The New Drawing on the Right Side of the Brain

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The New Drawing on the Right Side of the Brain

3.9 of 5 stars 3.90 · rating details · 33,387 ratings · 244 reviews

When Drawing on the Right Side of the Brain was first published in 1979, it hit the New York Times bestseller list within two weeks and stayed there for more than a year. In 1989, when Dr. Betty Edwards revised the book, it went straight to the Times list again. Now Dr. Edwards celebrates the twentieth anniversary of her classic book with a second revised edition.

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Paperback, Third Edition, 291 pages

Published August 30th 1999 by Tarcher (first published 1979)

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Aug 17, 2012 Fayaz Nizamani rated it 5 of 5 stars

This book is a double-edged sword: On one side you have this immediate almost magical improvement in your drawing, on the other hand it's not good for long term improvement.

My first drawing after reading just a few chapters, blew my mind away. It was a self-portrait and I could not believe that I had drawn it. After all, it takes months of practice not reading of a few chapters from a book to improve drawing, right?

The downside is that you only learn to copy what you see in front of you. You don...more

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Nov 19, 2012 Robin rated it 5 of 5 stars

Shelves: nonfiction

I've had several abortive attempts to learn to draw and paint over the last ten years. Part of the problem is that I become frustrated at how difficult it is to draw accurately and in proportion, and invariably put away my pencils and sketchbooks after a series of failures. And then, a year or two later, I try again, with a new how-to-draw book and vigor, only to repeat the process.

Recently I unearthed my box of accumulated art supplies and drawing books, and noticed the orange spine of Betty Ed...more I've had several abortive attempts to learn to draw and paint over the last ten years. Part of the problem is that I become frustrated at how difficult it is to draw accurately and in proportion, and invariably put away my pencils and sketchbooks after a series of failures. And then, a year or two later, I try again, with a new how-to-draw book and vigor, only to repeat the process.

Recently I unearthed my box of accumulated art supplies and drawing books, and noticed the orange spine of Betty Edwards Drawing on the Right Side of the Brain. This is the most often recommended title for beginners. I recalled reading a bit of it years ago, and setting it aside because the exercises seemed rather complicated and required the use of tools.

So, I decided to give it another try. I read it carefully from cover to cover before doing any drawing. Then, I ordered the recommended tools (these can be made inexpensively but I opted to just buy them from the author's website) and have been practicing these exercises ever since. Though much of information Edwards presents in her book isn't unique, the way she teaches it helped facilitate understanding for me in ways I never had before. My entire approach to drawing has changed dramatically and I finally feel like it is something I can eventually master.

Edwards believes that drawing accurately is something can be taught, much like driving or learning a new language. Though some people will learn more quickly than others, most people can obtain a basic level of profiency through learning and practice. I don't know why I never thought about it like that before! Artistic talent is often though of as innate, but in reality it is a set of skills. Edwards contends that the only "talent" necessary for drawing is the ability to write legibly; if you can do that, you can learn to draw.

Much of the beginning of the book sets forth Edwards' theory on neurology and how it affects the way we conceptualize drawing. Though most of this was written decades ago (the book has gone through several editions) and Edwards' theories about brain sided-ness have been disproven, a lot of her framework rings true. By necessity of language, people think symbolically - words represent objects. But, artists think visually and this is what she teaches - how to think and see like an artist.

For example, if I were attempting to draw a lamp, Edward would suggest that I stop thinking of it as a lamp. It is a series of basic shapes that are connected to each other in various proportions. So, I would try to see the lamp as a partly a square connected to a cylinder, an oval, etc.

By seeing objects as a sum of shapes, a beginning artist can resist the temptation to draw her own concept of what that object should look like. Edwards believes that this tendency to revert to symbolic thinking is what hampers beginning artist. She illustrates this concept brilliantly in a fascinating early chapter about children's drawings, showing how almost universally, children adopt symbols representative of what they wish to draw. Heads are circles, smiles are elongated "U"s. Once this pattern gets set cognitively, it's difficult to draw a head that isn't a circle. And heads are not circles!

Edwards takes the reader through a series of exercises to show how much we tend to draw symbolically. In one exercise, a line drawing of a seated man is flipped upside down and we are instructed to draw it. It forces us to draw visually, as our brain doesn't process upside-down drawings as symbols. I remember drawing the circles of the man's glasses, not even realizing what they were! Most people will draw the upside-down image better than the right-side up image.

Each subsequent chapter introduces various accuracy skills: sighting, scaling, etc. She employs time honored tools such as picture planes to assist the beginner in seeing their subjects visually. Later chapters address drawing faces and using color.

But I am really happy that I re-read this book and dived into its challenges. Thanks to Betty Edwards for teaching so many people that they can learn to draw.

Postscript: As a person with a debilitating disabling illness, drawing is a bit of a challenge. I've found ways to work around some of the things that prevented me from trying (again). First, I made a place for my drawing materials where they could be easily accessible, and easily stored away: a nightstand drawer. I draw in a reclined position, with my sketchbook propped up on my knees, so I am comfortable. Some of the exercises require an hour or more of work; these I break up into smaller sessions, and I amend some of the suggested subjects if they are not suitable to my arrangement.(less)

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Feb 02, 2009 Firman Widyasmara rated it 5 of 5 stars

Shelves: howtosbooks

Masih takut menggambar? Atau tidak percaya dengan term kebisaan menggambar itu sendiri? Jangan khawatir :) Bahasan terpenting dalam buku ini adalah: SEMUA ORANG BISA MENGGAMBAR. Idenya seru, dan dengan teknik yang juga seru. CUma modal satu hal: latihan. :D.

Bocorannya tekniknya: instead of latihan menggambar wajah orang dengan modal cermin atau selembar foto dengan cara konvensional, hari ini coba latihan sketsa dengan modal selembar foto wajah siapa saja di tangan anda. Caranya? Ambil kertas, p...more

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Jul 26, 2012 Teri Anderson rated it 5 of 5 stars · review of another edition

Shelves: art

This is a workbook that goes with the main text, The New Drawing on the Right Side of the Brain . It has more exercises than the main text (40 exercises, in fact). This workbook has minimal explanation compared with the main text-- the latter delves a great deal into brain hemisphere function and ways to access those parts that are best for drawing, whereas the workbook only focuses on actual drawing. So I think of the main text as the "teacher text," this workbook as the "student text," and the...more

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Aug 13, 2010 Trevor rated it 5 of 5 stars

Shelves: education

I’ve just finished reading a A Whole New Mind: Why Right-Brainers Will Rule the Future – essentially a series of book reviews on books the author found interesting and in which he hopes to be able to draw together ideas in those books into a bit of an overarching theory. He wasn’t quite successful, but he did remind me of this book and that has to be a good thing.

I read this book about ten years ago at a dark time in my life when I had just separated and moved out from the ex-wife. I had never b...more I’ve just finished reading a A Whole New Mind: Why Right-Brainers Will Rule the Future – essentially a series of book reviews on books the author found interesting and in which he hopes to be able to draw together ideas in those books into a bit of an overarching theory. He wasn’t quite successful, but he did remind me of this book and that has to be a good thing.

I read this book about ten years ago at a dark time in my life when I had just separated and moved out from the ex-wife. I had never been any good at drawing and generally hated books that went on about the right brain / left brain distinction – so I’ve no idea why I picked this up. But I did pick it up and almost immediately became fascinated. You see, it diagnosed my problem with drawing in the first couple of pages and then gave me clear and competent instruction into how to make me a better drawer.

For years at Primary and High School I had sat in art classes and learnt next to nothing. I wasn’t exactly the naughtiest boy in the class, I would sit and do whatever was asked of me, but all of my ‘art’ was pitifully bad. Like getting a dyslexic to read Shakespeare aloud for the class, there was something cruel in putting a pencil or paint brush into my hand.

The problem was no one ever told me that you need to draw what you see – that is, literally what you see, not what you think you see. When we are kids we learn to draw ‘symbols’ of things. We draw triangles for noses and spread out heart shapes for mouths. But these symbols are not what people actually have. People have real eyes and real chins, not a collection of symbols. Just learning that, and that alone, was enough to change the way I drew. The point wasn’t to draw mouths and ears, it was to draw lines and shade and shapes.

The other thing this book really taught me was the idea of flow. That being totally engaged in something is about living outside of time. I’m never going to spend enough time drawing to become a good drawer, but this book taught me that becoming a good drawer isn’t something that is genetically beyond me (something I pretty much assumed must have been the case previously). It taught me that the beauty of drawing is in how lost one becomes while drawing – as one does when writing poetry or extended prose. Time melts away. The point of drawing is to melt time, not really to produce great drawings.

And this book taught me how to look. It made trips to the art gallery so much more interesting and worthwhile.

The drawing exercises in this book should be virtually compulsory in schools. As a child who would, when asked to draw, scribble something tiny in the upper corner of the page – someone afraid of the momentum of lines (something I’m still afraid of) this book was like a light being turned on in a very dark room I had spent a lifetime stumbling around in. For years afterwards I would sit in meetings drawing my left hand. Like I said, Art teachers should be using this book as a matter of course. If you can’t draw a face without blushing, please, read this book – it will show you what the kids at school who could draw worked out on their own and why, without being shown, you never really had a chance of learning.
(less)

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Nov 16, 2009 Parka rated it 5 of 5 stars

Shelves: art-books-instructional

Coincidentally, one week before I bought the book at the bookshop, there was a student asking for 5 copies. This is a very popular title that frequently pops up when people ask for recommendation on books that teach drawing. Reviews on Amazon are overwhelmingly positive, which is not a surprise.

This book not only teaches you how to think (and not think) when drawing, but also teaches you the techniques to draw. In short, it teaches the approach and the techniques. Drawing on the Right Side of th...more

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Oct 15, 2009 Sarah rated it 4 of 5 stars Recommends it for: People who feel they can't draw

Recommended to Sarah by: Art teacher

This is the book my art teacher used to teach us when I was in my early teens. It's actually got some good ideas in there, with alot of jargon that I didn't understand (and didn't really care to, you don't miss much). Looking back, I appreciate some of the lessons I learned from it. Even if you think you can't draw, give this a chance! Forget that you think all your drawings look like a kid's, and try it, it really was good for me.

The main idea seems to be that we draw what we THINK we see, not...more

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Dec 14, 2012 Richard Haddad rated it 4 of 5 stars

Shelves: drawing-and-painting

I’m still going through this book so I will write up a more complete review in time but I will comment on what I think of it so far.

Betty Edwards seems to express herself quite well in the way she teaches and the methods she uses to bring an absolute beginner from nothing to actually having a chance at art. She focuses so much on activating the creative side of the brain, or the right side of the brain. In order to do that, she teaches you how to train your eyes to see properly and then drawing...more

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Jul 26, 2012 Teri Anderson rated it 5 of 5 stars

Shelves: art

My son and I are currently working through this with the accompanying DVD and workbook. I've never drawn from life before (only from two-dimensional photographs), but already a few lessons in, I've been doing so (see images below, which were done in an 8-day period)! Progress is impressively rapid with this method. I've never had more fun with a book! We're using this as a homeschool art curriculum and will continue to use it through the 2012-2013 school year.

I think of this main text as the "te...more

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Aug 06, 2011 Heather added it

This book was recommended to me by an art teacher.

Yes, I was fascinated by art, love photography and crafts. But felt I was unable to competently draw. I had given up even trying to draw, even though I had enjoyed art and drawing as a child.

I love the realization that everyone, even you and me, has the ability and talent to draw - to be artistic. This book will help you to connect with this side of yourself that is often dormant or hidden.

This is a wonderful journey into the brain! Read the boo...more

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Feb 15, 2013 Louisiana Levy rated it 5 of 5 stars

This is probably the best book you could read to improve your skills at drawing. The key being that this book teaches you how to 'see'. In order to draw with accuracy it is necessary to let go of your preconceived notions about what things 'should' look like and using symbols to represent features rather than observing what is actually there. This book is an amazing tool for learning how to work with your own brain and become really observant and powerful artistically. I have seen it make a huge...more

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Jan 12, 2009 Yoby rated it 5 of 5 stars

Shelves: art-how-to, inspiration-creativity, life-shaping

I had an art class that used this book as one of the textbooks. It immeadiately changed the way I viewed things. It was one of the pivotal books of my life (I ought to include that as a tag.)

When I home-schooled my then suicidal teen daughter and sat her down with this book, she flipped through it for 15 minutes, and started drawing as if she had been taking lessons her whole life. She found a talent she didn't know she had (and several others, but not because of this book.)

I highly recommend it...more

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Jul 27, 2012 Beth Aucoin rated it 4 of 5 stars

Shelves: non-fiction

I actually had to read this book for a class of mine, but I thoroughly enjoyed it. The author, Betty Edwards, teaches how anyone can learn how to draw, and I love that. I have learned a lot in all of my art classes and studies, but I learned even more from her. I hate how people think that art is merely a talent that only certain people have. That mode of thinking is completely false and Betty Edwards explains why it is false. Art is not just a talent given only to those born under the right sta...more

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Dec 29, 2012 Jonathan rated it 5 of 5 stars

Shelves: library

Frankly, this book's method has all the hallmarks of pseudoscientific snake oil: breathless testimonials on the back, anecdotes in the first chapter, and its own made-up lingo (it's easy to draw when you're in R-mode!). I picked it up because I'd heard lots of good things about it, because I could stand to be a lot more creative, and because I couldn't draw to save my life.

It's true that the author is prone to wax poetic about the drawing process; at one point, for instance, she suggests you dra...more Frankly, this book's method has all the hallmarks of pseudoscientific snake oil: breathless testimonials on the back, anecdotes in the first chapter, and its own made-up lingo (it's easy to draw when you're in R-mode!). I picked it up because I'd heard lots of good things about it, because I could stand to be a lot more creative, and because I couldn't draw to save my life.

It's true that the author is prone to wax poetic about the drawing process; at one point, for instance, she suggests you draw the folds in your palm without looking at your palm, and calls the result a "beautiful record of consciousness".

However, It's also true that this book made a huge difference in my ability to draw what I see, especially given how little time I was able to spend working through the examples. I've never taken an art-related class in my life so every method was new to me. Just using a few of her recommendations (drawing negative spaces, for example, and trying to keep from naming what you're drawing) produced a shocking difference in how my drawings turned out.

One excellent attribute of this book is that you can do most of the exercises with just a paper and pencil. The author recommends that you buy graphite and a special frame and bond paper and all kinds of other things, and I'm sure they're helpful, but in the end what you're doing here is pencil drawings, which everyone has already done in meetings and classes.

This book did not make me an amazing artist, but I cannot imagine a more immediately practical and helpful guide for someone who just wants to be able to draw--like, yesterday. 5 stars.

My one beef with this book is that it claims to be a handbook for increasing creativity, but the book is really only about one thing: drawing exactly what you see. That means you can draw from still life, or from someone sitting very still for half an hour. With regards to creativity, the author has several markedly defensive paragraphs in which she points out that there are modes for self-expression within the realistic format (for instance, you can use cross-hatching to create a darker area OR follow the contours of the subject!). I was hoping, however, that this book would show me some methods for drawing realistic but imagined people and scenes, and at this task it was not very helpful. (less)

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Jul 02, 2012 Steffy Butts added it

Shelves: art-books

This was the first art instruction book that made perfect sense to me. I can't praise it enough. If you can only read one art instruction book In your life, then pick this one . Follow all the instructions and do all the exercises to get the full benefit because , practice is what makes you grow as an artist. Then if you can get Betty Edwards book Drawing on the artist within and the work book that goes with drawing o the right side of the brain, you should be totally equipped with all the instr...more

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Aug 10, 2012 Alan Caramatti rated it 4 of 5 stars

Shelves: creativity, art, non-fiction

This is really a book most people will need to go through with a group or in a class, because it's a workbook, and you really need to *do* the exercises. Since it's hard to keep on track with a program like this on your own, some sort of scheduled class is the way to go. Having said that, the book is very helpful and points out clearly what's up with all our angst over drawing. It was helpful to me to discover that I wasn't the only one in 7th grade or so who couldn't draw what I wanted to, and...more

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Feb 29, 2012 Sarah rated it 5 of 5 stars

هذا كتاب باللغة الانجليزية رااائع جدا ،،
يحاول أن يجعل المرء يتصل بالجانب الأيمن من دماغه ،وهو الجانب المعني بالفن والإبداع ،،
رحلة عبر العقل ومحاولة لتعلم طربقة التفكير في الفن ،،
فيه تمرينات ممتازة لبعض الرسومات والتقنيات الأساسية في الرسم مفيدة جدا خاصة للمبتدئين ،،
أنصح به لكل مهتم ،، وهناك نسخ الكترونية على الشبكة ،،

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Apr 13, 2010 Krystal rated it 5 of 5 stars

Shelves: summer-2012

I purchased this book at the recommendation of Daniel Pink's A Whole New Mind as a way to practice my creative "right brain" skills. While the whole left brain/right brain idea seems too simplistic, it is a useful construct in this context for understanding the obstacles that hinder drawing. We tend to interpret what we see through verbal constructs rather than seeing what is actually there. Edwards presents a number of exercises to help one overcome those mental blocks and draw what we see.

Thi...more

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Jan 20, 2010 Tripleguess rated it 4 of 5 stars

Shelves: animation-1st-year

I just finished working through most of the exercises in this book.

I am skipping "Ugly City Corner" and the Pastels exercise. I am comfortable with negative space, and I don't want the mess of using Pastels; hopefully I can take an Intro to Art Mediums course later, where I can make a mess in someone else's classroom. I'm also anxious to get to the next book in my drawing course...

I'm skipping the chapter on handwriting too; my handwriting is neat and legible unless I'm in a tearing hurry, so I'...more

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Jul 09, 2008 Kat rated it 5 of 5 stars

Shelves: vaguely-2001-2006

I found an improvement in my drawing after reading this book and doing the exercises. If nothing else, the idea that drawing is not a matter of manual dexterity (according to Edwards if can write decently, you can draw), it is a matter of how you look at objects and interpret it on paper was a boon. It made me stop thinking that I couldn't draw, and I couldn't learn to draw. I mean you must be able to learn to draw; think back to the days when an "accomplished" lady had to be able to speak Itali...more

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Feb 20, 2013 Kaavya rated it 5 of 5 stars

This book is one of my favourite books because of the way drawing is so artfully described. The psychology behind it was fascinating. The experiments and the exercises were extremely well explained. I already knew how to use these methods when I started this book, but to any novice, I’d definitely recommend this book. It shows that drawing isn’t an obscure talent given to few. It is just a new way to see, and to understand what you see. It is interesting to read, well structured, and will defini...more

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Aug 19, 2012 Terry-jean rated it 2 of 5 stars

This is a perfect book for an absolute beginner. I expect it would be useful to parents and art teachers as it describes possibilities for students who are not talented or for painters/sculptors who want to return to drawing again, a real confidence booster. Exploring negative form/space and format boundaries is vital to the outcome one struggles for as a visual artist. I am not sure the sketches come across as creatively (ie presented) maybe block coloured backgrounds for a little pizzaz ?? oth...more

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Mar 14, 2012 Laura Potts rated it 5 of 5 stars

I am glad I read the book and would recommend it to anyone like me. I started pencil drawing about three months ago and have never had any drawing instruction previously. After spending about three weeks with this book, practicing for about 2-3 hours a day, I am now at a skill level where I feel comfortable (dare I say proud) to show my drawings to my friends. I am no longer afraid (out of embarrassment) to sign up for classes with the Art Students' League!

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Nov 29, 2011 Monica rated it 5 of 5 stars

Shelves: drawing

The reviewers are right. This is a wonderful book in teaching you how to see, and then how to draw. Essentially, to be able to draw is not about the skill of the hand but the ability of the eye to see.

The exercises help you learn to see:

1)edges (contours)
2)negative space
3)perspective and proportion and using a basic unit as measurement
4)light and shadow
5)wholeness

I think it is important to do all the exercises as it did give me a little more confidence. These are 5 essential skills, and as we m...more

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Apr 07, 2013 Graeme Waymark added it

Shelves: 1964-1999

I still refer to this book regularly. It stimulates drawing, doodling, serious attempts to not only draw, but why draw, why is there a genesis, a middle and an ending to a drawing and how does/do each support each other. Grandchildren get more out this in its simplicity than do adults in its complexity, yet both sides are essential to acquire a skill and an empathy for drawings, those who draw and why they draw. Most of all its focuses each of

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Jul 05, 2011 Charissa rated it 4 of 5 stars

Shelves: 2011

Great book! If you've always loved the art of others but didn't think you had the talent, think again. The premise of this book is that everyone can draw...we just have to learn to switch to our right (creative) side of our brain, instead of the left (logical), which is mostly used. I loved the exercises in here; they're great to have kids do too, so they don't grow up thinking they can't draw (like most of the rest of us falsely learned).

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Jun 19, 2011 Wes Baker rated it 5 of 5 stars · review of another edition

A great book on how to take your time and draw what you actually see. I really enjoyed the exploration of L-mode vs R-mode thinking and what that means for your drawings. My only complaint—and it's a result of what you're doing—is that each chapter might end up taking you two to three hours to get through because of how long each drawing will take. I guess that's not really a complaint because it's so enjoyable, but more of a warning.

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Jun 13, 2012 Amy Morris rated it 4 of 5 stars

I've always wanted to be able to draw, or paint, or be an artist. I read this book and started working through the exercises. I became discouraged when my drawings continued to look like an early elementary student with no talent and my elementary school-aged daughter's drawings looked like a talented artist's drawings. Despite my shortcomings, I am able to look at objects differently, breaking them down into manageable sections.

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Jun 03, 2012 Dina rated it 4 of 5 stars

Shelves: 2012

Wow. What a neat book. I have taken art appreciation courses in college and I have taken the traditional "draw whatever the heck you want" classes in high school. So, I don't have any training per se. I draw, but I never really read art books because I worried that instruction would take away from the spirit of my message--if that made any sense. But, I like my little kid wanna-be surrealist drawings and Edwards was never blatantly anti-any form of art, so I went along with it. Edwards is really...more

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Apr 03, 2008 Randy Lacelle rated it 5 of 5 stars Recommends it for: Anyone who has failed at drawing before

Recommended to Randy by: found it in a bookstore

Shelves: art-books, drawing

This book was very helpful to me when I began to really draw. Betty convinces you that you can draw no matter what... maybe part of it is that placebo effect but that never worked for me before :P

Anyways she has alot of good information in the book, she also has some exercises I found helpful in forcing your mind to study a image and each part of it in concordance with other parts to attempt to more accurately depict your drawing. In other words it helps your image stay as close in proportions t...more

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“Over the last forty years, many educators, decision-makers, and even some parents have come to regard the arts as peripheral, and let’s face it, frivolous—especially the visual arts, with their connotation of ”the starving artist” and the mistaken concept of necessary talent” — 2 people liked it

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