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<book id="52373">
  <title><![CDATA[Regarding the Pain of Others]]></title>
  <isbn><![CDATA[0141012374]]></isbn>
  <isbn13><![CDATA[9780141012377]]></isbn13>
    <image_url>http://photo.goodreads.com/books/1170387540m/52373.jpg</image_url>
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  <best_book_id type="integer">52373</best_book_id>
  <books_count type="integer">9</books_count>
  <default_description>&lt;div&gt;&lt;b&gt;A brilliant, clear-eyed new consideration of the visual representation of violence in our culture--its ubiquity, meanings, and effects&lt;/b&gt;&lt;br&gt;&lt;br&gt;Watching the evening news offers constant evidence of atrocity--a daily commonplace in our &quot;society of spectacle.&quot; But are viewers inured -or incited--to violence by the daily depiction of cruelty and horror? Is the viewer's perception of reality eroded by the universal availability of imagery intended to shock? &lt;br&gt;&lt;br&gt;In her first full-scale investigation of the role of imagery in our culture since her now-classic book&lt;b&gt; &lt;/b&gt;&lt;i&gt;On Photography&lt;/i&gt; defined the terms of the debate twenty-five years ago, Susan Sontag cuts through circular arguments about how pictures can inspire dissent or foster violence as she takes a fresh look at the representation of atrocity--from Goya's &lt;i&gt;The Disasters of War&lt;/i&gt; to photographs of the American Civil War, lynchings of blacks in the South, and Dachau and Auschwitz to contemporary horrific images of Bosnia, Sierra Leone, Rwanda, and New York City on September 11, 2001.&lt;br&gt;&lt;br&gt;As John Berger wrote when &lt;i&gt;On Photography&lt;/i&gt; was first published, &quot;All future discussions or analysis of the role of photography in the affluent mass-media societies is now bound to begin with her book.&quot; Sontag's new book, a startling reappraisal of the intersection of &quot;information&quot;, &quot;news,&quot; &quot;art,&quot; and politics in the contemporary depiction of war and disaster, will be equally essential. It will forever alter our thinking about the uses and meanings of images in our world.&lt;br&gt;&lt;br&gt;&lt;/div&gt;</default_description>
  <id type="integer">430074</id>
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  <original_publication_month type="integer" nil="true"></original_publication_month>
  <original_publication_year type="integer">2003</original_publication_year>
  <original_title>Regarding the Pain of Others</original_title>
  <rating_dist>total:751|5:217|4:338|3:155|2:34|1:7|</rating_dist>
  <ratings_count type="integer">751</ratings_count>
  <ratings_sum type="integer">2977</ratings_sum>
  <reviews_count type="integer">1202</reviews_count>
  <text_reviews_count type="integer">72</text_reviews_count>
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  <average_rating><![CDATA[3.96]]></average_rating>
  <ratings_count><![CDATA[609]]></ratings_count>
  <text_reviews_count><![CDATA[58]]></text_reviews_count>
  <url><![CDATA[http://www.goodreads.com/book/show/52373.Regarding_the_Pain_of_Others]]></url>
  <authors>
        <author id="7907">
      <name><![CDATA[Susan Sontag]]></name>
      <role><![CDATA[]]></role>
      <url><![CDATA[http://www.goodreads.com/author/show/7907.Susan_Sontag]]></url>
      <average_rating><![CDATA[3.92]]></average_rating>
      <ratings_count><![CDATA[5003]]></ratings_count>
      <text_reviews_count><![CDATA[528]]></text_reviews_count>
    </author>
      </authors>
    <reviews start="1" end="20" total="1202">
    <review id="2676597">
    <user id="168866">
    <name><![CDATA[Irina]]></name>
    <location><![CDATA[The United States]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/168866-irina]]></url>
  </user>
      <rating>4</rating>
  <votes>2</votes>
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  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Thu Feb 01 00:00:00 -0800 2007</read_at>
  <date_added>Tue Jul 03 11:46:47 -0700 2007</date_added>
  <date_updated>Tue Jul 03 11:47:06 -0700 2007</date_updated>
  <read_count></read_count>
    <body><![CDATA[Sontag's essay is concerned with the moral implications of looking, through photographs, at people who are suffering or dead. Much of the book is a history of war photography, which is intimately bound with the history of public tolerance of violent photos. While Sontag does not provide any revoluti...<a href="http://www.goodreads.com/review/show/2676597">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/2676597]]></url>
</review>
    <review id="46104382">
    <user id="220277">
    <name><![CDATA[Ben]]></name>
    <location><![CDATA[The United States]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/220277-ben]]></url>
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      <rating>3</rating>
  <votes>1</votes>
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  <read_at></read_at>
  <date_added>Wed Feb 11 20:17:41 -0800 2009</date_added>
  <date_updated>Wed Feb 11 20:56:16 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[The book is disappointingly diffuse and lacking in incisiveness. This probably reflects Sontag's ambivalence about how she is supposed to react to images of death and destruction. But such ambivalence doesn't make for compelling reading, especially since the themes which she explores (e.g., the susp...<a href="http://www.goodreads.com/review/show/46104382">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/46104382]]></url>
</review>
    <review id="3453811">
    <user id="216509">
    <name><![CDATA[Jason]]></name>
    <location><![CDATA[Somerville, MA]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/216509-jason]]></url>
  </user>
      <rating>3</rating>
  <votes>1</votes>
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  <spoiler_flag>false</spoiler_flag>
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  <recommended_for><![CDATA[Sontag lovers]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Wed Aug 01 00:00:00 -0700 2007</read_at>
  <date_added>Tue Jul 24 09:10:51 -0700 2007</date_added>
  <date_updated>Mon Aug 06 17:08:27 -0700 2007</date_updated>
  <read_count></read_count>
    <body><![CDATA[This essay/book is characteristically Sontag.<br/><br/>I don't want to say she's the queen of longwinded essays, because I know some people love her work, but I got bored of this one a little over half way through and skimmed the rest.<br/><br/>_Regarding the Pain of Others_ is mostly an extende...<a href="http://www.goodreads.com/review/show/3453811">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/3453811]]></url>
</review>
    <review id="19292588">
    <user id="612774">
    <name><![CDATA[S.]]></name>
    <location><![CDATA[Frankfurt, Germany]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/612774-s]]></url>
  </user>
      <rating>4</rating>
  <votes>1</votes>
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  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Sat Jan 03 00:00:00 -0800 2009</read_at>
  <date_added>Wed Apr 02 09:42:04 -0700 2008</date_added>
  <date_updated>Fri Jan 09 12:53:14 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[This is an articulate meditation mostly on war photography that didn't solve any of my problems. Somewhere at the bottom of my mind I was kind of hoping it would. Silly me. Anyway, while it's not particularly enlightening or revelatory (or helpful), the essay does help the reader focus his/her own i...<a href="http://www.goodreads.com/review/show/19292588">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/19292588]]></url>
</review>
    <review id="2868098">
    <user id="28842">
    <name><![CDATA[Hamad]]></name>
    <location><![CDATA[Philadelphia, PA]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/28842-hamad]]></url>
  </user>
      <rating>2</rating>
  <votes>1</votes>
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      </shelves>
  <recommended_for><![CDATA[Everyone]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Sun Jul 01 00:00:00 -0700 2007</read_at>
  <date_added>Mon Jul 09 12:10:44 -0700 2007</date_added>
  <date_updated>Mon Jul 23 16:11:27 -0700 2007</date_updated>
  <read_count></read_count>
    <body><![CDATA[I think her ending basically sums up the whole endeavor: &quot;We, don't understand. We don't get it. We can't imagine what it was like...That's what every soldier, and every journalist and aid worker and independent observer who has put in time under fire, and had the luck to elude the death that s...<a href="http://www.goodreads.com/review/show/2868098">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/2868098]]></url>
</review>
    <review id="45465545">
    <user id="275262">
    <name><![CDATA[Clare]]></name>
    <location><![CDATA[Brooklyn, NY]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/275262-clare]]></url>
  </user>
      <rating>4</rating>
  <votes>0</votes>
  <sell_flag>false</sell_flag>
  <spoiler_flag>false</spoiler_flag>
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  <recommended_for><![CDATA[]]></recommended_for>
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  <read_at></read_at>
  <date_added>Thu Feb 05 10:13:29 -0800 2009</date_added>
  <date_updated>Thu Feb 05 10:16:31 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Twenty-six years after the publication of her influential collection of essays On Photography (1977), Sontag (In America) reconsiders ideas that are &quot;now fast approaching the status of platitudes,&quot; especially the view that our capacity to respond to images of war and atrocity is being dull...<a href="http://www.goodreads.com/review/show/45465545">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/45465545]]></url>
</review>
    <review id="71135501">
    <user id="2735813">
    <name><![CDATA[John]]></name>
    <location><![CDATA[The United States]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/2735813-john]]></url>
  </user>
      <rating>4</rating>
  <votes>0</votes>
  <sell_flag>false</sell_flag>
  <spoiler_flag>false</spoiler_flag>
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  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Wed Jul 08 00:00:00 -0700 2009</read_at>
  <date_added>Sun Sep 13 21:37:19 -0700 2009</date_added>
  <date_updated>Sun Sep 13 21:37:46 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Sontag's book examines how we receive photographic and artistic representations of human suffering. In the end, while she seems cautiously optimistic that photographs can have some positive impact on our perspective of suffering, they still don't hold a candle to actually being there and experiencin...<a href="http://www.goodreads.com/review/show/71135501">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/71135501]]></url>
</review>
    <review id="40220841">
    <user id="393061">
    <name><![CDATA[Denise]]></name>
    <location><![CDATA[The United States]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/393061-denise]]></url>
  </user>
      <rating>4</rating>
  <votes>0</votes>
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  <recommended_for><![CDATA[]]></recommended_for>
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  <read_at>Fri Jun 01 00:00:00 -0700 2007</read_at>
  <date_added>Tue Dec 16 08:55:15 -0800 2008</date_added>
  <date_updated>Tue Dec 16 08:55:15 -0800 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[Really enjoyed this book-Sontag poses serious questions about the role of war photography. <br/><br/>&quot;So far as we feel sympathy,we feel we are not accomplices to what caused the suffering. Our sympathy proclaims our innocence as well as our impotence. To that extent, it can be (for all our g...<a href="http://www.goodreads.com/review/show/40220841">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/40220841]]></url>
</review>
    <review id="43240408">
    <user id="1919073">
    <name><![CDATA[Lauren]]></name>
    <location><![CDATA[The United States]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/1919073-lauren]]></url>
  </user>
      <rating>4</rating>
  <votes>0</votes>
  <sell_flag>false</sell_flag>
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        <shelf name="for-brain-expansion" />
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  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Mon Jan 19 00:00:00 -0800 2009</read_at>
  <date_added>Fri Jan 16 09:07:20 -0800 2009</date_added>
  <date_updated>Tue Jan 20 07:05:17 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[What is most curious about this book of essays about the power of photographs and their relation to war, suffering, outrage, and compassion, is that the only photograph that appears is that of Susan Sontag, on the inside book jacket. The lack of photos forces you to focus on the text rather than get...<a href="http://www.goodreads.com/review/show/43240408">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/43240408]]></url>
</review>
    <review id="38060812">
    <user id="198665">
    <name><![CDATA[Wyatt]]></name>
    <location><![CDATA[Providence, RI]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/198665-wyatt]]></url>
  </user>
      <rating>4</rating>
  <votes>0</votes>
  <sell_flag>false</sell_flag>
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  <recommended_for><![CDATA[]]></recommended_for>
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  <read_at></read_at>
  <date_added>Tue Nov 18 12:00:05 -0800 2008</date_added>
  <date_updated>Mon Jan 12 18:48:57 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Alright, here are a few quotes with no review:<br/><br/>&quot;To the militant, identity is everything.&quot;<br/><br/>&quot;...all photographs want to be explained or falsified by their captions.&quot;<br/><br/>&quot;To reconcile it is necessary that memory be faulty and limited.  &quot;<br/>...<a href="http://www.goodreads.com/review/show/38060812">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/38060812]]></url>
</review>
    <review id="21406099">
    <user id="23800">
    <name><![CDATA[Scott]]></name>
    <location><![CDATA[Brooklyn, NY]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/23800-scott]]></url>
  </user>
      <rating>5</rating>
  <votes>0</votes>
  <sell_flag>false</sell_flag>
  <spoiler_flag>false</spoiler_flag>
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  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Fri Sep 26 08:34:33 -0700 2008</read_at>
  <date_added>Thu May 01 11:49:46 -0700 2008</date_added>
  <date_updated>Fri Sep 26 08:34:33 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[The best book I've read in a really, really long time. (Duh.) It's also the first Sontag I've read, believe it or not. There will be more...<br/><br/>Some quotables: <br/><br/>&quot;So far as we feel sympathy, we feel we are not accomplices to what caused the suffering. Our sympathy proclaims ou...<a href="http://www.goodreads.com/review/show/21406099">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/21406099]]></url>
</review>
    <review id="12768493">
    <user id="137620">
    <name><![CDATA[Ave]]></name>
    <location><![CDATA[Estonia]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/137620-ave]]></url>
  </user>
      <rating>4</rating>
  <votes>0</votes>
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  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Sun Jan 27 00:00:00 -0800 2008</read_at>
  <date_added>Thu Jan 17 11:58:22 -0800 2008</date_added>
  <date_updated>Mon Feb 04 17:13:00 -0800 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[Is there even a way to come to a conclusion of this kind of topic I am not sure, actually perhaps i rather say there is not. Sontag does her best to try to explain and come close to describe the reality of a photograph compared to the reality of a terror. In the end there is no real conclusion to su...<a href="http://www.goodreads.com/review/show/12768493">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/12768493]]></url>
</review>
    <review id="53511">
    <user id="4693">
    <name><![CDATA[علی]]></name>
    <location><![CDATA[3050, Denmark]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/4693]]></url>
  </user>
      <rating>3</rating>
  <votes>0</votes>
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  <recommended_for><![CDATA[]]></recommended_for>
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  <read_at></read_at>
  <date_added>Sun Feb 18 03:44:25 -0800 2007</date_added>
  <date_updated>Sun Feb 18 03:44:25 -0800 2007</date_updated>
  <read_count></read_count>
    <body><![CDATA[اگرچه سوزان سونتاگ در ایران بیشتر به یک منتقد ادبی و اجتماعی نویس معروف است، و بی تردید در این زمینه ها کارهای بزرگی تالیف کرده است، اما رمان های سونتاگ کارهای زیبایی...<a href="http://www.goodreads.com/review/show/53511">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/53511]]></url>
</review>
    <review id="38029849">
    <user id="120859">
    <name><![CDATA[Amber]]></name>
    <location><![CDATA[El Salvador]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/120859-amber]]></url>
  </user>
      <rating>4</rating>
  <votes>0</votes>
  <sell_flag>true</sell_flag>
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  <recommended_for><![CDATA[Dennis]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Sat Nov 22 11:38:05 -0800 2008</read_at>
  <date_added>Tue Nov 18 06:42:44 -0800 2008</date_added>
  <date_updated>Sat Nov 22 11:38:05 -0800 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[I hadn´t read anything by Susan Sontag in a long time, so it was nice to get back to some of her articulate commentaries on photography. I particularly enjoyed this exploration into the motivations and effects that war photography has/or doesn´t have on our moral sensibilities. I wished that the b...<a href="http://www.goodreads.com/review/show/38029849">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/38029849]]></url>
</review>
    <review id="43148736">
    <user id="327527">
    <name><![CDATA[melissa/missy]]></name>
    <location><![CDATA[Marlborough, MA]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/327527-melissa-missy]]></url>
  </user>
      <rating>4</rating>
  <votes>1</votes>
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  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Tue Apr 14 00:00:00 -0700 2009</read_at>
  <date_added>Thu Jan 15 12:17:43 -0800 2009</date_added>
  <date_updated>Tue Apr 14 09:59:53 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[A really interesting look at issues connected to photography, the gaze, representation in times of war and suffering, and the complex relationship between those who look and those who are looked at.  This book deals with the outer limits of human cruelty and brutality, and how people respond when ex...<a href="http://www.goodreads.com/review/show/43148736">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/43148736]]></url>
</review>
    <review id="75478664">
    <user id="1052713">
    <name><![CDATA[Kimberly]]></name>
    <location><![CDATA[Saint Paul, MN]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/1052713-kimberly-benson]]></url>
  </user>
      <rating>5</rating>
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  <recommended_for><![CDATA[]]></recommended_for>
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  <read_at>Tue Jan 01 00:00:00 -0800 2008</read_at>
  <date_added>Fri Oct 23 08:00:21 -0700 2009</date_added>
  <date_updated>Fri Oct 23 08:02:49 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[An excellent book about pain, war, and it's images. Very relative to our society's current affairs with Iraq and Afghanistan. <br/>&quot;For those who live neither with religious consolations about death nor with a sense of death (or of anything else) as natural, death is the obscene mystery, the ul...<a href="http://www.goodreads.com/review/show/75478664">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/75478664]]></url>
</review>
    <review id="72619956">
    <user id="2122368">
    <name><![CDATA[Megan]]></name>
    <location><![CDATA[Port Orchard, WA]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/2122368-megan-r]]></url>
  </user>
      <rating>5</rating>
  <votes>0</votes>
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  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Sat Sep 26 00:00:00 -0700 2009</read_at>
  <date_added>Sat Sep 26 21:46:40 -0700 2009</date_added>
  <date_updated>Sat Sep 26 21:48:35 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[I had to read this book for my English 102 class this quarter. It is a very good book. It raises a lot of questions and really made me think. We're still discussing the book in class and I definitely have more questions than answers right now. For example, why is it ok to publish and view photos of ...<a href="http://www.goodreads.com/review/show/72619956">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/72619956]]></url>
</review>
    <review id="77850281">
    <user id="1234027">
    <name><![CDATA[Liz]]></name>
    <location><![CDATA[The United States]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/1234027-liz]]></url>
  </user>
      <rating>3</rating>
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  <read_at></read_at>
  <date_added>Sun Nov 15 09:16:00 -0800 2009</date_added>
  <date_updated>Sun Nov 15 09:16:56 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[It is a good book, but I did not finish it, only did the reading for my class. It is interesting to read from the perspective of someone who is not photographer, but admires the art and can see through the bias of the artist. She considers photographs for their quality and discusses the true nature ...<a href="http://www.goodreads.com/review/show/77850281">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/77850281]]></url>
</review>
    <review id="42698194">
    <user id="1190209">
    <name><![CDATA[Melissa]]></name>
    <location><![CDATA[Chicago, IL]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/1190209-melissa-stallard]]></url>
  </user>
      <rating>5</rating>
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  <recommended_for><![CDATA[]]></recommended_for>
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  <read_at>Sat Jan 01 00:00:00 -0800 2005</read_at>
  <date_added>Sun Jan 11 12:48:14 -0800 2009</date_added>
  <date_updated>Sun Jan 11 12:50:54 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Fantastic book with a great follow up written in the NY Times Magazine (May 23, 2005?) titled: Regarding the Torture of Others.  It addresses the issues of the Abu Ghraib prison photographs -- the torture of Iraqi/Afghani prisoners.  If you read this book, read the article!]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/42698194]]></url>
</review>
    <review id="73447706">
    <user id="1047039">
    <name><![CDATA[Kate]]></name>
    <location><![CDATA[Ottawa, Canada]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/1047039-kate]]></url>
  </user>
      <rating>2</rating>
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  <recommended_for><![CDATA[]]></recommended_for>
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  <read_at></read_at>
  <date_added>Sun Oct 04 17:11:22 -0700 2009</date_added>
  <date_updated>Mon Oct 12 09:44:24 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Very depressing to read.  I didn't mind what Sontag had to say and I found that she brought up some decent points but I found many times while reading this book I drifted off thus making me forget what she was talking about. In the end I found she repeated herself far too much throughout the book fo...<a href="http://www.goodreads.com/review/show/73447706">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/73447706]]></url>
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