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Goodbye (Tatsumi's short stories)

3.99 of 5 stars 3.99  ·  rating details  ·  1,049 ratings  ·  81 reviews
Tetsú es un macarra de poca monta que vive de su chica. No sabe hacer nada, no tiene ninguna meta, apenas habla siquiera. Un día marchará para no regresar.
Mika es una prostituta atormentada por la soledad. Cuando por fin encuentre al hombre que quiera quedarse con ella, tal vez la situación resultante no sea tan satisfactoria como había soñado.
Kyoko abandonó a su marido do
Paperback, Colección Gekiga, 148 pages
Published June 25th 2005 by La Cúpula (first published 1972)
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(showing 1-30 of 1,681)
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Sep 12, 2011 Mariel rated it 4 of 5 stars  ·  review of another edition
Recommends it for: wave
Recommended to Mariel by: eaten alive
The characters in Yoshihiro Tatsumi's comics are sad. They are sad in the something is missing way. There are good reasons to be sad, if you need reasons. Getting old. Getting cold. Political reasons of being sad. The whole place getting old and cold along with them. The faces are identical expressions of sad. Almost inhuman. I squinted my eyes and the drawings could have been of primates. Stuck in a zoo some place. Labeled No Longer Erectus (yeah, some of these guys can't get it up anymore on t ...more
Each story is engrossing, but problematic. Apologies for that awful, awful grad school euphemism. What I mean is that this man has problems: he writes and draws a good story, but he hates women. His story about a boy who turns to cross dressing because his mother places too much pressure on him to support the family as the "man of the house" stinks of the pre 1972 psych drivel still desperately being touted by the "ex-gay" movement. The first story about Hiroshima, however, was worth the whole c ...more
Robert Beveridge
Yoshihro Tatsumi, Good-Bye (Drawn and Quarterly, 2008)

With every collection of Yoshihiro Tatsumi stories that Drawn and Quarterly releases, I find myself becoming more and more enamored of the man's work. I wasn't really sure that was possible; after all, D&Q's first Tatsumi collection, The Push Man and Other Stories, made my beat-reads-of-the-year list back a couple of years ago. But, yes, they just keep getting better. Good-Bye, which collects pieces Tatsumi wrote in the early- to mid-seve
Being one lonely person surrounded by 130 million contemporaries serves not only to isolate, but to besot with striking similarity amongst each of the persons in question. To be neglected and disenfranchised is what it means to be one of many nameless protagonists in a Yoshihiro Tatsumi story.

The Raymond Carver of manga, Tatsumi presents his subjects with unflinching reality (an acceptable form of cruelty). This is not because he hates his characters, but because - in a deeper sense - he commune
Peter Panic
I often watch japanese films and am always taken aback because of the cultural differences shown. Yet, for the japanese comics I have read there is rarely that feel. Then again the few manga's I have read are of more universal theme's of plain fighting stories (i.e Battle Royale). So for me to start reading Tatsumi, I realized that while his output in Japan may have been enormous he was still relatively unknown. His subject matter is always somewhat depressing and topical and definitely not fant ...more
Another great Manga collection by Yoshihiro Tatsumi. His sparse little narratives captures the odd and the strange in post-war Japan. Poetic to a great degree, yet on a high genius level as well. Tezuka is on one side of the coin, and Tatsumi is on the other. Grim, sad, sexual, and very moving all at the same time. But not a downer for some reason. I think because the way he draws and tells the tale is quite magnificent. Even those who are not into Manga, should at the very least dip their toes ...more
Bruce Reid
The least revelatory of Tatsumi's three American collections, and because of that my least favorite. These short manga, less stories than tracings of sad, stunted lives, are as affecting as ever; but the symbology, often sexual, is rather heavy-handed and the characters offer fewer surprises. There are still several gems and stand-out moments, however, from the oppressive, watery inks that come to dominate the startling Hiroshima story "Hell" to the marvelously unexpected conclusion of the bar h ...more
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This is the second collection of short stories by Tatsumi that I've finished reading. And if the previous one was good, this was ballistic. Two stories in particular--Hell and Good-bye--will haunt any discerning reader for days. The recurring image from 'Hell' still sends a frisson down my spine.
All the stories are impeccably drawn, which makes even the relatively weaker stories--if one can indeed use the term--eminently readable. Tatsumi's relationship with his characters is intimate. As these
Jigar Brahmbhatt
Short stories as manga. By the time I finished this third book by Tatsumi I had already become a fan. If there ever was an artist who explored the desperation, the ennui, the bitterness, the pervertion of city life in this medium it had to be him. I have encountered no one who is better so far. Not even Osamu Tesuka.

There is a Japanese sensibility at work here, the same spirit that haunts a piece by Tanikazi or a dreamscape by Murakami. The artwork in black and white is gorgeous.
Vivek Tejuja
Manga is an art that grows on you. It is also an art form that makes you appreciate the beauty of stillness and subtlety. So when there are graphic novels to be read, there is also Manga which I feel is quite different and a genre of its own than being classified under Graphic Novels. Tatsumi happened to me when I was browsing through Landmark, Bombay, about ten years ago with a very dear friend. That was another book. This time I spotted him at Blossom and could not have been more excited. I kn ...more
it took me a month to read this book because the cover disgusted me so much. id look at the book and then put it down. why did they choose such a cover? finally i read it and enjoyed it (i enjoyed the shortness of the stories and the often abrupt endings)...except for the awful portrayal of women, especially in the last story. i mean, dude, the character's own daughter? gross. yet, he was portrayed as the "victim". gimme a break.
DO NOT READ THIS BOOK AT WORK OR IN PUBLIC!!!! This book had way more inappropriate scenes than I anticipated. Though a very good story, it took me about three of them to see that they weren't chapters. This makes me feel about a rice crumb better for laughing at some of them. Each is vey quirk with really strong underlying messages. The balance of text to images is perfect because I am 100% sure that the closure in my mind would be rated XXX if there were anymore words or panels. I didn't howev ...more
One of the most interesting collections of short stories I've ever read. Each of these selections is a little window into someone's falling-apart life. Much like the films of Todd Solondz, Tatsumi's work is challenging and uncomfortable, but that's what makes it even better.
Brendan Howard
Jun 26, 2011 Brendan Howard rated it 4 of 5 stars  ·  review of another edition
Recommends it for: Fans of serious manga, adult manga, dark topics, Japanese history
Recommended to Brendan by: Bryan
Very good short tales of 1970s Japanese manga ugliness.
An incredible introduction into a Japanese comic master. They call it manga but it seems to fit right in with classics by Will Eisner and the other original comic novelists.

Good-bye is a collection of short stories centered around post-war Japan. They mine deeply into the malaise of the nation's people and examine the often sad lives of pre-economic boom Japan. Most have an almost surreal effect, almost like Japanese comic Twilight Zones. They're mostly sad, hopeless and sometimes disturbing. Ex
Michael Scott
Part of the series on Japanese daily life by TATSUMI Yoshihiro that also includes Push Man and Abandon the Old in Tokyo, Good-Bye is a collection of short stories depicting Japan probably around the 1970s (as shown by the picture of Eisaku Sato, Japanese PM 1964-1972, the haircuts of some of the characters, etc.) The topics included here, although drawn as "gekiga" (realistic drama) so by no means "easy", are the most palatable in the series; the graphics also feel more polished and the stories ...more
Good-bye is a collection of short stories written by Yoshihiro Tatsumi in the manga genre. Most of the stories featured in this collection are about post-WWII and post-Hiroshima Japan, and the depressive yet slightly hopeful quality the Japanese retained within themselves in spite of the degrading poverty and death they were surrounded by.

A general warning before I start this review. This is an adult collection of short stories. And I seriously push an adult rating, because this book is not onl
Artur Coelho
Este livro foi uma completa surpresa. Há medida que vou descobrindo o prazer do manga, encontro muita coisa que pouco me diz e algumas obras estilística ou conceptualmente interessantes. Mas até agora nenhuma que quebrasse a imagem que tenho do género como algo fortemente comercial, fragmentado numa míriade de nichos atraentes para grupos de fãs acérrimos. Good-bye, e outras obras deste autor, pertencem a outro género de banda desenhada, de cariz reflexivo e autobiográfico que habitualmente liga ...more
There is a line that runs through our lives. It is where we would like our lives to go. We straddle it as best we can. Some gifts of birth make it easier, some make it virtually impossible. Then life intervenes. Somewhere along the way most of us fall off that line to the one side or the other--by events we couldn't foresee or the myriad choices we are forced to make. Some stray so far from that line that they forget it may have ever existed. That describes many of the characters in Yoshihiro Ta ...more
I LOVED this graphic novel and read it in one day. The books is composed of several vignettes from different people's lives in Japan from after WWII until present day. Each story is pretty depressing and gives readers insight into the underbelly of the poor and middle class throughout Japan.One reoccurring theme throughout the novel is the feeling and physical actuality of impotence. Many of the men in these stories are in their 50's and are forced to retire. They have spent their lives engrosse ...more
some sex is included, so be warned. I'm sure as a non-Japanese reader, I did not appreciate all the symbolism in the drawings. I did enjoy the stories raw feelings. Honest assessment of some lives in post war Japan.
Why is it that every subsequent book I read by Tatsumi seems more mature and layered than the last? I'm amazed that many of the collected short story comics in this book were published in the 70s. They are just so stark and critical of Japanese society post Hiroshima. They are just absolutely amazing. And still so real today in depicting the life of a salary man as something of waste in the end as it only drives one's desires in dark directions. I was intrigued by the visual effect of characters ...more
عادة ما اتلافى قصص المانغا لأني أحسها من غيرها هدف ونعم هذا جدجمنتال مني.. نعم كثيرا ما تتأرجخ للبياخة التي لا أعرف ما يجد فيها ابناء الجيل الصغير أو ان كانت جدية فإنها منهكة بحرب اليابان وهيروشيما وكل ثقل العقود الماضية..

القصص القصيرة في هذا الكتاب تسلط لفتات جيدة حول أزمة منتصف العمر لرجل..الكثير من ال
sexual frustration
يقود إلى الكثير من
boobs and additional 18+ stuff

.. كيف صنعت صورة أسطورة من ولد مات وهو يكبس أمه أثناء قنبلة هيروشيما..
وشاب لا يعرف أن جاره مات لأن كل واحد غير فاضي لجاره، حتى
I'm sad that this is the last collection of "gekiga" from Tatsumi. I thought there would be more. Incredible. Upsetting.
Mattias Appelgren
Straight from the seedy underbelly of Japan. It's dark and gritty and dirty and sometimes kinda disturbing. The character in these stories are often struggling, with themselves, loneliness, disappointment and all the stuff that makes it so oddly fascinating to follow. Life ain't pretty and there's never much of a happy ending either. So all in all, a wonderful read.
4 & 1/2 stars. These stories are set in postwar Japan. Tatsumi's style is almost woodcut: stark, heavy, black&white, and bleak. And yet he never looks away, even while the reader at times can hardly bear to look. In "Hell" a nuclear shadow depicts a secret past that is very different from the past it seems at first to represent. And in "Good-Bye" the post-war world, squalid and nightmarishly small, seems to depict a country that has become unmoored, brutally severed from its connections ...more
Tatsumi's work should be required reading in any classes that feature short-stories. Not a graphic novel class, but a literature class full stop. His work is bleak but amazing and every volume I pick up just ends up wowing me even more.
This title is worth a read for its' first story alone - Hell - a look at what happens when symbols of hope turn out to not quite be what they seem.
But I do have one wee gripe with one of the stories in this collection. Can someone please tell me what the heck 'Ra
Oward Bodie
the most fascinating of the released trilogy
Noise Incapacitant
Sticking to the extreme social theme of his work, Good-bye delves into the history of Japan, momentarily lapsing into personal near autobiographic moments. Many of these stories are easily some of Tatsumi's bleakest, though I still prefer his more stylistically varied book: 'Abandon The Old In Tokyo'.
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Yoshihiro Tatsumi (辰巳 ヨシヒロ Tatsumi Yoshihiro, June 10, 1935 in Tennōji-ku, Osaka) is a Japanese manga artist who is widely credited with starting the gekiga style of alternative comics in Japan, having allegedly coined the term in 1957.

His work has been translated into many languages, and Canadian publisher Drawn and Quarterly have embarked on a project to publish an annual compendium of his works
More about Yoshihiro Tatsumi...

Other Books in the Series

Tatsumi's short stories (3 books)
  • The Push Man and Other Stories
  • Abandon the Old in Tokyo
The Push Man and Other Stories A Drifting Life Abandon the Old in Tokyo Black Blizzard Fallen Words

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