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Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto

3.74 of 5 stars 3.74  ·  rating details  ·  51,659 ratings  ·  3,031 reviews
Countless writers and artists have spoken for a generation, but no one has done it quite like Chuck Klosterman. With an exhaustive knowledge of popular culture and an almost effortless ability to spin brilliant prose out of unlikely subject matter, Klosterman attacks the entire spectrum of postmodern America: reality TV, Internet porn, Pamela Anderson, literary Jesus freak ...more
Paperback, 1st Scribner trade paperback edition, 253 pages
Published July 2nd 2004 by Scribner (first published July 20th 2003)
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Community Reviews

(showing 1-30 of 3,000)
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Jen Padgett Bohle
Recommended for: English majors who like to play deconstruction, hipsters who used to make mix tapes,anyone who knows of Lloyd Dobbler, guys who are really into music and didn't get laid until college, the girls who love them

Forgive me for what I'm about to do. I'm really not a complete curmudgeon, and I feel nefarious for the review I'm about to give, mostly because everyone I know likes this book, but I simply can't promote all of these essays as refreshingly creative and brilliantly written
I know I'm supposed to be won over by Chuck Klosterman's supposedly keen and cutting insight into pop culture and therefore the modern human experience, but I really just felt like I was at a really dull party and cornered by some annoyingly pseudo-intellectual guy whose sole enjoyment is to contradict and mock anything anyone says just to hear himself talk.
Jan 31, 2008 Matt rated it 2 of 5 stars
Recommends it for: wannabee hipsters, people who liked 'juno.'
this is exactly the kind of book so-called hipsters cling to, namedrop, and reference when they gather together dressed in their bright eyes t-shirts, black-rimmed glasses, jeans, and chuck taylors. you know the type, the 'i'm-cooler-than-you-are-because-my-tastes-are-better-than-yours.' you know who i'm talking about? good. continue.

what initially drove me to read this book was his opening 'essay' in which chuck klosterman refers to coldplay as a facsimile of travis who was a facsimile of early
No woman will ever satisfy me. I know that now, and I would never try to deny it. But this is actually okay, because I will never satisfy a woman, either.

Should I be writing such thoughts? Perhaps not. Perhaps it's a bad idea. I can definitely foresee a scenario where that first paragraph could come back to haunt me, especially if I somehow became marginally famous. If I become marginally famous, I will undoubtedly be interviewed by someone in the media, and the interviewer will inevitably ask,
If I met Chuck Klosterman, I would probably end up attempting to pick a fistfight with him. I say "attempting" because I don't know whether he hits girls. And I say "probably" because, for all I know, he may be far less infuriating in person than he is in print.

A lot of space in this book is aimed at mocking the pretensions of people who, I admit, sound an awful lot like me: decently-educated, irony-clad, pop-culture obsessed twentysomethings who deride popular country music and remember Jessie
Dan Schwent
Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto is a collection of essays by Chuck Klosterman. It's also one of the rare books I'm not really sure how to review or even rate.

Chuck's essays cover such diverse topics as how the movies and TV are giving people unrealistic expectations about life and love, serial killers, the relationship between Reality Bites and The Empire Strikes Back, and that weird half season of Saved by the Bell that had that leather jacket wearing girl instead of Kelly
as i just said in an email to james:

i knocked out sex drugs and cocoa puffs by chuck klosterman in a few hours last night, and i gotta tell you, i fear for the world when i think of how many kids i know list this book or its author as an all-time favorite on facebook. this guy is a turd, and people are clearly confusing his wit with intellect.

so yeah.
frustratingly surface, misogynistic, hipster cynicism b.s. if you ask me.
This book was a total waste of time. As a huge fan of philosophy, my breaking point was only by page 20. I thought, this whole book can't be THAT I flipped around and read snippets from later chapters to make sure I wasn't selling it short. But alas, no, this was truly a masterpiece of crap. Its just some hipster-type asshole, who thinks he's got it all figured out, and says things like, "If you define your personality as 'creative,' it only means you understand what is PERCEIVED to be ...more
Klosterman was recommended to me by a friend, and while I'll admit he has some funny bits, he really is that guy at the party who is exceedingly nerdy (in a hipster sort of way) and who thinks he's clearly better than everyone else. And no one -- no one -- should devote the amount of time and attention to pop culture that he does. And this is coming from a girl who gets a regular dose of Perez Hilton every week. I'm his target audience, and yet he still turned me off. He critiques pop culture at ...more
Mar 18, 2008 Daniel rated it 2 of 5 stars
Shelves: 2008
When I was in college, one of my professors assigned a book that used bridge, a card game he apparently loved, to illustrate the principles of sociology. I found the book, which he had written, to be a waste of time and was annoyed that he made us buy and read it. At the end of the semester, we had to write a paper that applied sociological theories to something in American culture we were interested in. So, in an attempt to mock the professor, I focused my paper on several children's cartoons i ...more
So, here’s the deal. I was going to try and write a cogent, well-thought out review of exactly why I disliked this book so much, but it’s not working out that way. The more I sit here trying to think of things to say, the more my blood pressure skyrockets and I get more and more retroactively angry at the book.

At first, I wanted to give this book two stars, because there are a couple of essays in here that felt valid to me, one in particular about how Klosterman thinks we’re all doomed to never
Confession: I have been cheating on Infinite Jest with at least two other books. This was one of them.

As a work of pop culture analysis, 'Sex, Drugs, and Cocoa Puffs' is excellent. Admittedly some of the 90210 and Real World references were lost on me as I was out most likely trying to engage in "metal dude" stuff during those shows respective heydays. Being out of the loop on these things did not decrease my enjoyment of the material, however.

Why then only three stars?

A question that i'm still
It's not that I didn't like this book... Okay, that's exactly what it is. But the real issue I had with Sex, Drugs, and Cocoa Puffs is this: I've either had every conversation in this book (which I enjoyed more than these essay versions of them) or I've walked away from the conversation because it didn't interest me in the slightest. I can name at least ten people I know who could have written this book (give or take an article or two), and probably could have written it better (including the pe ...more
Jen Estrella
Okay so I get what Klosterman is doing here, and I can see how plenty of people actually like it. But I did.not.dig.

Actually, that is one of my nonsensical pet peeves in my books. Even when I am reading contemporary fiction which one would pretty much assume would have modern references, it just annoys me when author's mention things like Facebook, or IG, or Twitter, or even things like iPods, Jamba Juice, Beyonce, Twilight, etc. I don't exactly know why, but I just think that we can do without
This book started out great...nice and insightful...As it progressed, however, I've found myself removing stars from the rating.

He tries too hard to tie everything up in a neat little bow...every essay has to end with a witty little wrap-up sentence, dripping with a false poignancy, essentially wrapping it up with his original statement. It started feeling as formulaic as pop music.

It was when I got to Toby vs Moby that I found myself closing the book, and throwing it across the room. He stret
I have recently had a hunger for the genre of "smart people writing about stupid things," and this book is my new favorite example. While Klosterman may not deserve to be considered a subversive genius, he is a very smart person writing very good analysis of very shallow things, and I love it. This collection of essays includes a comparison of Pamela Anderson and Marilyn Monroe to examine the way our cultural attitudes toward sex have changed (nothing groundbreaking, but the essay is earnest and ...more
Diana Jou
Anything that calls itself a "low culture manifesto" is really one of two things; 1) an emotional teenager trying to write his/her first novel 2) a middle age man trying to remember the carefree days of his youth.

The chapters are organized like a "cd mix tape" complete with arbitrary lengths of time. They even included a picture of a cd and jewel case to ingrain it in your brain.

I read chapter one, "This is Emo 0:01" and that was too much already.
What a hack. Do you really need 243 pages to deconstruct the "Real World" and Pamela Anderson? Klosterman is the pretentious "indie" guy at the party who is so insecure all he can talk about are his Spin articles that he wrote in 1989. If I met him on the street; I would punch him.

Oh goodness, Mr. Klosterman.

Right. So let's say I read this 5 years ago (this actually isn't a hypothetical, as I had read this book years ago); I really loved it, as I was just beginning to get swept up in the subject matter of the book (pop culture and making fun of how absurd it is, cool indie bands, general cynicism, stuff like that) and felt that by allowing myself to be emerged in the water of the book that I would ultimately absorb every bit of knowledge and (sort of) wit and it would ref
Jackie "the Librarian"
I found myself arguing with Chuck Klosterman a lot as I read these extremely entertaining essays. He likes to take a premise and run with it, and you find yourself going along for the ride, only to realize at the end that you don't agree with what he just said. Girls love the false romanticism of Coldplay, and that ruins relationships in the real world? Hahahahaha!!! Uh, wait... really?
It was when I got to his essay on journalism that I realized his essays followed the pattern he outlines there
Jul 01, 2011 Rob rated it 4 of 5 stars
Recommended to Rob by: Jarrett
If you must, you may call it jealousy, but there is no getting around the fact that if someone had read my essays during college, and then paid me to keep writing those essays, then I could (would) have been Chuck Klosterman. [1] But seriously: I feel like I could have written all of these essays (possibly better) if only someone had come along and said: Hey, you've got the right kind of sarcastic wit and you know how to stitch together a bunch of quasi-esoteric references... can you bang togeth ...more
a nice little collection of essays covering everything from the Sims, why the Lakers / Celtics conflict can apply to everything in life, the Real World, and Saved by the Bell. Chuck has a pretty sharp little wit; i definitely snickered through most of the book (which made for some awkward looks on the metro). i think my only critique would be the novelty of his writing style started to wear off by the end of the book, but overall, a good read.

definitely a fan of the section on why John Cusack's
Dec 08, 2008 dara rated it 2 of 5 stars
Recommends it for: someone who doesn't take pop culture too seriously
Recommended to dara by: Kenny, who would argue for a higher rating... without success.
Skimming the reviews, I must say I agree with someone's comment that Klosterman is more of a blogger than a writer (at least if judged by this effort), but for a collection of essays on pop culture, that doesn't seem to be a very crucial distinction. With Internet culture overflowing into the day-to-day life of most Americans, it shouldn't come as a shock to find it reflected in contemporary writing; besides, sometimes a decent blogger is preferable to a boring writer. That isn't to say that I w ...more
Barney Trotwell
I'd be lying if I said this book did not absorb me. I devoured it in a few days, which I rarely do. It's an easy read, even though I wasn't familiar with all the popular culture items referenced inside. And let's face it, Chuck is eloquent, smart, kinda funny, and his observations are usually interesting.

Which is not to say they are not total bullshit. I mean, all this would be nice to listen to over dinner, if your conversational partner didn't have any illusions about its severity and weight.
Any book that begins with an amusing foray into the ways in which Lloyd Dobler has effectively destroyed the author's chance for real love (and perhaps the fake kind too) is a book that I immediately want to like. However, Klosterman essentially reels you in with his lighthearted, self-effacing opener only to assault you with a series of overgeneralized, matter-of-fact (yet largely unsupported) assertions about human behavior in the essays that follow.

While several of his essays offer moments of
I had a very strong reaction to Sex, Drugs, and Cocoa Puffs. I enjoyed a handful of the chapters, especially the dissections of Lloyd Dobler, Saved By The Bell, the GnR Cover Band, and the Experimental Music Project. But when a chapter didn't coincide with my interests (e.g. sports, Dixie Chicks, Pamela Anderson), I found Klosterman's arguments transparent, a caveat that he fully acknowledges in an essay with a "formula for being relentlessly dynamic."

Subject matter aside, Klosterman heavily re
Klosterman's essays make funny and relevant points about pop culture and an aging Gen Xer's reflections on how it impacts our lives. The unique thing is that even though he writes about a lot of things that have become cliches to comment on (Star Wars, The Real World, relationships, etc.), he avoids coming across as yet another version of Kevin Smith by noting that they are cliches, and humorously explores why a segment of America became obsessed with them in the first place.
Medeia Sharif
The author deconstructs pop culture in such a hilarious way—entire chapters are devoted to Billy Joel, Pamela Anderson, Saved by the Bell, Star Wars, and other major people and points of entertainment that will be familiar to any '70s or '80s kid. I heard and read a lot of buzz for many years about this book and had to see what it was about. I’m glad I finally read it. The only boring spots were some sports chapters—don't watch it and don't get—but the rest of the book was entertaining and thoug ...more
I've been reading a lot of books of essays lately -- Emily Gould, Sloane Crosley, Chuck Klosterman, David Foster Wallace. Except for Wallace, they just make me want to punch people. Grammatical errors aside -- and there are so many in this book that I called a friend in publishing from the airport in which I was reading it and asked "Who the hell proofreads these things?" -- it's vaguely profane, vaguely profound nothingness, sort of fortune-cookie David Foster Wallace.

And I realized: David Fos
Jaclyn Jean
Less a serious analytical deconstruction of pop culture than a melange of disjointed references by a writer who seems to care more about showing you his rock-fan/self-styled hipster credentials than offering thoughtful insight or cultural critique. Unfortunately, to be brutally honest, there's nothing hip about him; there's no fertile ground covered or obscure discoveries to be made here. Why the hell am I reading about Moby? The thing about commercial radio is that it's full of music not worth ...more
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Charles John "Chuck" Klosterman is an American pop-culture journalist, critic, humorist, and essayist. He was raised on a farm near Wyndmere, North Dakota and graduated from the University of North Dakota in 1994. After college he was a journalist in Fargo, North Dakota and later an arts critic for the Akron Beacon Journal in Akron, Ohio, before moving to New York City in 2002.

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