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Un episodio en la vida del pintor viajero

3.97  ·  Rating Details  ·  1,366 Ratings  ·  163 Reviews
Johan Moritz Rugendas, a quien el mismo Humboldt admiraba como a un maestro en el arte pictorico de la fisionomia de la naturaleza, fue el mejor de los pocos pintores viajeros que hubo en Occidente. De su segundo viaje a America, que se extendio a lo largo de su juventud, de 1831 a 1847, resultaron miles de oleos, acuarelas y dibujos cuyo objeto, como lo indicaba el genero ...more
Paperback, 80 pages
Published January 1st 2006 by Ediciones ERA (first published 2000)
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(showing 1-30 of 3,000)
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Mar 29, 2013 s.penkevich rated it really liked it  ·  review of another edition
Recommends it for: The artist in you
Recommended to s.penkevich by: Stephen P
Shelves: art, novella
It was another proof of art’s indifference; his life might have been broken in two, but painting was still the “bridge of dreams”.

In order to achieve the depth of soul and vision necessary to become a true artist, Rainer Maria Rilke prescribes a life of solitude. However, this exchange of artistry for solitude may come at a very high price. While on a journey through Argentina to paint landscapes, German painter Johann Moritz Rugendas suffered a tragic accident that left him with an horrifical
May 31, 2013 Garima rated it really liked it  ·  review of another edition
Recommended to Garima by: s.penkevich

A single event can awaken within us a stranger totally unknown to us. To live is to be slowly born. ~Antoine de Saint-Exupéry, Flight to Arras

The power of art can easily be compared to the marvels of nature since both contribute a great deal in understanding life. If nature reflects the beauty of life, art helps in seeing that beauty through the kaleidoscopic vision of an artist. As that vision broadens, so does the dimensions of the said beauty and we reach an epiphany, both as a creator and a
Mike Puma
In a moronic attempt to get a jump on my 2111 Reading Challenge, I opted for the slimmest title on my TBR list—a novella of 87 pages that should have taken only moments from a day spent reading other people’s reviews and wishing I had more time to read the books they’ve reviewed. Speaking of other reviews, much better ones for An Episode in the Life of a Landscape Painter are to be found here and here. I suggest you immediately leave off this more mediocre and humdrum musing and devote your att ...more
Sep 05, 2008 brian rated it really liked it  ·  review of another edition
this book is like a goddamn greek myth in its perfect symmetry and simplicity. a painter traveling through the mountains and plains of argentina is struck by lightning and turned into something of a freak. physically deformed, enlightened, twisted, destroyed, dragged down, flattened, elevated... and everything is suddenly different. the natural world itself seems less a collage of beautiful randomness than a coded mosaic... aarrrggghhh! manimals, indian raids, endless horizons, the subtle distin ...more
Stephen P
Dec 13, 2012 Stephen P rated it it was amazing  ·  review of another edition
Shelves: favorites
This book is short though usually referred to as slim, at eighty eight pages. Its prose, rather than slim, deepens in ever reaching transcendental layers never revealing intention. There is no trace of crafting it down or trying to say more. The allotted pages were precisely what this story called for and where it ended. It was created in the absence of the tools of the post modern trade. Its immediacy ran the length of the novel maintaining its tightened grip to the last word.

Each of Aira's wo
Jul 07, 2011 Lee rated it it was amazing  ·  review of another edition
Shelves: favorites
Said, a bit too loud, "Ha! Wow!" immediately after finishing its perfect ending. Not to hype it too much but maybe a new favorite short novel? It's a little like the Bartlebooth sections in Perec's Life: A User's Manual crossed with "Fitzcarraldo"? Imagine if Herzog exhumed Kinski for one last old-timey (early 1800s) South American romp . . . Seriously swell lit. Very little dialogue (no quotes; no conventional literary fiction dramatization; no character-revealing convos etc; no sections render ...more
Aug 08, 2009 Jimmy rated it it was amazing  ·  review of another edition
Recommends it for: sophie
Part fiction, part non-fiction, part poetic description, part philosophy. Aira examines the depths of history, the meaning of repetition, reproductions and its role in art, compensation, and much more, and in the context of a very specific, relatable person and his predicaments. Often zooming into an idea or description with intense precision, then moving on, this book is able to contain big ideas without sounding pretentious, or bloated. In fact, the entire book is less than 90 pages, though it ...more
Jeff Jackson
Nov 26, 2012 Jeff Jackson rated it it was amazing  ·  review of another edition
Hot damn! Starts out in a digressive historical mode that's reminiscent of W.G. Sebald, then seamlessly incorporates breathless action sequences and genuine grotesquerie while ruminating on the nature of art and perspective. Exquisite and surprising. Basically a perfect novella.
Sep 20, 2013 Sam rated it it was amazing  ·  review of another edition
Shelves: novellas
Basically my definition of a five-star novel(la?), in the sense that it seems sui generis.
Hard to be a five-star book unless you nailed something completely individual - unless you formulated your aesthetic project and then accomplished it (if such a thing is really possible, maybe unclear?)

Might be best to summarize the project first, although the end is somewhat self-destructive and insane.

The beginning essentially tricks you into thinking you're going to be reading a (somewhat Borges-ian?) p
Holy crap, this is a masterpiece. A tiny, weird, 87 page masterpiece. Aira's portrait of Rugendas has an easy going, almost flat tone to it. Which might be why the incredible way he curls sentences about art and seeing around and through each other works so well. There is this ominous sense of space at work throughout the book, of the physical presence of the blasted, Argentinian pampas which is somehow always right in front of you, yet also delicately remote, somehow just past perception. Nearl ...more
Adina R
Apr 19, 2016 Adina R rated it liked it  ·  review of another edition
Shelves: short, latin
To celebrate my return to Goodreads after one week of business travel I will write my first review with pictures. I have no idea how to do it but I am willing to learn.

I am interested in Latin American fiction and was searching for a new Argentinian writer after reading Borges and Sabato. I found the book for sale in small library and decided to give the author a try. César Aira is a prolific contemporary writer and a finalist of The Man Booker International Prize 2015. One of his main themes, a
Ben Winch
Aug 03, 2012 Ben Winch rated it really liked it  ·  review of another edition
Could it be that the novella - not the short story - is the pre-eminent literary artform (the form most accommodating to the search for perfection)? As focused and taut (almost) as a classic short story, yet discursive and atmospheric as few stories can be, An Episode... is a good argument for the ascendance of a form that is too often overlooked in Anglo letters. Sure, it starts dryly, and for the first 10 or so pages it's so information-dense you may wonder where the art is, but soon enough (a ...more
Tanuj Solanki
From Naturalism to Surrealism

I agree with The New Yorker when they say that Cesar Aira's prose can be 'slapdash and perfunctory,' but it is his fertility for metaphysical speculation that, for me, more than 'compensates.'

"...changing the subject is one of the most difficult arts to master, the key to almost all the others."

One cannot miss this line as a sort of key to the novel. The painter Rugendas, his friend Kraus, and the author Aira (clearly grounded in a modern era) - the three take keep
Laura Leaney
Apr 13, 2013 Laura Leaney rated it it was amazing  ·  review of another edition
This is such a tiny gem. Exactly 88 pages of lovely prose. On the surface, the story is about Johann Moritz Rugendas, a nineteenth century landscape painter and what happened to him during his foray into Argentina to paint the landscape. More specifically, to paint the landscape by seeing "the processes of growth operative in all forms of life." If you've ever studied 19th century landscape painting, you know what this looks like. Here's a description of the landscape that Rugendas saw, accordin ...more
Jim Elkins
May 17, 2016 Jim Elkins rated it really liked it  ·  review of another edition
Shelves: argentine
A stupendous novel, a real achievement in a very brief compass. Aira is a strange and somewhat scattered novelist -- his method guarantees he relinquishes control over his forms, and sometimes, as in "How I Became a Nun," he helps his narrative become less linear -- but his pace, his wit, his descriptions, and even his philosophic asides are tremendous. He is genuinely surprising. It's not just the plot twists that took me by surprise, it was individual descriptions and sudden parenthetical comm ...more
Josh Friedlander
I have no idea how much of this is surreal, metaphysically inflected short novel is true, but it's gripping and superbly composed throughout. The tale of an artist's compulsive search for beautiful scenery, under, ahem, less than favourable conditions, it works around themes of artistic sincerity and the nature of reality.

Much more than anything I've read in a long time, Aira's writing gave me a sense of location: the locust-devoured pampas, steaming jungle, violet mountains populated with a hu
Vit Babenco
Jan 22, 2016 Vit Babenco rated it it was amazing  ·  review of another edition
To be a landscape painter means to be present at the feast of the nature…
“Rain, sun, two whole days of impenetrable fog, night winds whistling, winds far and near, nights of blue crystal, crystals of ozone. The graph of temperature against the hours of the day was sinuous, but not unpredictable. Nor, in fact, were their visions. The mountains filed so slowly past that the mind amused itself devising constructivist games to replace them.”
And there is a human factor as well…
“His youth was almost o
Isn’t art simply mediation? A negotiation between artist, medium, and subject, often the goal is to shrink the distance between representation and represented. But can this gap ever be fully brought to a close? César Aira seems to think not, referring to this inherent and inevitable disconnect as an abyss.

If abyss sounds daunting, it is, though Aira insists that this is no cause for worry. In fact, it’s these very chasms that art is charged with bridging. When successful, divisions become blurr
Jul 24, 2011 jeremy rated it it was amazing  ·  review of another edition
Shelves: translation, fiction
césar aira's stories tend to be deeply imaginative and magnificently composed, and so it is with an episode in the life of a landscape painter. the prolific argentinian writer seems to draw from an almost limitless well of creativity, as each of his works features a distinctive plot and narrative arc. based on the life of german artist johann moritz rugendas, episode recounts the painter's time on the argentine pampas, blurring the division between fact and fiction. as in most of his short works ...more
May 11, 2012 AC rated it it was amazing  ·  review of another edition
Shelves: art, novels-spanish
What a strange, bizarre little book, like a perfect, gem-like hellenistic miniature, an engraver's sketch-pad frozen or captured alphabetically... not quite normal.
Jun 23, 2013 Tony rated it liked it  ·  review of another edition
Shelves: art, argentinian
(view spoiler) ...more
Michael Flick
This is the second Aira book I've read today (the first was his "The Literary Conference"). He is consistent: except for the absence of humor, it boils down to the same book (not that repetition is a fault--it's even a theme here). It appears to have been written in one day (November 24, 1995), takes about 2 hours to read leisurely and with contemplation, and is the result of the author letting his thoughts amble along in writing that one day until evening, when he declared it a book and was don ...more
M. Sarki
Dec 24, 2012 M. Sarki rated it liked it  ·  review of another edition
Recommended to M. by: the goodreads readers bunch
Three stars means "I liked it" so I guess that is good enough for me. Though my measly rating looks bad among all these five stars I see around me. The book was very easy to read and I liked some of the words the translator chose to use. More on this later. But I wasn't all that moved by the monstrous other-worldly trip-off in the spirit-quest for art, or for its sake. I will expound later when I have had more time to run this reading through my mind's-eye filter. Or if the text somehow finds it ...more
David Ranney
Dec 16, 2014 David Ranney rated it really liked it  ·  review of another edition
The artist, as artist, could always be already dead. There was something absurd about trying to preserve his life. An accident, big or small, could kill a man, or a thousand, or a thousand million men at once. If night were lethal, we would all die shortly after sunset. Rugendas might have thought, as people often do: "I have lived long enough," especially after what had happened to him. Since art is eternal, nothing is lost.
Still processing. Memorable.
A review of this book by a friend on Goodreads caught my eye. The author, Cesar Aira, is considered one of the finest Hispanic writers, and he is called one of the most prolific writers in Argentina. This novel is a work of fiction "that weaves an almost surreal history" around German artist Johann Moritz Rugendas. Rugendas was one of the best of the nineteenth century painters from Europe who ventured into Latin America, working much like National Geographic's photographers do now. He was the l ...more
John Pistelli
This short but grand 2000 novella, seemingly regarded as its prolific author’s masterpiece, is the story of the titular painter, the real-life German landscape artist, Johan Moritz Rugendas, as he suffers a life-altering accident on the Argentine pampas while on an expedition through South America.

Aira’s narrator’s academic tone—we might be reading a biography written by an art historian—almost explicitly invites us to read the story as an allegory, an allegory for nothing other than what I was
Kyle Muntz
Something in the tone of the introduction of this novel, where Bolano says Aira is the author "one of the five best stories" he can remember," "four memorable novels", and "one of the three or four best writers working in Spanish today," was pretty amusing to me. The novel itself has a distant, very analytical approach to its narration, which verges into philosophy at quite a few points; though it only really becomes interesting around halfway through. It starts out as a meditation on humanizing ...more
Aug 02, 2015 Lobstergirl rated it liked it  ·  review of another edition
Shelves: fiction

At the library, the lush cover art seized me. I'm a sucker for these 19th century landscape artists (Albert Bierstadt, Martin Johnson Heade, etc.), whether they're painting in the American West, New England, the Hudson Valley, or South America. I assume the cover art here is by the book's subject character, Johann Moritz Rugendas, although I don't know that for a fact because there is no attribution given. (A quick google image search did not bring up this painting.) The painting appears to be d
Dec 16, 2011 Jim rated it really liked it  ·  review of another edition
Shelves: argentina, fiction
This is the third of César Aira's little novels I have read. I think they are becoming habit forming.

It is Argentina in the middle of the 19th century. Two German painters, an eminent one named Rugendas, and his traveling companion, Krause, are making their way to the pampas to paint scenes documenting the beauty of the area. They never quite make it to the pampas because, in a typically weird Aira scene, they come upon a desolate landscape near San Luis whose plant life has apparently been des
Aug 06, 2011 Iris rated it it was amazing  ·  review of another edition
I literally forgot to breathe while reading certain parts of this book. Bolaño has described Aira as the type of "eccentric" whose prose, "once you start reading, you don't want to stop." In my case it wasn't a matter of 'wanting' - I could not.
It is a very short novel, yet every page is imbued with so much: An ode to nature with the "el beso de la fantasía". A thrilling meditation on art. A philosophical work. A saga of all-consuming passion. A snapshot of art history. A touching story of endur
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César Aira (born on February 23, 1949 in Coronel Pringles, Buenos Aires Province) is an Argentine writer and translator, considered by many as one of the leading exponents of Argentine contemporary literature, in spite of his limited public recognition.

He has published over fifty books of stories, novels and essays. Indeed, at least since 1993 a hallmark of his work is an almost frenetic level of
More about César Aira...

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“Changing the subject is one of the most difficult arts to master, the key to almost all the others.” 3 likes
“Were the “pampas,” perhaps, flatter than the land they were crossing? He doubted it; what could be flatter than a horizontal plane?” 1 likes
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