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  <title><![CDATA[Delivered: Poems]]></title>
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  <description><![CDATA[<strong>Electric new verse from the winner of the 2005 Global Filipino Literary Award for Poetry.</strong><br/><br/>Both surrealistic and urgently on-point, these boisterous poems comprise an identity crisis in the age of New Media. Sarah Gambito writes with verve on the complicated collision of ethnicity, sex, immigration, and nationality, her playfulness and pop-culture savvy offering cover for her surprise attacks of direct, even confrontational engagement: &quot;Am I frightening you?&quot; she asks. &quot;I'm frightening you. // Good and good and good and good.&quot;]]></description>
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    <![CDATA[<strong>Electric new verse from the winner of the 2005 Global Filipino Literary Award for Poetry.</strong><br/><br/>Both surrealistic and urgently on-point, these boisterous poems comprise an identity crisis in the age of New Media. Sarah Gambito writes with verve on the complicated collision of ethnicity, sex, immigration, and nationality, her playfulness and pop-culture savvy offering cover for her surprise attacks of direct, even confrontational engagement: &quot;Am I frightening you?&quot; she asks. &quot;I'm frightening you. // Good and good and good and good.&quot;]]>
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  <read_at>Mon Jun 01 00:00:00 -0700 2009</read_at>
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    <body><![CDATA[I found the poems in &quot;Delivered&quot; a bit too difficult to understand.  Sometimes I could get a sense or feeling from some parts of some poems, but I mostly felt like I was trying to string together the words and meaning without success.  I would have liked to read them with someone else and ...<a href="http://www.goodreads.com/review/show/56906026">more...</a>]]></body>
    
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    <![CDATA[<strong>Electric new verse from the winner of the 2005 Global Filipino Literary Award for Poetry.</strong><br/><br/>Both surrealistic and urgently on-point, these boisterous poems comprise an identity crisis in the age of New Media. Sarah Gambito writes with verve on the complicated collision of ethnicity, sex, immigration, and nationality, her playfulness and pop-culture savvy offering cover for her surprise attacks of direct, even confrontational engagement: &quot;Am I frightening you?&quot; she asks. &quot;I'm frightening you. // Good and good and good and good.&quot;]]>
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  <read_at>Thu Jul 16 00:00:00 -0700 2009</read_at>
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  <date_updated>Sat Sep 26 17:41:30 -0700 2009</date_updated>
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    <body><![CDATA[The reviews on the back tell you what to expect 'oblique juxtapositions'.  Basically code for &quot;expect not to be able to follow what is going on because you'll be lucky if any 3 sentences here cohere at all&quot;.  While clearly good at evoking imagery and ideas with her words, the author seems ...<a href="http://www.goodreads.com/review/show/63875828">more...</a>]]></body>
    
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    <![CDATA[<strong>Electric new verse from the winner of the 2005 Global Filipino Literary Award for Poetry.</strong><br/><br/>Both surrealistic and urgently on-point, these boisterous poems comprise an identity crisis in the age of New Media. Sarah Gambito writes with verve on the complicated collision of ethnicity, sex, immigration, and nationality, her playfulness and pop-culture savvy offering cover for her surprise attacks of direct, even confrontational engagement: &quot;Am I frightening you?&quot; she asks. &quot;I'm frightening you. // Good and good and good and good.&quot;]]>
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  <read_at>Tue Jun 30 01:22:09 -0700 2009</read_at>
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    <body><![CDATA[I really enjoy Sarah Gambito's style here. I gave this 3 stars but knowing I would return to it &amp; tackle it for good, I return with 5 stars, due to the very alive &amp; unique usage of language. These poems are almost afraid of attachment...]]></body>
    
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    <![CDATA[<strong>Electric new verse from the winner of the 2005 Global Filipino Literary Award for Poetry.</strong><br/><br/>Both surrealistic and urgently on-point, these boisterous poems comprise an identity crisis in the age of New Media. Sarah Gambito writes with verve on the complicated collision of ethnicity, sex, immigration, and nationality, her playfulness and pop-culture savvy offering cover for her surprise attacks of direct, even confrontational engagement: &quot;Am I frightening you?&quot; she asks. &quot;I'm frightening you. // Good and good and good and good.&quot;]]>
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    <![CDATA[<strong>Electric new verse from the winner of the 2005 Global Filipino Literary Award for Poetry.</strong><br/><br/>Both surrealistic and urgently on-point, these boisterous poems comprise an identity crisis in the age of New Media. Sarah Gambito writes with verve on the complicated collision of ethnicity, sex, immigration, and nationality, her playfulness and pop-culture savvy offering cover for her surprise attacks of direct, even confrontational engagement: &quot;Am I frightening you?&quot; she asks. &quot;I'm frightening you. // Good and good and good and good.&quot;]]>
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    <![CDATA[<strong>Electric new verse from the winner of the 2005 Global Filipino Literary Award for Poetry.</strong><br/><br/>Both surrealistic and urgently on-point, these boisterous poems comprise an identity crisis in the age of New Media. Sarah Gambito writes with verve on the complicated collision of ethnicity, sex, immigration, and nationality, her playfulness and pop-culture savvy offering cover for her surprise attacks of direct, even confrontational engagement: &quot;Am I frightening you?&quot; she asks. &quot;I'm frightening you. // Good and good and good and good.&quot;]]>
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