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<book id="525115">
  <title><![CDATA[Poetry and the Fate of the Senses]]></title>
  <isbn><![CDATA[0226774147]]></isbn>
  <isbn13><![CDATA[9780226774145]]></isbn13>
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  <default_description>&lt;div&gt;What is the role of the senses in the creation and reception of poetry? How does poetry carry on the long tradition of making experience and suffering understood by others? With &lt;i&gt;Poetry and the Fate of the Senses&lt;/i&gt;, Susan Stewart traces the path of the aesthetic in search of an explanation for the role of poetry in our culture. The task of poetry, she tells us, is to counter the loneliness of the mind, or to help it glean, out of the darkness of solitude, the outline of others. Poetry, she contends, makes tangible, visible, and audible the contours of our shared humanity. It sustains and transforms the threshold between individual and social existence.&lt;br&gt;&lt;br&gt;Herself an acclaimed poet, Stewart not only brings the intelligence of a critic to the question of poetry, but the insight of a practitioner as well. Her new study draws on reading from the ancient Greeks to the postmoderns to explain how poetry creates meanings between persons. &lt;i&gt;Poetry and the Fate of the Senses&lt;/i&gt; includes close discussions of poems by Stevens, Hopkins, Keats, Hardy, Bishop, and Traherne, of the sense of vertigo in Baroque and Romantic works, and of the rich tradition of nocturnes in visual, musical, and verbal art. Ultimately, Stewart explores the pivotal role of poetry in contemporary culture. She argues that poetry can counter the denigration of the senses and can expand our imagination of the range of human expression.&lt;br&gt;&lt;br&gt;&lt;i&gt;Poetry and the Fate of the Senses&lt;/i&gt; won the 2004 Truman Capote Award for Literary Criticism in Memory of Newton Arvin, administered for the Truman Capote Estate by the University of Iowa Writers' Workshop. It also won the Phi Beta Kappa Society's 2002 Christian Gauss Award for Literary Criticism.&lt;/div&gt;</default_description>
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  <original_publication_year type="integer">2002</original_publication_year>
  <original_title>Poetry and the Fate of the Senses</original_title>
  <rating_dist>total:32|5:11|4:12|3:7|2:2|1:0|</rating_dist>
  <ratings_count type="integer">32</ratings_count>
  <ratings_sum type="integer">128</ratings_sum>
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  <average_rating><![CDATA[4.00]]></average_rating>
  <ratings_count><![CDATA[32]]></ratings_count>
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  <url><![CDATA[http://www.goodreads.com/book/show/525115.Poetry_and_the_Fate_of_the_Senses]]></url>
  <authors>
        <author id="57830">
      <name><![CDATA[Susan Stewart]]></name>
      <role><![CDATA[]]></role>
      <url><![CDATA[http://www.goodreads.com/author/show/57830.Susan_Stewart]]></url>
      <average_rating><![CDATA[4.09]]></average_rating>
      <ratings_count><![CDATA[235]]></ratings_count>
      <text_reviews_count><![CDATA[43]]></text_reviews_count>
    </author>
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    <review id="51050716">
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      <rating>3</rating>
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  <read_at>Tue Mar 31 00:00:00 -0700 2009</read_at>
  <date_added>Tue Mar 31 12:33:49 -0700 2009</date_added>
  <date_updated>Tue Mar 31 12:52:03 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[I had high expectations for this book -- high enough that when I got halfway through and realized I hadn't internalized anything Stewart had said, I started over at the beginning and took notes to keep me focused. And for that first half, it payed off. Stewart has lucid and interesting thoughts trac...<a href="http://www.goodreads.com/review/show/51050716">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/51050716]]></url>
</review>
    <review id="18877405">
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    <name><![CDATA[Carl]]></name>
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  <read_at></read_at>
  <date_added>Fri Mar 28 15:50:57 -0700 2008</date_added>
  <date_updated>Mon Aug 04 19:06:52 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[I only have one chapter from this which was photocopied for a class on Interart/Intermedial Theory, but I've enjoyed that one chapter quite a bit.  I need to buy the whole book and get through it.  I don't remember if there was an explicit connection, but for some reason I associate this book with a...<a href="http://www.goodreads.com/review/show/18877405">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/18877405]]></url>
</review>
    <review id="47267879">
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    <name><![CDATA[Leah]]></name>
    <location><![CDATA[The United States]]></location>        
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  <read_at>Tue Jan 01 00:00:00 -0800 2002</read_at>
  <date_added>Mon Feb 23 10:57:06 -0800 2009</date_added>
  <date_updated>Mon Feb 23 10:57:41 -0800 2009</date_updated>
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    <body><![CDATA[Wonderful prose, very evocative, especially the first two chapters...]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/47267879]]></url>
</review>
    <review id="16158457">
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    <name><![CDATA[Emily]]></name>
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  <date_added>Sat Feb 23 06:17:09 -0800 2008</date_added>
  <date_updated>Sat Feb 23 06:28:42 -0800 2008</date_updated>
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    <body><![CDATA[Not her best.  &quot;On Longing&quot; stands as one of the strangest, most beautifully-written works of literary criticism there is, and &quot;Crimes of Writing&quot; runs a close second.  ]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/16158457]]></url>
</review>
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  <read_at>Mon Nov 02 22:12:24 -0800 2009</read_at>
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  <date_updated>Mon Nov 02 09:05:15 -0800 2009</date_updated>
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  <date_updated>Mon Dec 08 19:37:43 -0800 2008</date_updated>
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