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El cine según Hitchcock

4.46 of 5 stars 4.46  ·  rating details  ·  3,051 ratings  ·  155 reviews
Un libro tan clásico como extraño en la bibliografía sobre el séptimo arte es “El cine según Hitchcock”, de François Truffaut. Y es extraño porque muestra a un director de cine hablando con gran claridad y coherencia sobre su propia obra. Pensemos que, en el momento de producirse las entrevistas en que se basa en libro (finales de los años 60), Hitchcock aún estaba en acti ...more
Paperback, 416 pages
Published June 30th 2005 by Alianza (first published 1966)
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Jeffrey Keeten
Jul 24, 2014 Jeffrey Keeten rated it 5 of 5 stars  ·  review of another edition
Recommended to Jeffrey by: Will Byrnes
Shelves: hollywood
”To reproach Hitchcock for specializing in suspense is to accuse him of being the least boring of film-makers; it is also tantamount to blaming a lover who instead of concentrating on his own pleasure insists on sharing it with his partner. The nature of Hitchcock’s cinema is to absorb the audience so completely that the Arab viewer will forget to shell his peanuts, the Frenchman will ignore the girl in the next seat, the Italian will suspend his chain smoking, the compulsive cougher will refrai ...more
Shawn Nuzzo
Feb 25, 2008 Shawn Nuzzo rated it 4 of 5 stars  ·  review of another edition
Recommends it for: Film Students
This book will teach you more about the art of film making than 4 years (and $200,000) at NYU will.
Lynne King
This book is about the two film directors Hitchcock and Truffaut. It is a wonderful book and Jeffrey has written a superb review today on this.

So my advice is to read Jeffrey's review and then purchase this book. It is an historical document of the film world.

A gem to have.

Kyle Sullivan
I just reread this book, because it shifted my focus from being an artist to being a filmmaker (and now writer), and I'm not overstating. I was making a living designing and building backdrops for visual merchandising and doing display windows in San Antonio, as well as commissioned works of art, when I found an early edition of Truffaut's interview with Hitchcock and got my first idea of how films were made. In fact, this book should be a primer for all film classes; once you've read it, you've ...more
David Rain
There’s a brilliant moment in Truffaut’s introduction in which he explains why suspense, far from being a mere trick or incidental effect, is in fact of the essence of cinema, indeed, of narrative itself: “Suspense is simply the dramatisation of a film’s narrative material, or, if you will, the most intense presentation possible of dramatic situations.” Which is one reason, perhaps, why Hitchcock, the wonderfully perverse genius behind Rear Window, Vertigo, Psycho, The Birds and a host of other ...more
"Good evening, students of the macabre."

Hitchcock is a comprehensive study of the films of the great British-American director Alfred Hitchcock, which explores every one of his films from the beginning of his career up to Torn Curtain (1966). After Hitch's death, Truffaut apparently updated the work to include Hitchcock's final films. The book, like Objects of Desire: Conversations with Luis Buñuel or such works as Godard on Godard or Fellini on Fellini, is a collection of interviews. What make
Απαραίτητο βιβλίο-εργαλείο για αυτόν που αγαπάει τον κινηματογράφο. Ολες οι ταινίες του μεγάλου σκηνοθέτη, τις σχολιάζει ο ίδιος και ο Φρανσουά Τρυφώ. Στις τελευταίες σελίδες όλη η φιλμογραφία του αλλά και σε ταξινόμηση οι αναφορές του Χίτσκοκ σε ταινίες και σε ανθρώπους του κινηματογράφου
Kevin Coaker
The definitive examination of the definitive movie career. Plus a beautiful book in its own right, with glorious photographs and stills. A wonderful birthday present that i devoured from beginning to end.

Truffaut is an amazing author. He worships AH, but doesn't let that get in the way or ruin it. It's amazing to witness Ah let his guard down, and thus enable both to critically examine every film he made. A master in full flow shares with the Sorcerer's apprentice. Pleased to see the respect for
Roberto Hernando
Si te gusta el cine, tienes que leer este libro
Mohamed Elmasry
_ من أهم الكُتب السينمائية اللي قريتها في حياتي، ومن أهم تَجارب القراءة اللي مرَّت عليَّ خلال العامين الأخيرين، وفي آخره.. بيتحوَّل بشكل مُدهش لمرثيَّة عَظيمة عن العَجَز والشيخوخة

- أهميته السينمائية: إن من أكتر الحاجات اللي بتعلّم بشأن السينما هو رؤية صناع الأفلام وهما بيحكوا عن أفلامهم، كان بيفكَّر في إيه لما صور المَشهد الفلاني، أو خده بالزاوية الفلانية، ليه قطع القطعة دي هِنا، هيتشكوك شخص غني جداً بالقيمة، الطريقة اللي طوَّر بيها السينما وكان بيكتشفها، في مُقابل حِفاظه الدائم على خط موصول مع
Film director Mat Whitecross has chosen to discuss François Truffaut’s Hitchcock: the definitive study of Alfred Hitchcock, on FiveBooks as one of the top five on his subject – Film Directing, saying that:
“…Hitchcock is a great artist, but he hides his art behind these thrillers. So hearing Truffaut, who is another one of my favourite directors, talking to Hitchcock and having this conversation where they start to talk about his career in terms of art, rather than just entertainment, is fasc
I've been a fan of Alfred Hitchcock's filmography since my teens, and I've seen each of his films dozens of times. This now classic book is a treasure of insight from the master himself. Donald Spoto's book, The Art of Alfred Hitchcock is more essential for re-viewings, but this text is very special. I can't believe it took me so long to finally read it. Now onto watching all the movies over again.
In Paris recently I found some of the houses and streets that appeared in so many of his films and I must admit I teared up thinking how many more great films Francois Truffault would have made had he not been taken from us 20 years ago. As for the book, I read it again and again in 1967 when it first appeared and I recall thinking "Hey, just because something's popular doesn't mean it can't also have lasting merit." Which I suppose is what passed for insight in a teenage American mind back then ...more
François mainly plays interviewer role in this book, which is about all Hitchcock movies. They go chronologically from his first work to the last one and Truffaut asks questions. Although Truffaut sits in a dirver's seat of the conversation and jumps in with his opinions sometimes, there shall be no mistake, this book is NOT about Hitchcock and Truffaut movies, it's about Hitchcock movies.
Personally I would prefer visa versa. I've been enjoying "400 blows" and "Jul et Jim" more then any Alfred H
These interviews are utterly fascinating. I now want to rewatch all those Hitchcock films and then promptly reread this book.
This is one of the great movie books. It is basically the condensed version of a series of interviews conducted by Truffaut with Hitchcock as the subject. The entire sweep of his career is discussed here, from his beginnings in the advertising department of a British movie company, up to "Torn Curtain." A few flicks at the end of his career are left off, but so what – they usually are not ranked with his best anyway. Hitch talks frankly and intelligently about all the movies discussed here, reme ...more

Es un extraordinario diálogo entre 2 genios del cine. Y esto no quiere decir que sea una lectura para entendidos, al contrario es un acercamiento a la figura de Hitchcock, como ser humano y como cineasta. Truffaut hace un repaso cronológico a la extensa filmografía de Hitchcock (excepto 2 películas, he visto todas), desde sus inicios en el cine mudo en Inglaterra hasta “La trama”, su último film. De esta infinidad de preguntas, se puede sacar una pequeña biografía del director, con
One of the essential books for film lovers, and the essential book for Hitchcock admirers. In a book length interview conducted by New Wave critic and director Francois Truffaut, Hitchcock's entire career is discussed and analyzed. Discussions of technique and intentions are fascinating.

This also works on a purely literary level, contrasting the magisterial yet jokey voice of Hitchcock with the business-like, humorless Truffaut.

Copiously illustrated. Essential
Ahmad Sharabiani
Alfred Joseph Hitchcock (1899 - 1980), François Truffaut (1932 - 1984)
عنوان: سینما به روایت هیچکاک؛ اثر: فرانسوا تروفو؛ با همکاری: هلن جی. اسکات؛ مترجم: پرویز دوائی؛ مشخصات نشر: تهران، انتشارات صدا و سیمای جمهوری اسلامی ایران، 1365، در 288 ص، مصور، عکس، شابک: 9644351886، شابک چاپ چهارم: 9789643769369؛
Abdullah H.
Many times, I got chills as if I was hearing a voice from the grave...the voice
of Sir Alfred Hitchcock, 32 years after his death, giving you the do's and do not's of show biz.
He is a great teacher...a great master. Thanks to my great friend Arda for giving me the gift of Hitch.
Dan Richter
Was bei Chaplin nie jemand vermocht hat: Truffaut gelingt es, Hitchcock die Geheimnisse zu entreißen. Film ist nicht nur Mittel zum Zweck, sondern wird als eigene Kunst behandelt.
"Psycho" gehört nur den Filmemachern.
Zwei Kenner im Gespräch.
Sanjay Madhavan
A must read for cinema lovers. Hitchcock is a master of the art form. Truffaut 's questions are brilliant and get the master to explain his art.
Barajwaj Rangan might have got the idea of his Mani Ratnam book from this one.
Perfect !
Graham Haugh
Absolutely illuminating interview with Hitchcock that will probably make you view his movies a little differently (that is, you'll laugh at them a little more because you'll realize how sly the dude's sense of humor was). Francois Truffaut, like many of his peers, was hugely influenced by Hithcock's work, and managed to get the guy to open up for an interview, though he typically didn't go in for that sort of thing. If you love films, or either of these directors, I recommend this whole-heartedl ...more
Nicholas Kobach
a conversation with two masters.
This review has been hidden because it contains spoilers. To view it, click here.
كعاشق لفن هتشكوك عندما سمعت بوجود كتاب يحكي تاريخة بحثت عن ترجمة له ع الويب دون فائدة ثم عثرت بالصدفه عليه فى معرض الكناب السابق ى احد دور النشر العربية و كان الكتاب عند حسن ظني ،الكتاب عبارة عن أسئلة و اجوبة بين المخرج الفرنسي تريفور و هتشكوك تتناول تاريخ المخرج العظيم من البداية ثم كل افلامه بالتفصيل عجبني أعجاب تريفور الشديظ بهتشكوك و رؤيته كل اعماله بالتفصيل فكانت كل الأسئلة موضوعية جدا ،هتشكوك هذا الرائع درس الهندسة و الصوتيات فتأثر جدا بها و أراد ابتكار تقنيات جديدة تبهر المشاهدين ،هتشكوك ...more
How fabulous it is to read one master of his craft interview another quite different master of the same craft. Truffaut leads us through a series of discussions (and yes, these are discussions)with Hitchcock on his movies beginning from "women to women" to "family plot". At all points, the fact that Francois Truffaut is a genius director in his own right probably adds to the quality of the discussions which range from stories around the shoot, how Hitch acquired the rights to the movies, technic ...more
An insightful interview that goes through all of Hitchcock's work over the span of a couple of days. The book had a very addictive pull. I ended up reading through the whole thing, even though I had only wanted to check out the sections on a couple of films I had actually seen. That said, this is not so much about the movies, but mainly about the aspects of visual storytelling and craft in moviemaking. Meaning you absolutely do not have to be a Hitchcock fan or have to have seen all of his films ...more
Interesting and informative discussion sessions with Master of Suspense Alfred Hitchcock. There are a few humorous moments but I wouldn't exactly call this a fun read. It can be dry reading at times especially in the beginning and when they engage in technical talk.

The book is divided into sections covering different periods of Hitchcock's career. You get a little insight -- not a lot -- into some of Hitchcock's methods and thought processes. There are bits of information on just about all of H
Hitch as Hitch Can

Meine erste Bekanntschaft mit den Filmen Alfred Hitchcocks machte ich im Alter von 12 oder 13 Jahren, als ich an einem Samstagabend im Haus meiner Großeltern einem betrügerischen Medium dabei zusah, wie es einer alten Dame dabei half, ihren zur Adoption freigegebenen Neffen wieder ausfindig zu machen. Damals konnte ich natürlich mit dem Namen eines Regisseurs wenig anfangen und war deshalb auch kaum geneigt, über das Für und Wider der Auteur-Theorie nachzudenken. Ich fürchte so
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سایت فیلمسازی 1 7 Oct 29, 2011 06:15AM  
  • What is Cinema?: Volume I
  • Notes on the Cinematographer
  • This Is Orson Welles
  • Conversations with Wilder
  • Hitchcock's Films Revisited
  • Making Movies
  • Film Form: Essays in Film Theory
  • Cassavetes on Cassavetes
  • Herzog on Herzog
  • Everything Is Cinema: The Working Life of Jean-Luc Godard
  • Godard on Godard: Critical Writings
  • The Great Movies
  • Scorsese on Scorsese
  • The Art of Alfred Hitchcock: Fifty Years of His Motion Pictures
  • Who the Devil Made It: Conversations With Legendary Film Directors
  • Film Theory and Criticism: Introductory Readings
  • The Films of Akira Kurosawa
  • From Caligari to Hitler: A Psychological History of the German Film
François Roland Truffaut was an award-winning and influential filmmaker, critically acclaimed worldwide. He was also a talented and sought-after film critic in France (most notably, his work for Cahiers du Cinema), and one of the founders of the French New Wave and the auteur theory; he remains an icon of the French film industry. In a film career lasting over a quarter of a century, he was also a ...more
More about François Truffaut...
The Films in My Life Jules Et Jim Francois Truffaut: Correspondence, 1945-1984 Le Plaisir des Yeux Truffaut Par Truffaut

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“In many of the films now being made, there is very little cinema: they are mostly what I call 'photographs of people talking.' When we tell a story in cinema we should resort to dialogue only when it's impossible to do otherwise. I always try to tell a story in the cinematic way, through a succession of shots and bits of film in between.” 5 likes
“Nowadays, the work of Alfred Hitchcock is admired all over the world. Young people who are just discovering his art through the current rerelease of Rear Window and Vertigo, or through North by Northwest, may assume his prestige has always been recognized, but this is far from being the case.

In the fifties and sixties, Hitchcock was at the height of his creativity and popularity. He was, of course, famous due to the publicity masterminded by producer David O. Selznick during the six or seven years of their collaboration on such films as Rebecca, Notorious, Spellbound, and The Paradine Case.

His fame had spread further throughout the world via the television series Alfred Hitchcock Presents in the mid-fifties. But American and European critics made him pay for his commercial success by reviewing his work with condescension, and by belittling each new film.
In examining his films, it was obvious that he had given more thought to the potential of his art than any of his colleagues. It occurred to me that if he would, for the first time, agree to respond seriously to a systematic questionnaire, the resulting document might modify the American critics’ approach to Hitchcock.
That is what this book is all about.”
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