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The Shock of the New

3.75 of 5 stars 3.75  ·  rating details  ·  15,620 ratings  ·  83 reviews
A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-garde. More than 250 color photos.
Paperback, 444 pages
Published April 1st 2004 by Thames & Hudson (first published November 1st 1980)
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(showing 1-30 of 3,000)
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Paul Bryant
Again today I was lost in admiration of this history-with-attitude of 20th century art. I think it’s the best single art book I’ve read. It’s stuffed full of ideas and sentences that refresh like a splash of seaspray. Viewing Paris from the Eiffel Tower in 1889 was “one of the pivots in human consciousness”. The phonograph was “the most radical extension of cultural memory since the photograph”. Cezanne “takes you backstage”. In cubist paintings the world was “a twitching skin of nuances”. “Mach ...more
I bought this book after a trip to the Museum of Modern Art in New York. I left the museum confused and annoyed by Modern art. I could not find anything to explain Modern art. Nothing that wasn't complete unreadable, unwatchable or incomprehensible. Then I picked up this book. I read about 30 pages in the book store and couldn't put it down. Robert Hughes' prose flows, clear and crisp. I like that he could explain an artist's work in a way that lets you know he doesn't like it, but is open to yo ...more
Apr 14, 2013 Trevor rated it 5 of 5 stars
Shelves: art
The first few episodes of this – I watched this, by the way, but will need to get hold of the book now – are nearly entirely a rip off of Walter Benjamin’s work, particularly his Art in the Age of Mechanical Reproduction. The modern has been so dominated by machines and the question of how machines relate to humans is an open question that continues to haunt our nightmares. The Matrix movies are a particularly interesting example of this. But the history of this nightmare is much older than that ...more
Most of the other reviews say it all - this weighty and expensive book was the main text of my college class on Modern Art but but boy was it worth it. Hughes is such a succinct, perceptive historian and critic - he takes complicated topics and doesn't simply examine then, but unpacks and illuminates. Probably best seen in conjunction with the original BBC series, you will almost certainly learn something you didn't know, find something you weren't aware you loved, finally be able to put your fi ...more
Hughes' opinionated and politically charged biography of modern art and its dialogue with a culture in turmoil is always on the side of the radical against the status quo. He is harshly critical of the academy and establishment, and of regressive regimes, movements and critiques. He hates oppression, elitism, and frivolous self-indulgence, which is his general opinion of postmodernism.

The Shock of the New was a hugely important part of my education, helping me to become conversant in the movemen
Mar 12, 2008 Andrea rated it 5 of 5 stars
Recommends it for: people who think they don't like modern art
Recommended to Andrea by: modern art class
Great text about the history of modern art, from the influence of the impressionists forward. It is fun to read, and does a good job of correlating the history of a given time to the ideology of a movement in art. If you think you don't like modern art, read this book!
Fraser Kinnear
This was an epic read for me. I saw Hughes give an interview on Charlie Rose and kept his book in mind until I ran across it at my favorite book store in LA.

I've read a few art history books before, and this one stands out. Artists and movements flush together as Hughes never takes a break. What this torrent of information provides is an incredible sense of interconnectedness across art, as well as a clever narrative ploy to always keep me engaged. Few artists are treated with more than a page o
Mark Desrosiers
Hughes possesses all the essential traits of a brilliant art critic: he's not a snob, he's perceptive about the difference between shyte and wank, he's enthusiastic about playfulness and populism, and he's willing to admit he's wrong (in this book, it's Philip Guston). The fact that his career was centered upon TIME Magazine is a testament to his sense of populist principle, and evidence that there really are no other brilliant art critics out there. (I had my hopes for Dave Hickey way back when ...more
E. Journey
Jun 09, 2015 E. Journey rated it 5 of 5 stars  ·  review of another edition
Recommended to E. by: Rich
I read this book at least a dozen years ago and have since revisited passages in it many times. Hughes is a highly opinionated, but very thoughtful critic whose mastery of prose is at the level of G.K. Chesterton. A rather rare gift nowadays.

Hughes' critique of art is well worth the time it takes to wade through the nearly 450 pages of this book (and my old copy looks like it's 9x12 inches in size). But don't worry. It does have lots of reproductions to illustrate his judgement.

And that judgeme
Aug 05, 2007 Dan rated it 5 of 5 stars  ·  review of another edition
Recommends it for: Anyone interested in art
Robert Hughes does an excellent job at connecting several political movements, wars, and philosophical theories to several modern art movements. The book flows naturally through the major art movements of the the 20th century. Hughes ultimately attributes all modern art to the construction of the Eiffel Tower. A must read for modern art enthusiasts.
I was introduced to this book by my Art History professor. For anyone who has ever looked at modern art and said 'I don't get it', this book is for you. Hughes explains the cultural, political and societal factors that caused the modern art movement and why it matters.
Deirdre Smith
A wonderful, and relatively brief history of European and American Modernism. As Hughes admits in the Introduction, the scope of his narrative is limited. Originally conceived of as a BBC documentary, he mostly sticks to names you know. However, he brings an attention and a reverence to each that creates a vivid impression of these artists' individual and collective contributions to the movement. Rather than monolithic, this history and its figures are very consciously human in scale.

Where in hi
Mark Noack
It is difficult to rate this book only three stars, as when he is writing about art, Hughes is fascinating & perceptive; but this book is loaded with specious tangental ideology, speculation, errors, & apparently, unintentional irony. Just one example: Hughes writes, on Merit Oppenheim's 'Luncheon in Fur,' that it is the"most intense and abrupt image of Lesbian sex in the history of art." A handful of pages later he writes:"but Surrealism was only interested in one kind of sexual freedom ...more
This book was my textbook for an art history course and I loved loved loved both the text and the course. This book is almost as exhausTING as it is exhausTIVE, but worth it if you're at all interested in "modern art".
Sep 17, 2007 Kaveri rated it 5 of 5 stars
Shelves: art
the best introduction to modern art i know of. down-to-earth, witty and opinionated writing that manages to survey the main currents of modernism without the dumbing-down that surveys often resort to.
Hughes is a great writer! He makes art history enjoyable and undestandable...I highly recommend this book to anyone interested in modern art movements and their origins.
Wonderfully opinionated! Even if you can't always agree with Hughes, his writing pulses with energy and the ability to make you see the world differently.
Nov 25, 2008 Orin rated it 5 of 5 stars
Shelves: ideas
If you can pair this with the DVD of the 1980s PBS show, do it. You will soon be hearing Hughes' voice with every cranky insight.

Educated, loving, pithy and aggressive description of aspects of the history of Modern Art. Great read.
Great, apart from his assertion that the last true work of political art was Picasso's Guernica.
Of all the art that this book introduced me to I most enjoyed:

Paul Cezanne's Mont Ste-Victoire, 1906
Robert Delaunay's Homage to Bleriot, 1914
Giacomo Balla's Dynamism of a Dog on a Leash, 1912
John Heartfield's Adolf the superman, 1932
Raoul Hausmann's The spirit of our time, 1921
Pablo Picasso's Guernica, 1937 (at last something I had seen before reading this book)
George's Seurat's A Sunday Afternoon on the Island of La Grande Jatte, 1884-6
Claude Monet's Two Haystacks, 1891
Claude Monet's Rouen Cath
This book is a good introduction to the social history of the art market during the early 20th century. It centers on key movements, such as The Armory Show in New York City (1913), and artist circles. Robert Hughes gives you insights into the personalities of artists, dealers, and critics. He is a witty critic, who participated in one of the later avant garde movements himself. Modernists constantly pushed the envelope of what constituted art, and this book narrates the evolution of that cultur ...more
A thoroughly engaging overview of SOME aspects of modern art. Hughes is erudite, opinionated and a bit crotchety, qualities that made him an excellent critic and observer. He also makes the wise choice of organizing each chapter around a thematic rather than chronological concern, showing linkages and influences between groups of artists that would get easily ignored in a more strictly linear narrative. Most importantly though, he finds ways of making the most cliched of modern works/styles enga ...more
Moira Downey
This is a fun primer on modern art from roughly 1880 through 1980. That said, it's a fairly introductory survey, taking generally no more than a few paragraphs to linger on any individual artist (though several are revisited from chapter to chapter). I enjoyed that the chapters treated thematically arranged subjects, rather than simply running through a chronological discussion of major works and movements from the last 100 years. Several points of interest for me included his look at German dad ...more
Modern Art was pretty much a mystery to me until I read this book for my Fine Art degree. I love the way Hughes writes, and the way he makes art seem like such a vital expression of the times the artists lived in.

Hughes does not look at things chronologically but instead in terms of themes, although that's a simplistic way of viewing the lens through which he studies the art of this century.

I particularly enjoyed his chapter The View From the Edge, where he begins with Van Gogh and Munch and e
Aug 21, 2015 Ovidiu rated it 3 of 5 stars
Shelves: art
I like his style and eloquence, but I was very disappointed when he ranked Marxism as belonging to the same class of ideas as Nazism and when he called the work of Sigmund Freud a pseudo-science. At the same time, the ending, where he feels compelled to make a prediction for the future of art, seems like belonging to a completely different person. That invigorating lucidity which made me interested in art like never before is now cast aside and replaced by some mystical logic based on dry statis ...more
"fischl's work...smells of unwashed dog, barbecue lighter fluid, and sperm"...

...robert hughes at his best with colorfully descriptive prose. originally a bbc documentary, hughes tackles the rise and fall of modernism with absolute joy and admiration for some artists, encouraging you to sit next to him and smile agreeingly, all while setting fire to the stilts that prop up the late/post modernists. it ends with enjoyably sharp criticism of the gluttonous condition of art schools, recycled rhetor
The book provides a good and well written introduction to modern art: paintings, design, architecture, etc.

The many pictures visualize the theories of the author and familiarize the reader with modern art, even if the latter has no rich history of visiting musea of modern art.

Hughes identifies a selection of broad themes. Some are dealt with in a chronological order. Each topic is associated with a selection of representative artists: impact of technology on society, art and politics (fascism, c
Sep 26, 2012 Kathleen rated it 5 of 5 stars
Recommends it for: artists
Shelves: art, biography, 2012
Robert Hughes died, so I got this book from the library. I didn't know or love Hughes, so this is just about the book, not his illustrious career as an intellectual. Wow! I love this. It's an art history of the 20th century. Hughes loves the beginning -- Impressionism -- and hates the end -- big $$$ for little art. I wish I'd copied quotes; every sentence has layers: art underpinned by history and philosophy -- not to mention Hughes' often funny and always deep-seated opinions. I'd love to see t ...more
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Robert Studley Forrest Hughes, AO was an Australian art critic, writer and television documentary maker who has resided in New York since 1970. He was educated at St Ignatius' College, Riverview before going on to study arts and then architecture at the University of Sydney. At university, Hughes associated with the Sydney "Push" – a group of artists, writers, intellectuals and drinkers. Among the ...more
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“The basic project of art is always to make the world whole and comprehensible, to restore it to us in all its glory and its occasional nastiness, not through argument but through feeling, and then to close the gap between you and everything that is not you, and in this way pass from feeling to meaning. It's not something that committees can do. It's not a task achieved by groups or by movements. It's done by individuals, each person mediating in some way between a sense of history and an experience of the world.” 35 likes
“What has our culture lost in 1980 that the avant-garde had in 1890? Ebullience, idealism, confidence, the belief that there was plenty of territory to explore, and above all the sense that art, in the most disinterested and noble way, could find the necessary metaphors by which a radically changing culture could be explained to its inhabitants.” 24 likes
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