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<book id="54509">
  <title><![CDATA[The Empty Space: A Book About the Theatre: Deadly, Holy, Rough, Immediate]]></title>
  <isbn><![CDATA[0684829576]]></isbn>
  <isbn13><![CDATA[9780684829579]]></isbn13>
    <image_url>http://photo.goodreads.com/books/1170439727m/54509.jpg</image_url>
    <work>
  <best_book_id type="integer">54509</best_book_id>
  <books_count type="integer">2</books_count>
  <default_description>Peter Brook's career, beginning in the 1940s with radical productions of Shakespeare with a modern experimental sensibility and continuing to his recent work in the worlds of opera and epic theater, makes him perhaps the most influential director of the 20th century. Cofounder of the Royal Shakespeare Company and director of the International Center for Theater Research in Paris, perhaps Brook's greatest legacy will be &lt;I&gt;The Empty Space&lt;/I&gt;. His 1968 book divides the theatrical landscape, as Brook saw it, into four different types: the Deadly Theater (the conventional theater, formulaic and unsatisfying), the Holy Theater (which seeks to rediscover ritual and drama's spiritual dimension, best expressed by the writings of Artaud and the work of director Jerzy Grotowski), the Rough Theater (a theater of the people, against pretension and full of noise and action, best typified by the Elizabethan theater), and the Immediate Theater, which Brook identifies his own career with, an attempt to discover a fluid and ever-changing style that emphasizes the joy of the theatrical experience. What differentiates Brook's writing from so many other theatrical gurus is its extraordinary clarity. His gentle illumination of the four types of theater is conversational, even chatty, and though passionately felt, it's entirely lacking in the sort of didactic bombast that flaws many similar texts. &lt;I&gt;--John Longenbaugh&lt;/I&gt;</default_description>
  <id type="integer">1917</id>
  <media_type nil="true"></media_type>
  <original_language_id type="integer" nil="true"></original_language_id>
  <original_publication_day type="integer" nil="true"></original_publication_day>
  <original_publication_month type="integer" nil="true"></original_publication_month>
  <original_publication_year type="integer">1990</original_publication_year>
  <original_title>The Empty Space: A Book About the Theatre: Deadly, Holy, Rough, Immediate</original_title>
  <rating_dist>total:322|5:159|4:116|3:33|2:13|1:1|</rating_dist>
  <ratings_count type="integer">322</ratings_count>
  <ratings_sum type="integer">1385</ratings_sum>
  <reviews_count type="integer">428</reviews_count>
  <text_reviews_count type="integer">39</text_reviews_count>
</work>

  <average_rating><![CDATA[4.30]]></average_rating>
  <ratings_count><![CDATA[319]]></ratings_count>
  <text_reviews_count><![CDATA[37]]></text_reviews_count>
  <url><![CDATA[http://www.goodreads.com/book/show/54509.The_Empty_Space_A_Book_About_the_Theatre_Deadly_Holy_Rough_Immediate]]></url>
  <authors>
        <author id="30784">
      <name><![CDATA[Peter Brook]]></name>
      <role><![CDATA[]]></role>
      <url><![CDATA[http://www.goodreads.com/author/show/30784.Peter_Brook]]></url>
      <average_rating><![CDATA[4.23]]></average_rating>
      <ratings_count><![CDATA[429]]></ratings_count>
      <text_reviews_count><![CDATA[44]]></text_reviews_count>
    </author>
      </authors>
    <reviews start="1" end="20" total="428">
    <review id="70271904">
    <user id="1200378">
    <name><![CDATA[Michelle]]></name>
    <location><![CDATA[The United States]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/1200378-michelle]]></url>
  </user>
      <rating>2</rating>
  <votes>0</votes>
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  <read_at></read_at>
  <date_added>Sun Sep 06 13:45:41 -0700 2009</date_added>
  <date_updated>Sun Sep 06 13:55:31 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Admittedly, I devoured this book in less than 24 hours and I was not motivated by pleasure or a desire to learn for my own edification.  I needed to help one 16 year old child understand it so she could write a cherent paper on the book. Apparently this is a seminal work in understanding 4 types of ...<a href="http://www.goodreads.com/review/show/70271904">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/70271904]]></url>
</review>
    <review id="1558841">
    <user id="107724">
    <name><![CDATA[Erinina Marie]]></name>
    <location><![CDATA[Brooklyn, NY]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/107724-erinina-marie]]></url>
  </user>
      <rating>4</rating>
  <votes>0</votes>
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  <recommended_for><![CDATA[]]></recommended_for>
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  <read_at>Thu Jun 01 00:00:00 -0700 2006</read_at>
  <date_added>Thu May 31 08:43:07 -0700 2007</date_added>
  <date_updated>Thu May 31 08:43:22 -0700 2007</date_updated>
  <read_count></read_count>
    <body><![CDATA[The Empty Space by Peter Brook<br/><br/>This book was very hard to get into for me, but after the first section, I couldn’t put it down, it was very inspiring. The book is divided into four sections about modern theater: Deadly, Holy, Rough and Immediate. I believe the problem in getting into it...<a href="http://www.goodreads.com/review/show/1558841">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/1558841]]></url>
</review>
    <review id="54023121">
    <user id="138294">
    <name><![CDATA[Hanny]]></name>
    <location><![CDATA[Brooklyn, NY]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/138294-hanny]]></url>
  </user>
      <rating>4</rating>
  <votes>0</votes>
  <sell_flag>false</sell_flag>
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      </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Thu Apr 30 00:00:00 -0700 2009</read_at>
  <date_added>Sun Apr 26 11:42:49 -0700 2009</date_added>
  <date_updated>Fri May 01 06:39:43 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Brilliant, specific analysis of what's wrong with most theater (the &quot;Deadly&quot;); a non-mysterious explanation of theater that &quot;makes the invisible visible&quot; (the &quot;Holy&quot;) with Beckett as the exemplar; a convincing introduction to theater's connection with social issues (the...<a href="http://www.goodreads.com/review/show/54023121">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/54023121]]></url>
</review>
    <review id="61822614">
    <user id="45235">
    <name><![CDATA[Matt]]></name>
    <location><![CDATA[Knoxville, TN]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/45235-matt]]></url>
  </user>
      <rating>4</rating>
  <votes>0</votes>
  <sell_flag>false</sell_flag>
  <spoiler_flag>false</spoiler_flag>
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      </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Sat Jul 11 00:00:00 -0700 2009</read_at>
  <date_added>Wed Jul 01 17:15:25 -0700 2009</date_added>
  <date_updated>Sun Jul 12 13:49:05 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[A thoughtful discussion of the theatre from one of its masters. Brook's views on what makes theatre relevant, effective, and necessary are just as powerful now as when first written. The division of Deadly, Holy, Rough, and Immediate Theatre allows his discussions to be specific and clear with the b...<a href="http://www.goodreads.com/review/show/61822614">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/61822614]]></url>
</review>
    <review id="76818805">
    <user id="1014271">
    <name><![CDATA[Lubovedsky]]></name>
    <location><![CDATA[The United States]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/1014271-lubovedsky]]></url>
  </user>
      <rating>0</rating>
  <votes>0</votes>
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  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Sun Oct 25 00:00:00 -0700 2009</read_at>
  <date_added>Thu Nov 05 10:21:38 -0800 2009</date_added>
  <date_updated>Thu Nov 05 10:23:37 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Exploresrelationship between audience and players. Talks about what makes theatre alive. Good shor insightful book about this subject]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/76818805]]></url>
</review>
    <review id="71196686">
    <user id="1263585">
    <name><![CDATA[Albie]]></name>
    <location><![CDATA[The United States]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/1263585-albie]]></url>
  </user>
      <rating>0</rating>
  <votes>0</votes>
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  <recommended_for><![CDATA[]]></recommended_for>
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  <read_at></read_at>
  <date_added>Mon Sep 14 12:17:33 -0700 2009</date_added>
  <date_updated>Mon Sep 14 12:17:33 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[The Empty Space : A Book About the Theatre: Deadly, Holy, Rough, Immediate by Peter Brook (1995)]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/71196686]]></url>
</review>
    <review id="59164593">
    <user id="1804950">
    <name><![CDATA[Risa]]></name>
    <location><![CDATA[Carrboro, NC]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/1804950-risa]]></url>
  </user>
      <rating>0</rating>
  <votes>0</votes>
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  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at></read_at>
  <date_added>Wed Jun 10 11:20:55 -0700 2009</date_added>
  <date_updated>Wed Jun 10 11:20:55 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[&quot;The Empty Space: A Book About the Theatre: Deadly, Holy, Rough, Immediate by Peter Brook (1995)&quot;]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/59164593]]></url>
</review>
    <review id="23447568">
    <user id="1200036">
    <name><![CDATA[Jinger]]></name>
    <location><![CDATA[Boulder, CO]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/1200036-jinger]]></url>
  </user>
      <rating>3</rating>
  <votes>0</votes>
  <sell_flag>false</sell_flag>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
        <shelf name="college" />
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  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Fri Sep 01 00:00:00 -0700 2000</read_at>
  <date_added>Sun Jun 01 11:19:20 -0700 2008</date_added>
  <date_updated>Sun Jun 01 11:19:20 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[When we read this in college during our history of drama class, we were asked to underline passages that seemed to ring true or that we wanted to further discuss.  I know I wasn't the only one to cover my copy with underlines, jotted notes in the margins, and page references.<br/><br/>I don't agre...<a href="http://www.goodreads.com/review/show/23447568">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/23447568]]></url>
</review>
    <review id="56208114">
    <user id="1250451">
    <name><![CDATA[D.]]></name>
    <location><![CDATA[Pittsburgh, PA]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/1250451-d]]></url>
  </user>
      <rating>5</rating>
  <votes>0</votes>
  <sell_flag>false</sell_flag>
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  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at></read_at>
  <date_added>Fri May 15 13:59:37 -0700 2009</date_added>
  <date_updated>Fri May 15 14:00:10 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[my first grad school required book is finished!  i learned that theater is hard.  ]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/56208114]]></url>
</review>
    <review id="42103523">
    <user id="422493">
    <name><![CDATA[Jessie]]></name>
    <location><![CDATA[Columbus, OH]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/422493-jessie]]></url>
  </user>
      <rating>0</rating>
  <votes>0</votes>
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  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at></read_at>
  <date_added>Tue Jan 06 10:26:26 -0800 2009</date_added>
  <date_updated>Tue Jan 06 10:26:46 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[First read when I took Intro to Theatre--and now I'm teaching it.]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/42103523]]></url>
</review>
    <review id="76377602">
    <user id="526331">
    <name><![CDATA[Richard]]></name>
    <location><![CDATA[Fair Lawn, NJ]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/526331-richard]]></url>
  </user>
      <rating>5</rating>
  <votes>0</votes>
  <sell_flag>false</sell_flag>
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      </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Mon Jul 01 00:00:00 -0700 1996</read_at>
  <date_added>Sun Nov 01 10:22:41 -0800 2009</date_added>
  <date_updated>Sun Nov 01 12:08:20 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[A fine book that applies to ANY art form.]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/76377602]]></url>
</review>
    <review id="44575458">
    <user id="1147004">
    <name><![CDATA[Elisabeth]]></name>
    <location><![CDATA[Portland, OR]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/1147004-elisabeth]]></url>
  </user>
      <rating>3</rating>
  <votes>0</votes>
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      </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Sat Aug 15 00:00:00 -0700 2009</read_at>
  <date_added>Tue Jan 27 17:44:34 -0800 2009</date_added>
  <date_updated>Mon Aug 17 09:25:37 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Alternately brilliant and boring. I think that Peter Brook is actually a profound man, but his writing on the theory of theatre gets tedious when he starts soliloquizing and forgets to include any means for the reader to put his abstractions into practice. At those times the book gets a self-infatua...<a href="http://www.goodreads.com/review/show/44575458">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/44575458]]></url>
</review>
    <review id="19041787">
    <user id="43892">
    <name><![CDATA[Talya]]></name>
    <location><![CDATA[94043, Canada]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/43892-talya-rubin]]></url>
  </user>
      <rating>4</rating>
  <votes>0</votes>
  <sell_flag>false</sell_flag>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
      </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Sun Oct 04 02:29:29 -0700 2009</read_at>
  <date_added>Sun Mar 30 18:13:43 -0700 2008</date_added>
  <date_updated>Sun Oct 04 02:29:29 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[This classic of theatre aesthetics and theory written from a highly practical point of view from the great theatre director Peter Brook, is an essential teaching on what theatre can aspire to and a developed warning of where theatre can die and go terribly wrong. The book does not seem to date 40 ye...<a href="http://www.goodreads.com/review/show/19041787">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/19041787]]></url>
</review>
    <review id="524456">
    <user id="45995">
    <name><![CDATA[David]]></name>
    <location><![CDATA[Brooklyn, NY]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/45995-david]]></url>
  </user>
      <rating>5</rating>
  <votes>0</votes>
  <sell_flag>false</sell_flag>
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  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at></read_at>
  <date_added>Sun Apr 01 17:05:58 -0700 2007</date_added>
  <date_updated>Sun Apr 01 17:08:29 -0700 2007</date_updated>
  <read_count></read_count>
    <body><![CDATA[In my mind this is <em>the</em> book, <em>the</em> word on dramatic theory, and there isn’t a close second.  Even when I don’t agree with Brook’s points, I have to concede that he is spot on in his approach to the creation of theater.  This should be mandatory reading for anyone remotely connected with the busi...<a href="http://www.goodreads.com/review/show/524456">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/524456]]></url>
</review>
    <review id="2698898">
    <user id="148785">
    <name><![CDATA[Colie!]]></name>
    <location><![CDATA[Los Angeles, CA]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/148785-colie]]></url>
  </user>
      <rating>4</rating>
  <votes>0</votes>
  <sell_flag>false</sell_flag>
  <spoiler_flag>false</spoiler_flag>
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      </shelves>
  <recommended_for><![CDATA[theatre folk]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Thu Jul 01 00:00:00 -0700 2004</read_at>
  <date_added>Wed Jul 04 01:50:07 -0700 2007</date_added>
  <date_updated>Wed Jul 04 01:51:58 -0700 2007</date_updated>
  <read_count></read_count>
    <body><![CDATA[Peter Brook helped shape me into the starry-eyed nut I am.  I will always believe in the capacity of theater to do something great because of this book.  The saddest part is, it's supremely outmoded by now.  Yet I still hope... my generation will be the one to make it happen!]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/2698898]]></url>
</review>
    <review id="33950819">
    <user id="171301">
    <name><![CDATA[Zak]]></name>
    <location><![CDATA[San Francisco, CA]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/171301-zak]]></url>
  </user>
      <rating>4</rating>
  <votes>0</votes>
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  <recommended_for><![CDATA[]]></recommended_for>
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  <read_at></read_at>
  <date_added>Fri Sep 26 23:32:46 -0700 2008</date_added>
  <date_updated>Fri Sep 26 23:32:46 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[A classic.  I read it out of compulsion, but was not in any way disappointed.  This man has some great, living things to say about theatre, and they resound even to today.  A mandatory read for theatre practitioners.]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/33950819]]></url>
</review>
    <review id="6878780">
    <user id="426440">
    <name><![CDATA[James]]></name>
    <location><![CDATA[The United States]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/426440-james]]></url>
  </user>
      <rating>5</rating>
  <votes>0</votes>
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  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at></read_at>
  <date_added>Thu Sep 27 05:07:35 -0700 2007</date_added>
  <date_updated>Thu Sep 27 05:08:55 -0700 2007</date_updated>
  <read_count></read_count>
    <body><![CDATA[Peter Brooks is my homie. I believe everything he says. I never question his impulses about theater. They are in fact my own. This book reminds me why I chose this profession and makes it clear why it chose me.]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/6878780]]></url>
</review>
    <review id="34510678">
    <user id="1297444">
    <name><![CDATA[Gracie]]></name>
    <location><![CDATA[The United States]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/1297444-gracie]]></url>
  </user>
      <rating>4</rating>
  <votes>0</votes>
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  <recommended_for><![CDATA[]]></recommended_for>
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  <read_at></read_at>
  <date_added>Sat Oct 04 10:37:00 -0700 2008</date_added>
  <date_updated>Sat Oct 04 10:50:55 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[Originally published in '68. Explores his version of ritual and performance history within culture; before the stage and on stage. A groundbreaker in changing Western theater at the time. ]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/34510678]]></url>
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    <review id="14427069">
    <user id="769418">
    <name><![CDATA[Nick]]></name>
    <location><![CDATA[San Francisco, CA]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/769418-nick-pappas]]></url>
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      <rating>4</rating>
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  <date_added>Sun Feb 03 00:40:57 -0800 2008</date_added>
  <date_updated>Sun Feb 03 00:42:58 -0800 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[Very intresting thoughts on theater.  I love what Brook has to say. He is, for the most part, correct.  He's just so damn preachey, and sometimes the old, archiac versions of theater are good.]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/14427069]]></url>
</review>
    <review id="2545068">
    <user id="159864">
    <name><![CDATA[Julie]]></name>
    <location><![CDATA[Forest Hills, NY]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/159864-julie]]></url>
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      <rating>4</rating>
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  <date_added>Fri Jun 29 15:51:15 -0700 2007</date_added>
  <date_updated>Tue Jul 03 08:35:21 -0700 2007</date_updated>
  <read_count></read_count>
    <body><![CDATA[a must read for directors, and other artists of the theatre would benefit as well. an engaging read and definitely worthwhile theory to be applied in your art.]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/2545068]]></url>
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