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The Country Girls (The Country Girls Trilogy #1)

3.67 of 5 stars 3.67 · rating details · 661 ratings · 87 reviews

Meet Kate and Baba, two young Irish country girls who have spent their childhood together. As they leave the safety of their convent school in search of life and love in the big city, they struggle to maintain their somewhat tumultuous relationship. Kate, dreamy and romantic, yearns for true love, while Baba just wants to experience the life of a single girl. Although they...more

Paperback, 175 pages

Published June 25th 2002 by Plume (first published 1960)

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Nov 06, 2009 Elizabeth Quinn rated it 3 of 5 stars

For the longest time, I didn't get Edna O'Brien. Her writing was so highly praised, but I couldn't figure out what all the fuss was about. Her characters were all so repressed and their interactions so brittle that I found her stories difficult to get into and generally boring. But as I embarked on my ongoing Irish tear, I was determined to try again. This time I had no trouble becoming interested in Kate and her childhood friend Baba or their lives in rural Ireland, in convent school and in Dub...more

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Oct 29, 2011 matt rated it 3 of 5 stars

Shelves: eire, miniature, worldly-lit, social-crit, ladies-night

At first, I didn't think very much of The Country Girls. It's sort of your standard coming of age story, the locus here being female and Irish and from a rural, rather down-at-hell background.

O'Brien, who admittedly wrote under the inspiration of Dubliners, said herself that the novel came almost as if unbidden. She said something to the effect that her hand wrote it, she just guided the pen. Very interesting not only to hear this, which has to indicate something really important and personal an...more
At first, I didn't think very much of The Country Girls. It's sort of your standard coming of age story, the locus here being female and Irish and from a rural, rather down-at-hell background.

O'Brien, who admittedly wrote under the inspiration of Dubliners, said herself that the novel came almost as if unbidden. She said something to the effect that her hand wrote it, she just guided the pen. Very interesting not only to hear this, which has to indicate something really important and personal and special about the writing of this book, what it means for her, but also how this was motivated by her *finally* leaving the old sow that eats her farrow and being excited, happy, full, just having GOTTEN OUT. You'd think if you read Joyce that this was more about Romantic urgins and the whims of innovative geniuses but evidently the desire to escape the smothering, swarthy, pious, repressive, and physically looming presence of the emerald isle isn't limited to emotional neurotics with poetic dreams.

It's interesting to see how the main character, Cait, comes into her own slowly but surely. O'Brien's sentences are brief (I read the thing in a day) and cut to the quick, yet contain enough suppleness to move what builds into a pretty dramatic story. It's the first of a trilogy and my teacher warned us that once we've finished it we would be itching to see what happens next. It's true. It's somewhat of a cliffhanger, and a bit of a scary, somewhat creepy one at that.

Throughout the story you get Cait and her best frenemy Baba interacting through adolescence the way any couple of (pre) teenagers do, with not much to recommend home and grisly, three-toothed creepers just waiting for the right time to make a proposal you can't refuse. And the scholarships are rare but, if won, they bring you to a convent which is like something out of Jane Eyre, if not Dickens or some of Orwell's reminiscience of his school days. And then, of course, you've got to flee again.

As you read it you really are made aware of the growing self-awareness of the characters, in this case predominantly female, as they come to see their country (De Valera's sentimental, domestic, rural, humble, stifling Irish wholesomeness) their families (drunk dads, cows pissing in the fields, burly good natured idiot farmhands, aforementioned pervy neighbors with too much time on their hands and too little to do that isn't pissing off to the pubs, growling at livestock, and bemoaning the vicissitudes of fate) and their bodies (a little too skinny, wine is bitter, what tortures women inflict on each other, particularly when there isn't much of anyone else to talk to! Baba I enjoyed reading about but would NOT like to meet in person- sex and the single girl is all fine with me, but the kind of spiteful jealousy and emotional taunting which goes on is not my ball of wax- much less Cait's).

The lights of Dublin are bright, quicksilver, people going places in hurried, expensive groups...there are always a couple of middle aged swells ready to pick up where the pervy uncles and opportunistic neighbors left off.

Sometimes when people relate the bare, unadorned facts of their lives in mediums not unto life itself, it's a small miracle that they seem to have survived at all. O'Brien writes with a brisk, observant frankness which renders the rather drab circumstances of her Cait's life into something engaging, engrossing, energetic, and vivid. (less)

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Aug 22, 2011 Vanessa Wu rated it 4 of 5 stars

I have been listening to Edna O'Brien read the unabridged version of this novel. It is quite short. She reads it in a state of holy awe, as if she is filled with wonder at the world. This very much suits the narrative, which tells of the unholy dramas that befall a fourteen-year-old Catholic girl in a little Irish town. It is told in unadorned, elegant English. There is a purity about it, which means you have to quieten your mind and let Edna's voice fill up your senses in order to appreciate it...more

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Sep 07, 2011 Kirsten rated it 5 of 5 stars · review of another edition

I really, really enjoyed reading this book. I think the most delicious aspect of it is that O’Brien marries intimate and personal details of a girl’s early teenhood in the Irish countryside with the horribly dark realities of human existence. Furthermore, O’Brien does this very subtly. She describes the girl, Kaithleen, getting out of bed in the early mornings and seeing frost on the hedgerows outside, and skimming the cream off a bucket of milk to put in a glass bottle to take to a best friend’...more
I really, really enjoyed reading this book. I think the most delicious aspect of it is that O’Brien marries intimate and personal details of a girl’s early teenhood in the Irish countryside with the horribly dark realities of human existence. Furthermore, O’Brien does this very subtly. She describes the girl, Kaithleen, getting out of bed in the early mornings and seeing frost on the hedgerows outside, and skimming the cream off a bucket of milk to put in a glass bottle to take to a best friend’s birthday party. However, alongside this, Kaithleen, also has an alcoholic father, one who punches her underneath the jaw to make her teeth clack together. Kaithleen’s best friend is beautiful and dimpled, and Kaithleen follows her as besottedly as though a poster of Greta Garbo had come to life, yet what she tends to receive in response from Baba is, “Be off, trash”. Early on, Kaithleen’s mother drowns in a lake, trying to escape from her alcoholic husband; which forces the young girl to live with Baba and her family. Scenes of realistic eccentricity light up the novel, such as the mother of the Kaithleen’s adoptive family, a ‘fast’ but beautiful woman called Martha, sneaking a whole roast chicken up in to her rich boudoir of velvets and silk for the children and her to eat away from the father. This latter is a kind man who works hard as a vet, but who nevertheless proved to be a disappointing match for Martha, whose fluctuating recollections had her as a ballet dancer, or an actress: ‘ “I could have married a hundred men, a hundred men cried at my wedding…. One was an actor, one was a poet, a dozen were in the diplomatic service.” Her voice trailed off as she went over to speak to her two pet goldfish on the dressing-table’. When they hear the husband coming up the stairs, Martha rushes to hide the half-eaten chicken in the wardrobe amongst her summer cases and fur capes.
In addition, this book is completely free of ‘consciously’ examining anything. The relationship between Kaithleen and her father is fascinating, but clearly observed rather than manipulated. I was touched by a scene where he bought Kaithleen a Christmas present of a pair of beautiful suede shoes, her first pair of high heels. She hates her father, and gives him a simple kiss on the cheek and perfunctory thank you; and he can have no idea how happy the shoes have made his only child, his daughter. Through simple events such as these, unanalysed, it is possible for us to view the complexities of their relationship: the loneliness of the father, than anger and shame of the daughter.
O’Brien’s language can be as simply beautiful as the things she describes: “The buds had thrust their way to the very tips of the thin, black, melancholy birch branches. The buds were lime green and the branches black, slender branches stirring in the wind…” However occasionally, perhaps as a natural side effect of the spontaneity of O’Brien’s writing, there are some rather slap-dash patches, which highlighted that this story was being written by a harried writer at a desk who had perhaps children fighting downstairs and the washing still to hang out. ‘During those three years nothing special happened to us, so I can pass quickly over them,’ and ‘The chance came in March 1952. I mean the chance to escape.’ As well as this, the ending is very sudden and feels lopped; I can only assume the next novel in the series picks up almost directly from this moment in Kaithleen’s life, and was effectively cut here to restart again somewhere else. However these are tiny faults in what is otherwise a wonderful book. O’Brien’s writing brought me directly in to Kaithleen’s world: admittedly a possible chlichéd world, comprising a spell at a stern convent school, first kisses and cows in fields, but one so personally described, and with such individual undertones, that it felt sparkling and tantalising… as I suppose life does to a 14 –year old girl coming of age.
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Dec 08, 2012 Mark rated it 5 of 5 stars

Edna O'Brien admitted later that with her novel, 'Country Girls' she had unwittingly created a storm ( her books publicly burned after scandalising her native Ireland !) as clearly she had touched a nerve and offended the sensibilities of so many in Ireland by describing a deeply gender-divided socio-cultural brutalised rural Ireland where men were omniscient and their women submissive as they cowered beneath their oppressive demands, physical and emotional. As if viewed through a sepia photogra...more

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May 26, 2012 Trisha rated it 4 of 5 stars

When The Country Girls (1960), The Lonely Girl (1962), and Girls in Their Married Bliss (1964) were published they were promptly condemned by the Catholic Church in Ireland, and banned by the Irish Censorship Board. Most likely because of what this trilogy had to say about the truly dismal lives of girls who grew into womanhood under the shadow of a darkly repressive church and a rural culture filled with narrow-minded ignorance, mistrust and helplessness. Nevertheless, today Edna O’Brien is reg...more When The Country Girls (1960), The Lonely Girl (1962), and Girls in Their Married Bliss (1964) were published they were promptly condemned by the Catholic Church in Ireland, and banned by the Irish Censorship Board. Most likely because of what this trilogy had to say about the truly dismal lives of girls who grew into womanhood under the shadow of a darkly repressive church and a rural culture filled with narrow-minded ignorance, mistrust and helplessness. Nevertheless, today Edna O’Brien is regarded as one of Ireland’s most famous women novelists. Like so much of Irish literature, her novels are filled with a murky darkness that can leave a reader wondering why it’s worth even continuing to turn the pages. But I’m glad I did because in spite of her tendency to focus on the dismal side of human nature, Edna O’Brien is a first-rate writer with a knack for creating compelling characters and the talent for showing us rather than telling us what kind of life they are living. The main characters are Kate and Baba two young girls from a small village in the West of Ireland and we watch them grow up and try to escape their extremely narrow and depressing rural Catholic upbringing by moving to Dublin, eventually ending up in London. We’re not given any definitive clues as to when this all takes place – my guess is it’s somewhere between the late 40’s to the late 60’s – a time of tremendous change for women, although while both Kate and Baba do manage to escape the fate their mothers suffered, they certainly don’t end up fulfilling their dreams of becoming happily independent, sexually fulfilled women. Part of the irony of the book is that despite their attempts at achieving sexual freedom, they are every bit as dependent on men as their mothers were and with equally disastrous, though very different, consequences.
I was intrigued by the characters of Kate and Baba….two polar opposites whose friendship seemed to be driven more by necessity than affection. Kate’s passivity and indecisiveness made her the perfect target for Baba’s cynical and abusively domineering personality. The two of them seemed made for each other – in what often seemed like a very unhealthy way. And yet they needed each other at a deeper level and were always there no matter what the crisis of the moment (and there were many) happened to be. As much as I disliked both of them I couldn’t help but care about what happened to them. In spite of the how desperately they tried to escape their narrow-minded and bleak upbringing they never really did succeed because they kept making one bad decision after another and never did learn to take responsibility for any of their misguided actions. This was not an uplifting book to read. There were no heroes (almost all the men who showed up were thoroughly unlikable) and the heroines, if they could be called that, lacked anything that could qualify as being very admirable. Nevertheless it was an extremely readable book and well worth the time.
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Mar 05, 2010 Frank rated it 3 of 5 stars

Shelves: irish-authors

Caithleen is a bit of a wimp, brow-beaten as she is by her best friend, Baba, and under a cloud of physical and emotional terror from her alcoholic father. Her one outlet is a fantastic (as in "fantasy") relationship with an older man, a neighbour, "Mr. Gentleman". Still, O'Brien's prose is compeling, and I've started on the next volume in the trilogy.

Reading these was brought on by seeing an interview with the now 79-year-old O'Brien on Gay Byrne's programme on RTÉ; she has a new play in produ...more

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Oct 03, 2011 Paige marked it as to-read

Shelves: banned-books, strong-women

"The Country Girls, published in 1960 by Hutchinson, London, was the first novel by Edna O’Brien and the first of her trilogy of the same title (also including The Lonely Girl, later called Girl with Green Eyes, and Girls in Their Married Bliss). It was banned in her native Ireland for its sexual content. Altogether, six of her novels were banned there, and sometimes burnt. But her work has always had both big sales and critical acclamation for the lyricism and unflinching nature of her writing,...more

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Mar 05, 2011 K.D. Oliveros rated it 2 of 5 stars · review of another edition

Recommended to K.D. by: 1001 Books You Must Read Before You Die (2006-2010)

Shelves: 1001-core, series

First published in 1960, this is the first novel of Ireland-born novelist Edna O'Brien (born 1930). This is also Book 1 of her trilogy called the same, The Country Girls Trilogy. The other books are entitled The Lonely Girl (1962) and Girls in Their Married Bliss (1964). After the publication of the third book, all of them were banned in the repressive Ireland in the 60's because of the frank portrayal of the sex lives of the characters. Well, there is nothing frank in the first book except that...more First published in 1960, this is the first novel of Ireland-born novelist Edna O'Brien (born 1930). This is also Book 1 of her trilogy called the same, The Country Girls Trilogy. The other books are entitled The Lonely Girl (1962) and Girls in Their Married Bliss (1964). After the publication of the third book, all of them were banned in the repressive Ireland in the 60's because of the frank portrayal of the sex lives of the characters. Well, there is nothing frank in the first book except that scene when one of the main characters, Caithleen likened limp penis to an orchid the first time she saw and touched one. But I guess that was Ireland, a devout Catholic country in the 60's and I know that they have lovely gardens and probably they didn't think that a penis is similar to an orchid.

Guess I should not read this book. Totally not within my reading comfort zone. This tells the story of two 14-y/o Irish girls who have gone to college in a convent run by nuns but they don't like it there so they write a malicious note regarding the wang of a priest that leads to their expulsion. So, they transfer to a college in Dublin and have an affair with dirty old men as they don't want young penniless men.

I started reading this yesterday morning while suffering from hangover from Friday night's drinking session with my two visitors from Columbus, Ohio. I was nursing a bad headache while trying to decipher what O'Brien (this is my first book by her) was saying in this book's first 50 pages. Things only shaped up when the characters are already in the convent and planning their expulsion.

I think it was not the fault of O'Brien that I did not like this novel. It was really probably because of my hangover. One thing that I appreciated though is the first-person narrator of a 14 to 18- y/o Irish girl and I think that O'Brien was so good she was able to capture what goes on inside that young character's head. Maybe young girls would probably see themselves here and like this more but not a 46-y/o man like me. I only read this because it is among the books included in the 1001 Books You Must Read Before You Die. Too shallow for me. Sorry.(less)

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Feb 04, 2008 Cathy rated it 5 of 5 stars Recommends it for: anyone who likes a good read

What a sad, gorgeous book this turned out to be. It follows young Caithleen and her best friend/bitterest enemy Baba from their rural adolescence to a convent school, and then on to big, bad Dublin to make their way as young women.

Their small town is portrayed as heartbreakingly beautiful, but the people are ugly -- Caithleen's alcoholic father, the creepy inkeeper and would-be poet who pursues her, and Baba's beautiful addled mother. O'Brien is a powerful descriptor of both the physical world a...more

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Sep 10, 2011 Paul rated it 4 of 5 stars · review of another edition

Shelves: novels

A beautiful probably-autobiographical wee slip of a novel which reads more like a memoir about two Irish girls between the ages of 14 and 18 in which nothing much happens except ordinary poor country life stuff, the girls being bored witless and trying to grow up, the girls being righteously disgusted about what's on offer in the back of the Irish beyond in the early 50s before Elvis and rock & roll rewrote the rules, the girls putting up with drunk parents, bitter adults and useless boys. C...more

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Nov 30, 2011 J.J. Toner rated it 5 of 5 stars

Excellent book. The narrator's voice is strong and consistent throughout, and possesses a light quality of dreamy innocence. It has the feeling of a personal diary, looks unedited, and is the better for it. I could imagine how an editor might spoil this work.

The edition I had must have been prepared with the aid of OCR. Lots of words misinterpreted: bad for had, Declaim for Declan, Flickey for Hickey, flyers for fivers, lip for up, fiat for flat, even time for the at, one point.

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Jul 30, 2012 David rated it 5 of 5 stars

Two girls growing up in an age with many more taboos than todays kids are fenced by and in a society which had many more taboos than others in Europe of that time. These mix in with the influences of the 'modern' world and with the usual things that happen to young girls (and boys), dipping a toe into the waters of independence, first love and its uncertainty. A book I remember enjoying but may need to read again to refresh the memory of.

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Feb 13, 2011 Audrey rated it 3 of 5 stars

Shelves: fiction

The Country Girls is a coming-of-age story about naive pushover Caithleen and her asshole friend Baba. They leave their little village outside of Limerick to go to convent school, where they get expelled, and then they try to live the life of free-spirited teenagers in Dublin. It was nicely written but the story left me wanting something more. I'm guessing the stuff that got Edna O'Brien's books banned left and right came later.

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Feb 04, 2013 Alex rated it 3 of 5 stars · review of another edition

Well enough, and brisk enough. I thought O'Brien did a fine job of portraying the various forces pulling on Caithleen without overstating, politicizing, or idealizing them. Even better, though rather sad, is the way these simply fade away as the end of the novel approaches: we're left with a girl who doesn't want to be where she came from but equally doesn't want to be where she is.

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Sep 20, 2011 Jacqueline rated it 4 of 5 stars

ive read this book twice,once when i was younger and then again this summer, and the second time i read it i really did appreciate how good the book actually is!i find it an amazing insight into the ireland my aunts and father lived in compared to what its like for me now,and i would really like to find the second book of the trilogy so i could see how they get on!

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Jul 31, 2011 Megan rated it 3 of 5 stars

Quite well written and enjoyable to a point, but quite depressing. I spent most of the book hoping for Caithleen just to break away from Baba and her bad influence. I think I might have liked the interview I read with O'Brien about the effects of censorship and the way her community reacted to this book better than the story itself.

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Jul 16, 2012 Jennifer rated it 4 of 5 stars

Shelves: mymap

I found this book sitting on my father in law's book shelf and i picked it up and read it. I really liked it. it held my interest throughout the book, and I really enjoyed the characters and the situations they found themselves in. I don't think this book is for everyone, but I enjoyed it.

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May 30, 2012 Elizabeth (Alaska) rated it 4 of 5 stars

Shelves: 1001-books, rws-spring-2012

This is an enjoyable book written as if it were an autobiography. It is a debut novel and the first of The Country Girls Trilogy.

The descriptions focus on the girls going to convent school. The story is so much more than that. A small portion of the book takes place at the convent, but only a small portion. Sometimes I wonder if those who write the descriptions ever read the book.

Unlike a book I read a week or so ago, I would classify this as a coming of age story. Caithleen is young at the begi...more

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Oct 29, 2012 Jackie rated it 3 of 5 stars

Shelves: required-reading, historical-fiction

Not the biggest fan of this novel, though I can appreciate its literary merit. Very melancholy and morose, reminds me of Atwood's Lady Oracle minus the fantastical. While the characters are rounded, the world feels flat and suffocating, perhaps O'Brien's aim. 99% chance I will not finish this trilogy. Too depressing. Read for Contemporary Brit Women Writers.

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Dec 04, 2011 Iria rated it 4 of 5 stars · review of another edition

A partir do primeiro tercio, non o soltas. Iso si, ó final, pregúntaste se a rapaciña ten arreglo ou non, e para iso tes que le-la segunda novela desta triloxía irlandesa.

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Jan 11, 2013 Dee Byrne rated it 2 of 5 stars

I was dying to read this famous banned book!!it was a nice read but don't know what is the huge drama was all about for it to be banned!!!
Simple and so easy to read!!!

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Apr 04, 2011 L rated it 4 of 5 stars

I always enjoy novels about Ireland, Edna O'Brien gives us a realistic portrait of the "farm girls" fleeing to the city and all is not "happily ever after"

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Mar 13, 2013 Anne rated it 4 of 5 stars

Very quick read, beginning is a bit confusing, but it picks up. The girls, Cait & Baba are very clearly drawn out through the course of the story.

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Jan 10, 2012 Kathleenjcsp rated it 3 of 5 stars

Shelves: fiction

It really was a book of it's time. Hard to believe now that it caused such upset when originally published. I did enjoy reading it though.

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Jan 20, 2013 Gail Toda rated it 1 of 5 stars

Did not finish this book. I did not care for the writing style and found the interaction between the characters aggravating.

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Sep 24, 2011 Elaine rated it 4 of 5 stars

Really enjoyed the writing style and gave me an insight into my mothers era, very sad for women.

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Jun 10, 2008 Stephanie "Jedigal" rated it 3 of 5 stars · review of another edition

Shelves: 1001-books

Okay, this was strange. I liked the story and characters, but again, I am apparently much more plebeian than I like to think, because this book too went right over my head. At least, whatever makes it worthy of special acclaim goes right over my head. To me, just a good story. I do note that my sense of Irish history is woefully lacking, being a plebeian American and all, so maybe if I were Irish this would seem more significant to me, as it might be a great reflection on a certain part of their...more

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Jun 11, 2013 Kim rated it 3 of 5 stars

Definitely like her later work better. This feels extremely thin in its character development. I know it's the 1st in a trilogy, but I could care less about the two characters (one of whom had no redeeming qualities at all).

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Jan 22, 2013 Jenni Eustace rated it 5 of 5 stars

Loved this book.The language is so vivid you can almost hear her voice

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About Edna O'Brien

Edna O’Brien (b. 1930), an award-winning Irish author of novels, plays, and short stories, has been hailed as one of the greatest chroniclers of the female experience in the twentieth century. She is the 2011 recipient of the Frank O’Connor Prize, awarded for her short story collection Saints and Sinners. She has also received, among other honors, the Irish PEN Award for Literature, the Ulysses Me...more

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Quotes from The Country Girls

“There was I, devouring books and yet allowing a man who had never read a book to walk me home for a bit of harmless fumbling on the front steps.” — 4 people liked it

“It was the first time that I came face to face with madness and feared it and was fascinated by it.” — 3 people liked it

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The Country Girls (The Country Girls Trilogy #1)

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