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Caravaggio: A Novel
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Caravaggio: A Novel

3.57 of 5 stars 3.57  ·  rating details  ·  54 ratings  ·  10 reviews
My sight was always good. But color now takes on even greater riches. I no longer need the bright blues and reds, which I did so delight in when I was young. I see a hundred times more beauty now in a dark brown, or the pale tints of quiet flesh. Or a ray of light across a fur or a beaten earth floor or a suit of black armor. Such colors do not distract the eye, but rather ...more
Hardcover, 304 pages
Published May 23rd 2003 by Thomas Dunne Books (first published 2002)
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Christopher Peachment has Caravaggio tell his life story himself with a wry sense of humour. His chapter about the Knights of Malta is particularly brilliant. As I had read two other biographies of Caravaggio I recognised the events and paintings which added to my enjoyment. I saw the Beheading of St John in Malta in the cathedral which was breath taking and got me interested in this painter and his works in the first place. When visiting the Rijksmuseum recently I was amazed how many Dutch mast ...more
Okay, so my senior year of high school I took AP Art History, and learned about this artist called Caravaggio. The guy was the perfect definition of a BAMF, hanging around with thugs and whores, killing people, being sent to jail on a weekly basis, and at the same time painting pretty pictures for Il Papa and his buddies. Not that his paintings were completely perfect, as they were rejected more than once, making him repeat the operation or just firing him altogether. Still, he kept being hired ...more
A enjoy reading books about artists because they always seem to have a very “original” kind of life. And with Caravaggio, you can add many more adjectives: dangerous, debauched, adventurous, wicked, violent,…

The authors prose is very direct and crude, but quite fascinating, for it seems to adjust perfectly to Caravaggios way of life. In the beginning of the seventeenth century, he was one of the most coveted artists in Italy, but his 3 favourite activities – drinking, whoring and brawling – got
Caravaggio a novel By Christopher Peachment
The A Novel bit in the title is the essential
starting point of this book, this is no straight
biography or art history book, no this is a
imagining of a deathbed confessional
autobiography of Caravaggio.
It tells his life story as an artist first person
reverie style as he goes over all the men he has
fought with who he has has painted for who he
killed and who he fucked or buggered all the
while he is incredibly rude about the Spanish
inquisition and
Versione romanzata della vita di Caravaggio, narrata dallo stesso pittore in prima persona.
Il tentativo di modernizzazione del linguaggio non sempre risulta azzeccato, ma contribuisce a trasmettere in modo efficace il temperamento, l'irriverenza e spesso anche il senso dell'umorismo di Caravaggio.
Interessanti (anche se probabilmente non veritiere) le descrizioni delle origini delle sue opere più importanti.
Rebecca Erlewein
At first I thought, what a fun way to learn some history while reading a novel with action, some raunch and other fun, but alas, it didn't carry me through. The narrator is not actually likeable, and at some point his views and the resulting actions were just enough. I didn't finish the book and don't feel I missed out.
Donna Jo Atwood
Caravaggio was not an easy man to know or like. According to both this novel and the biographical information I've read, he was pretty self-destructive, but his paintings are wonderful.
Historical autobiographical fiction. Romantic recreation of the life of Michelangelo Merisi, known as Caravaggio, told in the first person.
Not for the faint hearted. He was a bad, bad, boy, and a true painter.
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“Perhaps this is the basis of friendships, I do not know. Each man seeks in another that part of himself which is missing. Thus do people make themselves more whole. ” 2 likes
“And David and Goliath I have done before, but this time there is a difference. David holds the head at arm's length and looks disgusted. And onto Goliath's severed head, I put my own features. The head hangs in darkness so that the black hair and beard framing the face blend off into the shadows, and there are four thin ropes of dark blood trailing down into space from the neck. And in one eye of the freshly severed head, there is still the faint glimmer of life.
That's me and that's the last painting I ever did.
Spectator, viewer, audience, however you care to call yourself; I address you here, with this, my final picture.
Cast a cold eye on it all, and on my work. I am still alive. ”
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