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Nightwood

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3.69  ·  Rating Details ·  6,581 Ratings  ·  624 Reviews
Nightwood, Djuna Barnes' strange and sinuous tour de force, "belongs to that small class of books that somehow reflect a time or an epoch" (TLS). That time is the period between the two World Wars, and Barnes' novel unfolds in the decadent shadows of Europe's great cities, Paris, Berlin, and Vienna—a world in which the boundaries of class, religion, and sexuality are bold ...more
Paperback, 182 pages
Published September 26th 2006 by New Directions (first published 1936)
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Mitesis Audiovisual Six months late, I hope I'm not too late to this here answer. Dalkey press, they have my seal of approval, it's the right criteria for this kind of…moreSix months late, I hope I'm not too late to this here answer. Dalkey press, they have my seal of approval, it's the right criteria for this kind of book. I hope you did get to enjoy that one.(less)

Community Reviews

(showing 1-30)
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mark monday
Apr 15, 2011 mark monday rated it really liked it
Recommended to mark by: Richard Derus
Nightwood is the sound of hearts breaking, written on the page, spread out for all to see, five lives, five people eviscerated and eviscerating each other. These people fucking kill me, they are so sad and so full of nonsense and so determined to live in their own personal little boxes, striving for epiphanies that they barely even understand, trying to be a certain idea of What a Person Is. Is that what I'm like? Maybe that's what everyone is like. Barnes lays out these characters' lives like b ...more
Richard Derus
Feb 19, 2012 Richard Derus rated it did not like it
Rating: 1.75* of five

The Publisher Says: Nightwood, Djuna Barnes' strange and sinuous tour de force, "belongs to that small class of books that somehow reflect a time or an epoch" (TLS). That time is the period between the two World Wars, and Barnes' novel unfolds in the decadent shadows of Europe's great cities, Paris, Berlin, and Vienna—a world in which the boundaries of class, religion, and sexuality are bold but surprisingly porous. The outsized characters who inhabit this world are some of
...more
Aubrey
4.999...9/5

It is wise of me to mention that from here on out, I have no idea what I'm talking about. Which, admittedly, is the usual truth of the matter concerning these reviews, but this book in particular makes me give a damn about how much knowledge did not or has not yet trickled down and damned up in my mind. Not enough to get mad over, or perhaps rather not the right type. No, this is a shaft of light breaking into countless beams that my eye has populated itself with multitudes in hopes o
...more
Jeff Jackson
Apr 05, 2013 Jeff Jackson rated it it was amazing
Shelves: book-club-2
The novel that almost ended my book club.

We'd previously read work by Robert Coover, Anne Carson, and Ben Marcus. Cormac McCarthy's Suttree and The Story of O. But it was Nightwood that most of the usually intrepid group didn't bother to finish, a few unwilling to even venture past the first chapter. Bitter complaints of overly baroque language, old fashioned concerns with ancestry, and a story where "nothing happened." Folks were pissed.

To be honest, I'm still mystified. While it took me far
...more
Michael
Jan 13, 2017 Michael rated it really liked it  ·  review of another edition
Recommended to Michael by: aubrey
Shelves: fiction, france, gay, austria, grief
I am a fan of experimental literature since first experiencing the fun rides I got from Postmodernist novels of Barth, Vonnegut, and Pynchon in my college days in the early 70s. I recently set out to give myself a dose of ten radical novels ranging from Woolf’s first exploration of Modernist forms in “The Voyage Out” (1915) to a recent example of the “new weird”, Nell Zink’s “The Wallcreeper” (2014). Among the set I chose, the most challenging to read and digest in my soul was the one on my plat ...more
Nathan "N.R." Gaddis
I still see far too frequently folks adding the Truncated Nightwood to their reading. The one slashed up by Eliot in order to get it past the Uptight Folks. If you want Barnes as Barnes wrote herself, you'll have to do better than a slim cheap pb (even if it is a New Directions). And it's easy enough to do with this beautiful (OUT OF PRINT) Dalkey ed by Cheryl J. Plumb.

If you're interested in the controversies about BAN'd Books and things of this nature, you'll not be reading that ubiquitous vic
...more
Hadrian
Apr 05, 2011 Hadrian rated it really liked it
Shelves: usa, fiction
Nightwood is a damned fearsome book. It is a crazed electric monologue through the intimations of secret love and the creeping monsters that lurk in nightmares.

I am obliged to quote T. S. Eliot's introduction and say that this is a book suited for those with "sensibilities trained on poetry". This is not just from the beauty of Barnes' prose style, but the meaning and insinuation dripping from every word. It is a flowing sequence of emotions, mostly traumas. Love is seldom sappy here, but an in
...more
Jesse
Fourth reading, and it remains just as much a mystery as ever. Marianne Moore said that "reading Djuna Barnes is like reading a foreign language, which you understand," and while I don't disagree I find that any sensation of "comprehension" simply feels like entering another locked room to puzzle out of. A labyrinth with no exit, and I wouldn't have it any other way. [Apr 2017]

...


After a second reading was compelled to include the missing fifth star. Maybe someday I'll be able to write something
...more
Bookdragon Sean
Apr 09, 2017 Bookdragon Sean rated it liked it  ·  review of another edition
Recommends it for: people interested in gay literature
It’s hard to believe what this book turned into as I got further in. In the preface, the book receives copious amounts of praise from Jeanette Winterson. She was influenced by the blatant lesbian content Barnes presents here: it encouraged her to display the same in her works. T.S Eliot even praised it, and T.S Eliot criticised everything to death. That first page will, nevertheless, always remain awful. But this is a book about appearances; it is a book about seeming rather than being, as the b ...more
Jimmy
Jul 14, 2009 Jimmy rated it really liked it
Shelves: fiction
T.S. Elliot said of Nightwood, that it was "so good a novel that only sensibilities trained on poetry can wholly appreciate it". It's really more like a poetic dream than it is a novel. This isn't really because there is no narrative to be found, there is, and what's more, there is a clearly defined romantic conflict between the two main female characters, Nora Flood and Robin Vote. What makes it poetic is probably the flowery digressions that follow the brief explanations of what is happening i ...more
knig
Oct 06, 2012 knig rated it really liked it
Nightwood plays out lenticularly: Christ-cum Rasputin- like Dr O’Connor dominates the central frame with secondary characters phasing in and out in tune with a subtle rotational accretion of meditational ‘om’ spiked Eurekas.

A trifecta of bisexual women in perpetual locomotion seek out a Pythagorian articulation of their triangular ‘saltarello’, overseen by the gregarious doctor and overshadowed by a jilted husband. This then is the plot, what little of it there is.

Character driven in extremis, ‘
...more
Mala
Mar 23, 2013 Mala rated it really liked it
Recommends it for: Outcasts, Tortured souls


Night people do not bury their dead, but on the neck of you, their beloved and waking, sling the creature, husked of its gestures. And where you go, it goes, the two of you, your living and her dead, that will not die; to daylight, to life, to grief, until both are carrion.

Nightwood is such a strange book and this isn't so much a ramrod- straight person's reaction to gay-lesbian literature as the feverish, dream-like quality of the text– like you've stumbled into someone's nightmare & can't
...more
Jonathan
Feb 20, 2013 Jonathan rated it it was amazing  ·  review of another edition
My second reading of this, but my first of the Dalkey edition. Reading it along with other of her work this year I have no doubt of her place amongst the great literary geniuses of the inter-war era. She is unafraid of complexity, subtlety and nuance. She is unabashedly, proudly, queer (and the un-censored Dalkey edition does much to bring the transgressive power of this text back to life). She has the intelligence, ambition and courage to produce truly great art.

This is one of the great books o
...more
Paul
Mar 15, 2013 Paul rated it it was amazing
A short, but by no means easy novel set in Paris (mostly) in the 1930s. It is semi-autobiographical and contains some strong and memorable characters. My edition has two introductions. The first by T S Eliot says that to truly understand Nightwood you have to have a poetic sensibility (Well thsnks for that Tom; if I don't get it that means I am a complete philistine!!!}. After that I really wanted to hate the book but sadly couldn't. The other intro is an achingly heartfelt and passionate recomm ...more
BrokenTune
May 25, 2015 BrokenTune rated it it was ok
Shelves: reviewed
1.5* rounded up.

Matthew,' she said, 'have you ever loved someone and it became yourself?'
For a moment he did not answer. Taking up the decanter he held it to the light.
'Robin can go anywhere, do anything,' Nora continued, 'because she forgets, and I nowhere because I remember.' She came toward him. 'Matthew,' she said, 'you think I have always been like this. Once I was remorseless, but this is another love — it goes everywhere; there is no place for it to stop — it rots me away.”


I honestly feel
...more
Tony
Jan 28, 2016 Tony rated it liked it  ·  review of another edition
Shelves: u-s-lit
The reading gods have a lot of time on their hands. They conspire, they do. How else to explain that two of the last four books I've read were hi-jacked by characters who went on essentially book-length perorations. In Embers by Sándor Márai, an old man invites a very old friend to dinner and then, for 120 pages, tells him the story the friend already knows. Here, in 'Nightwood', characters find themselves drawn to Matthew O'Connor, a cross-dressing, tortured alcoholic, playing at a doctor, who ...more
Bloodorange
First star for the disappointment. Second - for the use of the language, the cadence of sentences, and the use of punctuation, semicolon in particular. I think I'll start showing fragments of Nighwood to my students, who mostly only believe in commas, to show them how punctuation adds clarity and tension.
He was usually seen walking or driving alone, dressed as if expecting to participate in some great event, though there was no function in the world for which he could be said to be properly garb
...more
Kirstine
Everyman dies finally of that poison known as the-heart-in-the-mouth. Yours is in your hand. Put it back. The eater of it will get a taste for you; in the end his muzzle will be heard barking among your ribs.

I wish I could say something clever about this book. I’ve put it off till now because I’m at a loss, as I so often am. Some novels force the breath out of your lungs, they force you to breathe the air they breathe, to live the life they create for you and to believe in the things they tell
...more
Bastet
Sabía que El bosque de la noche me iba a gustar, pero no imaginaba que me iba a fascinar. Djuna Barnes (Cornwall-on-Hudson, Nueva York, 1892 - Nueva York, 1982) pone en boca del personaje bisagra, el que sostiene toda la novela, Matthew O'Connor, el doctor irlandés confidente de Nora (trasunto de la propia escritora), unas analogías endiabladamente gráficas entre el reino animal y el sexo femenino. Da la sensación de que Djuna Barnes entiende mejor a los animales que a las personas. Salvando las ...more
Nate D
Jun 22, 2011 Nate D rated it liked it  ·  review of another edition
Recommends it for: moth-flame loves undying and inescapable
Recommended to Nate D by: The terrifying body language of a doomed couple glimpsed across the room
A strange and oddly removed portrayal of chained relationship collapse. Or not so much collapse, as the structures seem never so well-built as to merit the power and finality of a "collapse". Instead, constructed of ephemeral and ill-defined desires, these relationships barely exist to begin with, already well into their inexorable fade into nonexistence. The strongest structures about them were always the bitter unflagging despair of a human connection that will never, never be found. Even when ...more
Zanna
I'm evidently just not brilliantly smart enough to enjoy this book as I couldn't see the point of it at all. In a way it reminded me of Shakespeare, extemporising on themes of love, sexual jealousy and personality in flights of poetry. But remember why Shakespeare is a little bit obscure and difficult, because we hear it through the long shadows of the centuries; a couple more, I read, and we'll have to translate it, like Chaucer. Nightwood is dense and difficult at eighty, presumably because it ...more
David
Feb 24, 2013 David rated it it was ok
Recommends it for: lesbian flappers, transvestite gynecologists, fake Jewish barons
Nightwood is one of those literary books where the power is all in the prose, and you read it for the experience. Of plot there is very little, and the characters are grotesque sketches. Robin Vote is an American in Paris. She marries a Jew and self-styled "Baron" named Hedvig Folkbein, bears him a sickly child named Guido, and leaves them both abandoned and ruined when she runs off with another woman, Nora Flood. She and Nora enjoy a tumultuous, passionate and dissipated affair before Robin run ...more
Alex
Jun 20, 2017 Alex rated it really liked it
Shelves: 2017
"I have been loved," she said, "By something strange, and it has forgotten me!"

Here is something strange, a 1936 landmark of modernist gay poetry disguised as a novella. It's written with unstoppable confidence and verve and the dangerous knowledge that all people are possible, and any of them may be geniuses. It follows a love triangle of three women as they pursue each other hopelessly around the world. A gender-fluid doctor provides commentary and impenetrable advice. "I have a narrative," he
...more
Khashayar Mohammadi
Lyrical and mesmerizing; but apart from a select few passages, I can't say I fully comprehend the book spiritually. Its hard to follow, and not in an Ezra-Pound way; but in a somewhat staccato ebb and flow that prevents a smooth flow. I enjoyed reading it, but I have already forgotten it completely.
Neal Adolph
I accidentally finished this book last night, when after a nap I was restless and not able to sleep. I had been avoiding it for the day or two before then, not sure I had the energy to get through the last 40 pages. It was only 40 pages, but there had been many times in the previous 120 where I needed to reread again and again and again just to follow the story and attempt to make sense of the ideas hidden in the stunning sentences. So I was scared. I wanted to save it for this weekend.

I also d
...more
Sentimental Surrealist
Dec 08, 2013 Sentimental Surrealist rated it it was amazing
A book preceded by and shrouded in its reputation for difficulty, which for me translates to its breaking of a long-established and yet mostly unwritten fictional rule: you do not make the bulk of your novel a series of conversations, especially if those conversations are about the characters’ worldviews. Most of this rule, as I see it, was born out of the good old “who-do-you-think-you’re-fooling” principle - the idea is if you’re not too careful with such a novel, you’ve got something that loo ...more
Teresa
Jan 13, 2014 Teresa rated it it was ok  ·  review of another edition
Shelves: n-usa, reler, l-1001bymrbyd, e2
Se eu tivesse menos centenas de livros para ler...
Se eu tivesse um pouco mais de tempo livre...
Se eu tivesse uma distância maior da idade definida como esperança de vida...
Se eu tivesse como objectivo principal da leitura não a diversão mas o conhecimento...
Se se se...
Talvez eu tivesse lido as 160 páginas...
Como não, li apenas metade.

Da metade que li não percebi se se trata de um romance ou de um tratado filosófico.
A prosa é muito bonita, lá isso é. Mas não o suficiente para me interessar pelo
...more
Liz
Jan 22, 2017 Liz rated it it was ok
Shelves: for-university
Holy shit, I'm confused.
Review, or an attempt at one, to come.
Joselito Honestly and Brilliantly
T.S.Eliot wrote an introduction to this novel in 1937. He said he has read it "a number of times." Twelve years later, in 1949, he wrote a note to the book's second edition. He said his "admiration for the book has not diminished."

In 1937 T.S.Eliot said that this novel would "appeal primarily to readers of poetry." I agree. I could even dare say that this is poetry masquerading as prose. Thus, even with a deceptively simple plot, almost in every page passages will move you even if you're unsure
...more
Jess
Dec 01, 2007 Jess rated it it was ok
Attention lesbians: Don't marry a Jewish guy pretending to be an Austrian Duke, have a son, and ignore them both to run off to America with a much older, neurotic sugar mama. That PSA aside, I have to say this is the longest 170 pages I've ever read. There are, for example, whole chapters born out of a character asking, "What is the nature of night?" (This was answered by a gay socialite fake doctor.) It's one of those books people call "poetic."

Lest I forget to spoil the ending for you, the les
...more
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Barnes has been cited as an influence by writers as diverse as Truman Capote, William Goyen, Isak Dinesen, John Hawkes, Bertha Harris and Anaïs Nin. Writer Bertha Harris described her work as "practically the only available expression of lesbian culture we have in the modern western world" since Sappho.

Barnes played an important part in the development of 20th century English language modernist wr
...more
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“The unendurable is the beginning of the curve of joy.” 980 likes
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