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Autumn of the Patriarch

3.83 of 5 stars 3.83  ·  rating details  ·  10,732 ratings  ·  514 reviews
Majestic . . . Superb . . . a stunning portrait of the archetype, the pathological fascist tyrant. Garcia Marquez is as exorbitant as Melville and Dostoyevsky."-- "New York Times Book Review" "Majestic...Superb...a stunning portrait of the archetype, the pathological fascist tyrant. Garc'a M+rquez is as exorbitant as Melville and Dostoyevsky." "--New York Times Book Review
Paperback, First HarperPerennial Edition, 288 pages
Published 1991 by HarperPerennial (first published 1975)
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A-dziko Simba gegele Well, it was certainly a demanding read so much so that one reading, for me, is not sufficient - I hope to be able to get back to this novel sometime…moreWell, it was certainly a demanding read so much so that one reading, for me, is not sufficient - I hope to be able to get back to this novel sometime in the future and re-read it. The technique with its lack of punctuation where punctuation would be expected, it's epic sentences and swtiching in time and point of view, after a while, sinks into the subconscious and no longer stands out but it does take perseverence to get to that place.

Once in that place, there were no hitches in my enjoyment of the work which is truly magnificent.(less)
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A novel of blazing, indefatigable brilliance. A tale in which absolute power of a uniquely Caribbean variety corrupts its possessor absolutely. Year by year el presidenté grows ever farther from any connection with his people until he's a pampered Howard Hughes-like recluse. In his detachment he looses a succession of evil proxies on his people, who perpetrate genocides without a cause. In one, 20,000 children are murdered for their unwitting collusion in a lottery scam which el presidenté alway ...more
K.D. Absolutely
Jul 13, 2012 K.D. Absolutely rated it 4 of 5 stars  ·  review of another edition
Recommended to K.D. by: 1001 Books You Must Read Before You Die (2006-2010)
Hypnotic and brilliant.

This is my fourth Garcia Marquez book and this is said to be his most difficult book to read. It took him four (1968-1971) years to write this book. Four years. He wrote this as a follow up novel to his masterpiece, One Hundred Years of Solitude that catapulted him to stardom in the world literary arena. This was his most recent novel when he won the Nobel Prize for Literature in 1982.

I picked this 1001 book because there was a new member in our book club who is also a GGM
Update: Rest in peace, dear Márquez. Your books will always live on.

Why do I let Márquez torture me so, with his convoluted sentence structures and brilliant use of the comma, his obvious disdain of the semi-colon and colon, the thoughts that go on and on, so intricate and philosophical these sentences that he has me choosing his words over the weekend movie or tennis game, has me so brainwashed that I'm typing this review and can't seem to stop for something as simple as that small dot known
خريف البطريرك

في السابع عشر من أبريل رحل ماركيز، صاحب (مئة عام من العزلة)، ثيربانتس الجديد، الكولومبي الذي حصد نوبل بكتابين أساسيين هما حكاية ماكوندو المذهلة – مئة عام من العزلة – وهذه الرواية التي نشرها قبل نوبل بسبع سنوات.

كنت قد أحببت عوالم ماركيز رغم أنني ولجتها من ترجمة رديئة لمئة عام من العزلة – فلذا أنوي إعادة قراءتها بترجمة صالح علماني خلال هذا العام الماركيزي -، ولكن (الحب في زمن الكوليرا) و(قصة موت معلن) جعلت ماركيز من كتابي المفضلين، وجعلت بقية كتبه على قائمة قراءاتي الفلكية الطول.

This is Garcia Marquez at his most complex and polemical. It is an uncomfortable read, disturbing at times. It is also difficult with very few chapters, no paragraphs and sentences that go on for several pages. Garcia Marquez conducts an extended love affair with the comma; his punctuation mark of choice in this book.
The novel concerns the nameless dictator of a nameless Caribbean nation; principally it is the story of his decline and death with added detail concerning his bloody reign. He has
Ahmed Oraby
ممل أنت يا ماركيز ، ومملة هي حكاياتك
الرواية، على الرغم من كونها من نوعي المفضل؛ واقعية سحرية، أدب لاتيني، أدب سياسي وأدب سجون، وهي كذلك رواية فانتازية ذات أجواء غرائبية للغاية، باعتراف المترجم نفسه، فتجد مثلا أثناء قراءتك بحر يقطع أجزاءً، بقرات ضاحكة، معجزات لأنبياء وقديسين مزيفين، وغيرها من الأعاجيب، إلا أنها، حقيقة، أصابتني بالخيبة الشديدة، فضلا عن الملل والضجر الشديدين. لم؟ لأن ماركيز، وبكل بساطة، ممل، ومبهم، وغامض لأبعد الحدود، أكثر مللا من ساراماجو، وأكثر بطئًا من يوسا، وأكثر اهتماما بالتفا
Maintaining lucidity is a central challenge for both audience and protagonist in the dizzying and illusory narrative of Marquez's Autumn of the Patriarch. While its easy to dwell on the uncompromising style of a novel devoid of paragraphs, punctuation, and quotations delineating dialogue, such blurry tactics seal the bizarre entrancement of a novel concerned with the solitude of a bastard patriarch. Certainly it's no easy pie being tossed randomly into an unspecified Caribbean climate and period ...more
Jul 08, 2007 Ian rated it 5 of 5 stars  ·  review of another edition
Recommends it for: anyone
It took Garcia seven years to write this book. Seven years. I guess that's how long it takes to make sure fifty-page chapters are turned into one paragraph and as few sentences as possible. But the effect is to make the entire book run together and make each story within the story melt into the ones around it. The consequence is ending the reader's sense of chronology, timeline, and even details. We are only left with the horrible man - and leader - that was the patriarch.

And when the story abo
Sanabel Atya
"خريفُ البطريرك،،رواية
خطب الديكتاتور الموزونة،،قصيدة لمحمود درويش
وكلاهما يخطان السيرة ذاتها!"

للوهلة الأولى،وربما تنتهي من الفصل الأول دون أن تفهم شيئاً،أو بمعنى أدق-مش عارف وين راس الرواية و وين رجليها!-وهذا بسبب كيفية صياغة العبارت،في طريقة فريدة من نوعها.
حقاً،لحتى هذه اللحظة،أقفُ عاجزة أمام عبقرية هذا الرجل -على الأقل- في كيفية صياغة الجمل،صياغة جمل طويلة جداً،بحيث أنه نادراً ما استخدم الفواصل والنقاط! ربما استخدم نقطة واحدة فقط في فصل كامل.
قرأتها بالعربية،،ويقول المُترجم أنه حاول قدر المُستطا
They walk under its shadow. And it feels forever. They breathe their warm heart out under its all-pervasive blanket for so many countless instants (sometimes their entire lives) that the line drawing its glistening touch and blistering wrath becomes blurred.

Ask the earth that curled under its downpour, seek the fauna that lies huddled in apprehensive terror, summon the pebbles that were no match to its stony shower, shuffle the air that still carries its haughty scent in its chest, question the
Jul 26, 2008 jess rated it 4 of 5 stars  ·  review of another edition
Recommends it for: ryan golden
Recommended to jess by: me!
on the whole, the novel is impressive. i can't imagine what it took for him to write this whole thing the way that he did. most of the sentences run for ten pages, moving from one point-of-view to another without warning, from dreams to real-life (maybe?)action. at the beginning of each chapter, we are reminded that the patriarch of the novel's title is dead, but we are quickly taken back to years before his death and pushed through memories of the years leading up to his first fake and then rea ...more
If I was forced to chose a single favourite book, this would be it. I red it when I was 16 for the first time and I can still remember myself thinking "bloody hell, that's it! that's how books are supposed to be written - no rules, no boundaries, no cliches or fake emotions. Just plain, nude feelings and thoughts... so deep, so poisoning and suffocating!". This love of first sight (or, to be more accurate, of first page) totally ruined my literature grades - with notes from the teacher "shorten ...more
Nov 18, 2008 Jessica is currently reading it  ·  review of another edition
If ever a book a stumped my rhythm, this one takes the prize. It is written as one fluid thought, one ranting narrative, sans paragraphs, with sentences that rival even St. Paul's run-ons.

It's racy, delusional, oh so very violent (in language, sex, war, illness, execution, thought, etc.), and even comical at times. Each time I laugh, I feel a tinge of guilt - like the uncontrollable snicker at a disabled person tripping over their untied shoelaces into a puddle of water.

I've decided that it's b
"după atâta amar de ani de speranțe deșarte începuse să întrevadă că nu viețuiești, la naiba, ci supraviețuiești, afli prea târziu că până și viețile cele mai lungi și cele mai folositoare nu ajung pentru nimic altceva decât ca să înveți să trăiești"
Rosa Ramôa
Sobre um ditador,de 107 a 232 anos,que permanece no poder sem saber quando lá chegou.Foi pai de 5000 filhos.Tem um testículo inchado e orgulha-se das suas proezas sexuais...Tem tanto poder que até as rosas lhe obedecem...
Кремена Михайлова
Трудно ми е да си представя, че човек може да напише това... Мога да го повярвам, само като си спомня, че същият човек е написал „Сто години самота”. Но тук задачата му е била сякаш още по-трудна – в сравнение с роящите се поколения в „Сто години самота”, в „Есента на патриарха” има единствен център – диктаторът (обобщаващ образ на латиноамериканския диктатор – защо не на който и да е диктатор).

Започва засмукващо и човек трябва да е наясно и да реши иска ли да продължи. (view spoiler)
This is the most powerful GGM novel I have read. Written over 7 years from 1968 to 1975 it metaphorically condemns dictatorial powers. Rafeal Trujillo comes to mind, but there were many other (Caribbean and elsewhere) dictators of the time to inspire it and the portrait is valid today.

You read how the dictator treats his double, courts the most beautiful woman in the country, destroys anyone with a hint of knowledge of his ill gotten gains, marries and how his wife and son die and what is done
هذه الرواية من الفئة التي تود ألا تنتهي أبدًا وتحاول قراءة الكلمات حرفًا حرفًا خوفًا من الوصول إلى صفحة النهاية،

شعرت بالفراغ الرهيب عقب انتهائي منها

رواية أحضرها ماركيز لنا من الجحيم مباشرة ..


ولنا أذواق ..

أعطيت هذه الرواية مع مجموعة روايات أخرى لأحد أصدقائي، فكانت هذه أول الكتب رجوعًا لي (وآخرها عاد بعد سنة ونصف تقريبًا ^_^ )، وقال أنه لم يستطع تجاوز الفصل الأول!!

لا أعلم، ولكنها مازلت تبهرني حتى الثمالة!!
عُذرًا ماركيز ..
وصلت لمنتصف الرواية بصعوبة "وعصرت على نفسي لمونة" ولم أستطع إكمالها.. وليس لدى النية.
هى مملة بلا شك، لم تجذب انتباهى ، وقد يكون العيب منى ليس أكثر . :'))

سأكرر محاولتى معك، فى روايات أخرى .. آمله أن تكون أفضل :))
Just for fun let's briefly compare The Autumn of the Patriarch to the book he wrote previously: One Hundred Years of Solitude. After that, there is some suspect advice to the reader in a footnote.

First, the earlier book:

One Hundred Years of Solitude is monumentally life-affirming, using magical, resplendent prose. It's experimental, but only up to a point; the author challenges but never abandons his reader, who is made a willing participant of the magic itself. That engagement simply is its gre
رائعة ماركيز هذه
هي عن ديكتاتور أفرط في الديكتاتورية والغرور
كان عمره طويلًا جدًا مما جعله يظن نفسه خالدًا
متوحش ومقزز لدرجة جعلتني أتخيله معمر القذافي
الرواية كلها تحكي عنه، كيف يعيش وكيف ينظر لنفسه والأهم ماهي أفكاره ونظرته الداخلية تجاه نفسه وشعبه وأمه ومخاوفه ورغباته، مما يقرب القارئ لحقيقة هذه الشخصية المقززة والذي يزيده احتقارًا لها
ماركيز هنا أبدع بالوصف الدقيق حتى أنه يجعل القارئ يرى الأحداث بوضوح وهو يقرأ
فكأني كنت في غرفة البطريرك ومجلس اجتماعاته وبين البرصى والمشلولين والعميان
و و و...
Lamski Kikita
When you start this book you will be taken aback by the intensely strong language (both difficult AND vulgar) and the very very very long sentences which sometimes are as long as the whole chapter. But at the first page you are sure to be mesmerized by the beautiful prose and intense imagery, and the small details that just keep u pinned to your chair tasting fully every word.

The story of your typical Latin tyrant, but with a little twist in detail which makes him more of a criminal, pervert, lo
It is hard not to distinguish the writer's infamous tone and subject matter in this sumptuous tale which might be the first time that a character study is so well meshed with the locale of his biography: "The Autumn of the Patriarch" in less than 50 sentences spanning pages and pages and a thick layering of symbols and leit motifs tells the sad story of a mad tyrant ruler who, despite being bathed in power and glory, is nonetheless a HUMAN: he kills but suffers immensely and if the book were a p ...more
While on a word by word level the language is often lyrical and inventive, this book suffers from overinflective prose and a sort of misleading vividness. What results is plot totally dominated by the character alluded to in title... an intentional fallacy often compounded with monotonous hyper-emphasis... I say intentional because the narration is simultaneously doing all sorts of stunts - changing person(s), refusing paragraph breaks, making asides - to draw attention to itself. In the end, I ...more
Metto questo libro tra i più belli che abbia letto in assoluto. Lo pongo addirittura al di sopra di quel capolavoro letto e riletto, evocatore di sogni e immagini sublunari che per me è stato Cent'anni di solitudine.
Abanob Ibrahim
this my Gabriel García Márquez best novel of all time
I read this one after the 25th January revolution in Alexandria
how fragile was that dictator in both the novel and reality makes so dump how could we let him treat us like that
how could we let him get so corrupted
you can't imagine the similarity between that dictator and those we had in the arabic world
Mubarak sold Egypt to foreigners
Ben Ali and that other one before him had all the women in Tunisia
And of course Qaddafi and that one I d
Sara Sbaraglia
E' il mio settimo libro di Marquez, che tra l'altro è uno dei miei scrittori preferiti, se non il preferito in assoluto.
Questo è sicuramente il libro che più si distacca dalla sua solita produzione. Lo stile cambia molto a cominciare dal fatto che viene abolita la punteggiatura ad eccezione della virgola. C'è un punto ogni 30 pagine o giù di lì (ma si può arrivare anche a 50-60 pagine senza un'interruzione). Ciò fa sì che la narrazione sia un vero e proprio flusso ininterrotto di parole (ricorda
Hayyan Jacob

بدأت بقراءة نسخة من ترجمة ..محمد علي اليوسفي...لم أفهم شيئاً..بدت لي وكأنه قد ترجمها على مترجم موقع غوغل...فقذفت بها إلى أقرب سلة مهملات على سطح المكتب....ه
ثم جاء أخي وأعطاني نسخة ورقية من ترجمة ...فضل الأمين...فأعاد بذلك إلى ذهني مجدَ.. غارسيا ماركيز العظيم....ه
بثينة العيسى

هذه رواية من العيار الثقيل، وهي لأصحاب النفس الطويل في القراءة، ليس بالضرورة لطول المحتوى، بل لدسامته، وهي تفتح لك عالما من الواقعية السحرية التي دشن ماركيز معالمها ببراعة ..

أنصح بقراءته.
Ella Wagemakers
A difficult read right from the start for me because I had practically learned to meditate my own anger away and the book reminded me that anger expressed this way can help make things clearer. I especially appreciate the lengths he went to to make some sense of the chaos that whirls around like debris inside a dictator's head and the trouble he took to describe what the consequences are when this debris is allowed to have a life of its own. The entire work is terrifyingly real and yet comfortin ...more
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Gabriel José de la Concordia García Márquez was a Colombian novelist, short-story writer, screenwriter and journalist. García Márquez, familiarly known as "Gabo" in his native country, was considered one of the most significant authors of the 20th century. In 1982, he was awarded the Nobel Prize in Literature.

He studied at the University of Bogotá and late worked as a reporter for the Colombian ne
More about Gabriel Garcí­a Márquez...
One Hundred Years of Solitude Love in the Time of Cholera Chronicle of a Death Foretold Memories of My Melancholy Whores Of Love and Other Demons

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“أجيبيه بنعم حتى ولو كنتي تموتين فزعاً ، وحتى لو ندمتِ فيما بعد ، لأنكِ على أية حال ستندمين طوال حياتكِ إن أنتي أجبتيه بلا .” 33 likes
“...the day shit is worth money, poor people will be born without an asshole” 30 likes
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