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    <![CDATA[A decade ago the vast majority of mainstream music was funneled through a handful of media conglomerates. Now, more people are listening to more music from a greater variety of sources than at any time in history. And big corporations such as Viacom, Clear Channel, and Sony are no longer the sole gatekeepers and distributors, their monopoly busted by a revolution -- an uprising led by bands and fans networking on the Internet. <em>Ripped</em> tells the story of how the laptop generation created a new grassroots music industry, with the fans and bands rather than the corporations in charge. In this new world, bands aren't just musicmakers but self-contained multimedia businesses; and fans aren't just consumers but distributors and even collaborators.<p>As the Web popularized bands and albums that previously would have been relegated to obscurity, innovative artists -- from Prince to Death Cab for Cutie -- started coming up with, and stumbling into, alternative ways of getting their music out to fans. Live music took on an even more significant role. TV shows and commercials emerged as great places to hear new tunes. Sample-based composition and mash-ups leapfrogged ahead of the industry's, and the law's, ability to keep up with them. Then, in 2007, Radiohead released an album exclusively on the Internet and allowed customers to name their own price, including $0.00. Radiohead's &quot;it's up to you&quot; marketing coup seized on a concept the old music industry had forgotten: the customer is always right.<p>National radio host and critically acclaimed music journalist Greg Kot masterfully chronicles this story of how we went from $17.99 to $0.00 in less than a decade. It's a fascinating tale of backward thinking, forward thinking, and the power of music.</p></p>]]>
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    <body><![CDATA[Greg Kot examines the role of the Internet in bringing the consumer, i.e., the music listener, back into the picture in the music industry over the past decade. As broadband Internet has become more prevalent, access to music, either via download or streaming media, has become easier, but not withou...<a href="http://www.goodreads.com/review/show/58063370">more...</a>]]></body>
    
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    <![CDATA[A decade ago the vast majority of mainstream music was funneled through a handful of media conglomerates. Now, more people are listening to more music from a greater variety of sources than at any time in history. And big corporations such as Viacom, Clear Channel, and Sony are no longer the sole gatekeepers and distributors, their monopoly busted by a revolution -- an uprising led by bands and fans networking on the Internet. <em>Ripped</em> tells the story of how the laptop generation created a new grassroots music industry, with the fans and bands rather than the corporations in charge. In this new world, bands aren't just musicmakers but self-contained multimedia businesses; and fans aren't just consumers but distributors and even collaborators.<p>As the Web popularized bands and albums that previously would have been relegated to obscurity, innovative artists -- from Prince to Death Cab for Cutie -- started coming up with, and stumbling into, alternative ways of getting their music out to fans. Live music took on an even more significant role. TV shows and commercials emerged as great places to hear new tunes. Sample-based composition and mash-ups leapfrogged ahead of the industry's, and the law's, ability to keep up with them. Then, in 2007, Radiohead released an album exclusively on the Internet and allowed customers to name their own price, including $0.00. Radiohead's &quot;it's up to you&quot; marketing coup seized on a concept the old music industry had forgotten: the customer is always right.<p>National radio host and critically acclaimed music journalist Greg Kot masterfully chronicles this story of how we went from $17.99 to $0.00 in less than a decade. It's a fascinating tale of backward thinking, forward thinking, and the power of music.</p></p>]]>
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    <body><![CDATA[Kot examines the influence of the internet on the music industry, portraying the behemoth record companies as the Goliath that have fallen against the stones of the artists and fans that have harnessed the power of the internet to transform the way music is made and distributed. Specific chapters in...<a href="http://www.goodreads.com/review/show/51127270">more...</a>]]></body>
    
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    <![CDATA[A decade ago the vast majority of mainstream music was funneled through a handful of media conglomerates. Now, more people are listening to more music from a greater variety of sources than at any time in history. And big corporations such as Viacom, Clear Channel, and Sony are no longer the sole gatekeepers and distributors, their monopoly busted by a revolution -- an uprising led by bands and fans networking on the Internet. <em>Ripped</em> tells the story of how the laptop generation created a new grassroots music industry, with the fans and bands rather than the corporations in charge. In this new world, bands aren't just musicmakers but self-contained multimedia businesses; and fans aren't just consumers but distributors and even collaborators.<p>As the Web popularized bands and albums that previously would have been relegated to obscurity, innovative artists -- from Prince to Death Cab for Cutie -- started coming up with, and stumbling into, alternative ways of getting their music out to fans. Live music took on an even more significant role. TV shows and commercials emerged as great places to hear new tunes. Sample-based composition and mash-ups leapfrogged ahead of the industry's, and the law's, ability to keep up with them. Then, in 2007, Radiohead released an album exclusively on the Internet and allowed customers to name their own price, including $0.00. Radiohead's &quot;it's up to you&quot; marketing coup seized on a concept the old music industry had forgotten: the customer is always right.<p>National radio host and critically acclaimed music journalist Greg Kot masterfully chronicles this story of how we went from $17.99 to $0.00 in less than a decade. It's a fascinating tale of backward thinking, forward thinking, and the power of music.</p></p>]]>
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    <body><![CDATA[Strictly speaking, I didn't read this book - I sorta browsed it after reading the first 30-40 pages.<br/><br/>I don't know what the problem is - I write email messages to people that are often three-four times longer than they should be (or so it seems after completing them) but I often find that ...<a href="http://www.goodreads.com/review/show/59334103">more...</a>]]></body>
    
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    <![CDATA[A decade ago the vast majority of mainstream music was funneled through a handful of media conglomerates. Now, more people are listening to more music from a greater variety of sources than at any time in history. And big corporations such as Viacom, Clear Channel, and Sony are no longer the sole gatekeepers and distributors, their monopoly busted by a revolution -- an uprising led by bands and fans networking on the Internet. <em>Ripped</em> tells the story of how the laptop generation created a new grassroots music industry, with the fans and bands rather than the corporations in charge. In this new world, bands aren't just musicmakers but self-contained multimedia businesses; and fans aren't just consumers but distributors and even collaborators.<p>As the Web popularized bands and albums that previously would have been relegated to obscurity, innovative artists -- from Prince to Death Cab for Cutie -- started coming up with, and stumbling into, alternative ways of getting their music out to fans. Live music took on an even more significant role. TV shows and commercials emerged as great places to hear new tunes. Sample-based composition and mash-ups leapfrogged ahead of the industry's, and the law's, ability to keep up with them. Then, in 2007, Radiohead released an album exclusively on the Internet and allowed customers to name their own price, including $0.00. Radiohead's &quot;it's up to you&quot; marketing coup seized on a concept the old music industry had forgotten: the customer is always right.<p>National radio host and critically acclaimed music journalist Greg Kot masterfully chronicles this story of how we went from $17.99 to $0.00 in less than a decade. It's a fascinating tale of backward thinking, forward thinking, and the power of music.</p></p>]]>
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    <body><![CDATA[Ripped is a decent basic overview of the digital revolution but Kot completely avoids the negative consequences of illegal file sharing from the small artist's perspective, preferring instead to point out the admittedly hysterical reaction of the Big 5 and RIAA. But the real victims of illegal file ...<a href="http://www.goodreads.com/review/show/59211572">more...</a>]]></body>
    
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    <![CDATA[A decade ago the vast majority of mainstream music was funneled through a handful of media conglomerates. Now, more people are listening to more music from a greater variety of sources than at any time in history. And big corporations such as Viacom, Clear Channel, and Sony are no longer the sole gatekeepers and distributors, their monopoly busted by a revolution -- an uprising led by bands and fans networking on the Internet. <em>Ripped</em> tells the story of how the laptop generation created a new grassroots music industry, with the fans and bands rather than the corporations in charge. In this new world, bands aren't just musicmakers but self-contained multimedia businesses; and fans aren't just consumers but distributors and even collaborators.<p>As the Web popularized bands and albums that previously would have been relegated to obscurity, innovative artists -- from Prince to Death Cab for Cutie -- started coming up with, and stumbling into, alternative ways of getting their music out to fans. Live music took on an even more significant role. TV shows and commercials emerged as great places to hear new tunes. Sample-based composition and mash-ups leapfrogged ahead of the industry's, and the law's, ability to keep up with them. Then, in 2007, Radiohead released an album exclusively on the Internet and allowed customers to name their own price, including $0.00. Radiohead's &quot;it's up to you&quot; marketing coup seized on a concept the old music industry had forgotten: the customer is always right.<p>National radio host and critically acclaimed music journalist Greg Kot masterfully chronicles this story of how we went from $17.99 to $0.00 in less than a decade. It's a fascinating tale of backward thinking, forward thinking, and the power of music.</p></p>]]>
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  <read_at>Wed Sep 09 00:00:00 -0700 2009</read_at>
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    <body><![CDATA[This is relevant to my interests.<br/><br/>This book is slanted towards indie rock music, but personally I don't mind. It put a few things into perspective for me, and raised my attention to aspects of the music industry I had never given much thought. Music technology and the ability to share, di...<a href="http://www.goodreads.com/review/show/70546124">more...</a>]]></body>
    
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    <![CDATA[A decade ago the vast majority of mainstream music was funneled through a handful of media conglomerates. Now, more people are listening to more music from a greater variety of sources than at any time in history. And big corporations such as Viacom, Clear Channel, and Sony are no longer the sole gatekeepers and distributors, their monopoly busted by a revolution -- an uprising led by bands and fans networking on the Internet. <em>Ripped</em> tells the story of how the laptop generation created a new grassroots music industry, with the fans and bands rather than the corporations in charge. In this new world, bands aren't just musicmakers but self-contained multimedia businesses; and fans aren't just consumers but distributors and even collaborators.<p>As the Web popularized bands and albums that previously would have been relegated to obscurity, innovative artists -- from Prince to Death Cab for Cutie -- started coming up with, and stumbling into, alternative ways of getting their music out to fans. Live music took on an even more significant role. TV shows and commercials emerged as great places to hear new tunes. Sample-based composition and mash-ups leapfrogged ahead of the industry's, and the law's, ability to keep up with them. Then, in 2007, Radiohead released an album exclusively on the Internet and allowed customers to name their own price, including $0.00. Radiohead's &quot;it's up to you&quot; marketing coup seized on a concept the old music industry had forgotten: the customer is always right.<p>National radio host and critically acclaimed music journalist Greg Kot masterfully chronicles this story of how we went from $17.99 to $0.00 in less than a decade. It's a fascinating tale of backward thinking, forward thinking, and the power of music.</p></p>]]>
  </description>
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  <read_at>Sun May 17 00:00:00 -0700 2009</read_at>
  <date_added>Sat May 30 11:16:17 -0700 2009</date_added>
  <date_updated>Sun May 31 14:03:05 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Greg Kot's new book examines the role of king maker as the music industry shifts from local radio to the age of Clear Channel to the MP3 era with a clear time-line, a mix of public knowledge and behind-the-scenes interviews, and an optimistic view of American music's future for a concise overview of...<a href="http://www.goodreads.com/review/show/57861947">more...</a>]]></body>
    
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  <title>
    <![CDATA[Ripped: How the Wired Generation Revolutionized Music]]>
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    <![CDATA[A decade ago the vast majority of mainstream music was funneled through a handful of media conglomerates. Now, more people are listening to more music from a greater variety of sources than at any time in history. And big corporations such as Viacom, Clear Channel, and Sony are no longer the sole gatekeepers and distributors, their monopoly busted by a revolution -- an uprising led by bands and fans networking on the Internet. <em>Ripped</em> tells the story of how the laptop generation created a new grassroots music industry, with the fans and bands rather than the corporations in charge. In this new world, bands aren't just musicmakers but self-contained multimedia businesses; and fans aren't just consumers but distributors and even collaborators.<p>As the Web popularized bands and albums that previously would have been relegated to obscurity, innovative artists -- from Prince to Death Cab for Cutie -- started coming up with, and stumbling into, alternative ways of getting their music out to fans. Live music took on an even more significant role. TV shows and commercials emerged as great places to hear new tunes. Sample-based composition and mash-ups leapfrogged ahead of the industry's, and the law's, ability to keep up with them. Then, in 2007, Radiohead released an album exclusively on the Internet and allowed customers to name their own price, including $0.00. Radiohead's &quot;it's up to you&quot; marketing coup seized on a concept the old music industry had forgotten: the customer is always right.<p>National radio host and critically acclaimed music journalist Greg Kot masterfully chronicles this story of how we went from $17.99 to $0.00 in less than a decade. It's a fascinating tale of backward thinking, forward thinking, and the power of music.</p></p>]]>
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  <read_at>Fri Oct 09 00:00:00 -0700 2009</read_at>
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  <date_updated>Fri Oct 16 16:53:57 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[The music critic for the Chicago Tribune writes about how the music business has changed with the advent of internet file sharing/free music downloads.  He examines in detail how some artists have been able to adjust pricing, distribution  and/or revenue sharing models so that they can continue (or ...<a href="http://www.goodreads.com/review/show/74204104">more...</a>]]></body>
    
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    <![CDATA[Ripped: How the Wired Generation Revolutionized Music]]>
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  <average_rating>3.82</average_rating>
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    <![CDATA[A decade ago the vast majority of mainstream music was funneled through a handful of media conglomerates. Now, more people are listening to more music from a greater variety of sources than at any time in history. And big corporations such as Viacom, Clear Channel, and Sony are no longer the sole gatekeepers and distributors, their monopoly busted by a revolution -- an uprising led by bands and fans networking on the Internet. <em>Ripped</em> tells the story of how the laptop generation created a new grassroots music industry, with the fans and bands rather than the corporations in charge. In this new world, bands aren't just musicmakers but self-contained multimedia businesses; and fans aren't just consumers but distributors and even collaborators.<p>As the Web popularized bands and albums that previously would have been relegated to obscurity, innovative artists -- from Prince to Death Cab for Cutie -- started coming up with, and stumbling into, alternative ways of getting their music out to fans. Live music took on an even more significant role. TV shows and commercials emerged as great places to hear new tunes. Sample-based composition and mash-ups leapfrogged ahead of the industry's, and the law's, ability to keep up with them. Then, in 2007, Radiohead released an album exclusively on the Internet and allowed customers to name their own price, including $0.00. Radiohead's &quot;it's up to you&quot; marketing coup seized on a concept the old music industry had forgotten: the customer is always right.<p>National radio host and critically acclaimed music journalist Greg Kot masterfully chronicles this story of how we went from $17.99 to $0.00 in less than a decade. It's a fascinating tale of backward thinking, forward thinking, and the power of music.</p></p>]]>
  </description>
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    <rating>3</rating>
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  <read_at>Sat May 02 00:00:00 -0700 2009</read_at>
  <date_added>Mon May 04 16:53:29 -0700 2009</date_added>
  <date_updated>Fri May 15 10:20:14 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Kot examines the role technology has played in shaping the music industry and how these entities (Internet, MP3s, MP3 players, music software, etc.) have come to replace CDs, records, instruments, the snobby knowledgeable friend.  Kot's arguments are well-researched and his catalogue of quotes from ...<a href="http://www.goodreads.com/review/show/54952001">more...</a>]]></body>
    
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      <review>
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    <![CDATA[Ripped: How the Wired Generation Revolutionized Music]]>
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  <average_rating>3.82</average_rating>
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    <![CDATA[A decade ago the vast majority of mainstream music was funneled through a handful of media conglomerates. Now, more people are listening to more music from a greater variety of sources than at any time in history. And big corporations such as Viacom, Clear Channel, and Sony are no longer the sole gatekeepers and distributors, their monopoly busted by a revolution -- an uprising led by bands and fans networking on the Internet. <em>Ripped</em> tells the story of how the laptop generation created a new grassroots music industry, with the fans and bands rather than the corporations in charge. In this new world, bands aren't just musicmakers but self-contained multimedia businesses; and fans aren't just consumers but distributors and even collaborators.<p>As the Web popularized bands and albums that previously would have been relegated to obscurity, innovative artists -- from Prince to Death Cab for Cutie -- started coming up with, and stumbling into, alternative ways of getting their music out to fans. Live music took on an even more significant role. TV shows and commercials emerged as great places to hear new tunes. Sample-based composition and mash-ups leapfrogged ahead of the industry's, and the law's, ability to keep up with them. Then, in 2007, Radiohead released an album exclusively on the Internet and allowed customers to name their own price, including $0.00. Radiohead's &quot;it's up to you&quot; marketing coup seized on a concept the old music industry had forgotten: the customer is always right.<p>National radio host and critically acclaimed music journalist Greg Kot masterfully chronicles this story of how we went from $17.99 to $0.00 in less than a decade. It's a fascinating tale of backward thinking, forward thinking, and the power of music.</p></p>]]>
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  <read_at>Wed Apr 01 00:00:00 -0700 2009</read_at>
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  <date_updated>Tue Apr 28 21:14:26 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[this felt very immediate and succinctly (and entertainingly) covered how the music industry has struggled over the past decade with the advent of MP3s and how bands have successfully promoted themselves over the internet (and sometimes in spite of their own record companies).  with chapters, intervi...<a href="http://www.goodreads.com/review/show/53006023">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/53006023]]></url>
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      <review>
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    <![CDATA[Ripped: How the Wired Generation Revolutionized Music]]>
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  <average_rating>3.82</average_rating>
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    <![CDATA[A decade ago the vast majority of mainstream music was funneled through a handful of media conglomerates. Now, more people are listening to more music from a greater variety of sources than at any time in history. And big corporations such as Viacom, Clear Channel, and Sony are no longer the sole gatekeepers and distributors, their monopoly busted by a revolution -- an uprising led by bands and fans networking on the Internet. <em>Ripped</em> tells the story of how the laptop generation created a new grassroots music industry, with the fans and bands rather than the corporations in charge. In this new world, bands aren't just musicmakers but self-contained multimedia businesses; and fans aren't just consumers but distributors and even collaborators.<p>As the Web popularized bands and albums that previously would have been relegated to obscurity, innovative artists -- from Prince to Death Cab for Cutie -- started coming up with, and stumbling into, alternative ways of getting their music out to fans. Live music took on an even more significant role. TV shows and commercials emerged as great places to hear new tunes. Sample-based composition and mash-ups leapfrogged ahead of the industry's, and the law's, ability to keep up with them. Then, in 2007, Radiohead released an album exclusively on the Internet and allowed customers to name their own price, including $0.00. Radiohead's &quot;it's up to you&quot; marketing coup seized on a concept the old music industry had forgotten: the customer is always right.<p>National radio host and critically acclaimed music journalist Greg Kot masterfully chronicles this story of how we went from $17.99 to $0.00 in less than a decade. It's a fascinating tale of backward thinking, forward thinking, and the power of music.</p></p>]]>
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  <read_at>Wed Apr 01 00:00:00 -0700 2009</read_at>
  <date_added>Fri Apr 17 12:46:42 -0700 2009</date_added>
  <date_updated>Sun May 03 23:17:31 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[If you are considering reading this book and you are not an immediate part of the music industry, then you should.  Most likely you will learn something or find a new way to justify your method of finding the music you listen to.<br/><br/>Greg Kot's book has done a great job of consolidating most ...<a href="http://www.goodreads.com/review/show/53042884">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/53042884]]></url>
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  <title>
    <![CDATA[Ripped: How the Wired Generation Revolutionized Music]]>
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  <average_rating>3.82</average_rating>
  <ratings_count>90</ratings_count>
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    <![CDATA[A decade ago the vast majority of mainstream music was funneled through a handful of media conglomerates. Now, more people are listening to more music from a greater variety of sources than at any time in history. And big corporations such as Viacom, Clear Channel, and Sony are no longer the sole gatekeepers and distributors, their monopoly busted by a revolution -- an uprising led by bands and fans networking on the Internet. <em>Ripped</em> tells the story of how the laptop generation created a new grassroots music industry, with the fans and bands rather than the corporations in charge. In this new world, bands aren't just musicmakers but self-contained multimedia businesses; and fans aren't just consumers but distributors and even collaborators.<p>As the Web popularized bands and albums that previously would have been relegated to obscurity, innovative artists -- from Prince to Death Cab for Cutie -- started coming up with, and stumbling into, alternative ways of getting their music out to fans. Live music took on an even more significant role. TV shows and commercials emerged as great places to hear new tunes. Sample-based composition and mash-ups leapfrogged ahead of the industry's, and the law's, ability to keep up with them. Then, in 2007, Radiohead released an album exclusively on the Internet and allowed customers to name their own price, including $0.00. Radiohead's &quot;it's up to you&quot; marketing coup seized on a concept the old music industry had forgotten: the customer is always right.<p>National radio host and critically acclaimed music journalist Greg Kot masterfully chronicles this story of how we went from $17.99 to $0.00 in less than a decade. It's a fascinating tale of backward thinking, forward thinking, and the power of music.</p></p>]]>
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  <read_at>Wed Jul 01 00:00:00 -0700 2009</read_at>
  <date_added>Sun Oct 11 17:11:15 -0700 2009</date_added>
  <date_updated>Sun Oct 11 17:15:43 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[&quot;Ripp&quot; is a useful book for learning about the paradigm shift of the &quot;wired generation&quot; that has and is effecting the entire music industry. What this digital revolution has done is provided music artists a way to promote and distribute their work without being dependent on large...<a href="http://www.goodreads.com/review/show/74206890">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/74206890]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/74206890]]></link>
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    <![CDATA[Ripped: How the Wired Generation Revolutionized Music]]>
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  <average_rating>3.82</average_rating>
  <ratings_count>90</ratings_count>
  <description>
    <![CDATA[A decade ago the vast majority of mainstream music was funneled through a handful of media conglomerates. Now, more people are listening to more music from a greater variety of sources than at any time in history. And big corporations such as Viacom, Clear Channel, and Sony are no longer the sole gatekeepers and distributors, their monopoly busted by a revolution -- an uprising led by bands and fans networking on the Internet. <em>Ripped</em> tells the story of how the laptop generation created a new grassroots music industry, with the fans and bands rather than the corporations in charge. In this new world, bands aren't just musicmakers but self-contained multimedia businesses; and fans aren't just consumers but distributors and even collaborators.<p>As the Web popularized bands and albums that previously would have been relegated to obscurity, innovative artists -- from Prince to Death Cab for Cutie -- started coming up with, and stumbling into, alternative ways of getting their music out to fans. Live music took on an even more significant role. TV shows and commercials emerged as great places to hear new tunes. Sample-based composition and mash-ups leapfrogged ahead of the industry's, and the law's, ability to keep up with them. Then, in 2007, Radiohead released an album exclusively on the Internet and allowed customers to name their own price, including $0.00. Radiohead's &quot;it's up to you&quot; marketing coup seized on a concept the old music industry had forgotten: the customer is always right.<p>National radio host and critically acclaimed music journalist Greg Kot masterfully chronicles this story of how we went from $17.99 to $0.00 in less than a decade. It's a fascinating tale of backward thinking, forward thinking, and the power of music.</p></p>]]>
  </description>
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  <read_at>Mon Oct 05 00:00:00 -0700 2009</read_at>
  <date_added>Fri Oct 02 11:14:32 -0700 2009</date_added>
  <date_updated>Mon Oct 05 03:53:02 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Fascinating overview of how artists and record companies have dealt with technological innovations.<br/><br/>Reecord companies have become increasingly obsolete as music fans have found ways to obtain music for free.  Artist reactions have ranged from Metallica's thuggish tirades to Radiohead's gi...<a href="http://www.goodreads.com/review/show/73215964">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/73215964]]></url>
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    <![CDATA[Ripped: How the Wired Generation Revolutionized Music]]>
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  <average_rating>3.82</average_rating>
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    <![CDATA[A decade ago the vast majority of mainstream music was funneled through a handful of media conglomerates. Now, more people are listening to more music from a greater variety of sources than at any time in history. And big corporations such as Viacom, Clear Channel, and Sony are no longer the sole gatekeepers and distributors, their monopoly busted by a revolution -- an uprising led by bands and fans networking on the Internet. <em>Ripped</em> tells the story of how the laptop generation created a new grassroots music industry, with the fans and bands rather than the corporations in charge. In this new world, bands aren't just musicmakers but self-contained multimedia businesses; and fans aren't just consumers but distributors and even collaborators.<p>As the Web popularized bands and albums that previously would have been relegated to obscurity, innovative artists -- from Prince to Death Cab for Cutie -- started coming up with, and stumbling into, alternative ways of getting their music out to fans. Live music took on an even more significant role. TV shows and commercials emerged as great places to hear new tunes. Sample-based composition and mash-ups leapfrogged ahead of the industry's, and the law's, ability to keep up with them. Then, in 2007, Radiohead released an album exclusively on the Internet and allowed customers to name their own price, including $0.00. Radiohead's &quot;it's up to you&quot; marketing coup seized on a concept the old music industry had forgotten: the customer is always right.<p>National radio host and critically acclaimed music journalist Greg Kot masterfully chronicles this story of how we went from $17.99 to $0.00 in less than a decade. It's a fascinating tale of backward thinking, forward thinking, and the power of music.</p></p>]]>
  </description>
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  <read_at>Sat May 09 00:00:00 -0700 2009</read_at>
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  <date_updated>Fri May 29 13:52:42 -0700 2009</date_updated>
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    <body><![CDATA[This was my first free book to read and review. <br/>This book is more for the younger generation and how the music industry failed to stay current with the internet. I found the book a little tiring in some spots only because I personally am not current with today's music scene.<br/> <br/>I am a...<a href="http://www.goodreads.com/review/show/54407404">more...</a>]]></body>
    
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    <![CDATA[Ripped: How the Wired Generation Revolutionized Music]]>
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  <average_rating>3.82</average_rating>
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    <![CDATA[A decade ago the vast majority of mainstream music was funneled through a handful of media conglomerates. Now, more people are listening to more music from a greater variety of sources than at any time in history. And big corporations such as Viacom, Clear Channel, and Sony are no longer the sole gatekeepers and distributors, their monopoly busted by a revolution -- an uprising led by bands and fans networking on the Internet. <em>Ripped</em> tells the story of how the laptop generation created a new grassroots music industry, with the fans and bands rather than the corporations in charge. In this new world, bands aren't just musicmakers but self-contained multimedia businesses; and fans aren't just consumers but distributors and even collaborators.<p>As the Web popularized bands and albums that previously would have been relegated to obscurity, innovative artists -- from Prince to Death Cab for Cutie -- started coming up with, and stumbling into, alternative ways of getting their music out to fans. Live music took on an even more significant role. TV shows and commercials emerged as great places to hear new tunes. Sample-based composition and mash-ups leapfrogged ahead of the industry's, and the law's, ability to keep up with them. Then, in 2007, Radiohead released an album exclusively on the Internet and allowed customers to name their own price, including $0.00. Radiohead's &quot;it's up to you&quot; marketing coup seized on a concept the old music industry had forgotten: the customer is always right.<p>National radio host and critically acclaimed music journalist Greg Kot masterfully chronicles this story of how we went from $17.99 to $0.00 in less than a decade. It's a fascinating tale of backward thinking, forward thinking, and the power of music.</p></p>]]>
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  <read_at>Tue Dec 22 00:00:00 -0800 2009</read_at>
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    <body><![CDATA[It is a very odd experience to read a journalistic account of a phenomenon that is still going on, and on whose outcomes we can only speculate.  Reading it now, and having observed many of the events and phenomena described in this book as they happened, a lot of this information feels superfluous a...<a href="http://www.goodreads.com/review/show/81219216">more...</a>]]></body>
    
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      <review>
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    <![CDATA[Ripped: How the Wired Generation Revolutionized Music]]>
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  <average_rating>3.82</average_rating>
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    <![CDATA[A decade ago the vast majority of mainstream music was funneled through a handful of media conglomerates. Now, more people are listening to more music from a greater variety of sources than at any time in history. And big corporations such as Viacom, Clear Channel, and Sony are no longer the sole gatekeepers and distributors, their monopoly busted by a revolution -- an uprising led by bands and fans networking on the Internet. <em>Ripped</em> tells the story of how the laptop generation created a new grassroots music industry, with the fans and bands rather than the corporations in charge. In this new world, bands aren't just musicmakers but self-contained multimedia businesses; and fans aren't just consumers but distributors and even collaborators.<p>As the Web popularized bands and albums that previously would have been relegated to obscurity, innovative artists -- from Prince to Death Cab for Cutie -- started coming up with, and stumbling into, alternative ways of getting their music out to fans. Live music took on an even more significant role. TV shows and commercials emerged as great places to hear new tunes. Sample-based composition and mash-ups leapfrogged ahead of the industry's, and the law's, ability to keep up with them. Then, in 2007, Radiohead released an album exclusively on the Internet and allowed customers to name their own price, including $0.00. Radiohead's &quot;it's up to you&quot; marketing coup seized on a concept the old music industry had forgotten: the customer is always right.<p>National radio host and critically acclaimed music journalist Greg Kot masterfully chronicles this story of how we went from $17.99 to $0.00 in less than a decade. It's a fascinating tale of backward thinking, forward thinking, and the power of music.</p></p>]]>
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  <date_added>Wed Nov 04 16:46:41 -0800 2009</date_added>
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    <body><![CDATA[Greg Kot’s work, Ripped: How the Wired Generation Revolutionized Music is a look inside the world of music marketing, and distribution, from the mainstream to the underground.<br/><br/>Beginning chronologically, Kot first gives us a mini-review of the history of the music industry, Clear Channel...<a href="http://www.goodreads.com/review/show/76747029">more...</a>]]></body>
    
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  <average_rating>3.82</average_rating>
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    <![CDATA[A decade ago the vast majority of mainstream music was funneled through a handful of media conglomerates. Now, more people are listening to more music from a greater variety of sources than at any time in history. And big corporations such as Viacom, Clear Channel, and Sony are no longer the sole gatekeepers and distributors, their monopoly busted by a revolution -- an uprising led by bands and fans networking on the Internet. <em>Ripped</em> tells the story of how the laptop generation created a new grassroots music industry, with the fans and bands rather than the corporations in charge. In this new world, bands aren't just musicmakers but self-contained multimedia businesses; and fans aren't just consumers but distributors and even collaborators.<p>As the Web popularized bands and albums that previously would have been relegated to obscurity, innovative artists -- from Prince to Death Cab for Cutie -- started coming up with, and stumbling into, alternative ways of getting their music out to fans. Live music took on an even more significant role. TV shows and commercials emerged as great places to hear new tunes. Sample-based composition and mash-ups leapfrogged ahead of the industry's, and the law's, ability to keep up with them. Then, in 2007, Radiohead released an album exclusively on the Internet and allowed customers to name their own price, including $0.00. Radiohead's &quot;it's up to you&quot; marketing coup seized on a concept the old music industry had forgotten: the customer is always right.<p>National radio host and critically acclaimed music journalist Greg Kot masterfully chronicles this story of how we went from $17.99 to $0.00 in less than a decade. It's a fascinating tale of backward thinking, forward thinking, and the power of music.</p></p>]]>
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  <read_at>Sun May 24 00:00:00 -0700 2009</read_at>
  <date_added>Fri Apr 17 10:28:24 -0700 2009</date_added>
  <date_updated>Mon May 25 07:37:12 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[I just received an email that I am getting this from the First Reads Drawing!!!  <br/><br/>Nothing is as good as free books<br/>_____________________________________<br/><br/>This was a great non-fiction book.  Some Non-fiction books, no matter how interesting the topic, are really boring and h...<a href="http://www.goodreads.com/review/show/53029538">more...</a>]]></body>
    
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      <review>
  <id>57472936</id>
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    <![CDATA[Ripped: How the Wired Generation Revolutionized Music]]>
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  <average_rating>3.82</average_rating>
  <ratings_count>90</ratings_count>
  <description>
    <![CDATA[A decade ago the vast majority of mainstream music was funneled through a handful of media conglomerates. Now, more people are listening to more music from a greater variety of sources than at any time in history. And big corporations such as Viacom, Clear Channel, and Sony are no longer the sole gatekeepers and distributors, their monopoly busted by a revolution -- an uprising led by bands and fans networking on the Internet. <em>Ripped</em> tells the story of how the laptop generation created a new grassroots music industry, with the fans and bands rather than the corporations in charge. In this new world, bands aren't just musicmakers but self-contained multimedia businesses; and fans aren't just consumers but distributors and even collaborators.<p>As the Web popularized bands and albums that previously would have been relegated to obscurity, innovative artists -- from Prince to Death Cab for Cutie -- started coming up with, and stumbling into, alternative ways of getting their music out to fans. Live music took on an even more significant role. TV shows and commercials emerged as great places to hear new tunes. Sample-based composition and mash-ups leapfrogged ahead of the industry's, and the law's, ability to keep up with them. Then, in 2007, Radiohead released an album exclusively on the Internet and allowed customers to name their own price, including $0.00. Radiohead's &quot;it's up to you&quot; marketing coup seized on a concept the old music industry had forgotten: the customer is always right.<p>National radio host and critically acclaimed music journalist Greg Kot masterfully chronicles this story of how we went from $17.99 to $0.00 in less than a decade. It's a fascinating tale of backward thinking, forward thinking, and the power of music.</p></p>]]>
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  <read_at>Mon May 25 00:00:00 -0700 2009</read_at>
  <date_added>Wed May 27 04:30:05 -0700 2009</date_added>
  <date_updated>Wed May 27 04:34:06 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Once I started this book I couldn't put it down.  I knocked it off in 48 hours (which is rare for me in my 42nd year).  Greg does a sensational job spelling out the state of the music business in a post-Napster world, citing many detailed examples of success stories as well as failures while maintai...<a href="http://www.goodreads.com/review/show/57472936">more...</a>]]></body>
    
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      <review>
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  <title>
    <![CDATA[Ripped: How the Wired Generation Revolutionized Music]]>
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  <average_rating>3.82</average_rating>
  <ratings_count>90</ratings_count>
  <description>
    <![CDATA[A decade ago the vast majority of mainstream music was funneled through a handful of media conglomerates. Now, more people are listening to more music from a greater variety of sources than at any time in history. And big corporations such as Viacom, Clear Channel, and Sony are no longer the sole gatekeepers and distributors, their monopoly busted by a revolution -- an uprising led by bands and fans networking on the Internet. <em>Ripped</em> tells the story of how the laptop generation created a new grassroots music industry, with the fans and bands rather than the corporations in charge. In this new world, bands aren't just musicmakers but self-contained multimedia businesses; and fans aren't just consumers but distributors and even collaborators.<p>As the Web popularized bands and albums that previously would have been relegated to obscurity, innovative artists -- from Prince to Death Cab for Cutie -- started coming up with, and stumbling into, alternative ways of getting their music out to fans. Live music took on an even more significant role. TV shows and commercials emerged as great places to hear new tunes. Sample-based composition and mash-ups leapfrogged ahead of the industry's, and the law's, ability to keep up with them. Then, in 2007, Radiohead released an album exclusively on the Internet and allowed customers to name their own price, including $0.00. Radiohead's &quot;it's up to you&quot; marketing coup seized on a concept the old music industry had forgotten: the customer is always right.<p>National radio host and critically acclaimed music journalist Greg Kot masterfully chronicles this story of how we went from $17.99 to $0.00 in less than a decade. It's a fascinating tale of backward thinking, forward thinking, and the power of music.</p></p>]]>
  </description>
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    <rating>3</rating>
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  <recommended_for><![CDATA[]]></recommended_for>
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  <read_at>Sun Oct 11 00:00:00 -0700 2009</read_at>
  <date_added>Sun Oct 11 14:47:44 -0700 2009</date_added>
  <date_updated>Sun Oct 11 14:51:36 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Educational and informative. I agree with another reviewer that it was mis-subtitled, since the book is really a series of case studies and story histories of how the music industry/labels/moguls are out of touch, not so much about the &quot;wired generation.&quot; But although I feel fairly knowled...<a href="http://www.goodreads.com/review/show/74192347">more...</a>]]></body>
    
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    <![CDATA[A decade ago the vast majority of mainstream music was funneled through a handful of media conglomerates. Now, more people are listening to more music from a greater variety of sources than at any time in history. And big corporations such as Viacom, Clear Channel, and Sony are no longer the sole gatekeepers and distributors, their monopoly busted by a revolution -- an uprising led by bands and fans networking on the Internet. <em>Ripped</em> tells the story of how the laptop generation created a new grassroots music industry, with the fans and bands rather than the corporations in charge. In this new world, bands aren't just musicmakers but self-contained multimedia businesses; and fans aren't just consumers but distributors and even collaborators.<p>As the Web popularized bands and albums that previously would have been relegated to obscurity, innovative artists -- from Prince to Death Cab for Cutie -- started coming up with, and stumbling into, alternative ways of getting their music out to fans. Live music took on an even more significant role. TV shows and commercials emerged as great places to hear new tunes. Sample-based composition and mash-ups leapfrogged ahead of the industry's, and the law's, ability to keep up with them. Then, in 2007, Radiohead released an album exclusively on the Internet and allowed customers to name their own price, including $0.00. Radiohead's &quot;it's up to you&quot; marketing coup seized on a concept the old music industry had forgotten: the customer is always right.<p>National radio host and critically acclaimed music journalist Greg Kot masterfully chronicles this story of how we went from $17.99 to $0.00 in less than a decade. It's a fascinating tale of backward thinking, forward thinking, and the power of music.</p></p>]]>
  </description>
  <published>2009</published>
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    <rating>4</rating>
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  <read_at>Sun Aug 23 00:00:00 -0700 2009</read_at>
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  <date_updated>Sun Aug 30 07:44:21 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[An interesting book detailing all the artists and individuals innovating outside the traditional record company model.  I especially enjoyed the chapters on Radiohead and Nine Inch Nails.  Much of the facts I was already aware of from Rolling Stone magazine's regular columns on the industry.  Howeve...<a href="http://www.goodreads.com/review/show/68420879">more...</a>]]></body>
    
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      <review>
  <id>68348335</id>
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    <name><![CDATA[Jennifer]]></name>
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  <id type="integer">6240268</id>
  <isbn>1416547274</isbn>
  <isbn13>9781416547273</isbn13>
  <text_reviews_count type="integer">38</text_reviews_count>
  <title>
    <![CDATA[Ripped: How the Wired Generation Revolutionized Music]]>
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  <average_rating>3.82</average_rating>
  <ratings_count>90</ratings_count>
  <description>
    <![CDATA[A decade ago the vast majority of mainstream music was funneled through a handful of media conglomerates. Now, more people are listening to more music from a greater variety of sources than at any time in history. And big corporations such as Viacom, Clear Channel, and Sony are no longer the sole gatekeepers and distributors, their monopoly busted by a revolution -- an uprising led by bands and fans networking on the Internet. <em>Ripped</em> tells the story of how the laptop generation created a new grassroots music industry, with the fans and bands rather than the corporations in charge. In this new world, bands aren't just musicmakers but self-contained multimedia businesses; and fans aren't just consumers but distributors and even collaborators.<p>As the Web popularized bands and albums that previously would have been relegated to obscurity, innovative artists -- from Prince to Death Cab for Cutie -- started coming up with, and stumbling into, alternative ways of getting their music out to fans. Live music took on an even more significant role. TV shows and commercials emerged as great places to hear new tunes. Sample-based composition and mash-ups leapfrogged ahead of the industry's, and the law's, ability to keep up with them. Then, in 2007, Radiohead released an album exclusively on the Internet and allowed customers to name their own price, including $0.00. Radiohead's &quot;it's up to you&quot; marketing coup seized on a concept the old music industry had forgotten: the customer is always right.<p>National radio host and critically acclaimed music journalist Greg Kot masterfully chronicles this story of how we went from $17.99 to $0.00 in less than a decade. It's a fascinating tale of backward thinking, forward thinking, and the power of music.</p></p>]]>
  </description>
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  <read_at>Fri Aug 21 00:00:00 -0700 2009</read_at>
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  <date_updated>Fri Aug 21 10:42:46 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[I've been reading this at the library, and probably won't finish it, but very interesting stuff on early file sharing (Napster, Audiogalaxy, Limewire) and the industry's benighted response.  I'm losing momentum in the Arcade-Fire-Reinvents-Music and Pitchfork-Turns-Into-God-of-All-Zines sections, bu...<a href="http://www.goodreads.com/review/show/68348335">more...</a>]]></body>
    
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