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Introduction To Englis...
James Fenton
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Introduction To English Poetry

3.69 of 5 stars 3.69  ·  rating details  ·  129 ratings  ·  25 reviews
This introduction, which is designed with writer and reader in mind, looks at the variety of poetic practice in English and discusses, in the simplest and most approachable manner, the character of different poetic lines and forms. What is metre, anyway, and is it essential to our definition of poetry? What is an iambic line, and is the something important to know? What is ...more
Published (first published May 30th 2002)
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Fenton’s book would’ve been more accurately titled ‘A Poet’s Introduction to English Poetry.’ For while he does indeed illuminate the various aspects of formal English poetry, the most interesting elements of his book are the little insights he shares, insights which testify to the ruminations of man steeped in his craft. These insights are all things a practising poet would very much treasure and want to learn, and so the aim of this brief study would seem, by design, to be geared towards poets ...more
This is a very clear introduction to the formal aspects of poetry, but it also serves as a reintroduction for someone who has an English Lit degree but never got very interested in the technical aspects of poetry.

We disagree on quite a few things -- his characterisation of Anglo-Saxon poetry as "not English" (because of course, it is quintessentially English: the Anglo-Saxons became the English), for example, and his doubtfulness about Sir Gawain and the Green Knight (there are dialect words in
Mark Nenadov
A wonderful little book, well suited for anyone who is serious about reading or writing poetry. It covers all the major metrical and rhyme forms in English poetry and does it in a engaging and readable way. It carries some fairly strong opinions, but manages to convey them in a lighthearted way.
Perfect. Just what I was looking for. This is a neatly written encapsulation of poetic form. I must have been absent the day they taught poetry in school because I have gone for 47 years in virtual ignorance of this body of literature. Lately I've developed an interest in poetry and have started seeking it out. I wanted to understand the scaffolding on which poetry hangs, the framework and the language to describe and distinguish its different forms. Fenton delivered exactly what I needed here a ...more
Informative and accessible in equal measure.

I can't say it better than another review: "thorough, yet conversational".

A quick read and highly recommended.

This is a really great, flexible text—I'm pairing it with An Exaltation of Forms in the fall for a forms-based workshop and I'm glad that it doesn't go terribly into depth. The book does an excellent job of introducing formal ideas and offering the range of possibility they have, without marching students through 40-page chapters of scansion. (Also? A really nice revisiting for me, too!)
I do have a complete phobia when it comes to reading poetry and thought this might help me understand poetry better. However I did struggle with it. It is informative but I think it's more appropriate with a basic understanding of poetry.
Saying that I did enjoy it and gained from reading it, I would recommend it to someone with a passion for poetry.
Jul 05, 2008 Adam rated it 5 of 5 stars  ·  review of another edition
Recommends it for: Anyone who does not consider himself a fan of poetry.
Shelves: poetry
An accessible and engrossing resource, Fenton's book changed my ideas of poetry, reacquainting me with the terms I had given lip service to learning in school and challenging me to begin composing for myself and to take on some of his assertions on the limitations of form. This book has been a resource for my own lectures on the similarities of newspaper headlines and poems.
Jun 09, 2011 Jason rated it 4 of 5 stars  ·  review of another edition
Recommends it for: Anyone
Shelves: literature
James Fenton has written one of the clearest books about reading English poetry that you could hope to find. I also like his collection Out of Danger.

This is a great book for A level English students. However, I think it should be read by almost anyone who has an interest in poetry: a serious person, writing intelligently about poetry is such a rare thing.
I'm not going to rate this one because I think my complete lack of understanding of poetry might cloud my judgement. That being said, I did learn a lot reading this book and he has a style I really enjoyed. I might pick this up again after the year is over and re-read it.
This is a little gem of a book, which does precisely what it says on the cover, leading the reader simply and succintly into the ideas and methods of English poetry. [Review continues at The Pequod]
It's funny. It's light. It has some poetry slangs in it, but I'd be hard press to say how this book helps anybody understand English Poetry if they didn't already know something already.

But Fenton is a good prose writer. Very enjoyable, if unuseful, book.
One of the most readable discussions of poetry I've encountered. Fenton is thorough, yet conversational. He clearly has a preference for more traditional forms, but I think that informs his authority on scansion, meter, etc.
Teerabhat Ruensiri
To be frank, it is not really a good introduction since it require substantial amount of fore knowledge yo truly grasp its content, however for native English who took a few course of English, it may be good enough.
This book does what it says, cogently describing and illustrating all of the major metrical and rhyme forms in English with good examples. Much better than Rhyme's Reason by Hollander.
The perfect book to understand the metre of poetry in English, absolutely basic for all of those people who want to comprehend poems by authors such as Blake, Wordsworth or Heaney.
an expert, swift, accessible primer to the basics of poetry--meter, rhyme, sestina, etc--in the english language. with wonderful examples throughout.
Ryan Roberts
Fenton is a poetic genius, and this collection of essays (originally published for a newspaper) are extremely accessible and fun to read.
The theme of this book is teaching. The example is the author teaching the basics of poetry. This book teaches poetry. There is no theme.
A lively overview of scansion and prosody and their general historical development with great examples. An exciting, quick read.
I am loving this book. The writing style is fluid and pleasurable; the information is clear and helpful.
This goes on the very short list of textbooks that have made me laugh out loud. Snark on, James Fenton.
pip poesy
Complicated but beautifully compelling.
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James Fenton was born in Lincoln in 1949 and educated at Magdalen College, Oxford where he won the Newdigate Prize for poetry. He has worked as political journalist, drama critic, book reviewer, war correspondent, foreign correspondent and columnist. He is a Fellow of the Royal Society of Literature and was Oxford Professor of Poetry for the period 1994-99. In 2007, Fenton was awarded the Queen's ...more
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