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  <title><![CDATA[Inez]]></title>
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  <description><![CDATA[&lt;div&gt;Two narratives twine through this superb novel: one introduces Gabriel Atlan-Ferrara, a fabled orchestral conductor, and his great passion,  Inez Prada, a red-haired Mexican diva; the other is a mysterious telling of the first encounter in human history between a man and a woman. Berlioz's music for <em>The Damnation of Faust</em> brings Gabriel and Inez together, while the emerging love of neh-el and ah-nel--the original lovers--echoes the Faustian pact of love and death. Linking these narratives is a beautiful crystal seal that belongs to Atlan-Ferrara, its meaning an enigma that obsesses him. And like the light refracted through the seal, these stories begin in prehistory and spiral out into infinity. <br/>	In <em>Inez</em>, we find Carlos Fuentes at the height of his magical and realist powers. This profound and beautiful work confirms his standing as one of the world's pre-eminent novelist.<br/>&lt;/div&gt;]]></description>
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        <name><![CDATA[Carlos Fuentes]]></name>
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    <![CDATA[Inez]]>
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  <average_rating>3.07</average_rating>
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    <![CDATA[&lt;div&gt;Two narratives twine through this superb novel: one introduces Gabriel Atlan-Ferrara, a fabled orchestral conductor, and his great passion,  Inez Prada, a red-haired Mexican diva; the other is a mysterious telling of the first encounter in human history between a man and a woman. Berlioz's music for <em>The Damnation of Faust</em> brings Gabriel and Inez together, while the emerging love of neh-el and ah-nel--the original lovers--echoes the Faustian pact of love and death. Linking these narratives is a beautiful crystal seal that belongs to Atlan-Ferrara, its meaning an enigma that obsesses him. And like the light refracted through the seal, these stories begin in prehistory and spiral out into infinity. <br/>	In <em>Inez</em>, we find Carlos Fuentes at the height of his magical and realist powers. This profound and beautiful work confirms his standing as one of the world's pre-eminent novelist.<br/>&lt;/div&gt;]]>
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  <recommended_for><![CDATA[Mel, Lamya]]></recommended_for>
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  <read_at>Sat Feb 07 00:00:00 -0800 2009</read_at>
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    <body><![CDATA[I'm stunned!<br/><br/>I don't read poetry, I knew nothing about poems and poets. Yet I can identify poetic lines in every pages of this piece. Nope, not just regarding Inez herself, but Fuentes wrote everything from the language, the symphony, the war, even to the Nazi, poetically.<br/><br/>Most...<a href="http://www.goodreads.com/review/show/38359929">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/38359929]]></url>
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      <review>
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    <name><![CDATA[Katy]]></name>
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    <![CDATA[Inez]]>
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    <![CDATA[&lt;div&gt;Two narratives twine through this superb novel: one introduces Gabriel Atlan-Ferrara, a fabled orchestral conductor, and his great passion,  Inez Prada, a red-haired Mexican diva; the other is a mysterious telling of the first encounter in human history between a man and a woman. Berlioz's music for <em>The Damnation of Faust</em> brings Gabriel and Inez together, while the emerging love of neh-el and ah-nel--the original lovers--echoes the Faustian pact of love and death. Linking these narratives is a beautiful crystal seal that belongs to Atlan-Ferrara, its meaning an enigma that obsesses him. And like the light refracted through the seal, these stories begin in prehistory and spiral out into infinity. <br/>	In <em>Inez</em>, we find Carlos Fuentes at the height of his magical and realist powers. This profound and beautiful work confirms his standing as one of the world's pre-eminent novelist.<br/>&lt;/div&gt;]]>
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  <read_at>Thu Jan 01 00:00:00 -0800 2009</read_at>
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    <body><![CDATA[So, I must begin by stating that I am a HUGE fan of Carlos Fuentes' writing and also a HUGE opera fan, so this would surely be the marriage of two sublime genres for me . . . but NO! It was just all sorts of wrong. wrong, wrong, wrong. I sort of liked the love story between the beautiful and fiery d...<a href="http://www.goodreads.com/review/show/65709347">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/65709347]]></url>
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      <review>
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    <name><![CDATA[Jen]]></name>
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    <![CDATA[Inez]]>
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  <average_rating>3.04</average_rating>
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    <![CDATA[&lt;div&gt;Two narratives twine through this superb novel: one introduces Gabriel Atlan-Ferrara, a fabled orchestral conductor, and his great passion,  Inez Prada, a red-haired Mexican diva; the other is a mysterious telling of the first encounter in human history between a man and a woman. Berlioz's music for <em>The Damnation of Faust</em> brings Gabriel and Inez together, while the emerging love of neh-el and ah-nel--the original lovers--echoes the Faustian pact of love and death. Linking these narratives is a beautiful crystal seal that belongs to Atlan-Ferrara, its meaning an enigma that obsesses him. And like the light refracted through the seal, these stories begin in prehistory and spiral out into infinity. <br/>	In <em>Inez</em>, we find Carlos Fuentes at the height of his magical and realist powers. This profound and beautiful work confirms his standing as one of the world's pre-eminent novelist.<br/>&lt;/div&gt;]]>
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  <published>2002</published>
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  <read_at>Sun Apr 01 00:00:00 -0700 2007</read_at>
  <date_added>Thu Apr 26 10:31:24 -0700 2007</date_added>
  <date_updated>Wed Dec 16 18:30:02 -0800 2009</date_updated>
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    <body><![CDATA[&quot;Farther along you and he will look at one another as you rest, and both of you will know that now you will be together because you will listen to each other and you will feel and see yourselves united forever, you will recognize yourselves as two who will think as one because one will be the i...<a href="http://www.goodreads.com/review/show/895742">more...</a>]]></body>
    
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      <review>
  <id>43791159</id>
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    <name><![CDATA[Danielle]]></name>
    <location><![CDATA[London, The United Kingdom]]></location>
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  <title>
    <![CDATA[Inez]]>
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  <average_rating>3.04</average_rating>
  <ratings_count>49</ratings_count>
  <description>
    <![CDATA[&lt;div&gt;Two narratives twine through this superb novel: one introduces Gabriel Atlan-Ferrara, a fabled orchestral conductor, and his great passion,  Inez Prada, a red-haired Mexican diva; the other is a mysterious telling of the first encounter in human history between a man and a woman. Berlioz's music for <em>The Damnation of Faust</em> brings Gabriel and Inez together, while the emerging love of neh-el and ah-nel--the original lovers--echoes the Faustian pact of love and death. Linking these narratives is a beautiful crystal seal that belongs to Atlan-Ferrara, its meaning an enigma that obsesses him. And like the light refracted through the seal, these stories begin in prehistory and spiral out into infinity. <br/>	In <em>Inez</em>, we find Carlos Fuentes at the height of his magical and realist powers. This profound and beautiful work confirms his standing as one of the world's pre-eminent novelist.<br/>&lt;/div&gt;]]>
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  <published>2002</published>
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    <rating>1</rating>
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    <body><![CDATA[Clumsy, pretentious and complete waste of time. ]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/43791159]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/43791159]]></link>
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      <review>
  <id>39762664</id>
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    <id>1790866</id>
    <name><![CDATA[Bernie]]></name>
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    <![CDATA[Inez]]>
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  <average_rating>3.04</average_rating>
  <ratings_count>49</ratings_count>
  <description>
    <![CDATA[&lt;div&gt;Two narratives twine through this superb novel: one introduces Gabriel Atlan-Ferrara, a fabled orchestral conductor, and his great passion,  Inez Prada, a red-haired Mexican diva; the other is a mysterious telling of the first encounter in human history between a man and a woman. Berlioz's music for <em>The Damnation of Faust</em> brings Gabriel and Inez together, while the emerging love of neh-el and ah-nel--the original lovers--echoes the Faustian pact of love and death. Linking these narratives is a beautiful crystal seal that belongs to Atlan-Ferrara, its meaning an enigma that obsesses him. And like the light refracted through the seal, these stories begin in prehistory and spiral out into infinity. <br/>	In <em>Inez</em>, we find Carlos Fuentes at the height of his magical and realist powers. This profound and beautiful work confirms his standing as one of the world's pre-eminent novelist.<br/>&lt;/div&gt;]]>
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  <published>2002</published>
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  <date_added>Wed Dec 10 03:01:15 -0800 2008</date_added>
  <date_updated>Wed Dec 10 03:01:34 -0800 2008</date_updated>
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    <body><![CDATA[electric writing....]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/39762664]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/39762664]]></link>
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      <review>
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    <id>1848583</id>
    <name><![CDATA[Ken]]></name>
    <location><![CDATA[Greeley, CO]]></location>
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    <![CDATA[Inez (Harvest Book)]]>
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  <average_rating>3.00</average_rating>
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    <![CDATA[&lt;div&gt;Two narratives twine through this superb novel: one introduces Gabriel Atlan-Ferrara, a fabled orchestral conductor, and his great passion,  Inez Prada, a red-haired Mexican diva; the other is a mysterious telling of the first encounter in human history between a man and a woman. Berlioz's music for <em>The Damnation of Faust</em> brings Gabriel and Inez together, while the emerging love of neh-el and ah-nel--the original lovers--echoes the Faustian pact of love and death. Linking these narratives is a beautiful crystal seal that belongs to Atlan-Ferrara, its meaning an enigma that obsesses him. And like the light refracted through the seal, these stories begin in prehistory and spiral out into infinity. <br/>	In <em>Inez</em>, we find Carlos Fuentes at the height of his magical and realist powers. This profound and beautiful work confirms his standing as one of the world's pre-eminent novelist.<br/>&lt;/div&gt;]]>
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  <published>2002</published>
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  <date_updated>Wed Jun 24 22:25:48 -0700 2009</date_updated>
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    <body><![CDATA[&quot;...Golden living dreams of visions <br/>      Mystic crystal revelation...&quot;]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/60358598]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/60358598]]></link>
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      <review>
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    <name><![CDATA[Briynne]]></name>
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    <![CDATA[Inez (Harvest Book)]]>
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  <average_rating>3.04</average_rating>
  <ratings_count>49</ratings_count>
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    <![CDATA[&lt;div&gt;Two narratives twine through this superb novel: one introduces Gabriel Atlan-Ferrara, a fabled orchestral conductor, and his great passion,  Inez Prada, a red-haired Mexican diva; the other is a mysterious telling of the first encounter in human history between a man and a woman. Berlioz's music for <em>The Damnation of Faust</em> brings Gabriel and Inez together, while the emerging love of neh-el and ah-nel--the original lovers--echoes the Faustian pact of love and death. Linking these narratives is a beautiful crystal seal that belongs to Atlan-Ferrara, its meaning an enigma that obsesses him. And like the light refracted through the seal, these stories begin in prehistory and spiral out into infinity. <br/>	In <em>Inez</em>, we find Carlos Fuentes at the height of his magical and realist powers. This profound and beautiful work confirms his standing as one of the world's pre-eminent novelist.<br/>&lt;/div&gt;]]>
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  <read_at>Thu Mar 20 00:00:00 -0700 2008</read_at>
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  <date_updated>Thu Mar 20 16:29:33 -0700 2008</date_updated>
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    <body><![CDATA[There was something grand about this book, even though I freely admit I didn't necessarily get it.  The plot was twisty and largely symbolic, and it reminded me of reading someone like Andrei Bely with a Latin twist.  I didn't love the plot, I didn't even really sympathize with the characters (excep...<a href="http://www.goodreads.com/review/show/17261546">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/17261546]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/17261546]]></link>
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      <review>
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    <![CDATA[Inez]]>
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    <![CDATA[&lt;div&gt;Two narratives twine through this superb novel: one introduces Gabriel Atlan-Ferrara, a fabled orchestral conductor, and his great passion,  Inez Prada, a red-haired Mexican diva; the other is a mysterious telling of the first encounter in human history between a man and a woman. Berlioz's music for <em>The Damnation of Faust</em> brings Gabriel and Inez together, while the emerging love of neh-el and ah-nel--the original lovers--echoes the Faustian pact of love and death. Linking these narratives is a beautiful crystal seal that belongs to Atlan-Ferrara, its meaning an enigma that obsesses him. And like the light refracted through the seal, these stories begin in prehistory and spiral out into infinity. <br/>	In <em>Inez</em>, we find Carlos Fuentes at the height of his magical and realist powers. This profound and beautiful work confirms his standing as one of the world's pre-eminent novelist.<br/>&lt;/div&gt;]]>
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  <date_added>Fri Jun 29 15:56:28 -0700 2007</date_added>
  <date_updated>Wed Dec 16 23:09:34 -0800 2009</date_updated>
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    <body><![CDATA[I thought this book was terrible. TERRIBLE. Couldn't even bear to finish this self-congratulatory drivel. Sorry Carlos.]]></body>
    
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    <![CDATA[Inez]]>
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    <![CDATA[&lt;div&gt;Two narratives twine through this superb novel: one introduces Gabriel Atlan-Ferrara, a fabled orchestral conductor, and his great passion,  Inez Prada, a red-haired Mexican diva; the other is a mysterious telling of the first encounter in human history between a man and a woman. Berlioz's music for <em>The Damnation of Faust</em> brings Gabriel and Inez together, while the emerging love of neh-el and ah-nel--the original lovers--echoes the Faustian pact of love and death. Linking these narratives is a beautiful crystal seal that belongs to Atlan-Ferrara, its meaning an enigma that obsesses him. And like the light refracted through the seal, these stories begin in prehistory and spiral out into infinity. <br/>	In <em>Inez</em>, we find Carlos Fuentes at the height of his magical and realist powers. This profound and beautiful work confirms his standing as one of the world's pre-eminent novelist.<br/>&lt;/div&gt;]]>
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  <date_added>Tue May 26 08:29:49 -0700 2009</date_added>
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    <body><![CDATA[am not really enjoyin it. ]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/57364062]]></url>
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    <![CDATA[Inez]]>
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    <![CDATA[&lt;div&gt;Two narratives twine through this superb novel: one introduces Gabriel Atlan-Ferrara, a fabled orchestral conductor, and his great passion,  Inez Prada, a red-haired Mexican diva; the other is a mysterious telling of the first encounter in human history between a man and a woman. Berlioz's music for <em>The Damnation of Faust</em> brings Gabriel and Inez together, while the emerging love of neh-el and ah-nel--the original lovers--echoes the Faustian pact of love and death. Linking these narratives is a beautiful crystal seal that belongs to Atlan-Ferrara, its meaning an enigma that obsesses him. And like the light refracted through the seal, these stories begin in prehistory and spiral out into infinity. <br/>	In <em>Inez</em>, we find Carlos Fuentes at the height of his magical and realist powers. This profound and beautiful work confirms his standing as one of the world's pre-eminent novelist.<br/>&lt;/div&gt;]]>
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  <date_added>Fri Dec 04 22:02:48 -0800 2009</date_added>
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    <![CDATA[Inez]]>
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    <![CDATA[&lt;div&gt;Two narratives twine through this superb novel: one introduces Gabriel Atlan-Ferrara, a fabled orchestral conductor, and his great passion,  Inez Prada, a red-haired Mexican diva; the other is a mysterious telling of the first encounter in human history between a man and a woman. Berlioz's music for <em>The Damnation of Faust</em> brings Gabriel and Inez together, while the emerging love of neh-el and ah-nel--the original lovers--echoes the Faustian pact of love and death. Linking these narratives is a beautiful crystal seal that belongs to Atlan-Ferrara, its meaning an enigma that obsesses him. And like the light refracted through the seal, these stories begin in prehistory and spiral out into infinity. <br/>	In <em>Inez</em>, we find Carlos Fuentes at the height of his magical and realist powers. This profound and beautiful work confirms his standing as one of the world's pre-eminent novelist.<br/>&lt;/div&gt;]]>
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      <review>
  <id>78659590</id>
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    <name><![CDATA[Mehul]]></name>
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  <title>
    <![CDATA[Inez: A Novel]]>
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    <![CDATA[&lt;div&gt;<strong>A magical short novel that weaves together two stories, two couples, two different times, and two grand passions</strong><br/><br/>In one of the narratives that comprise this superb new novel from Carlos Fuentes, we are introduced to Gabriel Atlan-Ferrara, a fabled orchestral conductor, and his great love Inez Prada, a renowned singer. In the other, Fuentes memorably delineates the very first encounter in human history between a man and a woman. In one, the intense drama of Berlioz's music for <em>The Damnation of Faust</em> informs the action; in the other, we watch as a slowly emergent love shapes the nature and character of the two protagonists. A beautiful crystal seal -- the meaning of which is a mystery that obsesses Atlan-Ferrara, who owns it -- unites these two narratives; the magical seal allows one to read unknown languages and hear impossible music, and it is the symbol of a shared love. <br/><br/>The duality of Carlos Fuentes's brilliant new novel mirrors two eras, one in the deepest remote time and one in a time to come, but the passions evoked in both, reflected against each other like two sides of a crystal seal, break the limits of time and space and unite in one story. And, like the light refracted through the seal, it begins in prehistory and spirals out into infinity . . . <br/><br/>In <em>Inez</em>, we find Carlos Fuentes at the height of his magical and realist powers. This profound and beautiful work confirms his standing as Mexico's pre-eminent novelist.<br/>&lt;/div&gt;]]>
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    <![CDATA[Inez]]>
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    <![CDATA[&lt;div&gt;Two narratives twine through this superb novel: one introduces Gabriel Atlan-Ferrara, a fabled orchestral conductor, and his great passion,  Inez Prada, a red-haired Mexican diva; the other is a mysterious telling of the first encounter in human history between a man and a woman. Berlioz's music for <em>The Damnation of Faust</em> brings Gabriel and Inez together, while the emerging love of neh-el and ah-nel--the original lovers--echoes the Faustian pact of love and death. Linking these narratives is a beautiful crystal seal that belongs to Atlan-Ferrara, its meaning an enigma that obsesses him. And like the light refracted through the seal, these stories begin in prehistory and spiral out into infinity. <br/>	In <em>Inez</em>, we find Carlos Fuentes at the height of his magical and realist powers. This profound and beautiful work confirms his standing as one of the world's pre-eminent novelist.<br/>&lt;/div&gt;]]>
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    <![CDATA[&lt;div&gt;Two narratives twine through this superb novel: one introduces Gabriel Atlan-Ferrara, a fabled orchestral conductor, and his great passion,  Inez Prada, a red-haired Mexican diva; the other is a mysterious telling of the first encounter in human history between a man and a woman. Berlioz's music for <em>The Damnation of Faust</em> brings Gabriel and Inez together, while the emerging love of neh-el and ah-nel--the original lovers--echoes the Faustian pact of love and death. Linking these narratives is a beautiful crystal seal that belongs to Atlan-Ferrara, its meaning an enigma that obsesses him. And like the light refracted through the seal, these stories begin in prehistory and spiral out into infinity. <br/>	In <em>Inez</em>, we find Carlos Fuentes at the height of his magical and realist powers. This profound and beautiful work confirms his standing as one of the world's pre-eminent novelist.<br/>&lt;/div&gt;]]>
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    <![CDATA[&lt;div&gt;Two narratives twine through this superb novel: one introduces Gabriel Atlan-Ferrara, a fabled orchestral conductor, and his great passion,  Inez Prada, a red-haired Mexican diva; the other is a mysterious telling of the first encounter in human history between a man and a woman. Berlioz's music for <em>The Damnation of Faust</em> brings Gabriel and Inez together, while the emerging love of neh-el and ah-nel--the original lovers--echoes the Faustian pact of love and death. Linking these narratives is a beautiful crystal seal that belongs to Atlan-Ferrara, its meaning an enigma that obsesses him. And like the light refracted through the seal, these stories begin in prehistory and spiral out into infinity. <br/>	In <em>Inez</em>, we find Carlos Fuentes at the height of his magical and realist powers. This profound and beautiful work confirms his standing as one of the world's pre-eminent novelist.<br/>&lt;/div&gt;]]>
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