also exhibited her photographs at A.I.R. Gallery in NYC, the Smart Museum in Chicago, and in numerous student exhibitions at the University of Chicago. She was featured in the New York Times for her work in Vita Excolatur, a University of Chicago erotica magazine and wrote an article on feminist art for M/E/A/N/I/N/G Online #4. Emma was the star of the film Emma's Dilemma, directed by Henry Hills, in which she interviews dozens of artists from the downtown NYC scene. She worked as a curatorial assistant in the Photography, Contemporary Art, and Prints & Drawings departments at the Art Institute of Chicago, at the Renaissance Society, and was a docent at the Smart Museum, the Metropolitan Museum of Art, and the Brooklyn Museum. She worked as a Teaching Artist at the Museum of Contemporary Art in Chicago, and was an involved mentor and teacher for Step Up Women's Network. With Nona Willis Aronowitz, Emma conceived the GIRLdrive project: a cross-country trip to interview and photograph a multitude of diverse women, reflecting on the present state of feminism and social activism. GIRLdrive has a blog and is a forthcoming book from Seal Press. Emma died in December 2008 at the Peggy Guggenheim Collection in Venice, Italy, where she had an internship. Emma is survived by her parents Susan Bee and Charles Bernstein and her brother Felix.

Susan Bee is a painter, editor, and book artist living in NYC. She has a solo show of paintings at A.I.R. Gallery in Dumbo, Brooklyn, from Feb. 4-March 1, 2009. She is co-editor of M/E/A/N/I/N/G: An Anthology of Artists Writings, Theory, and Criticism (Duke, 2000) and co-edits M/E/A/N/I/N/G Online. Granary Books has published six of her artist's books. She teaches in the School of Visual Arts MFA in Art Criticism and Writing program. Click here for her website.

Marjorie Perloff is Sadie D. Patek Professor Emerita of Humanities at Stanford University and currently Scholar-in-Residence at the University of Southern California. She teaches courses and writes on twentieth—and now twenty-first—century poetry and poetics, both Anglo-American and from a Comparatist perspective, as well as on intermedia and the visual arts. Her first three books dealt with individual poets—Yeats, Robert Lowell, and Frank O’Hara; she then published The Poetics of Indeterminacy: Rimbaud to Cage (1981), a book that has gone through a number of editions, and led to her extensive exploration of avant-garde art movements in The Futurist Moment: Avant-Garde, Avant-Guerre, and the Language of Rupture (1986, new edition, 1994), and subsequent books (13 in all), the most recent of which is Differentials: Poetry, Poetics, Pedagogy (2005). Radical Artifice: Writing Poetry in the Age of Media (1992) has been used in classrooms studying the “new” digital poetics, and 21st Century Modernism (Blackwell 2002) is a manifesto of Modernist Survival. Wittgenstein’s Ladder brought philosophy into the mix and Perloff has recently published her cultural memoir The Vienna Paradox (2004), which has been widely discussed. She has been a frequent reviewer for periodicals from TLS and The Washington Post to all the major scholarly journals, and she has lectured at most major universities in the U.S. and at European, Asian, and Latin American universities and festivals. Perloff has held Guggenheim, NEH, and Huntington fellowships, served on the Advisory Board of the Stanford Humanities Center, and has just completed her year as President of the Modern Language Association. She is a member of the American Academy of Arts and Sciences and recently was named Honorary Foreign Professor at the Beijing Modern Languages University. She received an Honorary Degree from Bard College in May 2008.

This is the fourth book in The Elders Series and the 121st book in the overall Belladonna reading series.]]> 2009 5 0 false Wed May 13 22:01:41 -0700 2009 Wed May 13 22:01:41 -0700 2009 55576439 136333 6294024 0976485796 9780976485797 0 http://photo.goodreads.com/books/1235660452m/6294024.jpg http://photo.goodreads.com/books/1235660452s/6294024.jpg http://www.goodreads.com/book/show/6294024.The_Belladonna_Elders_Series_4 5.00 9
Emma Bee Bernstein was born in 1985 and grew up on the upper west side of Manhattan. She graduated in June 2007 from the University of Chicago with a BA with honors in Visual Arts & Art History. She wrote her senior thesis on feminism and fashion in contemporary photography, and showed her Masquerade series as part of her senior thesis show. She also exhibited her photographs at A.I.R. Gallery in NYC, the Smart Museum in Chicago, and in numerous student exhibitions at the University of Chicago. She was featured in the New York Times for her work in Vita Excolatur, a University of Chicago erotica magazine and wrote an article on feminist art for M/E/A/N/I/N/G Online #4. Emma was the star of the film Emma's Dilemma, directed by Henry Hills, in which she interviews dozens of artists from the downtown NYC scene. She worked as a curatorial assistant in the Photography, Contemporary Art, and Prints & Drawings departments at the Art Institute of Chicago, at the Renaissance Society, and was a docent at the Smart Museum, the Metropolitan Museum of Art, and the Brooklyn Museum. She worked as a Teaching Artist at the Museum of Contemporary Art in Chicago, and was an involved mentor and teacher for Step Up Women's Network. With Nona Willis Aronowitz, Emma conceived the GIRLdrive project: a cross-country trip to interview and photograph a multitude of diverse women, reflecting on the present state of feminism and social activism. GIRLdrive has a blog and is a forthcoming book from Seal Press. Emma died in December 2008 at the Peggy Guggenheim Collection in Venice, Italy, where she had an internship. Emma is survived by her parents Susan Bee and Charles Bernstein and her brother Felix.

Susan Bee is a painter, editor, and book artist living in NYC. She has a solo show of paintings at A.I.R. Gallery in Dumbo, Brooklyn, from Feb. 4-March 1, 2009. She is co-editor of M/E/A/N/I/N/G: An Anthology of Artists Writings, Theory, and Criticism (Duke, 2000) and co-edits M/E/A/N/I/N/G Online. Granary Books has published six of her artist's books. She teaches in the School of Visual Arts MFA in Art Criticism and Writing program. Click here for her website.

Marjorie Perloff is Sadie D. Patek Professor Emerita of Humanities at Stanford University and currently Scholar-in-Residence at the University of Southern California. She teaches courses and writes on twentieth—and now twenty-first—century poetry and poetics, both Anglo-American and from a Comparatist perspective, as well as on intermedia and the visual arts. Her first three books dealt with individual poets—Yeats, Robert Lowell, and Frank O’Hara; she then published The Poetics of Indeterminacy: Rimbaud to Cage (1981), a book that has gone through a number of editions, and led to her extensive exploration of avant-garde art movements in The Futurist Moment: Avant-Garde, Avant-Guerre, and the Language of Rupture (1986, new edition, 1994), and subsequent books (13 in all), the most recent of which is Differentials: Poetry, Poetics, Pedagogy (2005). Radical Artifice: Writing Poetry in the Age of Media (1992) has been used in classrooms studying the “new” digital poetics, and 21st Century Modernism (Blackwell 2002) is a manifesto of Modernist Survival. Wittgenstein’s Ladder brought philosophy into the mix and Perloff has recently published her cultural memoir The Vienna Paradox (2004), which has been widely discussed. She has been a frequent reviewer for periodicals from TLS and The Washington Post to all the major scholarly journals, and she has lectured at most major universities in the U.S. and at European, Asian, and Latin American universities and festivals. Perloff has held Guggenheim, NEH, and Huntington fellowships, served on the Advisory Board of the Stanford Humanities Center, and has just completed her year as President of the Modern Language Association. She is a member of the American Academy of Arts and Sciences and recently was named Honorary Foreign Professor at the Beijing Modern Languages University. She received an Honorary Degree from Bard College in May 2008.

This is the fourth book in The Elders Series and the 121st book in the overall Belladonna reading series.]]> 2009 5 0 false Sun May 10 11:02:45 -0700 2009 Sun May 10 11:02:45 -0700 2009 54995680 710000 6294024 0976485796 9780976485797 0 http://photo.goodreads.com/books/1235660452m/6294024.jpg http://photo.goodreads.com/books/1235660452s/6294024.jpg http://www.goodreads.com/book/show/6294024.The_Belladonna_Elders_Series_4 5.00 9
Emma Bee Bernstein was born in 1985 and grew up on the upper west side of Manhattan. She graduated in June 2007 from the University of Chicago with a BA with honors in Visual Arts & Art History. She wrote her senior thesis on feminism and fashion in contemporary photography, and showed her Masquerade series as part of her senior thesis show. She also exhibited her photographs at A.I.R. Gallery in NYC, the Smart Museum in Chicago, and in numerous student exhibitions at the University of Chicago. She was featured in the New York Times for her work in Vita Excolatur, a University of Chicago erotica magazine and wrote an article on feminist art for M/E/A/N/I/N/G Online #4. Emma was the star of the film Emma's Dilemma, directed by Henry Hills, in which she interviews dozens of artists from the downtown NYC scene. She worked as a curatorial assistant in the Photography, Contemporary Art, and Prints & Drawings departments at the Art Institute of Chicago, at the Renaissance Society, and was a docent at the Smart Museum, the Metropolitan Museum of Art, and the Brooklyn Museum. She worked as a Teaching Artist at the Museum of Contemporary Art in Chicago, and was an involved mentor and teacher for Step Up Women's Network. With Nona Willis Aronowitz, Emma conceived the GIRLdrive project: a cross-country trip to interview and photograph a multitude of diverse women, reflecting on the present state of feminism and social activism. GIRLdrive has a blog and is a forthcoming book from Seal Press. Emma died in December 2008 at the Peggy Guggenheim Collection in Venice, Italy, where she had an internship. Emma is survived by her parents Susan Bee and Charles Bernstein and her brother Felix.

Susan Bee is a painter, editor, and book artist living in NYC. She has a solo show of paintings at A.I.R. Gallery in Dumbo, Brooklyn, from Feb. 4-March 1, 2009. She is co-editor of M/E/A/N/I/N/G: An Anthology of Artists Writings, Theory, and Criticism (Duke, 2000) and co-edits M/E/A/N/I/N/G Online. Granary Books has published six of her artist's books. She teaches in the School of Visual Arts MFA in Art Criticism and Writing program. Click here for her website.

Marjorie Perloff is Sadie D. Patek Professor Emerita of Humanities at Stanford University and currently Scholar-in-Residence at the University of Southern California. She teaches courses and writes on twentieth—and now twenty-first—century poetry and poetics, both Anglo-American and from a Comparatist perspective, as well as on intermedia and the visual arts. Her first three books dealt with individual poets—Yeats, Robert Lowell, and Frank O’Hara; she then published The Poetics of Indeterminacy: Rimbaud to Cage (1981), a book that has gone through a number of editions, and led to her extensive exploration of avant-garde art movements in The Futurist Moment: Avant-Garde, Avant-Guerre, and the Language of Rupture (1986, new edition, 1994), and subsequent books (13 in all), the most recent of which is Differentials: Poetry, Poetics, Pedagogy (2005). Radical Artifice: Writing Poetry in the Age of Media (1992) has been used in classrooms studying the “new” digital poetics, and 21st Century Modernism (Blackwell 2002) is a manifesto of Modernist Survival. Wittgenstein’s Ladder brought philosophy into the mix and Perloff has recently published her cultural memoir The Vienna Paradox (2004), which has been widely discussed. She has been a frequent reviewer for periodicals from TLS and The Washington Post to all the major scholarly journals, and she has lectured at most major universities in the U.S. and at European, Asian, and Latin American universities and festivals. Perloff has held Guggenheim, NEH, and Huntington fellowships, served on the Advisory Board of the Stanford Humanities Center, and has just completed her year as President of the Modern Language Association. She is a member of the American Academy of Arts and Sciences and recently was named Honorary Foreign Professor at the Beijing Modern Languages University. She received an Honorary Degree from Bard College in May 2008.

This is the fourth book in The Elders Series and the 121st book in the overall Belladonna reading series.]]> 2009 0 0 false Tue May 05 04:15:30 -0700 2009 Tue May 05 04:15:35 -0700 2009 50544903 2091442 6294024 0976485796 9780976485797 0 http://photo.goodreads.com/books/1235660452m/6294024.jpg http://photo.goodreads.com/books/1235660452s/6294024.jpg http://www.goodreads.com/book/show/6294024.The_Belladonna_Elders_Series_4 5.00 9
Emma Bee Bernstein was born in 1985 and grew up on the upper west side of Manhattan. She graduated in June 2007 from the University of Chicago with a BA with honors in Visual Arts & Art History. She wrote her senior thesis on feminism and fashion in contemporary photography, and showed her Masquerade series as part of her senior thesis show. She also exhibited her photographs at A.I.R. Gallery in NYC, the Smart Museum in Chicago, and in numerous student exhibitions at the University of Chicago. She was featured in the New York Times for her work in Vita Excolatur, a University of Chicago erotica magazine and wrote an article on feminist art for M/E/A/N/I/N/G Online #4. Emma was the star of the film Emma's Dilemma, directed by Henry Hills, in which she interviews dozens of artists from the downtown NYC scene. She worked as a curatorial assistant in the Photography, Contemporary Art, and Prints & Drawings departments at the Art Institute of Chicago, at the Renaissance Society, and was a docent at the Smart Museum, the Metropolitan Museum of Art, and the Brooklyn Museum. She worked as a Teaching Artist at the Museum of Contemporary Art in Chicago, and was an involved mentor and teacher for Step Up Women's Network. With Nona Willis Aronowitz, Emma conceived the GIRLdrive project: a cross-country trip to interview and photograph a multitude of diverse women, reflecting on the present state of feminism and social activism. GIRLdrive has a blog and is a forthcoming book from Seal Press. Emma died in December 2008 at the Peggy Guggenheim Collection in Venice, Italy, where she had an internship. Emma is survived by her parents Susan Bee and Charles Bernstein and her brother Felix.

Susan Bee is a painter, editor, and book artist living in NYC. She has a solo show of paintings at A.I.R. Gallery in Dumbo, Brooklyn, from Feb. 4-March 1, 2009. She is co-editor of M/E/A/N/I/N/G: An Anthology of Artists Writings, Theory, and Criticism (Duke, 2000) and co-edits M/E/A/N/I/N/G Online. Granary Books has published six of her artist's books. She teaches in the School of Visual Arts MFA in Art Criticism and Writing program. Click here for her website.

Marjorie Perloff is Sadie D. Patek Professor Emerita of Humanities at Stanford University and currently Scholar-in-Residence at the University of Southern California. She teaches courses and writes on twentieth—and now twenty-first—century poetry and poetics, both Anglo-American and from a Comparatist perspective, as well as on intermedia and the visual arts. Her first three books dealt with individual poets—Yeats, Robert Lowell, and Frank O’Hara; she then published The Poetics of Indeterminacy: Rimbaud to Cage (1981), a book that has gone through a number of editions, and led to her extensive exploration of avant-garde art movements in The Futurist Moment: Avant-Garde, Avant-Guerre, and the Language of Rupture (1986, new edition, 1994), and subsequent books (13 in all), the most recent of which is Differentials: Poetry, Poetics, Pedagogy (2005). Radical Artifice: Writing Poetry in the Age of Media (1992) has been used in classrooms studying the “new” digital poetics, and 21st Century Modernism (Blackwell 2002) is a manifesto of Modernist Survival. Wittgenstein’s Ladder brought philosophy into the mix and Perloff has recently published her cultural memoir The Vienna Paradox (2004), which has been widely discussed. She has been a frequent reviewer for periodicals from TLS and The Washington Post to all the major scholarly journals, and she has lectured at most major universities in the U.S. and at European, Asian, and Latin American universities and festivals. Perloff has held Guggenheim, NEH, and Huntington fellowships, served on the Advisory Board of the Stanford Humanities Center, and has just completed her year as President of the Modern Language Association. She is a member of the American Academy of Arts and Sciences and recently was named Honorary Foreign Professor at the Beijing Modern Languages University. She received an Honorary Degree from Bard College in May 2008.

This is the fourth book in The Elders Series and the 121st book in the overall Belladonna reading series.]]> 2009 0 0 false Thu Apr 09 06:19:01 -0700 2009 Thu Mar 26 14:50:57 -0700 2009 Thu Apr 09 06:19:01 -0700 2009 49434377 162385 6294024 0976485796 9780976485797 0 http://photo.goodreads.com/books/1235660452m/6294024.jpg http://photo.goodreads.com/books/1235660452s/6294024.jpg http://www.goodreads.com/book/show/6294024.The_Belladonna_Elders_Series_4 5.00 9
Emma Bee Bernstein was born in 1985 and grew up on the upper west side of Manhattan. She graduated in June 2007 from the University of Chicago with a BA with honors in Visual Arts & Art History. She wrote her senior thesis on feminism and fashion in contemporary photography, and showed her Masquerade series as part of her senior thesis show. She also exhibited her photographs at A.I.R. Gallery in NYC, the Smart Museum in Chicago, and in numerous student exhibitions at the University of Chicago. She was featured in the New York Times for her work in Vita Excolatur, a University of Chicago erotica magazine and wrote an article on feminist art for M/E/A/N/I/N/G Online #4. Emma was the star of the film Emma's Dilemma, directed by Henry Hills, in which she interviews dozens of artists from the downtown NYC scene. She worked as a curatorial assistant in the Photography, Contemporary Art, and Prints & Drawings departments at the Art Institute of Chicago, at the Renaissance Society, and was a docent at the Smart Museum, the Metropolitan Museum of Art, and the Brooklyn Museum. She worked as a Teaching Artist at the Museum of Contemporary Art in Chicago, and was an involved mentor and teacher for Step Up Women's Network. With Nona Willis Aronowitz, Emma conceived the GIRLdrive project: a cross-country trip to interview and photograph a multitude of diverse women, reflecting on the present state of feminism and social activism. GIRLdrive has a blog and is a forthcoming book from Seal Press. Emma died in December 2008 at the Peggy Guggenheim Collection in Venice, Italy, where she had an internship. Emma is survived by her parents Susan Bee and Charles Bernstein and her brother Felix.

Susan Bee is a painter, editor, and book artist living in NYC. She has a solo show of paintings at A.I.R. Gallery in Dumbo, Brooklyn, from Feb. 4-March 1, 2009. She is co-editor of M/E/A/N/I/N/G: An Anthology of Artists Writings, Theory, and Criticism (Duke, 2000) and co-edits M/E/A/N/I/N/G Online. Granary Books has published six of her artist's books. She teaches in the School of Visual Arts MFA in Art Criticism and Writing program. Click here for her website.

Marjorie Perloff is Sadie D. Patek Professor Emerita of Humanities at Stanford University and currently Scholar-in-Residence at the University of Southern California. She teaches courses and writes on twentieth—and now twenty-first—century poetry and poetics, both Anglo-American and from a Comparatist perspective, as well as on intermedia and the visual arts. Her first three books dealt with individual poets—Yeats, Robert Lowell, and Frank O’Hara; she then published The Poetics of Indeterminacy: Rimbaud to Cage (1981), a book that has gone through a number of editions, and led to her extensive exploration of avant-garde art movements in The Futurist Moment: Avant-Garde, Avant-Guerre, and the Language of Rupture (1986, new edition, 1994), and subsequent books (13 in all), the most recent of which is Differentials: Poetry, Poetics, Pedagogy (2005). Radical Artifice: Writing Poetry in the Age of Media (1992) has been used in classrooms studying the “new” digital poetics, and 21st Century Modernism (Blackwell 2002) is a manifesto of Modernist Survival. Wittgenstein’s Ladder brought philosophy into the mix and Perloff has recently published her cultural memoir The Vienna Paradox (2004), which has been widely discussed. She has been a frequent reviewer for periodicals from TLS and The Washington Post to all the major scholarly journals, and she has lectured at most major universities in the U.S. and at European, Asian, and Latin American universities and festivals. Perloff has held Guggenheim, NEH, and Huntington fellowships, served on the Advisory Board of the Stanford Humanities Center, and has just completed her year as President of the Modern Language Association. She is a member of the American Academy of Arts and Sciences and recently was named Honorary Foreign Professor at the Beijing Modern Languages University. She received an Honorary Degree from Bard College in May 2008.

This is the fourth book in The Elders Series and the 121st book in the overall Belladonna reading series.]]> 2009 5 0 false Mon Mar 16 08:02:14 -0700 2009 Tue Apr 14 19:45:35 -0700 2009 48129502 1008657 6294024 0976485796 9780976485797 0 http://photo.goodreads.com/books/1235660452m/6294024.jpg http://photo.goodreads.com/books/1235660452s/6294024.jpg http://www.goodreads.com/book/show/6294024.The_Belladonna_Elders_Series_4 5.00 9
Emma Bee Bernstein was born in 1985 and grew up on the upper west side of Manhattan. She graduated in June 2007 from the University of Chicago with a BA with honors in Visual Arts & Art History. She wrote her senior thesis on feminism and fashion in contemporary photography, and showed her Masquerade series as part of her senior thesis show. She also exhibited her photographs at A.I.R. Gallery in NYC, the Smart Museum in Chicago, and in numerous student exhibitions at the University of Chicago. She was featured in the New York Times for her work in Vita Excolatur, a University of Chicago erotica magazine and wrote an article on feminist art for M/E/A/N/I/N/G Online #4. Emma was the star of the film Emma's Dilemma, directed by Henry Hills, in which she interviews dozens of artists from the downtown NYC scene. She worked as a curatorial assistant in the Photography, Contemporary Art, and Prints & Drawings departments at the Art Institute of Chicago, at the Renaissance Society, and was a docent at the Smart Museum, the Metropolitan Museum of Art, and the Brooklyn Museum. She worked as a Teaching Artist at the Museum of Contemporary Art in Chicago, and was an involved mentor and teacher for Step Up Women's Network. With Nona Willis Aronowitz, Emma conceived the GIRLdrive project: a cross-country trip to interview and photograph a multitude of diverse women, reflecting on the present state of feminism and social activism. GIRLdrive has a blog and is a forthcoming book from Seal Press. Emma died in December 2008 at the Peggy Guggenheim Collection in Venice, Italy, where she had an internship. Emma is survived by her parents Susan Bee and Charles Bernstein and her brother Felix.

Susan Bee is a painter, editor, and book artist living in NYC. She has a solo show of paintings at A.I.R. Gallery in Dumbo, Brooklyn, from Feb. 4-March 1, 2009. She is co-editor of M/E/A/N/I/N/G: An Anthology of Artists Writings, Theory, and Criticism (Duke, 2000) and co-edits M/E/A/N/I/N/G Online. Granary Books has published six of her artist's books. She teaches in the School of Visual Arts MFA in Art Criticism and Writing program. Click here for her website.

Marjorie Perloff is Sadie D. Patek Professor Emerita of Humanities at Stanford University and currently Scholar-in-Residence at the University of Southern California. She teaches courses and writes on twentieth—and now twenty-first—century poetry and poetics, both Anglo-American and from a Comparatist perspective, as well as on intermedia and the visual arts. Her first three books dealt with individual poets—Yeats, Robert Lowell, and Frank O’Hara; she then published The Poetics of Indeterminacy: Rimbaud to Cage (1981), a book that has gone through a number of editions, and led to her extensive exploration of avant-garde art movements in The Futurist Moment: Avant-Garde, Avant-Guerre, and the Language of Rupture (1986, new edition, 1994), and subsequent books (13 in all), the most recent of which is Differentials: Poetry, Poetics, Pedagogy (2005). Radical Artifice: Writing Poetry in the Age of Media (1992) has been used in classrooms studying the “new” digital poetics, and 21st Century Modernism (Blackwell 2002) is a manifesto of Modernist Survival. Wittgenstein’s Ladder brought philosophy into the mix and Perloff has recently published her cultural memoir The Vienna Paradox (2004), which has been widely discussed. She has been a frequent reviewer for periodicals from TLS and The Washington Post to all the major scholarly journals, and she has lectured at most major universities in the U.S. and at European, Asian, and Latin American universities and festivals. Perloff has held Guggenheim, NEH, and Huntington fellowships, served on the Advisory Board of the Stanford Humanities Center, and has just completed her year as President of the Modern Language Association. She is a member of the American Academy of Arts and Sciences and recently was named Honorary Foreign Professor at the Beijing Modern Languages University. She received an Honorary Degree from Bard College in May 2008.

This is the fourth book in The Elders Series and the 121st book in the overall Belladonna reading series.]]> 2009 5 0 false Tue Mar 03 12:42:21 -0800 2009 Tue Mar 03 12:42:21 -0800 2009 47581831 1009964 6294024 0976485796 9780976485797 0 http://photo.goodreads.com/books/1235660452m/6294024.jpg http://photo.goodreads.com/books/1235660452s/6294024.jpg http://www.goodreads.com/book/show/6294024.The_Belladonna_Elders_Series_4 5.00 9
Emma Bee Bernstein was born in 1985 and grew up on the upper west side of Manhattan. She graduated in June 2007 from the University of Chicago with a BA with honors in Visual Arts & Art History. She wrote her senior thesis on feminism and fashion in contemporary photography, and showed her Masquerade series as part of her senior thesis show. She also exhibited her photographs at A.I.R. Gallery in NYC, the Smart Museum in Chicago, and in numerous student exhibitions at the University of Chicago. She was featured in the New York Times for her work in Vita Excolatur, a University of Chicago erotica magazine and wrote an article on feminist art for M/E/A/N/I/N/G Online #4. Emma was the star of the film Emma's Dilemma, directed by Henry Hills, in which she interviews dozens of artists from the downtown NYC scene. She worked as a curatorial assistant in the Photography, Contemporary Art, and Prints & Drawings departments at the Art Institute of Chicago, at the Renaissance Society, and was a docent at the Smart Museum, the Metropolitan Museum of Art, and the Brooklyn Museum. She worked as a Teaching Artist at the Museum of Contemporary Art in Chicago, and was an involved mentor and teacher for Step Up Women's Network. With Nona Willis Aronowitz, Emma conceived the GIRLdrive project: a cross-country trip to interview and photograph a multitude of diverse women, reflecting on the present state of feminism and social activism. GIRLdrive has a blog and is a forthcoming book from Seal Press. Emma died in December 2008 at the Peggy Guggenheim Collection in Venice, Italy, where she had an internship. Emma is survived by her parents Susan Bee and Charles Bernstein and her brother Felix.

Susan Bee is a painter, editor, and book artist living in NYC. She has a solo show of paintings at A.I.R. Gallery in Dumbo, Brooklyn, from Feb. 4-March 1, 2009. She is co-editor of M/E/A/N/I/N/G: An Anthology of Artists Writings, Theory, and Criticism (Duke, 2000) and co-edits M/E/A/N/I/N/G Online. Granary Books has published six of her artist's books. She teaches in the School of Visual Arts MFA in Art Criticism and Writing program. Click here for her website.

Marjorie Perloff is Sadie D. Patek Professor Emerita of Humanities at Stanford University and currently Scholar-in-Residence at the University of Southern California. She teaches courses and writes on twentieth—and now twenty-first—century poetry and poetics, both Anglo-American and from a Comparatist perspective, as well as on intermedia and the visual arts. Her first three books dealt with individual poets—Yeats, Robert Lowell, and Frank O’Hara; she then published The Poetics of Indeterminacy: Rimbaud to Cage (1981), a book that has gone through a number of editions, and led to her extensive exploration of avant-garde art movements in The Futurist Moment: Avant-Garde, Avant-Guerre, and the Language of Rupture (1986, new edition, 1994), and subsequent books (13 in all), the most recent of which is Differentials: Poetry, Poetics, Pedagogy (2005). Radical Artifice: Writing Poetry in the Age of Media (1992) has been used in classrooms studying the “new” digital poetics, and 21st Century Modernism (Blackwell 2002) is a manifesto of Modernist Survival. Wittgenstein’s Ladder brought philosophy into the mix and Perloff has recently published her cultural memoir The Vienna Paradox (2004), which has been widely discussed. She has been a frequent reviewer for periodicals from TLS and The Washington Post to all the major scholarly journals, and she has lectured at most major universities in the U.S. and at European, Asian, and Latin American universities and festivals. Perloff has held Guggenheim, NEH, and Huntington fellowships, served on the Advisory Board of the Stanford Humanities Center, and has just completed her year as President of the Modern Language Association. She is a member of the American Academy of Arts and Sciences and recently was named Honorary Foreign Professor at the Beijing Modern Languages University. She received an Honorary Degree from Bard College in May 2008.

This is the fourth book in The Elders Series and the 121st book in the overall Belladonna reading series.]]> 2009 5 0 false Mon Mar 02 19:39:30 -0800 2009 Thu Feb 26 07:01:52 -0800 2009 Mon Mar 02 19:39:31 -0800 2009 8 http://www.goodreads.com/book_link/follow/8?book_id=6294024