19th out of 205 books
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176 voters
Black Looks: Race and Representation
by
Bell Hooks
In these twelve essays, bell hooks digs ever deeper into the personal and political consequences of contemporary representations of race and ethnicity within a white supremacist culture.
Paperback, 200 pages
Published
July 1st 1999
by South End Press
(first published May 1st 1992)
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i just re-read this book since it was in my house and overdue to the library. just as awesome as i remembered. one bit that stood out to me, after participating in a gazillion conversations about oppression street cred and what it authorizes you to do (i.e. i grew up working-class, so i can buy a condo on the frontlines of gentrification, the end.) :
and indeed we must be willing to acknowledge that individuals of great privilege who are in no way victimized are capable, via there political choic...more
and indeed we must be willing to acknowledge that individuals of great privilege who are in no way victimized are capable, via there political choic...more
bell hooks is amazing. I think I would have liked this book more if I got more of its pop culture references. It was written almost twenty years ago, so I haven't seen some of the movies, commercials, books, etc. it discusses. However, hooks' critiques and insights are incisive and profound. She breaks down racist and sexist messages in media and talks about Black and female self-hatred as tools of oppression. She turns the image of Madonna as a rebellious revolutionary on its head, arguing that...more
In this book, bell hooks has a piece on Madonna and why she's culturally insensitive and socially irresponsible. I first read that piece in 2001, well before her much-publicized and maligned baby-swiping. The essay is dated; it talks a lot about Truth Or Dare and Madonna's rise to stardom. And at the time, I thought, "She's definitely a poser, but I don't know if she's worth the vitriol, bell!"
Six years later, I absolutely believe she's worth the vitriol. And I say this as a fan.
This book is pr...more
Six years later, I absolutely believe she's worth the vitriol. And I say this as a fan.
This book is pr...more
LJ user velvetlungs:
Good introductory work to bell hooks. She talks a lot of the intersectionality of feminism and race issues. Dissects African American sexuality and race in the modern media (at the time). I don't ALWAYS agree with her but she does raise some good points and makes you think.
Good introductory work to bell hooks. She talks a lot of the intersectionality of feminism and race issues. Dissects African American sexuality and race in the modern media (at the time). I don't ALWAYS agree with her but she does raise some good points and makes you think.
bell hooks' most academic work, Black Looks, is also my favorite, although not necessarily because it is academic. In my favorite essay, Eating the Other: Desire and Resistance, hooks writes, "Within commodity culture, ethnicity becomes spice, seasoning that can liven up the dull dish that is mainstream white culture." The essay continues with more assertions, such as these, which I think easily extend to white members of radical communities. Also, extremely informative, Revolutionary "Renegades...more
Totally "thougtful"...I use as a text for a course I teach at Clark Atlanta: African American Images in Media... This text stimulates media literacy.
"The history of black liberation movements in the United States could be characterized as a struggle over images as much as it has also been a struggle for rights, for equal access." Amen I say and of course I extend this too all liberation movements collective and personal; in the cleverest of language she dissects the ways in which white mainstream captures and catalogues everyone and everything to the advantage only of white mainstream... but I think more importantly includes powerful and ins...more
bell hooks pretty much knows everything. Even more to the point: http://www.mediaed.org/assets/product...
Dec 04, 2008
Shari
added it
Black Looks : Race and Representation by Bell Hooks (1992)
A classic in cultural studies, you have to love a collection of essays that includes one called "Madonna: Sister or Plantation Mistress." And being a bunch of essays, it is well-suited to morning commutes or bedtime reading without feeling like being forced to put it down just when you are in the middle of good plot point. Hooks is pretty visionary to me in that in its day, "Black Looks" casted a critical eye at how black culture is appropriated and consumed, without limiting "blackness" to Afri...more
Any bell hooks book is worth a read. In this collection of 12 essays hooks takes on popular music, advertising, literature, television, historical narrative, and film in an exploration of race, representation, and resistance. Should be required reading for the planet. Her perspective is fresh and stimulating and definitely against the grain.
Why have I waited so long to read bell hooks? She explains white supremacy, internalized racism, the commodification & consumption of the Other, bullshit white liberal tolerance (reminding me that I need to check myself again & again), etc in such clear and accessible ways. This is how theory should be done.
Bell Hooks is a great writer and the topics in this collection of essays are clearly demonstrated. As someone who does not watch many movies, the in-depth film analyses were slightly difficult to read. Yet I was still able to follow the thought process and came away with not just new ideas, but new thought processes.
I really like bell hooks -- this wasn't necessarily one of my favorites, but... I am pretty sure this was required reading for a class at Purdue.
May 19, 2013
Leigh
marked it as to-read
May 18, 2013
Letrice Goodson
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Lyrical Labratory
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bell hooks (born Gloria Jean Watkins) is an African-American author, feminist, and social activist. Her writing has focused on the interconnectivity of race, class, and gender and their ability to produce and perpetuate systems of oppression and domination. She has published over thirty books and numerous scholarly and mainstream articles, appeared in several documentary films and participated in...more
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“Often their rage erupts because they believe that all ways of looking that highlight difference subvert the liberal belief in a universal subjectivity (we are all just people) that they think will make racism disappear. They have a deep emotional investment in the myth of sameness even as their actions reflect the primacy of whiteness as a sign informing who they are and how they think. ”
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3 people liked it
“The "we" evoked here is all of us, black people/people of color, who are daily bombarded by a powerful colonizing whiteness that seduces us away from ourselves that negates that there is beauty to be found in any form of blackness that is not imitation whiteness.”
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2 people liked it
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